Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Face.

It’s not like I forget that I’m in France, but sometimes, I’m more reminded than others. Yesterday, sitting in on Dominique’s appointment, for a good five to ten minutes, I listened to him and his doctor talk about their extraordinary love of cheese. It was quite obvious I was no longer in Minnesota. 

I suppose it was at that moment that the bird in my brain took flight. 

If we’re lucky, we’re told quite often in our younger years that “you could be anything.” But maybe not so much with the “anywhere.” Perhaps that stems from the human fear of “others.” But I’ve never been sure why that’s so frightening. Because it’s only in the labeling of them being other that we in fact become one. 

And as my bird fluttered above all things cheese, I thought, I really like butter. I wondered if they could hear the laughter in my head above the flapping. 

Looking for a free page in my sketchbook, I came across the bird in flight that I had sketched in pencil. It could have been anyone’s dream, but it was hers. I don’t have to know her story, to celebrate the fact that she has a story. Be it butter or cheese, I just had to see her. See the hope disguised as the glint of light that reflects from the used-to-be tear. See the dream of flight not long perched on her beautiful head, soon to be mid-flap. And know that we belong. We. All. 

“And if you did, see not just my face, but all that I have faced, and if I did that for you…”

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Hope.

“You don’t feel it? The bird on your head?”

“Sure,” she smiled.

“It’s not too heavy?”

She wiped the bangs from her eyes and joyfully showed the gap between her front teeth.  “Hope won’t weigh me down.”

And off they skipped, barely touching the ground.

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I climb.

Spring arrived not only on the side of the hill, but also in my step. I can buy it at the grocery store. In fact I did just a few days before. And it was delicious. But it can’t match the thrill of finding asparagus, petite stalk by stalk, just off the pathway. 

And when I say hill, mountain would be closer to my leg’s truth. It is quite steep. And can be challenging. But while searching for the wild asparagus, I noticed on my second trip up, I hadn’t heard a thing from my thighs. Now, I’m sure they didn’t feel any different from the day before, but I think they knew the task. I think they knew they were as much a part of the hunt as my eyes that scanned, my back that bent, and my hands that grasped. I think to complain would have set them apart, so they marched silently up the hill, and joined in the victory when the asparagus omelette was made just hours later. 

It was my grandfather who always told me whenever I was in deep struggle, (often self imposed), to focus on someone else. And I’m sure I struggled with that as well, screaming like an angry ascending quad, but he was right. He was always right. It’s a lesson I keep learning. Sometimes more quickly than others. But I still celebrate in the victory. He would like that — because in doing so, I am also thinking of him. 

He comes the day. I’m about to join in. I climb. I hope. I reach. I pray. I curse. I kick. I laugh. I rest. I climb. I hope. 

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Taut.

She was not unlike most of the super powers that I watched on Saturday mornings. All were contained in the tightest of fashion. It’s why, I imagined they could move through the world so easily. And so it was with Mrs. Bergstrom. She stood in front of our first grade class at Washington Elementary. No loose ends. Her hair slicked back in a perfect bun. Her black pencil skirt smoothed without wrinkle, making it impossible to see where the chalkboard ended and her waist began. That’s how all the words got in, I thought. This seamless transition. And wasn’t that her superpower, all those words that she spelled out, sounded out, drew out. I wanted some of that power. Just to stand in all that “super” for even a moment. I leaned forward in my desk. Pulled up my neck. Straightened my back. Reached one leg behind the chair to make myself into the straightest line. To create a path for all that knowledge she was passing our way.

It’s easy to let a day go by. To let the passage of time slouch us over. To drape in the fray of worry and get caught in every dark moment. But that wasn’t how we were taught. Not how I was taught. So I wipe the chalk from my hands and smooth them down my skirt and I stand. I stand tall. “Gather it in,” my heart tells my brain — be taut — despair can only slide down, slide off. And it occurs to me how similar the words are. This taut and taught. And it straightens me. Lifts me. Letting go the fray, I Bergstrom to the front of the morning.  

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Making ruffles.

I still go to the mall with my mother. I don’t suppose we ever stop living with the ones we love. It’s only a matter of opening my closet door. Passing my hand along the draping of sleeves — each allowed the space to breathe as she taught me. We exchange silent ensemble ideas. I settle on the one where she clutches her imaginary pearls with more than approval. Pure excitement! And I am complete.

When it’s time to paint, I return the clothes to their rightful spaces and put on my splattered hoodie and pants, as if it were Sunday morning after sitting in my six year old’s white dress on a folding chair near the kitchen at Bethesda Lutheran. Smoothing out the drape with gloved hands long before and after Easter. Feeling to my very core the meaning of “good clothes.” 

I read recently that memories are the handrail of the stairs we continue to navigate. So it’s no surprise as I made my ascent in yesterday’s sketchbook, that the ruffles appeared on the woman’s portrait. White ruffles. My mother’s favorite. And didn’t they suit her. So. I hear her saying, “Ooh, I need to find that blouse.” And I smile. Heart strong, I grab the rail and climb. Forever making ruffles. 

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This is happiness.

