Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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With all that raggedy trust.

When I was five I began drawing. Six, writing. Every paper in my tiny bedroom was filled. I sat on my twin bed and poured out my heart to the Raggedy Ann and Andy sheets. Emboldened with their always smiling and gentle approval, I held the paper in my plattered, chubby hands, and presented it to my mother. She knew the gift that it was, and welcomed it with a caring so safe, so loving, that I knew I could do it again and again. 

I did it daily. When my mother passed, it was that little girl that looked directly at me, that looks at me every day, hands and heart extended, she asks me where she is to go. And she’s so small. And I don’t want to hurt her. She’s still so filled with ideas and belief, and I can’t turn her away. When she comes to me, with all that raggedy trust, I smile, and do the best that I can with what she is offering. I tell her what she has made, what we have made, is something special, and I clutch it to my beating chest before setting it free. 

If you’re reading this, I, we, stand before you, so small, but still believing it matters. And I will do it, again, and again.


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Coo-coo and hum.

I have know idea how they got them in the house. It never occurred to me to think of those things — the logistics of moving an organ, a clock. And just as I assumed this clock that coo-cooed on the hour was called a Grandfather clock because it was his, I thought it was a Grandma organ, because it was hers. 

But it must have been fairly spectacular – this finding of an organ mover, a clock mover, to a farm house just outside of Alexandria, Minnesota. And they must have come through the front door – a door we never used, never even considered. And even if they came through this front door, there would have been a stoop to be navigated. A tiny hall before reaching the living room. But as I said, I didn’t think of it, how they got there. But I did count on it, them being there. 

And that was the gift, I suppose. It was all an assurance. One I didn’t ask for, or prayed to keep, I just had it. I knew, without a doubt, what would be found in this house. Coats and overalls hanging in the entry. A kitchen table with uneven legs. Candy in the corner cupboard on the lazy-susan. Sugared cereal beneath the silverware drawer beside the kitchen sink, a kitchen sink that was forever filled with dishes. Something on the stove. Publisher’s Clearing house magazines on the dining room table. The hint of pipe tobacco and baked goods. Television on. A ticking clock. The hum of the organ at the ready. And a love, no matter how many doors or windows were left open, would never leave. 

So it continues to be spectacular — this never knowing how it all got in — mostly the love. I just remember always having it. I still have it. And what a thing to move! To carry throughout a lifetime! Enough to make a heart ever coo-coo and hum.


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Something beautiful.

Certainly they had more money than we did, the women who owned BonJos — an upscale dress shop for the women of Alexandria, Minnesota. They probably had big houses. Nice cars. But when I saw my mom pull back the curtain and step out of the elevated dressing room at the Viking Plaza mall, I knew what class meant. And it was beautiful. 

This is not to say that others didn’t have it. People all around us did. At all levels. But what my mother taught me, standing tall above her height and pay grade, was that elegance, grace, true beauty, came from within. And she wore it better than anyone. 

And of course she aged. It happens to all of us. But what’s remarkable, I only ever saw that woman — that woman coming out from behind the curtain, daring the town and the mirror to really see her. That woman who never thought she was brave, but dared to extend her height with heels from Herberger’s. I saw her with smiling breath held. And it wasn’t just me, I saw the owners catch themselves in approval. BonJos was lit brighter than the fluorescent of any mall. 

Some will tell you that love is blind. I don’t agree. Maybe love is the only thing that truly sees. Maybe love is the reason even well into her 80’s this beauty remained. 

Here’s how I see it. I hope we all can see it this way — Youth will fade. Real beauty never does.


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Chamade.

I spend a good percentage of my life lost in translation. That seems reasonable, living in another country, but it has actually been the case for most of my life.

And I don’t mean this in a bad way. Maybe because my mother was so different from her siblings and not only survived, but thrived, it made it all seem possible. She spoke a language of fashion and make-up, of poetry and romance. A language I understood. A connection so familiar that it turned this “other” into something spectacular. I didn’t need to be understood by everyone, because I was understood by her. A safety net I count on still.

Perhaps it was this security that set me free.

This French that I think I’m speaking, is mostly understood by my husband. I often hear him repeat to others the very thing I heard myself saying. And I could let that bother me, or I can choose to see it for how special it actually is, to have this one human really understand me.

I stumble upon new words every day. Not ones I hear in conversation. No, those are rare. So often when I ask what does that mean, I get the response, “it really doesn’t translate.” And I must admit that is a lonely feeling. To be left hanging, alone, with no connecting words. But the other day, I found one. Such a gorgeous word. Chamade. Even without knowing, it sounded familiar. I looked up the meaning. Chamade — a wildly beating heart. It was my “jimbly.” My racing, excited, almost nervous, anticipating, open, risking, love-filled heart. Inside this word, these beautiful letters, I was not lost in translation, but found.

I shared my glorious discovery with my husband. He smiled and said that his mother loved that word. I was, am, connected, still and again. My heart beats wildly!