Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Hope remains.

I’m not sure where it comes from. I suppose it has to be lived. Seen. Maybe it was my grandfather walking out to the field. My mother standing in front of the morning mirror. But I always felt it. This hope. It’s why, I suppose, a rainy day never stopped me from riding my banana seat bike to the summer youth ball field. Soaked and hooded, I arrived in my navy blue windbreaker. It was right in the name, being for the wind, I don’t why I imagined it would stop the rain. And who needed protection from the wind? 

With no alerts available, no cell phones, or internet, I sat in the empty dugout. The navy sleeves stuck to my skin like another layer, still full of hope that the rain would stop, the others would show, and we would play. I don’t know how long I would sit. Because of course, I didn’t own a watch either. I was saving for one from Bazooka Joe comics, but I had spent my wad on a plastic camera that I accidentally rode over with my own bicycle, so timeless, I waited. 

The rain eventually stopped. It’s ironic, I suppose, I stood outside the dugout hoping the very wind that I was to be protected from, would dry my jacket. I rode as fast as I could. No energy wasted from running bases, I imagined I rode faster than I ever had. My sleeves billowed. Puffing and drying. And when I had pedaled all the wet away up and down Broadway, I made my way past the railroad tracks and went home.

When my mother arrived home after work, she asked me as she did on every game day, not if I won, but if I had fun. Yes, I said, I had fun! 

Rain dampens my morning window. Hope remains. 


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Had I picked up the bow.



Had I picked up the bow instead of the painting brush, as Mr. Iverson suggested in my fifth grade music class, I suppose my life could have been different. One of those “Sliding Door” moments? I’m not sure. Maybe. But it seems, even on the most wayward of paths, I have always found a way, a way to me. 

Out of the hundreds of decisions I make daily — this turn, that step, saying the thing, not saying it, I can stumble for hours. But before that stumble turns into a complete fumbling of sorts, I gather myself in, and go to the place where my heart can rest and my mind can wander. I guess that’s home. And haven’t I always known? From crayon to canvas, without the words to claim it, I have practiced the self care. Scribbling the Burnt Sienna of my heart, inside and outside the lines in the coloring books my mother gladly purchased from the bottom shelf of Olson’s Super Market. (And how graciously she helped me find my path, while still searching for her own.)

We can go over each decision. Play the what if game. But it’s hard to fool the heart — the core of our being, our earth. Perhaps the bow I didn’t pick up was meant for you. And it’s your music I hear as I wander the heart of my Sienna.

I never would have imagined from the floor of the supermarket, that I would be painting in the south of France. But here I am, a long way from, and always home.


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Over my head.

There was no turkey, nor stuffing. Certainly nothing pumpkin, but I was thankful. My friends brought napkins from Minnesota on their most recent visit. They didn’t know, but it didn’t surprise me at all that they would go perfectly with my French plates. These little pieces of paper, barely more than air, had, have, the gravity to tumble into my heart, and fill it. 

Before we were allowed to stir, or guard a heated pan, we were expected to set the table. I suppose it was years of practice, of placing knives and forks (silverware that wasn’t silver) and glasses (that weren’t really glass at all, but colored metal), before I realized that bringing some things to the table, was actually, what “I brought to the table.” Grandma Elsie knew that being a part of something was to participate. Gifts, however small, were gifts.

When my stepdaughter came to dinner, she, being in need of nothing but the magic of time spent together, was welcomed with a Minnesota napkin on our French table. (A Minnesota nice.) A gift of love passed from home to home to home. 

In a world of so much “haves”, I often wonder what I have to bring to the table. Then I paint a portrait. Offer the love that I have been given since my arms had to reach over my head to set a plate. A waft of Elsie smiling from a far away kitchen kisses my cheek. And I am home. 


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Only love.

You could tell Grandma Elsie was a social being, by the amount of wrinkles on her apron — all those gathered in left a mark. 

I used to think it meant only a bad thing – this leaving of a mark. I heard it on the playground daily. Falling off a monkey bar. Being pushed onto the cement. Scratched, pinched, horse-bit and sometimes with teeth. (We ran wild at Washington Elementary.) It’s funny we didn’t even mention the tears that ran down pinkened cheeks. 

I was shy as shy could be back then. I didn’t speak without a broad opening. I suppose that’s what grandma laps are for. And in the softened safety of her welcoming apron, I let it all out. What I thought. What I worried. What I dreamed of and hoped for. And by the time I reached what I long imagined I had climbed and twisted and twirled in her flowery folds. Entangled, she looked at her apron, and said, “That’s going to leave a mark.” 

We both knew it was only love. 


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Histoires sans fin.

It means Endless stories — the name of this French vintage store. (And what would be more fitting for me.) We visited it for the first time last week. It won’t surprise you to learn that I bought a canvas to paint over, and an old frame. Both, I suppose, in the attempt to keep the stories alive. 

Maybe it was in Miss Green’s fifth grade class that I began the practice. Each week we took a “field trip” simply by writing a story about visiting a new area. To determine the destination, we spun around and placed a tack randomly on the large map. (Our version of discovery was somewhere between Pin the tail on the Donkey and today’s Google.)

