Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Here.

I would always sit in the front row. I loved my English LIterature courses. I wanted to be a part of it all. My hand shot up before my mouth even knew what was going to come out. “You’ll think of something, ” my fingers encouraged as they waved in the air. It wasn’t about assuming I was right. Not about proving my point. I just wanted to be involved. To be among the words. Part of the discourse. 

I sat slunched in my chair. Sweating. Sick. My roommate had told me to stay in bed, but I didn’t want to miss out. Within the hour, my mom was on her way to pick me up from college and bring me back home for an emergency appendectomy. When Dr. Merickel gave the diagnosis of acute appendicitis, I smiled. He asked why I was smiling. “You said it was cute.” We hear what we want to hear. 

I went back to school two days later, a little lighter, but no less enthusiastic. All that learning prepared me for what was to come. Not in the way you might think. I didn’t learn any foreign languages. So when I moved to France, arms at my side, I feared the conversation. Even the most simple were acute! Trapped inside an introduction, I heard my brother-in-law introduce me as his belle-sœur, I beamed. I heard the word belle and thought “pretty.” And the word soeur meaning “sister.” It turns out that belle-sœur means sister-in-law. But once again, in this need to belong, to be a part of the conversation, I heard what I needed to hear. 

I don’t always get it right. I don’t think it’s always necessary. What we do have to be is brave. Curious. Willing to open our hearts and get involved. Be a part of it all. When I raise my hand today, it’s to wave you in. Welcome to my conversation. I’m glad you’re here.


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The gallery given.

I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart. 

People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.


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Love’s evidence.

It’s easy to think it’s beautiful at first glance. The perfection of the unused pastels. Pristine. Untouched. And I will admit I open the box slowly. Remove the padding. And let it sink in, all the possibilities. But for me, this is not the real beauty. No, things have to get messy to become beautiful. The pastels will lose their perfect shape as I stroke them against paper and canvas. The colors will cling to my fingers and get wiped on pants legs and on cheek bones as I bring the painting to life. I’ll be covered in the evidence of creation when I bring the finished product from the studio to the house. Viewing the colors still on my face, my husband will call me a warrior. And I proudly smile, because I am. I joyfully give my all.

I suppose it’s the same with love. With life. Some will never risk getting hurt. Never take a chance on anything. Never using the pastels of their heart. Not me. I want to get in deep. Covered in the evidence of experiencing it all. Even the shattered pastel has the ability to color. To create. To make something beautiful. Your heart is going to feel it, sure…but oh, the colors — the glorious colors of scattered love. It’s not to be missed. 

I wake to this sun, labels peeled, middles cracked, rubbed uneven, and joyfully covered in love’s evidence. It looks like an imperfectly beautiful day.


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More ideas.

Sometimes it takes me a while to get there, but I usually do.

I’m no different from the next person when it comes to packing a suitcase, if that next person is slightly neurotic and overly excited. It’s still three weeks away, but the neurons in charge of organization have already begun counting underwear and creating a capsule wardrobe. “Wouldn’t it be great,” they urged, “if we had packing cubes, and other various sorting devices for the suitcases…” I nodded inside my own head and began searching the web. The options, while infinite, didn’t seem exactly right. I searched through sizes and colors and prices. The right price was the wrong country of origin. The right color was the wrong size. The right size was the wrong price. I searched and fumbled. Added some to cart. Backed out. Searched again. After about an hour and forty-five minutes, it became clear that I could use the random tote bags given free from the pharmacy and the stash of bags my mother gave to me from the make-up counter promotions. I take a breath. I take a pause. I have everything I need. What a relief to quit searching…unless that is, I need more clothes… That’s when I play fashion show from my own closet and once again realize, I have more than plenty.

I suppose it’s true with almost everything — we don’t need more things, we need more ideas. Of course there are specific times when you require a precise tool, object, (even scarf or scarves to match your autumn overcoat), but most of the time I find, if I’m creative enough, thoughtful enough, I already have the perfect solution. And it usually feels great! To shop your own closet and create a new look. To sand and sand the abandoned wood and make a new frame. To create a delicious recipe out of the left-overs. To give the neurons a break and let my heart and hands take over.

Don’t get me wrong. I’m all for commerce. I bought two new books yesterday. (I will use the french bag as backing for a framed picture, but still.) And I want you to buy pictures and books and cards, even from me (insert shameless plug here). So what was my point? I don’t know…maybe Marie Kondo had it right, about all the “sparking joy.” I like that. I think it’s a good idea…I guess that was the point, after all, more ideas — more joyful ideas! Wishing you a day filled with them.

Pause, and spark!


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Scraps of life and growth.

I began using the paper purchased this summer at the Fontaine de Vaucluse. It’s handmade. The mill sits right next to the river. It is the most beautiful, accepting paper I have ever used. I suppose because it’s natural. Nothing to fight against. The paint goes on so smoothly and becomes a part of the paper. And the most amazing thing is I’m low on paint. I need to reload. I’m down to my most average. But even this paint takes on a whole new life when combined with this paper. 

And the paper is far from perfect. No, in fact, that’s probably what makes it so special. You can see, feel, all the flecks that go into it. The scraps of life and growth. Beautiful!! No shame of imperfections. 

Maybe it’s too simple to say, but I’m not sure everything has to be so hard. I think we need each other. And I’m pretty sure we can bring out the best in us if we want. So I come to you daily, with my humble, most average of self, and ask you to join me. You, the imperfect paper. Together, we can make something beautiful. Together, we become!


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Home economics.

Enjoy may be too strong a word, but my mother did get a real satisfaction from ironing. Combining this with the skills passed along to us by Mrs. Ballard and Miss Pfefferle, our home economics teachers at Central Junior High, I suppose it’s no surprise that today I iron everything, including my kitchen dish towels.

I think it was Miss Pfefferle that taught us to weave a pot holder. We had little iron grids and multi-colored loom loops that we weaved up and down. I thought they were beautiful! I don’t know how efficient they were — at this point I wasn’t really allowed to do any cooking, even though in Mrs. Ballard’s class we did learn how to make nougat and an apple pie (not the staples in my mom’s, nor my diet). But I was proud of my potholder. And I knew just who I wanted to give it to — my Grandma Elsie. It was a slight risk though – because she was an expert. She had her own loom afterall. Not a handheld one. No. This loom filled nearly the entire bedroom, upstairs next to the sewing room in her house. It seemed to be a combination of a church organ, a giant craft, and a carnival ride. She moved with her feet and her arms. I held onto her chubby waist from behind as it jiggled each “rag” into place. Everyone loved her woven rugs. They were gorgeous. And I wanted to be a part of it. I thought if I giggled along with each jiggle, that I indeed was. So, yes, to bring my humble woven potholder to this proven expert was surely a risk. I knew it didn’t compare. How could it? But it was my best attempt. It was an effort made. It contained her every jiggle, and I hoped, I prayed, I banked on, her feeling the love in that. With my two hands held flat and outward, I presented it to her. This gift. Her held tilted a little to one side. Both of our breaths held. She took it also with her two hands and clutched it to her heart. I beamed. Then suddenly my face was pressed against the potholder that pressed against her heart. I was inside the jiggle. She did feel the love, and gave it right back to me.

Some might laugh that I iron my dish towels. That I hang them straight. But it’s only out of love. Out of respect. For all the women that took the time to teach me the real value of this living — (it makes perfect sense now, this word economics). When I see something beautiful, create something beautiful, it is these women that I see. And I know, on my very best days, when I create something that you enjoy, that you find beautiful, that you too, are seeing them. You are inside the jiggle.