Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Recent. Frequent. Ever.

Recent and frequent tears have not made my heart, nor mind, any less wide-eyed. I jerked my head around to see the horses. The horses clopping behind me on the path. Gathering speed. Louder. The horses I knew would be there. I stopped. Looked. The clip-clop continued in my ear buds. The path behind me was empty.

I was listening to the Paris Review. They were playing a short story about a man visiting a town. All were on horseback. The reality of their podcasts is unprecedented. I don’t know how they produce it, but the sounds they create are alive. Separate from the narrator, the horses approached. The sound got nearer. So real. So magical. I could feel the breath of them behind me.

Further down the path, when the horses returned, the character’s departure, the clip-clip continued. This time, it wasn’t so startling, but more comforting. I liked thinking of them by me. Behind me. Walking with me. And I was no longer afraid, but comforted. I continued down the path, deep inside the magic.

I passed by my mother’s picture as I first went out the door for this particular walk. I had just been working on my computer, and I had this thought — What happened to her email? Where did they go now? The reminders from Sundance catalog — this turquoise coat that she would love. What happened to all the emails we had exchanged. Promises. Love. Were they still hovering? If I sent one now – to her address – her address that carried my birthday numbers — where would it go? Could she see it?

I stepped onto the path and hit play. Trying to drown out the typing in my head, when the horses startled me. They were so alive. The presentation so real. My heart was so willing to believe in them that fear turned into comfort.

I’m typing the words now. My cheeks still rosy, more from magic than from the cool winter air. Each word is filled with love. Filled with chance. Filled with a comforting joy that walks beside me. Magic that I don’t need to understand, that I just believe. Unconditionally. My mother is with me. Recent. Frequent. Ever.

Wide-eyed. I hit send.


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On Wobbly Knees.

Last night I finished reading the book Horse, by Geraldine Brooks. To simplify my review, I will just say, “Yes.” Was it good? Yes. Should I read it? Yes. Will I be moved? Yes. Will I learn something? Yes. Is it about horses? Yes. And more? Oh, Yes!!! It spans generations, covering the issues of slavery, racism, the Civil War, art, humanity — then and now. How far we’ve come, how extraordinarily far we have to go.

I suppose I was first drawn to read it because of the central figures of the horse paintings themselves. But then it became so much more. And that is the beauty of art. When it is done well, framed on canvas or bound in words, it conveys a story. A story so fluid that it carries you — carries you with the grace and elegance of chestnut legs in the Kentucky bluegrass.

But what’s it about??? Everyone always wants the short answer. I’m sorry, but the short answer is – read it.

It’s not lost on me that hanging above my head, as I turned from page to page, was my humble painting of a horse. It is entitled, “Unconditional.” And for me that is love. But how do we get there? The only path that I have found is empathy. And the clear path to empathy is education. When we know more — we do more. When we know better — we do better. So I read. And I read some more. And I write. And I write some more. I paint. And, well, more. And I just try to do better. Live better. Racing on my own fragile legs. Racing against time, and bigotry. Racing against everyone who is more than willing to bet against you. Racing away from the conditional.

There was a popular song when I was a teenager, by Dan Fogelberg — Run for the Roses. My mom bought the 45. I played it again and again. For I was, just as the song began, “on wobbly knees, with mama beside you, to help you along…” And I was carried by the melody. Carried by the words —

“It’s breeding and it’s training
And it’s something unknown
That drives you
And carries you home
And it’s run for the roses
As fast as you can
Your fate is delivered
Your moment’s at hand
It’s the chance of a lifetime
In a lifetime of chance
And it’s high time you joined
In the dance.”

I didn’t have the word for it then – this “empathy” – this joining in the dance. But I could see the path. And I wanted to be on it. I still do. I’m still wobbling along, but I’m still learning. Maybe we all can. It’s more than “high time.”


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The horse on Michigan Ave.

The Ralph Lauren (RL) restaurant in Chicago was the reason I painted this horse. We had just finished shopping a marathon on Michigan Avenue, my mom and I, and we stopped — not really choosing this restaurant for the culinary experience, but the location. Our feet agreed this was the place for a break. Our table faced the wall of photographs and paintings. All elegantly lit. Draping our hearts in mahogany. Glasses of wine refreshing and gently embellishing the glorious minutes of the day.


We were shoppers. Not big buyers. Perhaps it was the beauty of the clothing. The curated displays. The bustling sidewalks that didn’t care how we got there, but swept us up in a sea of acceptance. We were welcomed. Good enough. So we walked each street. Entered each store. Michigan Avenue didn’t know that we used to put items on lay-a-way in a small town in Minnesota. Michigan Avenue opened its doors, and we danced in and out.


We sat in the restaurant and smiled. Held up the few items we had purchased. Laughed. Praised. Clapped even. And sighed. Breathing in so deeply as to never forget the warmth of this day. The warmth of being together. The warmth of shared experience. The warmth of shared interests. The warmth that would carry us through the coldest of days.
There was a single horse on the wall. So elegant. Such grace. And so I painted that horse. It hangs in a bedroom across the sea, and takes me back to that street — that comfort — that joy — that rest — that warmth of time well spent.


Find your way to that place. It’s waiting, just for you.


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…Even on fragile legs.

When I watched her dance, I couldn’t believe that those legs could be that strong. Not only to lift her in the air, but then brace her as she came back down. Simply amazing the strength. Maybe that’s why I love dance so much. This elegant combination of beauty and strength.

The champion horses in Kentucky display this same recipe for beauty. These massive animals, carried so elegantly on seemingly fragile legs. Amazing! How do they do it? I paint them with as much respect as the dancers.

Perhaps I’m only able to recognize the beauty in both because my mother has displayed this same combination of beauty and strength my whole life. I know she often worries, or says, “I want to be brave.” And she is, oh, she is! She is the dancer that doesn’t see the audience standing on their feet in awe. She is the Thoroughbred that runs through and past the finish line.

When I first started painting, even the most simple of characters, my mom would say, “oh, she looks like me…” And of course they all did. They do. I see her in everything. I guess that’s how it is when you love someone. You see their beauty – everywhere.

I paint the horse and I smile. I am a dancer. A race horse. My mother.