It is said that John Steinbeck had a writing ritual with Blackwing pencils. In order to not waste time while he was in the middle of writing, he would sharpen 24 pencils and place them tip side up in a pencil box. Next to it would be the same box, but empty. He would take the first pencil and write until it became dull, place it in the empty box tip down, and take the next sharpened pencil. His advice, “Repeat this, until you have the Grapes of Wrath.”
I laughed when I heard it. I laugh when I tell it. But the truth is, that’s really what it comes down to, simply doing the process again and again. I suppose it’s true for everything. How do you get to Carnegie Hall? Practice, practice, practice. I can’t say that I will write the next epic novel, or hang in the Louvre, but I want to be the best that I can be. To get better each day — this I suppose is my gathering of Grapes. My ritual of art. My daily practice. Some may say that is simple, and I’m fine with that.
She wrote a comment on a post featuring my Grandpa. She said she always admired him. That he was kind. That my Grandma brought them sandwiches. That times were simple – but she could see, feel the love in that. (And that was the greatest compliment, I suppose.)
So I use my pencils. I clean my brushes. I write and paint and post my “sandwiches.”
I have raved through the years about my banana seat bike — the flowers on the seat and basket that could have been delivered from the “Laugh In” set by Goldie Hawn herself. The brightest of pinks, yellows and blues that brightened the gray transition of the end of March, when I received it for my birthday. But I didn’t get there directly from my red tricycle. There was another bike. In between. It looked almost homemade. Perhaps it had been Frankensteined from neighborhood parts gathered in the back shed. It was gray and white. The pedals almost worn down to the stub. It only blurred into the gravel that I was learning upon. Dropped and abandoned in ditches, it still was the one that took me to the brightened glory of the banana seat.
And just as forgettable, I suppose, was the three speed black bike from Sears that in-betweened my banana seat and my electric blue 10-speed. And didn’t I park that bike in the furthest rack away from the playground at Washington Elementary? Not quite ashamed, but close enough that it pangs my heart still.
Maybe it takes awhile to see the value of the things that get us through. It’s easy to celebrate the milestones and forget the random Sundays. Our city is mostly shut down today because of an Iron Man competition. I can lose these hours pedaling feverishly toward Monday, or I can choose to enjoy them as the gift given. I hope I do. I’m going to try. These are the words I’m learning upon.
My cousins had a wood burning stove. Each weekend their family would, as they called it, “make wood” — which meant cutting down trees, then into usable pieces, then bringing to their house. When the teacher asked him what he did over the weekend, as was standard each Monday morning in school, my cousin said they “made wood.” The teacher corrected him and said they probably cut some, loaded some, put it in their trucks, but certainty they did not “make” wood. The next week when the question came around to him, “What did you do over the weekend?”, he answered, “We certainly didn’t make any wood.”
I thought about it yesterday as I began to finish the panel for painting. I cut the piece first in half. Sanded it. Measured to make the frame. Sanded those pieces. Glued them to the back of the panel. Clamped. Sanded again. Then Gessoed. For me, there is a real satisfaction as I rub my hand across the smooth surface, the smell of forest still lingering, traces collected on the tops of my shoes. Soon it will enjoy a new life. Become a painting. And while I know with all humble certainty that I didn’t make the wood, I do know that I am a part of it all — the nature of things. And that feels good.
It’s easy to get caught up in wanting to feel masterful, powerful, useful. I know I have caught myself thinking – I made that out of nothing. Certainly I didn’t. It began, as all things do, I suppose, as a gift. And the best thing, I think, is not to squander. Not to look away. But aid in the becoming. To be a part of it all, to humbly, joyfully, creatively, lovingly participate — that might be, well, everything.
Everyone is a different palette. I love painting flesh tones. It takes some time to get past the underpainting. The skin tone. The shadowing. The real joy for me comes when I’m blushing the cheeks. The ears. The flow of blood that gives life. Emotion. Heart. And I can feel my own cheeks warm in the connection as I put yesterday’s portrait in one of my mom’s blouses, and her golden hoops.
Quinn is graduating from high school. Her race is just beginning. I’m walking now instead of running. We are perhaps as different as the countries we live in. As different as these portraits. But I’d like to think we are all still connected in the blush. This pulsing pinkened hope that keep us moving forward. Still blended with what brought us here. An Ivy blush.
The last two days I have been practicing the painting technique of Alla Prima. It is the Italian name for “one attempt.” Using oils, you keep applying, wet on wet, until the painting is finished. The beauty lies in the moment. The absolute of the here and now. Not looking forward, nor back. There is no time to be too rigid or too precious. And it makes me wonder, hope really, that I can live like this.
If I approach each moment, knowing I get this one day, this one chance under this sun, to live, to love, would I get it right? Could it be more beautiful? Loving someone in the moment, forgetting the constraints of “you should have,” and “I was going to,” and “I’ll get to that later.”
It’s funny that the words of Eminem ring in my ear as I move the paint around the panel —
“You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime.”
The sun is coming through the morning window. Offering us the chance, the moment, the opportunity, to be beautiful. Will we make the attempt?