It’s ironic, I suppose, that I’m always wishing for time to pass more slowly, but I often fight it while gathered within. I must admit I stumbled over the first pages. Perhaps even chapters. The book I’m reading encourages, in fact insists with the beautiful placement of each word, that the text be wandered slowly. To be paced under the heat of a summer sun, conserving the energy that each word consumes, as it makes its way from paper through hands, and head, finally resting in the heart. All the while with the promise, if you do tenderly barefoot each grassblade’s syllable, you will be lifted, winged to another time, another place, and fit directly in. Soaring mid the chaos and heartache with such profound joy, because just as the title says, THIS IS HAPPINESS.  

The question that’s always in the holster, “Well, what’s it about?”  I could no more answer that than if you asked the same of the day to come. Isn’t it always about living? My only hope is that I can take the same command of the day as I have come to in this book. To navigate with slow appreciation. 

Some will say, oh, people don’t read anymore. And I think, I’m people, aren’t I? And it doesn’t feel like I’m alone. I’m comforted in the fact that two of my most popular paintings of this bird series have been, not just with books, placed and stacked, but with people reading. (Over 80,000 likes on Pinterest gives me great hope.) Gives me, well, wings. And I think, I know, even for a few flaps, a few slow flutters, this indeed, is happiness. 

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Love’s measuring.

Even when I scrub it, there is proof that it is used, loved, every morning. The handle knows my palm. I open and tap out yesterday’s grounds through the kitchen window to fertilize Trini Lopez — the wintering lemon tree. I know how much water to add by the sound. The coffee is sprinkled gently by heart, along with the scrambled reciting of The Love Song of J. Alfred Prufrock, (often forgetting his last name, but always remembering “coffee spoons.”) I twist on the top and place it on the stove. The gas click click clicks in perfect rhythm and my morning’s measure is complete. 

It’s never just coffee. Nor the rising sun. It’s the accounting of love’s measure. No matter the night. This morning will be measured beginning with my coffee pot.  Life will offer you all kinds of starts. Recalling “what he said,” or “what she did,” or “how I should have,” or “when will I,”…. And I can easily get caught up in them all, until I realize I need an empty hand to pick up the handle that holds the coffee that starts my day, and I let everything else go. And so it begins….

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Dear, Chicago

St. Patrick’s Day will always bring me back to Chicago. A green river flowing. Stumbling Irish of every nationality, fueled with beer of the same color and a hope for Spring, brave the cool March breezes that visitors often mistake for the wind of the “windy city”, kick dirty patches of left over sidewalk snow as if to rush along the promise of the warmth to come. Maybe it was easy to believe in the seasons, in each other, all draped in emerald, as if named from the Wizard of Oz. There was an assurance that we (a we that was all inclusive) would rise up. That the blue and yellow of this almost spring sky made us all one. Green. In the Emerald City.

Somehow the curtain always gets pulled back. The great reveal of the 18th. And everyone goes back to their own colors. But maybe we’re all a bit closer for the moment.

We can choose, you know. To be together. As one. Maybe it’s never been so “windy.” Maybe we’ve never had so much to brave. But couldn’t we? Shouldn’t we? Gather in the green of the day, and just be? Together? 

Dear, Sweet Chicago. I’m all in.

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I’m just that bird.

We all want to be seen. But there comes some responsibility with that. People aren’t mind readers. Plus, they also have a focus on things other than you. And how are they to see who you really are, unless you show them?

Brené Brown calls it “daring greatly.” I like it because it changes our vulnerability from being a weakness to a superpower. (And as evidenced in every purchase of every little black dress, every pose in front of the mirror, I do indeed want to be a superhero.) So I expose my heart with every word, and every stroke. And on many days, just like the reflection in the mirror, I may be one of the rare few that see it. But that’s more than a good start, it’s a victory — me daring greatly to see myself. 

I am that bird. Fragile, sure. Strong as ever, yes! My palette is full. I am saved. And look at that palette, wood worn and weary is exactly what makes it beautiful (to me.) So why would my reflection be any different. If I choose to see myself, celebrate that even, then it takes the pressure off of you. I don’t have to count likes or measure your responses. And maybe then, without all that clutter, I can see you. And what if we all could do that. For each other. I suppose to believe this is also to be daring greatly. But I’m just that bird. I come to the canvas. Hope in hand. 

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Flour and paint.

Yesterday I made both bread and cookies, so it’s not surprising that my daily sketch had her hands in the dough.  My floured fingers were reminding my heart that it could always be a good day. 

I guess that’s how I gauge them. For me they are good days, successful, as long as I do just that — “have my hands in the dough.” If I am in the attempt, covered in paint, or flour, or sweat, trying to make something, learn something, become something, then I’m ok. 

And it’s usually the heart that gets most of the credit, and often well deserved. Follow your heart they say. Let your heart lead you. That’s always good advice. But I don’t want to forget the hands. The work. Sometimes the heart needs a little rest from all the heavy lifting. And sometimes, it’s the hands they say I’ve got this. I’ve got you, palms up. 

I heard something recently. It was more about the tools you have in the garage, but it seems applicable — “Use what you have to get what you want.” And what I had yesterday, I had my hands. And the day was passed with effort and joy — exactly what I wanted. 

And the beauty is, it’s nothing I have to wish for, I just have to do it. Every day. Put my “hands in the dough.”

Hands in the dough.
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