Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: compliment


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Paying attention.

She was the first to notice, the waitress in Stillwater, Minnesota. I have worn these earrings every day for a couple of years — the outline of the Sainte Victoire mountain. She brought the check to the table and asked, “What mountain is that?” I beamed, for me of course, but for her as well — being curious, paying attention. “It’s the Sainte Victoire,” I replied, “in Aix en Provence where we live.” And the conversation began, all because she was alive, awake!

These earrings represent home. Heart. Courage. Strength. They are the mountains I have, can, and will continue to climb daily. What made her, of all people, notice? Even in France, no one has asked about them. But she did. Maybe she was climbing her own mountain. Maybe she was asking her legs to carry what her heart just couldn’t bear at the moment. Or maybe she just liked them. And that’s enough too. The thing is, she asked the question. A specific question. 

We get lazy I think. Uninterested. We settle on the “how are you?”s and think we did enough. But is it? Is it enough? Is it enough to just pass through each other’s lives? Without learning? Without caring?  

Two years of climbing were wiped away in just a few brief seconds, and I was happy! It really takes so little. So I tell myself, I tell you, be curious, pay attention, — it’s not too much to ask. 

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Coo-coo and hum.

I have know idea how they got them in the house. It never occurred to me to think of those things — the logistics of moving an organ, a clock. And just as I assumed this clock that coo-cooed on the hour was called a Grandfather clock because it was his, I thought it was a Grandma organ, because it was hers. 

But it must have been fairly spectacular – this finding of an organ mover, a clock mover, to a farm house just outside of Alexandria, Minnesota. And they must have come through the front door – a door we never used, never even considered. And even if they came through this front door, there would have been a stoop to be navigated. A tiny hall before reaching the living room. But as I said, I didn’t think of it, how they got there. But I did count on it, them being there. 

And that was the gift, I suppose. It was all an assurance. One I didn’t ask for, or prayed to keep, I just had it. I knew, without a doubt, what would be found in this house. Coats and overalls hanging in the entry. A kitchen table with uneven legs. Candy in the corner cupboard on the lazy-susan. Sugared cereal beneath the silverware drawer beside the kitchen sink, a kitchen sink that was forever filled with dishes. Something on the stove. Publisher’s Clearing house magazines on the dining room table. The hint of pipe tobacco and baked goods. Television on. A ticking clock. The hum of the organ at the ready. And a love, no matter how many doors or windows were left open, would never leave. 

So it continues to be spectacular — this never knowing how it all got in — mostly the love. I just remember always having it. I still have it. And what a thing to move! To carry throughout a lifetime! Enough to make a heart ever coo-coo and hum.

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Like a floating Ginger.

She certainly wouldn’t have been considered a dancer, my grandma, but one could make the Ginger Rogers comparison quite easily. It is often said that Ms. Rogers not only did everything that Fred Astaire did, but backwards and in high heels. Yes, my grandpa worked hard, and he had the crops to prove it, but my aproned grandma kept longer hours, with nine children and 27 grandchildren pulling from behind. 

The thing is though, as it is with most who are excellent at their craft, the work is hidden. Like a floating Ginger, she moved from stove to sink to table to garden to clothesline to town. And I never caught a glimpse of the struggle. Of course it had to be there, but I never saw her rub her aching toes. I never heard her catch her breath while offering the love and attention we all demanded. 

There were no words like self-care then. But she was smart enough to take her personal time. And we were smart enough to know that it was at noon each weekday in front of the tv set to watch NBC’s Days of our Lives. Just as some of the Bohemians on neighboring farms were thought to be relatives, my cousins and I thought the same of the Hortons from Salem. I suppose I loved this time the most because I saw Grandma Elsie from the front. Her welcoming belly was not hidden by a steaming pot or bubbling kitchen sink. No, it was there to climb on, to hug, to rest against. We took our turns dancing with Ginger as Ma and Pa Horton looked on.

Working in my sketchbook, alone in the studio, I know these small paintings won’t sell, or even be seen, but as my hand stumbles through the pages, I know, without pressure, or even promise, it is my time to dance.  

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Constant journey home.

I have seen them fenced in. Countless times. But it’s different in the wild. In their house. These bison. My heart beat quickly as we drove through the national park reserved for them, not out of fear — I wasn’t going to open a window or try to pet them — but out of excitement, reverence. This was seeing them, really seeing them. Powerful. Graceful. Perhaps even vulnerable, the kind one allows one’s self in the comfort of your own space. And it was beautiful.

Perhaps we could do that with all living beings. Like humans for example.

