Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: begin


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Stardust.

I don’t suppose the spaces left from loved ones passed can ever be completely filled. But maybe it’s wrong to think they ever were. These relationships weren’t beautiful, memorable, longed for even still, because of their solid perfection. Perhaps they were always stardust, flittering, fluttering, changing shape, with room always left for dancing, beneath the flickering light. 

It’s the way I choose to think of it, my mother’s space, not as a hole left behind, but a dance floor. And all that magic that sprinkles from her still, lights up the people around me, and they step in, tap me on the shoulder, and ask me to dance. They are my new daily connections. My new last calls. My shared laughter and secrets. Hopes and challenges. Not replacements, but keepers of the dance. 

We’re not all good at the same thing. Some are meant to pull you in, and simply sway. Other’s tap their feet and keep the beat alive. Some dizzy you into laughter. Dance you into breathless. And hold out the ladle of punch. I am grateful for them all. All of you, who keep my dance floor filled, my heart in motion, in sway, in the right tempo, under the stardust. 

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The weight of a letter.

I bought it at an antique store in Hopkins, Minnesota and carried it back to France with me. You know it’s valuable when I allow it space in my ever overpacked suitcase. 

It’s from a time when people still wrote letters. When desk objects were given beauty along with function. On the right is a tiny scale for the weight of the words, and the left a circular housing for the precious stamps that carry them. Of course I don’t need the scale. I have a pretty good idea of the weight of the words. At least I hope the receiver knows — knows that I could have just sent a text, an email, but instead thumbed through all of my cards, along with the thoughts of this person, picked out the one that fit the situation, borrowed my husband’s best pen, wrote in cursive (like nobody’s taught anymore), signed it, meant it, sealed it with wax, and walked it to the post office. And isn’t it just as important that I know? 

My little antique scale can’t weigh all that, but it does remind me to keep doing it. Yes, I have an Apple Pencil, an iPad. I love modern technology. It is connecting us today. But I keep reminders around me — that there is more. The more of photographs printed. Books with spines. Jams without preservatives. Art with actual signatures. And I make the connections with heart and hand. And the joy that it brings, that I carry so easily, daily, makes me smile, because it actually weighs nothing at all. 

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Cardinals.

I suppose we could have been called anything, and I would have loved it, but we were Cardinals, so the moment I put on the red uniform, for volleyball, basketball, track, band, whatever, whenever, I, we, represented Independent School District #206, and proudly became those beautiful red birds. 

We shortened everything. Perhaps we were in such a hurry to grow up. The name of the town, Alexandria, became Alex, and then simply Alek. Cardinals became Cards, always led with a “Go!” I see the urgency now. To get somewhere. To win. And now, it all seems like a fluttering, a blur of red and black wings. 

The Alexandria Boys’ Basketball team won the state championship this weekend. I don’t live there anymore. Not even in the country. The high school that I went to has been torn down. I can’t name a player on this year’s team. But somehow, magically, in that winning flutter, I am part of the we — the “We did it!” 

Perhaps more than any team, I think the same when remembering my mother. With each victory big or small. Selling a painting, surviving a hard situation, conquering a fear, just being happy for no reason on a Monday morning — I look to the heavens and joyfully say, “We did it!”

We are only as strong as our connections. They don’t have to be cardinals, but they should lift you, help you reach things you never even imagined. They should be the ones you look to, recognize, call you by name, ever tell you, “one way or another, we are going to fly!”

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On bloom. 

I expect to have roses in the summer. And they are beautiful for sure, but the late autumn roses…the ones that come out of nowhere, welcoming me into the crisp mornings, when all others have let go, succumbed to the force of the fall, these, well these are something spectacular. 

We’re not all green when we’re asked to grow. I was fortunate to see my mother bloom. Long after, I suppose, her peers and townspeople expected. Some might think I brought her to shows, to galleries, to book-signings because I was kind. While I always want to be kind, I wanted her next to me because she was blooming in full sight. She was a long-stemmed rose in my booth. Attracting all who had grown weary of the expected vine. Her delight in this crisp and open new world, was infectious. And I knew, we knew, we were lucky to bouquet around her.

Maybe one never gets over an autumn bloom. I’m hoping that’s the case. I can’t imagine it any other way. How can you look at it and not feel spectacular? I have to imagine, we are given the responsibility — to bear witness. What a privilege it is to keep sharing the story, her story. 

