I was able to varnish her yesterday, this woman reading. It’s always the most joyful magic, watching the colors of the painted and glorious self come to added life with this layer.
I guess it’s the same in real life. Under the varnishing of love’s protection, this is when we really shine. Unburdened by the fear of losing what we have. Being able to take the chance of the day’s exposure.
When I listened to her sing in front of her 15 year old peers, standing alone on the stage, the notes braving the audience, my second and third thoughts were, oh, she’s really good, and she looks really beautiful. My first thought was, she feels loved. She feels loved enough to risk it all. And I was happy to be a small part of that varnishing.
Simply by the title of his show alone — Perspective should be reversed — I think I have my memories in the right place. Staying with dear friends, we went to see the David Hockney collection at the Palm Springs Art Museum. I love his art. I always have, but being there, with them, is what remains in my heart’s permanent collection. Experiencing it together, rather than the art itself — my reverse perspective.
Passing this week, he fills the internet. He once said, “It’s the very process of looking at something that makes it beautiful.” And we did look. We looked at it together. We looked at it with eyes of France. With memories of Chicago. With collective music humming in our heads. With “remember when”s and “I can’t wait for”s swirling in our midst. And isn’t that what art is, what music is, what friendship is — all that color.
When I painted Margaux from her balcony in Marseille, I suppose I wanted to see what she saw. I wanted, want, her to see me, seeing her, seeing out there. I want her to know that it is indeed the very process of looking that makes it beautiful. It is. She is.
It’s all I have to bring today. These colors of friends and family. This thought that maybe if we experience this world together, it may be just a bit more beautiful. That’s my perspective.
There is the rush to protect, but oils cannot be hurried. There-in also lies the advantage. Paint can still be moved. Decisions tweaked. And the painting improves. It turns out this permanence that I think I so desire, can be avoided, leading me to something better.
The ancient stoics had a saying — The obstacle is the way.
It has always been elusive. This patience. My heart struggles to capture, so it tells my hand, you give it a try. And joyfully, my hand, never burdened by lessons already learned, picks up the brush, trying to capture a moment of still, of within. And maybe it’s not patience after all, maybe it’s just being. Because patience itself implies perhaps still a waiting. And in all that naivety of hand, my heart admits, that WAS a good try. And it simply rests in the moment. In the light. In the being. A moment not captured, nor improved, just a moment. And I am saved.
Running feral as I did, from sun up to sun down, on the equally untamed gravel of Van Dyke Road, it’s counterintuitive, (and yet true), to believe that I never wanted to get dirty. Of course dust gathered on my once-only-white gym socks, creating a permanent outline of my bumper tennis shoes. This was unavoidable. But I mean really dirty, purposefully dirty, like when the Norton girl added more water to yesterday’s rain soaked garden and scooped the mud by hand into discarded EasyBake oven tins scattered in their back yard. “The horror!” I exclaimed to my mother, “Mud pies!” She, being ever crisp in her white blouses, understood completely, as she tried to rub out the wayward splatters on my shorts and t-shirt.
I still find a way to run wild, mostly on canvas now. I have specific clothes just for that. Yesterday, in the studio, K.D. Lang was singing along with each stroke. It wasn’t lost on me that I noticed the brown oil on my sleeve as she sang, “Wash, wash me clean. Mend my wounded seams.” And isn’t that what love does? Accepts us. Gathers us, in all of our commonalities, all of our discrepancies, washes us clean.Maybe this is what allows me to dare the palette. To navigate this beautiful mess we’re in.
She left them in my care. Her most crisp and white. It’s healing for me. Tending, wearing, my mother’s blouses. It mends my wounded seam, and keeps her near, through wayward splatters.
I had read my way through the Golden Books on the bottom shelf, and was advancing to the next level of Olson’s Super Market book section. No longer crouched on my knees, I immediately felt more grown up as I reached at heart’s height and arm’s length. This selection went beyond the stories of Snow White and leaned into the more complex tales of Rose Red (her less famous sister.) I had to sound out the larger titles. Pan – do – ra’s Box. My mother was filling the cart from the generic sections of the aisles when I tugged at her blouse, trying to get her to explain. She put the book in the safety of the child area of the cart. As I whined for brands like Chef Boyardee, she pointed to the book, and I was more than willing to make the sacrifice.
The man in the store apron carried the bags to the car and placed them in the back seat of our Chevy Impala. My chubby thighs stuck to the seat on the drive home. No seat belt required, I easily grabbed the book from the rear before we reached Van Dyke Road.
“I don’t get it,” I said as my mother came back for the second paper sack in the driveway. “Read it again,” she said. I did, and one more time on the front steps. Still puzzled, I took it in the kitchen. “I thought curiosity was a good thing…” I said. “It is,” she said. What else could she say? Hadn’t we dreamed a life beyond this gravel on countless Sunday afternoons? Hadn’t we continued to dare things like love and hope? I could see her going through the list in her head as she reached opened each cupboard. She could see me outlining my own heart in worry. That box had long been opened. “You go ahead and Pandora all you want,” she said.
