Kindness was probably the biggest similarity between my grandma and my mother. Just behind that, they shared a mixing of metaphors, or the complete fabrication thereof. When Grandma Elsie would start a sentence with “You know what they say…” I would have to laugh because the truth was, no one else really ever said it. As she put the bag of toasted marshmallows in her shopping cart, and then threw in a second, she finished the sentence with, “A bird on the shoulder…” and I waited, and waited, finally I finished the sentence, “is worth two in the cart?” “Exactly,” she nodded. Maybe it was her smile, or all that certainty she carried in her jiggly steps, but it seemed to make sense to me. She would open one bag and have it almost eaten by the time we reached the counter, because we had a lot to do when we got home, she explained, to which I quoted my mother, “You’re as busy as a squirrel.” We both nodded with marshmallows poking from our cheeks.
I can get caught up in the semantics of life. I suppose we all want to be right. But more so than that, I often find myself just wanting to jiggle.
Being blonde and from Minnesota, it was exotic to braid one’s hair. And even more so when it was wet. To sleep in the kinks to come upon morning’s release. Probably the most daring of all, was to do it before fourth grade picture day at Washington Elementary.
I was horrified when I saw myself in the mirror. Flat on top, and then a sea of crinkled mane, then straight once again at the ends. It wasn’t a hairstyle so much as a triangle. I brushed and brushed. As if the faster strokes would release me from this nightmare. There was no time to shower. The bus had already made one pass on its way to Norton’s and would soon be coming back up the hill.
I was tall for my age. Always in the back row. My only hope was that the inexperienced photographer had no light training and I could hide in the shadows. In my stocking cap I apologized to Mrs. Paulson, who’s skirt was ironed and blouse was bowed. I pulled it off of my head. She wasn’t an expressive teacher. Not overtly emotional. She touched my shoulder that day, for the first and only time. Her fingers pressing in with “an everything will be ok.” I’ve never seen that photo again. But her kindness remains.
I never braided my hair again. Never really thought about it, until I painted this girl yesterday. But I have written about Mrs. Paulson so many times since then. Because she made a difference in my life.
To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.
Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.
What will you do today, to remain in the race of summer?
I sent my friend the picture of this newest bird. Still fresh from my hands, she traveled across the globe to gather in the best compliment. Her reply was, “She’s a fancy bird. Very Ivy-like.” And my heart is still beaming.
I had promised my grandmother that on my best of days, my very best, they would see her, and they would see her daughter. And I don’t always get it right — even in my “best” attempts, but I keep trying. And when you call it out by name, call them out by name, it is all the love that shines.
And isn’t that the best we can do, wear the pearls that we were given? The pearls of wisdom and strength. Of laughter and joy. Of survival and grace and courage. When we give it all a name, we have a responsibility, to witness and uphold. To generate and pass along. And with that, those very pearls are given wings. And I feel the fancy flutter about and I think, I know, how very Ivy-like indeed.
Certainly they were treasures. And I’m just as certain they weren’t expensive. But back then, (and I pray it’s still true today), I, we, didn’t associate value with money. I recognized beauty when I saw it, and these books were beautiful — these compilations of classics, bound in leather, blue, red and green, on my mother’s bookshelf. Too young yet to even sound out the words, I simply ran my fingers over the titles and somehow they got in. And this love of words has never left me.
The most likely scenario is that she got the books through a fidelity program in the grocery store. Just like we got our set of encyclopedias. And didn’t it make perfect sense, this feeding of body and soul. I devour them to this day. I can’t get enough. My fingers are currently tasting the appetizer of my newest book’s embossed title. My mother taught me that. About value. Beauty. She got in. And I know she will never leave me.
After a very confusing day in the library at Washington Elementary, I went home for some much needed clarification from my mother. Hovering between fiction and non-fiction, I asked her if Grandma Dynda, (who lived two lots down on Van Dyke Road) was real. “She’s a real person, of course, but not your real grandma.” So is she fiction or non-fiction? Eyebrows up, and mouth partly open, the words didn’t come, so she just smiled at me. I think we both know we would spent much of our lives hovering in this magical place.
My brain would come to understand most of the difference, but it’s my heart that’s still bouncing around the in-between.
When we first got our cherry tree, and I was searching for a name, (because that’s what I do, name our trees and plants), something worthy and pure and sweet, I hopped the whitewash fence of Mark Twain and found Little Becky Thatcher. In bloom now in the spring of our front yard, she’s as real to me as any written word. As real as any love given two lots down.
It will be a race between us and the magpies when the cherries come. And I like not knowing. Being mid-page. Hovering daily in the smile of this magical place.
There’s a tradition within the working kitchen — “Yes, Chef!” It acknowledges the task at hand and signifies the willingness to follow through. It’s what I say to the fluttering of my white-hatted heart, daily.
I wasn’t feeling that well yesterday afternoon. But I was mid-paint, (a bird in the hand) and hadn’t I promised the page? Hadn’t I said to the other birds, today we welcome another? Yes. But most importantly, hadn’t I told myself that I could do it?
I have no contract with my daily blog, nor my sketchbook. But I do have a commitment to my very core, to be who I am. To make something of the gift of the day. To wing myself above the obstacle and keep becoming.
So when I say yes to the morning and the song in the trees and the keyboard and the brush, I am saying yes to myself. Yes to the chef, the boss of my being, that I am willing. I am able.
The sun feathers day’s light through the window. My fingers wiggle, wings too, already hearing my heart’s yes.
Our kitchen table is noticeably naked this morning. I’ve had tulips on it for the last three weeks. Yesterday the last final stems ended in petal tears, and I let them go. I know it going in. And yet, oh, how I love them! And why not?! I suppose some choose to leave their tables bare. Never wanting to feel the absence. But I would not trade one curve of the stem. Waking to the dancer’s move, as it reaches for the morning sun. Each day a new position. Beauty, not with the promise of ever, but the grace of now. And I will keep choosing it.
I hope I do the same. Keep reaching toward the love. The morning sun. My stem may be clunky, but my heart, let it ever be a tulip.
It’s not like I forget that I’m in France, but sometimes, I’m more reminded than others. Yesterday, sitting in on Dominique’s appointment, for a good five to ten minutes, I listened to him and his doctor talk about their extraordinary love of cheese. It was quite obvious I was no longer in Minnesota.
I suppose it was at that moment that the bird in my brain took flight.
If we’re lucky, we’re told quite often in our younger years that “you could be anything.” But maybe not so much with the “anywhere.” Perhaps that stems from the human fear of “others.” But I’ve never been sure why that’s so frightening. Because it’s only in the labeling of them being other that we in fact become one.
And as my bird fluttered above all things cheese, I thought, I really like butter. I wondered if they could hear the laughter in my head above the flapping.
Looking for a free page in my sketchbook, I came across the bird in flight that I had sketched in pencil. It could have been anyone’s dream, but it was hers. I don’t have to know her story, to celebrate the fact that she has a story. Be it butter or cheese, I just had to see her. See the hope disguised as the glint of light that reflects from the used-to-be tear. See the dream of flight not long perched on her beautiful head, soon to be mid-flap. And know that we belong. We. All.
“And if you did, see not just my face, but all that I have faced, and if I did that for you…”