In recent years, we have all heard the saying, “if you see something, say something.” Why we reserve that for the bad things, I’ll never know. This should be something we live by, for all the good things around us — the spectacular blooms we are privileged to walk within and beside. 

It’s a daily choice we’re given, to trample, or bouquet. May we ever choose to bouquet.

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The tender fields

I only had to hear it once for it to stick. “There are no stupid questions,” Mrs. Strand said, addressing the thirty strained-necked five year olds looking up from their cross legged positions at Washington Elementary. So the questioning began.

Behind our house on VanDyke Road, there was a field of grain. Hugo’s field. Lined from green to gold every summer. My grandpa had the same, but he also had a field for the cows. Unlike the fields of grain, it was fenced and trampled — “But still a field?” I asked my grandpa. “Yes, he said. “But what will grow?” “The cows,” he said. I shook my head in agreement.

I was surprised the first time my mother dropped me off at the field to play softball. This was a field too? This sanded and based lot. The teenage boy who we loosely called coach said he would teach of the basics – hitting and fielding. Fielding? No one else raised their hands. Why wasn’t anyone else questioning all these forms of field. I put down my hand and began to play.

It wasn’t lost on me that when you were asked to choose your line of work, it was your field. And when you became good at your chosen profession, you were “outstanding in your field.” The first time I heard this, probably because of Mrs. Strand, Hugo, because of Grandpa, because of the teenage boy, I heard, “out standing in your field.” I still think of it that way. Because this is where I go to create, to the tender fields that led me here. And they were tender. Even through every cracked bit of earth, with every run and trample, I learned. When yields were low. I learned. Each season, I grew. Never with a guarantee, but always a promise of hope. It is with this welcoming of wonder, I wander today’s field.

Something will grow from all of this, and it will be me.

Something will grow from all of this, and it will be me.


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To keep our pink ladies dancing.

I used to imagine that the front stoop of my grandma’s house was only there for the family of Hollyhock dolls that grew on either side of the cement steps. I was only allowed to pick a few each season. She showed me how to pluck the flower from the stem, flip it upside down and push an unopened bud through the then top to make a head that rested above the pink flowing dress. And for the rest of the afternoon, this small gathering of elegant ladies danced outside the entrance reserved just for them.

I gave them the voices to compliment each other. “How lovely is your pink dress!” “And yours is beautiful!” I danced them together like my mother once did at the Lakeside Ballroom with her cousin Janet. And the music from the transistor radio scratched in and out as I adjusted the antenna in the summer breeze. The lessons of last summer were forgotten. I had no fear of the wilting dresses. I only played. And played, believing that all beauty on Rueben and Elsie’s farm would ever remain.

I wasn’t wrong. Yes, the flowered dresses lay almost flat by the end of the day, but decades and countries away, the beauty remains. Yesterday, in the French countryside, she showed me the one Hollyhock flower that somehow grew between the century old crack of the house entrance. I wasn’t surprised. I had enough French words to tell her of how I made the pink ladies on my grandma’s stoop. We both smiled and touched the rhythm of her little pink dress.

I wrote in a poem, “This year… let’s love like no lessons have already been learned…” Of course we have to grow and educate and evolve. But some “lessons,” like those that deal with lost love, disappointment, unreached expectations — to keep our pink ladies dancing, we have to let those go. The heart stoops must remain clear and ever hopeful.

Countless things grew on Rueben and Elsie’s farm. Again and again. And the beauty will ever remain. I wake to this morning sun, and keep on dreaming.

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On with the lesson.

He sat next to me in kindergarten, where our only source of hierarchy came from the size of our Crayola crayons box. My mom couldn’t afford the largest, but I did have a good solid 24 pack. A few in class had the coveted 64 with the sharpener included, but not many. He pulled his tiny 9 pack from inside of his desk. He barely made a scribble during the allotted coloring time. At first I thought it was because he didn’t have that much to choose from, so I offered to share. He declined. And he didn’t seem embarrassed, he just didn’t seem to care. This was most surprising! It was my favorite time of day. To be set free. To color. To create. Then hang it on the wall! Wow!  His lack of enthusiasm was doubled down with the use of only the color brown. And I must admit that there was probably some judgement in my second offer of crayon sharing, more of a “Are you sure you don’t want to try some of my crayons?” He shrugged them away. 

