Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: getting there


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Sanctuary.

When I went off to college, the first thing that surprised me was the noise. I had always studied in silence. I was alone for the most part. I didn’t turn on the television or stereo. I liked hearing the books I was reading, feeling the words I was writing. So the first few nights in the dorm were alarmingly loud. No one had headphones. Doors seemed to be quite optional. It was overwhelming to say the least. 

I wore a path to the library. And then I found the silent rooms. Doubled glass. No distractions. Glorious. My first sanctuary. It was there I could invent anything, even myself. I surrounded myself in words. Some lay quietly in yellowed pages. Others rearranged themselves and shot through my #2 pencil. It wasn’t the first time I heard my own voice, but it was the first I started to use it. 

I fear that some believe courage is only born out of chaos. That we must rise above all the noise with a clattering of our own. I suppose at times this could be necessary, but maybe the most bold is to listen to your own heart, your own mind. To brave the silence and find yourself.

There is a setting on my iphotos. It is called noise reduction. It takes away all the clutter to get at the real picture. I didn’t have the words for it then, but I have been hitting that button for most of my life. Sometimes I forget. I get caught up in all the clamor — “but he said, and she did, and they are!!!!!” It’s then I have to remove myself. Find my balance. Listen to the quiet. 

I whisper by hand into my sketchbook. And I am found. 

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Reattaching apples.

I have no memory of the apples growing. Each year, they were just there. The branches seemed to go from bare to weighed in just the blink of an eye. And as quickly as the green apples appeared in my grandparents’ trees, we were tripping over them in the grass, loading sack after brown paper sack to give away. 

Maybe it’s the way of all living. It goes so quickly. We move from grand point to grand point, missing all the little things along the way. The how we got heres. The growths. 

I keep trying to think of her as a young woman — the journey of how Elsie became Grandma Elsie. She wasn’t always in that kitchen. In that yard with an upturned apron full of apples. She once had to have giggled with the girls behind the school. Cursed her parents and dreamed of boys. Imagined a life. A future. 

To know the exact details, I suppose, would be like trying to reattach the apples to the tree. But I think it’s enough to know there was more. There is more. So much more to all of us. There are reasons and seasons of how we got here. And maybe we’ll never know all of it, but I think there is empathy in the attempt. Compassion in trying to imagine the whole picture. None of us are just one thing. Maybe in learning that, we come to see some growth after all.

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Only here.

It was the first poem I ever wrote. I was six years old. In Mr. Iverson’s music class. 

Houses, houses, houses red.

In it is a pretty bed.

Houses, houses, houses green.

In it is a pretty scene.

And so began my search. My fascination. With home.  I would go on to paint images of houses and doors. Windows and shutters. I wrote the stories as if they were maps. Each word opening. Letting in a little more light. A welcome breeze. Until one day, one moment, one heart beat, in the warmth of that sun whisking through cracks, it became so clear that there was no “there,” only “here.”

We have been traveling for several months. I have been asked handfuls of times, “Are you excited to go home?” I always smile, in the slight breeze of my answer. 

Sitting at the breakfast table, in a friend’s house, a country away, my husband is drinking coffee from one of my cups that reads, “Come in, you and your heart sit down…” I’m already here. I’m always home. 

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Letting it in.

It’s not that I have to, it’s that I get to… Don’t get me wrong, I often have to remind myself of that very thing, but it’s always true.

It was a springtime funeral. I remember it because I was wearing my birthday dress in the back of the Chevy Impala. I know it was the first grade because Gerald Reed complimented me on that dress. (It’s funny, but I recall my childhood more in grades than in years. Perhaps that’s the power of learning.) It must have been a distant family member or friend because we stopped to pick up my grandparents. I scooted over on the maroon interior to make room for my grandpa. Springtime was the busiest for him. All the preparing. It set the stage for the entire year. Keeping the farm was based on the work put in each spring. My mother, knowing this, said as he slid in the back, “It’s nice to have you here, but you didn’t have to come…” “I don’t have to,” he said, “I get to.” He patted my knee. I don’t remember the funeral. But I remember this.

We will be asked to do the most impossible things. To bear the unbearable. To live the unlivable. Love guarantees this. But all that we get from it — for me — makes it worth every second. We get to love each other. Be there for each other.

Do the words come easier some days than others? Sure. Does the love come easier at times? Of course. But I get to do this. We get to do this. Feel this. Live this. And I will choose my life, scoot over to let it all in, every day.

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In the white space.


One of the best lessons I learned as an artist was not in the creation, but in the white space. Whether it is on the canvas, or the wall around it, there has to be space for the eye to rest. The white space. To see the art, to really be able to feel it, there must be space around it, so it can breathe, it can live. When it all becomes too cluttered, then nothing can really be seen. Not even the best of art.

I suppose it’s the same with living.

There are a million books written about it. Grief. It only recently occurred to me — looking at my grandfather’s portrait. I’m living in that white space. Missing my mother. (My grandpa and grandma too.) But it made me feel better, seeing it this way. It’s all part of the big picture. This white space — this emptiness — it shows us the real beauty of life. And it’s not separate from the art of living, it’s a necessity. So I feel it. And I know that I’m lucky. What a privilege to be a part of these glorious lives. To rest in the space beside them. Knowing that we are all a part of the same work. We are together. Always.

I only mention it because maybe you are missing someone. Maybe you are resting in this space. And maybe, for a moment, you too can see the beauty of it all — the endless art of this living…

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The wayward pony.

