Being blonde and from Minnesota, it was exotic to braid one’s hair. And even more so when it was wet. To sleep in the kinks to come upon morning’s release. Probably the most daring of all, was to do it before fourth grade picture day at Washington Elementary.
I was horrified when I saw myself in the mirror. Flat on top, and then a sea of crinkled mane, then straight once again at the ends. It wasn’t a hairstyle so much as a triangle. I brushed and brushed. As if the faster strokes would release me from this nightmare. There was no time to shower. The bus had already made one pass on its way to Norton’s and would soon be coming back up the hill.
I was tall for my age. Always in the back row. My only hope was that the inexperienced photographer had no light training and I could hide in the shadows. In my stocking cap I apologized to Mrs. Paulson, who’s skirt was ironed and blouse was bowed. I pulled it off of my head. She wasn’t an expressive teacher. Not overtly emotional. She touched my shoulder that day, for the first and only time. Her fingers pressing in with “an everything will be ok.” I’ve never seen that photo again. But her kindness remains.
I never braided my hair again. Never really thought about it, until I painted this girl yesterday. But I have written about Mrs. Paulson so many times since then. Because she made a difference in my life.
To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.
Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.
What will you do today, to remain in the race of summer?
Certainly they were treasures. And I’m just as certain they weren’t expensive. But back then, (and I pray it’s still true today), I, we, didn’t associate value with money. I recognized beauty when I saw it, and these books were beautiful — these compilations of classics, bound in leather, blue, red and green, on my mother’s bookshelf. Too young yet to even sound out the words, I simply ran my fingers over the titles and somehow they got in. And this love of words has never left me.
The most likely scenario is that she got the books through a fidelity program in the grocery store. Just like we got our set of encyclopedias. And didn’t it make perfect sense, this feeding of body and soul. I devour them to this day. I can’t get enough. My fingers are currently tasting the appetizer of my newest book’s embossed title. My mother taught me that. About value. Beauty. She got in. And I know she will never leave me.
She was not unlike most of the super powers that I watched on Saturday mornings. All were contained in the tightest of fashion. It’s why, I imagined they could move through the world so easily. And so it was with Mrs. Bergstrom. She stood in front of our first grade class at Washington Elementary. No loose ends. Her hair slicked back in a perfect bun. Her black pencil skirt smoothed without wrinkle, making it impossible to see where the chalkboard ended and her waist began. That’s how all the words got in, I thought. This seamless transition. And wasn’t that her superpower, all those words that she spelled out, sounded out, drew out. I wanted some of that power. Just to stand in all that “super” for even a moment. I leaned forward in my desk. Pulled up my neck. Straightened my back. Reached one leg behind the chair to make myself into the straightest line. To create a path for all that knowledge she was passing our way.
It’s easy to let a day go by. To let the passage of time slouch us over. To drape in the fray of worry and get caught in every dark moment. But that wasn’t how we were taught. Not how I was taught. So I wipe the chalk from my hands and smooth them down my skirt and I stand. I stand tall. “Gather it in,” my heart tells my brain — be taut — despair can only slide down, slide off. And it occurs to me how similar the words are. This taut and taught. And it straightens me. Lifts me. Letting go the fray, I Bergstrom to the front of the morning.
Grandma Dynda (no actual relation to me) was the first old person that I knew. I mean, that I actually talked to. I was minding my own business, running through their white sheets that hung on the summer clothesline, when she peaked through the screen door asking if I wanted a cookie. It took a minute to get used to the rhythm of her voice. It was slower than a Norton girl. Slower than my mother’s. But I took comfort in the fact that everyone’s was a bit breathless. Some from youth. Some from responsibility. And hers, simply from time passing. Being breathless, too, from all that running, I said sure, and weaved my way to the door.
About the same height, we both struggled to get on the counter stools. Smiling at each other upon summit. She apologized for not baking as she opened the off brand blonde sandwich cookies. I like these I told her. And I did. We each turned them, and ate the frosting from inside. And for the next 15 minutes we were the same age.