As I struggled to find my place in the ninth grade, I wandered from group to group. Sports. Creatives. Nerds. Even loners. Looking back I suppose we all thought we were the only ones without a map. I knew I loved reading. Writing. All things English. I did well in my other subjects. I got A’s in everything, but it was only based in work, not in adoration. So it came as a surprise to me when the math teacher asked if I wanted to join the after school group of Mathletes. I laughed at the proposal. I hope he saw it was out of nervousness and not disrespect. It never occurred to me that doing more math would be fun. “Just come. One time,” he said. “See if you like it.” I didn’t tell any of my other friends. Not the girls from the volleyball team. I wasn’t blind. I saw how they were picked on, made fun of, these Mathletes vs. the Athletes. But I went. I was uncertain which room they met in after school. I walked down the long hallway. I could hear laughter. I could see a light from the open door. Certainly it wasn’t them though, I thought. It was loud. Silly sounding. I was shocked to see it was them. High-fiving each other. Joking. So this is what they looked like, in their environment. No one knocking books from their arms. No one cuffing the backs of their heads. Calling them names. They were completely free to be themselves. I stayed the two hours. And I was happy for them. I didn’t join. It wasn’t for me, all that math, but I was so glad I saw it, saw them.

As we travel the country, there are a million places that I would never want to live. So many people I’m sure I don’t agree with in so many ways, but each town, each city, each place is a lesson in humanity. And what a privilege it is to see it. To see people. I hope I’m learning. I want to learn. I want to be respectful, even when I don’t agree. Kind, when I don’t understand.

Not that much has changed since junior high. We’re all still trying to find our way. It’s a journey. We would do well to see that we’re all on one.

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Diorama.

.

From the moment she introduced the assignment to the class, I had a plan. It wouldn’t be hard to find a shoe box to make the diorama. My mom loved shoes. She had a closet full of them.

Mrs. Bergstrom told us that we were going to make a “slice of life” — capture a miniature moment. We could do anything. She suggested scissors and cardboard and paint and crayons. Glue of course, Elmer’s. My head was spinning. Oh, how I loved to make things.

There was an hour after I got off the bus before my mom got home from work. I could have waited. I should have waited. But my seven year old self whispered, then shouted, “Don’t wait!” I opened my mother’s closet and took out the first box in reach. I took out the shiny shoes neatly resting head to toe in tissue paper. I’d like to think There was a moment I think, I hope, that I thought of keeping them wrapped in the tissue paper, but then that shouting self said it might be useful for my diorama — “If you colored it blue and crinkled it up, glued it to the box, it could be one of our 10,000 lakes.” The shoes were left naked on the floor.

I was knee deep, literally, in cuts and folds and colors by the time my mom got home. I was all smiles when I looked up at her from her bedroom floor. Holding the cut-out of myself.

She didn’t return a look of delight like I was expecting. No, it was a look I had never seen before. Deflation. I had been so busy trying to create my own slice, that I forgot about hers.

“It’s my slice of life…” I said sheepishly. She nodded. “And also mine,” she added. She helped me pick up the mess. Put it all on the kitchen table. She wasn’t mad. She even helped me finish. But I knew at that moment, it wasn’t all about me. I took special care to add lovely shoes to the figure that represented her in my tiny box. We were in this together.

I painted a bookmark yesterday of Maya Angelou. At the top are her words, “Then when you know better, do better.” It’s a good reminder for me. It’s simple, but so worth repeating. We are not alone in this life. We would do well to remember as we wander through each other’s dioramas. The word itself in French means, “through that which is seen.” My mother saw me. And I saw her. And oh, how she she made me, still makes me, want to do better.

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Wander-welcomed.


Where your heart can rest, and your mind can wander, I guess that’s home.

We pulled into the town. I felt no connection. That feeling when you know you’re lonesome, but you just can’t pinpoint for what. We drove the Main Street. How could there be no parking spaces and yet nothing to park for? We turned on 10th per Google’s direction for coffee. It must have closed. Try ninth, she suggested. Driving slowly I saw the coffee shop, next to a bookstore. Yes!

The first sip was the familiar road. Entering the bookstore, well, that was home.Nestled in all those words, I was wander-welcomed. It’s a rare combination, this feeling of calm and excitement. This feeling that anything could be true, could be real, even the story of yourself.

I don’t have a physical place to go to, in the sense that some would call home. Not my grandparents’, nor my mother’s house. But I have something else. I have the stories they gave to me. I can take them anywhere. Everywhere.

Recently I found a note, a birthday card, tucked into one of my mom’s books. It was from her mother. I don’t know for which birthday. It would have been true any year. She wrote of what a lovely daughter she was and how she made the world a better place. These words are the open doors to my forever. My safe. My possible.