We wrote weekly of our adventures. Our stories. I’m not sure I’ve ever stopped.

And even though Washington Elementary is now a collection of condominiums, and Miss Green goes by her married name, these stories for me have no end. I tell you my stories, and you tell me yours. And all the versions in between, including playgrounds and grandparents and main streets and penny candy. Bike ride and softball games. And the names may change, but the spirit of each story lives on. And on. (Sans fin.)

Today’s sun begins handing out the letters and I find myself somewhere between Donkey and Google, ready to write, ready to paint, to frame a new and endless story. 


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Risking Delight.

I could print it here for you, a poem that I’ve recently discovered, but that wouldn’t be the same. I know this, because I grew up walking to the library, not holding it in my hand. And what a glorious lesson this was — having my whole body in search of the information. Feet trudging to get hands winging through card catalogs. Eyes searching. Arms carrying loads. Books spread on tables. Thumbs thumbing. Pencils scratching notes. Reading again. Scratching again. Re-reading. Hoping. Willing the information from toe to head. 

And when the test came, (they always come), what a thrill it was to walk the answer through each step and write it down on the challenge of blank paper. Every inch of your being smiling with delight, knowing “I helped.” 

As you wander today through “the ruthless furnace of this world,” I encourage you to be “stubborn” enough to “delight” in the search of this marvelous poem. Read it. Trace it with your fingertips and feel the wonder.

I know it’s just a googling of the quoted lines, but still, when it pops on your screen, when your hands type and your eyes wander, maybe you’ll feel the joy, the delight, of a library trudged, knowledge gained, and a heart expanded.

The sun is rising. Risk it all. 


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The great exchange.

The bag of Twizzlers they brought from the US could easily fit into a small bassinet, and I coddle it to my breast with a love worthy of the same. It’s not just because I love the taste of the candy. Or that I can’t get Twizzlers in France. Not just because I know they love it too. Or that I know the drawer where they keep a rotating bag in their home. I suppose it’s all of these things that make up the language of friendship. 

And now, just as I know how far it is from recliner to licorice in their home, they will be able to picture me enjoying it in every room here in France. The great exchange.

People always say, “no strings attached,” — but I don’t think it applies to red licorice vines.

When I go to the studio today, on a bit of a sugar high, everything will seem fresh and new, because yesterday, love walked through. 


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Love language.

Standing in front of the bird in the hand, he asked me what was the English word for perspective. Perspective, I said. He smiled, not having to learn another word. I smiled because not only was he speaking in my mother tongue, we were talking about art — my love language.

We are meant to connect. I believe it. 

So many things can divide us. Learning a new language, I suppose, is like opening yourself up to a whole new perspective. You can focus on all the differences, but the weight of that can be unbearable. Nothing is lighter than joy. And landing on a word, a phrase, focusing on the common, the similar, the connection —  this, weighing almost nothing at all, can lift us, higher than we ever imagined alone. 

Sometimes the “bird in the hand” (the gift) is simply the fact that we’re reaching out at all. Just a thought from this bird brain. 


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Très Élégant

While most of the kids on Van Dyke Road were told each morning to “get dressed,” it was my mother who told me simply, quietly, to “dress.” I learned the difference quite early on. To get dressed was merely to cover. Anyone can do that, she said. We were dressing. Completing an ensemble. A package of self-esteem and self fulfilling prophecy. I watched from bathroom to closet to full length mirror. Proof that what she was saying was true, as it carried her with style and grace daily to Independent School district #206.

I dressed to go into Aix yesterday. We just had a few errands, but I made sure I was belted, smoothed and scarved. Approaching the other side at the first crossing into the city, she smiled at me and said that I was
“Très Élégant.” I clutched my imaginary pearls and thanked her, feet no longer touching the ground. I’m not sure how long I floated, (I’ll tell you if I stop). Of course a compliment feels wonderful, and it will always lift you. (Never underestimate the power of a compliment.) But it was more than that. The smiling woman, the complimenting woman, she was wearing a ruffled blouse, a crisp, white ruffling Ivy blouse. Proof, once again.

My heart is full, and completely dressed.


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Being. There.

I imagine she can see me from the window as I begin a new painting. It’s a secret we’re keeping until the new canvas comes to life. It’s not her first time, so she knows that to talk about it would suck the magic right from the paints. She simply smiles and waits. Even the bird by her side remains perched. 

We often think that we have to do something. Certainly some sort of action must be taken. When something bad happens, retaliation. With tears, the wiping away. With joy, a wild celebration! It was my mother that taught me differently. That often, the best reaction was just the sitting in, with, and along. In the darkest times, we’d lie quietly until the sun returned as promised. Together. When feelings or knees were hurt, a simple sitting on the front steps as quietly as grass growing would lead eventually to the tapping of shoes against cement, to the exhale, to the jumping off, into the green garden. In the happiest of times, after a book signing, a grand event, after the clapping and cheers, we’d marvel, shaking our heads and smiling in the glorious almost misbelief. Beginning sentences of joy and gratitude, never finished, but continued with hearts heaving. 

I suppose it’s always the little things. The support of simply. Being. There. I look over my shoulder and see her watching quietly. I look above, and know the same.