Time flies as quickly as the turning pages of my sketchbook. I suppose I could let it flutter in the worry, but it seems better to choose the joy of simply feeling breathless.
I run through the swinging screen door. And hold it open, for you.
All field trips were welcomed. Turning in the signed release form from my mother was always a bit exciting. Seeing the curve of her “I”, still ignites a feeling that something good is just a bus ride away.
That giant yellow box on wheels took us stomping the bog up north. Crawling through Crystal Cave. Orienteering is some forgotten forest. To the zoo. Knute Nelson Home. The baseball stadium. And then one day, without my knowledge or permission, straight to the door of my first love, The Walker Art Museum. I bought two pencils from the gift shop and saved them like pressed corsages from a high school dance.
I suppose you never forget your first love. It changes you. Not only the love you receive, but finding out the love you are able to give. This infinite supply that says you will always have a reason to board that bus. To try new things. To believe in them. To see the beauty all around you. Ever. Still.
That’s what The Walker in Minneapolis did for me. Does for me still. Even a country away. I pulled out my most recent purchase from last year’s visit. I read the back of the shirt. Minneapolis, MN — the World in New Ways. I couldn’t have imagined what that would mean. And I couldn’t love Minneapolis more than I do now.
My mother was always right. Something good is coming.
In the “Age of Innocence,” (if there were ever a time), they used to say, “I didn’t think they’d try it on,” meaning, I didn’t think they’d have the guts to do it. Some may have said that about my mother, but not me.
I’m not sure she ever really knew how brave she was. I know she wanted to be. I guess I knew first, because my grandfather told me. Standing in the kitchen, opposite the sink – grandma in elbow deep – in front of the window that framed the stripped and hanging cow from the tree, he told me I could turn in, or turn out. That I could armored like my Aunt Kay, or be open like my mother. He didn’t mark either as good or bad, both would be difficult, it was just a choice. My mother returned from the other room. Broken, she had the guts to still be ruffled in white. I had already made my choice. To be wounded, but still believe in love, I would ever be “trying it on.”
It was years later, I relayed his message to her. She hadn’t known that he saw her. It wasn’t the way. I suppose it was thought, “Well, it goes without saying…” but mostly I think that means it simply goes unsaid. I can’t let it be one of those times. Ever ruffled in ruffles, I come to the page, to the canvas, to you, wide open, daily. And on those days when you think you don’t have the strength, the courage, the will, you will think of these words, these images, see my mother’s face and heart, and you will find yourself “trying it on.”
When you love something, you want to share it. In my youth, I used to think that meant that the other person not only had to love it, but love it for the same reasons. Childish, I know, but I’d like to think I’ve gotten better, more secure. It is more than enough to simply love.
I enjoy making Christmas cookies. Thanks to a childhood friend, I have one cutter in the shape of Minnesota. Of course no one here in France knows what it is, but the shape of my home state is just as delicious as the Christmas tree, or the star, and they enjoy it. Sometimes I watch. I smile when I think, oh, my husband just took a bite of Duluth, and that same shape that rests in my heart, without his knowledge or permission, is colored in the morning blue of a fresh snow, and is silently full.
Is that what love has always been? If so, what a relief to know it is in the giving that we become filled. Oh, the stress of waiting and wanting to receive… So I offer my love, in all the shapes and colors I know, and find myself with more than I ever could have asked for. And I am saved.
I suppose I had it wrong. Maybe we all do. I thought it was such a clever game, jumping in and out of my mother’s shadow. Racing into the length I thought I would never achieve.
It was Proust who wrote, “In the shadow of young girls in flower.” And as that young girl, so blinded by the light of youth’s bloom, I just kept skipping unaware. Not ever noticing that it was my grandma in my mother’s shadow, and both of them in mine.
I can see it now. In Margaux. How all the light bounces off her shiny hair. So much to flower. She reaches out on the balconies of Marseille. And aren’t we all just a little bit warmer, in the shadows of her bloom.
