It seemed easy to make friends in school. They sat you next to about 30 options. Gave you subjects to talk about. Offered common enemies like rules and detention. Supplied the games and gyms. Put you in pools and on buses, all together.
And that was enough for most. But it seemed like there should be more. “Wasn’t there more to it? Wasn’t it all supposed to mean something?” I asked my best friend in my yellow bedroom on Van Dyke Road. Cindy thought about it. I mean, she didn’t laugh, but really thought about it, and I suppose that’s why we were friends. We understood each other. Even in our preteens, we sought more than they could possibly offer at Washington Elementary, or even Central Junior High.
We both agreed that there had to be more. But how did you get it? That was the bigger question. I searched for years. I can’t tell you the exact moment. They came in whispers. Small bits. I wrote words for my mother. And we connected deeply. A poem for my grandfather’s funeral. And I was a part of a family. I began to expose my heart. I suppose I stopped looking for what could be offered to me, and began to offer what I had. And it was bigger! Better! It meant something! It meant all and more than I had dreamed of in shades of yellow. This is how I would connect. How I still connect.
He said I could pick out anything from his wood pile. Maybe that doesn’t sound like much, but for me it was priceless. A way for us to connect. And I had a long way to travel to catch up to this life-long friend of my husband. He helped me load the back of our car.
I cut the first strips of wood to stretch the canvas. No plans yet of what to paint, that would come. It always does if I just give it a path. I gessoed the canvas. And began in blue. The sea and sky and sand opened before me. The boats and nets and the fishermen — all daring greatly.
I searched my newly attained wood pile for the longest, straightest pieces. Sanded each length. And sanded again. And again. I cut them to length. Nailed them with the rusted hammer — once belonging to my husband’s father. Squared. Stained. Sanded again. Cut the strips for the backing. Placed the painting inside. It should also be mentioned that Michel, the man who let me pick freely from his pile of wood, was, for the majority of his life, a fisherman. A fisherman, I pause and smile. The blank canvas knew, perhaps even before I did. And this is how we connect. Connect our hearts. Our stories. By doing the work.
There is more. There is always more. But it won’t be given. We will have to search and throw our nets out to sea, continuously doing the work, ever daring greatly.