I recently learned that when birds sleep in a row, the two on the outer edges keep one eye open to protect and allow those on the inside to fall asleep. It doesn’t surprise me, I have rested within that protective watch.
There is a big scientific name for it, which I’ve already forgotten, this act of being able to keep “one eye open” while being in a half sleep — we’ve always just called that “pulling an Elsie.” She had to have been doing the same thing — birding her way through every card and dice game played on her kitchen table. Able to sleep while we pondered over our next move, then waking at the exact moment to handily beat us with chirping joy! And I saw her do it everywhere. In the funeral home where she phone-sat. At the grocery store check-out line (she did indeed check out). Even once in the car. But I was never worried. The speed at which she could belly-jiggle herself awake allowed all of us to rest, to play, to run in a carefree summer, to sleep soundly under her watch.
I suppose you could just rule it all as nature. But I know not everyone was blessed with a Grandma Elsie. So I give thanks. And make my way to the outer edges.
In my younger years, I was a frequent visitor to orthopedic clinics around the state of Minnesota. Without cell phones or iPads, the only thing to do in the waiting rooms was to listen. It was Dr. F. Dixon Conlin that said something that sticks with me still today. Up and down the hallway, he would walk his patients. Those who were ailing seemed to have one thing in common that he corrected again and again — Never look at your feet. I didn’t have the words or knowledge of what all that entailed, but I was certain that no healing, no progress of any kind, could be made while looking down. I was determined not to make the same mistake — I suppose I still am.
I have painted countless birds that counsel from shoulder to head. But this woman, I could see it in her face that she already knew. Her bird, her hope, was always mid flight. So this is what they mean by, “blessed assurance.” It’s written on her face. This quiet confidence. Not weighed down by doubt or arrogance. No need to stomp or trample when you know how to fly.
I’m not always certain of my path, but I return her smile, and keep looking up.
I’m more of a poet than a sailor, but I can see the romance in both. I have friends and family who love to sail. Passionate about it. And I gravitate to the love of loving. And that’s what I think connects us — not the uniform of stripes — but the vulnerability. Whether you’re exposing yourself to the open sea, or the open word, you are open! And that’s what allows us to connect.
I think some may fear that it is a sign of weakness to be vulnerable. I think nothing is stronger. More beautiful. To brave it all with heart wide open is to hero the day. To bare your cracks of heart, your stripes, is the purest form of strength that I know.
So I match the wind with pen and paper. With brush and paint. And wear my stripes proudly. Waving to all the heroes ready to set sail.
He, being 12, had a different perspective, and was not overly enthusiastic about the lawn that was freshly mowed, nor my table setting, nor the food that I had been cooking for four hours. I thought for sure that the fire I started with pine cones for the bbq would spark some interest, with its big flames and smoke puffing out of the pool house — but no. It wasn’t until we finished that beautiful meal, (the ribs and sausages, the asparagus on a bed of peppers and pasta, the shrimp skewers and potatoes, and desserts from the award winning baker) when I began throwing him the winter dusty frisbee across that same lawn that I had worked so hard to mow, that he began to beam. With each throw that spun directly into his reach, he marveled and said, “you’re really good.” This is what impressed him — that I could throw a frisbee.
It’s true that most people see not what you love, but what they love. And the thing is, we never really know exactly how we will connect. But we can, we can connect. It may not be in the way we think, or even hoped for, but in the end, it’s only about if we did.
It wasn’t long before the frisbee ended up in the pool — the pool with last year’s dirty water, not yet ready for summer’s swim. But still, we had a moment. And this is what we build on.
I never know which story you will respond to. It’s always different. And different for everyone, on different days. So I fling the words, like a dusty frisbee across the lawn, and say, in this moment, I’m happy you’re here.
For years I thought you had to “find” your home. I began with a summer red wagon. Knees not even wagon high, I filled the rusted container with baby dolls and stuffed animals, along with an unopenable can of chicken noodle soup, a glass jar of water, my hardcover copy of Little House in the Big Woods, a blanket (said to be for their comfort, but mostly for mine), Bazooka Joe bubble gum, and the plastic camera that no longer worked that I ordered with those same gum wrappers. I didn’t have a watch, so I can’t tell you how long I was gone. But I’m certain the sun didn’t change positions. I was not allowed beyond the “north end,” and it was too difficult to drag my wagon alongside Hugo’s field, so most likely it took me longer to pack than journey. I returned to the green grass in front of our green house, took everything out of the wagon and placed it neatly back in my bedroom. Grabbed my Big Chief Notebook from under my pillow, palmed my number 2 pencil and wrote of the voyage I imagined I just took. And I was home.
Maybe I’m more of a maker than a seeker. The answers aren’t waiting to be found, but created. I’ve said for years that you have to fall in love with your bathroom. Learn how your oven works. Curate, not decorate. Become and become and become. To be the life in your living room. In every room. I suppose the same is for love.
It’s true I love to travel, but in search of an experience, not the answers. The things I know for sure are nestled in the heart, the little red wagon that I keep filled with all that I love.
