Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Plain to see.


I suppose it all takes time. To see the ordinary. And to appreciate it. Those of you that follow me here, have come, I hope, to know my grandparents, my mother, my schoolmates, and teachers. Some might say “just plain folks.” And that’s probably true. But maybe that’s the real beauty of it all. To find the spectacular in farmers, housewives and receptionists. To see the extraordinary in the daily living.

And in seeing them, it helps me see myself. Helps me find the gratitude of the day given. Of the toast for breakfast. The smell of coffee. The hand that reaches out for mine.

I am reading the book, “Love, Kurt (The Vonnegut Love Letters). I have this book, only because I have a special friend. Last year, together with our husbands, we went to Stillwater, MN. My friend and I stood in the bookstore as if before the Christmas morning tree. So many gifts in front of us, we had a hard time deciding. We each settled on our present. I loved her choice as much as mine. This year, she gave her book to me. Those simple words don’t seem to give it enough meaning, but I will tell you that it fills my heart. It brings me back to a laughter filled day on brisk streets and slow choices. It, for me too, is a love letter.

In the book, Kurt Vonnegut writes with his young pen, to his young wife, “Angel, will you stick by me if it goes backwards and downwards? Holy smokes, Angel: what if I turn out to be just plain folks?” Tears fill my eyes. I imagine we’ve all had the worries. Will I be special enough to be loved?

It’s these memories, of course, that give me that comfort. That give me the yes. My heart is packed full of the love from these glorious and plain folks. And I have loved them. Love them still. And I am one. Proud to be living with these extraordinary people. It is plain to see, they, we, are more than enough to be loved.


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Mailboxes on gravel roads.

My first experience with the U.S. mail service included Bazooka Joe gum wrappers. Besides the delightful cartoon, you had the opportunity to order the most magnificent (but almost immediately disposable) plastic items from the company. Cameras that no film would fit into. Key chains that hooked only to belt buckles because I was 6 years old — I didn’t have keys to anything. The items didn’t really matter. It was the anticipation of receiving something. Watching for the mail carrier to slow down. Then stop. In front of the line of mailboxes. Did he open ours? I think that was Weiss’s box. No, maybe it was ours. Day after day. Impossibly early, I waited for the delivery. Legs and arms browning in the summer sun. Waiting. Then it happened. He lowered the door. Our door. Our name faced the ground. He placed the tiny brown box inside. Shut the tiny door. And pulled away. Before the dust settled from his rear tires, my hand was on the mailbox. My name was on the package. My name. I was something. Someone. Part of this exchange. Part of this world. I held the package to my heart. I belonged.

I saw a recent video. They showed pictures of mailboxes to young children. They had no idea what they were looking at. They explained the mail exchange. They seemed unimpressed. But they neglected to tell the real story. It wasn’t just a delivery system. It was neighborhoods. And gravel roads. And trust. And anticipation. And summer. And connection.

I suppose that’s why I write. Why I paint. To keep the stories alive. To get you to slow down as you pass by. Maybe even stop. Connect.

To belong — it may be the key to everything.