I’m the lucky one. I can walk into this unfamiliar bookstore, in this unfamiliar town, and be gathered in. Sensing the stories I carry, the words that rest on shelf and table say, “Come in, you and your heart sit down.” I do. We do. We all are home. Indeed, a better place.

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When someone shows you their hope, it’s hard to unsee it.


Living in the south of France, I see the Sainte Victoire mountain daily. Each time, I give thanks for my current view, and also for the view Paul Cezanne gave us in his paintings. Would I have seen it without him? Would I have noticed the extraordinary beauty of this mountain without his vision? I’m not sure, so I give thanks with each passing step.

I suppose it has always been this way. My grandfather did the same with his farm. Without him, perhaps these fields would have just been blurs from a car window. But not for me. Not since walking with him. Holding his roughened artist hand that turned those fields from black to green to gold each year. Work. Magic. Love. I slow down the car.

We all have a responsibility to find the beauty. To share it. It’s everywhere. Poets and philosophers have tried to explain it. (Certainly smarter than me.) But maybe it’s all about hope. Maybe that’s what makes everything beautiful. So that’s what I try to create. In the faces. In the paintings. In this life. There is hope. Always, if we choose to see it, and share it with each other.

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Present.

The way they warned us, the teachers at Washington Elementary, trouble seemed to be a place, a spot. “Don’t get into trouble,” they said. The only “trouble” I was having was figuring out where this place was exactly. Because when the teacher said, “Now Steven is in trouble,” he seemed to still be right there, sitting beside us. Hadn’t he said “present,” when she called out his name? Why couldn’t I understand? How come I couldn’t see it? Maybe trouble was invisible, I thought.

It sounds funny, I suppose, but it turns out, I wasn’t all that wrong. We never know what people are going through. We see the outsides so easily, but that’s usually not the whole story. To see the real story, we need to actually be present. It’s not enough to just call it out. We have to be there. Show up. Again and Again. And ask questions when we don’t understand. Listen. Raise our hands. Reach out. Find a way to connect. See with our hearts what our eyes cannot. Make all around us visible. 

And if you saw that I am not just my face, but all that I have faced, and if I did that for you…

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In the white space.


One of the best lessons I learned as an artist was not in the creation, but in the white space. Whether it is on the canvas, or the wall around it, there has to be space for the eye to rest. The white space. To see the art, to really be able to feel it, there must be space around it, so it can breathe, it can live. When it all becomes too cluttered, then nothing can really be seen. Not even the best of art.

I suppose it’s the same with living.

There are a million books written about it. Grief. It only recently occurred to me — looking at my grandfather’s portrait. I’m living in that white space. Missing my mother. (My grandpa and grandma too.) But it made me feel better, seeing it this way. It’s all part of the big picture. This white space — this emptiness — it shows us the real beauty of life. And it’s not separate from the art of living, it’s a necessity. So I feel it. And I know that I’m lucky. What a privilege to be a part of these glorious lives. To rest in the space beside them. Knowing that we are all a part of the same work. We are together. Always.

I only mention it because maybe you are missing someone. Maybe you are resting in this space. And maybe, for a moment, you too can see the beauty of it all — the endless art of this living…

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Plain to see.


I suppose it all takes time. To see the ordinary. And to appreciate it. Those of you that follow me here, have come, I hope, to know my grandparents, my mother, my schoolmates, and teachers. Some might say “just plain folks.” And that’s probably true. But maybe that’s the real beauty of it all. To find the spectacular in farmers, housewives and receptionists. To see the extraordinary in the daily living.

And in seeing them, it helps me see myself. Helps me find the gratitude of the day given. Of the toast for breakfast. The smell of coffee. The hand that reaches out for mine.

I am reading the book, “Love, Kurt (The Vonnegut Love Letters). I have this book, only because I have a special friend. Last year, together with our husbands, we went to Stillwater, MN. My friend and I stood in the bookstore as if before the Christmas morning tree. So many gifts in front of us, we had a hard time deciding. We each settled on our present. I loved her choice as much as mine. This year, she gave her book to me. Those simple words don’t seem to give it enough meaning, but I will tell you that it fills my heart. It brings me back to a laughter filled day on brisk streets and slow choices. It, for me too, is a love letter.

In the book, Kurt Vonnegut writes with his young pen, to his young wife, “Angel, will you stick by me if it goes backwards and downwards? Holy smokes, Angel: what if I turn out to be just plain folks?” Tears fill my eyes. I imagine we’ve all had the worries. Will I be special enough to be loved?

It’s these memories, of course, that give me that comfort. That give me the yes. My heart is packed full of the love from these glorious and plain folks. And I have loved them. Love them still. And I am one. Proud to be living with these extraordinary people. It is plain to see, they, we, are more than enough to be loved.

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