One day he was called out of class for a few tests. We all whispered in wonder. Well, not wonder really, but confirmation that he must indeed be stupid, like we thought. He came back to the classroom all smiles. He was colorblind. We all welcomed the diagnosis. Mrs. Strand hung his brown paper on the wall, and we went on with the lesson. 

It’s hard to see things the way other people see them. And I am just as guilty. I ask again and again, how can they not see it???? I suppose sometimes it’s so clear that it’s invisible. I would like to think we have learned and grown since the age of five, but I’m not always so sure. 

Facing the same direction, I guess we will always see things differently. And we will rarely receive the reasons why. We will be asked again and again to get from desk to wall without diagnosis, but only pure understanding. We must sit in our differences and try to learn.

The sun comes up. We go on with the lesson. 

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The golden blur.

In the springtime, when Hugo’s field began to turn golden behind our house on Van Dyke Road, and when the sun reflected off my winter white thighs, my eyes could barely adjust to the brightness of it all. For a few brief moments, blinded in the growth, I didn’t know where I was going, but I felt certain that I was on my way. 

He didn’t want us running through his field. To cut across would save only minutes in the short journey to town, and I can’t explain why we were in such a hurry, but it was so tempting. Maybe it was the promise of summer. The grain that brushed against our legs. The windowed storefronts that called to us. Come. Press against. See what’s inside. We’ve been waiting just for you. It was too much to resist, so we ran across his beautiful field toward the neverending promise.

I’d like to think we didn’t do any damage. And I apologize if we did. In this fever to outrun time — this time measured so clearly by the color of the changing field.  

It’s springtime in Provence. Purples and yellows bloom all around us, in a way that quickens the steps. My lavender legs still feel like running. But there is a moment when the morning sun comes through the window with a light that is so bright you can only feel it, and it tells me to stop. Stop chasing. Just be. Maybe it’s  nature Hugo-ing us to take the long way. I smile slowly. I’d like to tell you it lasts. But I cannot stop color, nor time. Or the need to travel through both. But I can tell you this, it’s in these brief moments, that I feel gratitude of peace, and the golden blur rests.

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Hand held possibilities.

I don’t know that I was necessarily being so “good,” but that’s how it was interpreted. My grandma used to marvel — “I could just put you down, and that’s where you’d stay until I told you that you could move again — such a good kid!” 

I remember her roll-top desk. She plopped me in the chair. I could just reach the handle. It made a little thwapping sound as I pushed it up and then back down. I thought it was the greatest thing, riding this wave, the greatest thing that is until I caught a glimpse of what was inside. Pens and paper and my favorite, the pencil. I loved pencils from the moment I discovered them. The smell of the lead. The feel between my chubby fingers. The newness. Everything was just waiting to be created. I don’t know how long I held the pencil before she noticed me, rubbing it between my fingers as if to will the genie from the bottle, but she wiped her dish soaked hands against her apron and reached the scrap paper from the top shelf.

Tiny squares of white. Some blank. Some with abandoned grocery lists. I covered them all. Scribbles and drawings and near words. I was in heaven. I could have stayed forever. Was I being good? I was being me. 

It should come as no surprise, whenever visiting a museum or landmark, my go-to souvenir is the pencil. I have a favorite — from the Pierre Soulages museum. The weight. The feel. Perfection. I use it in my sketchbooks. But truth be told, I often just hold it in my hand for a moment. And on those days when the world, the day, decides to plop me in an unfamiliar place, I hold on. I take comfort in all of these hand-held possibilities, and I smile, because I find myself saying, “I’m good.”  

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The color brave.

Maybe being brave is kind of like love, in the way that you never finish. 

I didn’t know much about it then — my grandpa’s farm. I only saw how he changed the colors from season to season. From black to green to gold. He made it look so simple.  I suppose we don’t often see people being brave.  We just see them doing. But the changing weather must have brought worry. A tractor down, a man short. With each crop something different. He had to keep learning. Adjusting. Every single day. 

I think it was the same with my mother. Most only saw the colors. How lovely she looked in her yellow. Her turquoise. Most couldn’t see beyond the popped collar, or ruffled neck, just how brave she was being. I’m not even sure she saw it herself. But I did. I still do. 

Sometimes I get impatient with myself. Why do I have to keep tracing over the word brave? Can’t I just be? But in the moments when I let myself step into the beautiful colors of it all, navigating through the brilliance of the day’s challenge, I see it. And I’m ok with the not finishing. I will be brave today. And tomorrow. But I look around and smile, because I’m doing the same with love. 

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