I suppose everything is about context. It’s not like I’d normally be afraid of a pony. (I’ve even painted them.) But yesterday, when I looked up from the path to turn the corner and almost ran into one, I must say it was alarming. And he wasn’t alone. There was a donkey. A llama. Many sheep. Rams. Other ponies. I don’t know who was in charge of this gang by the river. There were no other humans in sight. Neither the sheep, nor the donkey seemed to care that I was there, but what I can only assume as the lead pony, looked at me like I was the suspicious one.

After taking pictures, I kept walking. The whole path seemed different. I felt disoriented. This path, that I could normally navigate in my sleep, suddenly felt completely strange. Had that always been there? What about this? Did I miss my turn?

I started to take inventory. I knew this rock. This tiny bridge. To walk up the slope on the left side. The smell of these trees. The purple flowers growing out of the concrete fence. I knew this path.

Life can throw you the strangest curves. And you can’t prepare for everything. And sometimes each step can become unfamiliar. When it happens, it may sound silly, but I always take my own inventory. Am I safe? Yes. Am I loved? Yes. Do I have to be afraid? No. I step aside from the wayward pony, smile, and keep walking.

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The Cardinal beat.

We were never asked the question when we were young — “How do you identify?” I smile now, thinking about it, because I probably would have answered — “A cardinal.”

I didn’t see it for the blessing that it was at the time — maybe that’s the way with all blessings — but despite time and distance, it has stayed with me, this feeling of belonging, being, and I remain a cardinal.

Even on the teams we didn’t play for, we still came together in our red and black. Sometimes on the field. Sometimes in the band. Sometimes in the bleachers. Forever donned in our mascot, the Alexandria Cardinals. Because no matter what we were, hoods, geeks, nerds, jocks, preppies, we were always cardinals. We stomped and clapped to the Cardinal beat. Competed. Learned. Fought. Made up. Grew. Fell. Got up. Together.

I put on my second-hand Cardinal T-shirt yesterday. Wondering why it couldn’t all be this simple. Weren’t we, aren’t we, all a part of something bigger? I’d like to think so. Maybe the red and black is never all that black and white. But it is something to be connected. To be a part of the bigger picture. I want that. For all of us. For this world. We could come together. And identify as one.

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The view.

Didn’t we say forever? And believed it at the time. Best friends we promised in the middle of the Washington School playground, underneath the monkey bars. And then beside the swings. But forever came before we moved on to Central Junior High, and we promised again. And meant it. We raced to Social Studies and English literature, and around the block for gym, and then changed again. At Jefferson Senior High School, so close to the imagined adulthood, we vowed again. Threw our graduation caps in the air, along with our forevers. 

Yesterday we went to a small village here in France. Driving the narrow streets, built long before they made cars, we winded and turned, and backed up, squeezed and turned some more. With no “rights” or “lefts,” we could only look up for direction. “Somebody’s on top of that hill,” I said. “I think it’s the Virgin Mary,” Dominique said, “a statue…”  I wasn’t sure I needed that clarification, but I smiled. We parked, or probably closer to the truth is we abandoned the car. 

We started climbing the cobblestone paths. Higher. Higher still. Surely we would see her soon. Above the village now. Gazing over the houses. “Where is she?”  Confused, I stood beside the ancient obelisque. Then I saw her. Proudly she stood atop the hill on the opposite side of the village. Oh, she moved, I thought. Because surely it wasn’t me. I hadn’t changed direction…

We’re changing all the time. All of us. And that’s a good thing. It’s the only way we grow. The only way we gain a new perspective. Our forevers get nipped and tucked, and some even abandoned. But it doesn’t make any of them less important, less meaningful. Everything has a time. A season. And each day we have a choice of whether or not to enjoy the moment, to enjoy the view. 

Take a look around today. It may not be what you thought, but it might just be amazing.

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We’re all going to get there.

Long before ever hearing of the word “blog,” I put words to paper to keep a record of our lives. We called it writing.

For my highschool graduation, my mother gave me a small journal and a cross country train ticket to Washington State. In a class of 400 or so, I graduated 13th. To commemorate, my sister-in-law gave me 13 cans of Hi-C grape drink (my favorite at the time). My mother and I packed our non-rolling suitcases, along with the Hi-C and boarded the train.

As we rolled along the uneven tracks, often reaching 50 miles per hour, I began writing down the details of our adventure. We couldn’t afford the sleeper cars, so for more than 24 hours we watched the other passengers. I wrote down everything I saw. The man handcuffed to the federal agent (possibly just local law enforcement). The man kissing the “other” woman between cars, then returning to his seated wife and children. The older couple cutting their food so finely it could almost be described as pureed. The fielded landscape that passed so slowly outside the window allowing me to describe stalk by stalk.

I wrote it all down. We passed the journal back and forth. Laughing loudly with purple stained lips.

I still have the journal. Reading through it, one thing becomes quite clear — I stopped writing once we reached the destination. I suppose it has always been, and always will be, about the journey. These are the most precious moments.

I recently bought a booklet of handmade paper from a small French mill. Far from being filled, it has already given me hours of entertainment. It won’t be for sale. The profit comes in the daily escape. The magic as the images come to life. The stories behind their expressions. The lives revealed. The wheels of brush to paper click along at a reduced Amtrak pace, and I’m able to see everything. To feel everything, below the speed of this summer afternoon.

You can call it whatever you want. Journaling, writing, creating, blogging. However it is you fill your day. And you can do it for whatever reason you want — that is not for me to say. But if it’s purely for “likes,” for approval, the destination… you could be missing out on the most fantastic part of living.
This is the advice I give to myself — Relax. Breathe. Don’t worry. Look around. We’re all going to get there.

The sun is rising. Let the journey begin.

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