Maybe I never did get the meaning. Maybe I jumped too quickly to the second shelf. I still do that. Nothing comes without risk. But the greatest experiences I have ever had have come from taking the chance. Of course problems come along with it, but the rewards… well beyond heart level.
Maya Angelou wrote, “Curiosity wants to behold, to comprehend, maybe even to become.” And isn’t that what I, we, want — to keep becoming. I fling open the morning window and lean into the possibility of maybe even me.
I finished the book Pachinko yesterday. When I went for my walk in the afternoon, I started listening to a podcast about the World Creative Director of Disney. He began the interview by saying that if you have read the book Pachinko, you would understand his history. (Sometimes the universe is quite obvious in letting you know you’re on the right path.) There was no one else around, so I smiled to the birds in the sky, thinking surely they, too, must feel a part of it all.
I don’t know that I really believe in coincidence. I think the more we put ourselves out there, the more vulnerable we are, the more we connect. All of this knowledge, this exposure to others, to books, and art, and music and science and creation — perhaps these are the feathers that lift us. The wings that give us a better view.
It was a joyful walk. It seemed to pass more quickly than usual. I remember smiling, but I don’t recall the ground beneath my feet.
It is said that John Steinbeck had a writing ritual with Blackwing pencils. In order to not waste time while he was in the middle of writing, he would sharpen 24 pencils and place them tip side up in a pencil box. Next to it would be the same box, but empty. He would take the first pencil and write until it became dull, place it in the empty box tip down, and take the next sharpened pencil. His advice, “Repeat this, until you have the Grapes of Wrath.”
I laughed when I heard it. I laugh when I tell it. But the truth is, that’s really what it comes down to, simply doing the process again and again. I suppose it’s true for everything. How do you get to Carnegie Hall? Practice, practice, practice. I can’t say that I will write the next epic novel, or hang in the Louvre, but I want to be the best that I can be. To get better each day — this I suppose is my gathering of Grapes. My ritual of art. My daily practice. Some may say that is simple, and I’m fine with that.
She wrote a comment on a post featuring my Grandpa. She said she always admired him. That he was kind. That my Grandma brought them sandwiches. That times were simple – but she could see, feel the love in that. (And that was the greatest compliment, I suppose.)
So I use my pencils. I clean my brushes. I write and paint and post my “sandwiches.”
I have raved through the years about my banana seat bike — the flowers on the seat and basket that could have been delivered from the “Laugh In” set by Goldie Hawn herself. The brightest of pinks, yellows and blues that brightened the gray transition of the end of March, when I received it for my birthday. But I didn’t get there directly from my red tricycle. There was another bike. In between. It looked almost homemade. Perhaps it had been Frankensteined from neighborhood parts gathered in the back shed. It was gray and white. The pedals almost worn down to the stub. It only blurred into the gravel that I was learning upon. Dropped and abandoned in ditches, it still was the one that took me to the brightened glory of the banana seat.
And just as forgettable, I suppose, was the three speed black bike from Sears that in-betweened my banana seat and my electric blue 10-speed. And didn’t I park that bike in the furthest rack away from the playground at Washington Elementary? Not quite ashamed, but close enough that it pangs my heart still.
Maybe it takes awhile to see the value of the things that get us through. It’s easy to celebrate the milestones and forget the random Sundays. Our city is mostly shut down today because of an Iron Man competition. I can lose these hours pedaling feverishly toward Monday, or I can choose to enjoy them as the gift given. I hope I do. I’m going to try. These are the words I’m learning upon.
I can’t tell you how or why I started painting French birds. No more, I suppose, than I can remember the first time my mother said, “Let’s go shopping.” Some things just take on a life of their own. And now I joyfully find myself wing deep in berets and stripes.
Maybe it’s the unlikeliness of it all. We had no money, and not much of a mall. No history passed down from my grandmother. No gps in our car. No google – no computer even. Just the pure desire to dress our way into lives we knew our hearts were already living. So we gassed up the used Malibu and wore a path on I-94. Passing fields and billboards as if winged ourselves. And we found ourselves at the Dales. Ridgedale, Southdale, Brookdale even, when something just needed to be found.
I see it now more clearly. How we fit striped tops over our wings and found our way. Found ourselves.
Here in France, because my mother dared the freeway, I find myself in front of my sketchbook, and I am not lost, but ever wing deep in joy.
It’s one of those things, hard to define, but you know it when you see it, when you see them, people at ease, comfortable in their being. The lack of tension in the body. I saw it in my grandfather, the leaning in. My grandmother, the letting out. I continuously try to paint this feeling. Mostly to remind myself — a reminder not to carry, to strain or keep. What I need will flutter in. What I don’t will fly away. And there is beauty in both.
Visiting our relatives in Kansas City, I experienced something special with the music. Maybe it’s the way with jazz. This letting in, and letting go. A lovely freedom. Not confined by paper or recording, but simply played — for the first time, and perhaps the only. And to hear that, a sound that simply rests on shoulders for but a moment, you feel a magic that was never meant to be contained.
I suppose it’s the same with love. With life. This letting in and letting go, with the grace of no restraint. No protection. When I remember this, I release, I relax, and let the music play.
