“If we opened people up, we’d find landscapes.” Agnes Varda
I cannot pass a golden field in any country, without thinking of my grandfather. The breeze that blows through the harvest to come is the breath of hard labor and kindness.
I was 19 when he got pancreatic cancer. They cut him in half to assess the damage. They closed him almost immediately. When I saw the row of staples, I couldn’t imagine they couldn’t see something — something that could be salvaged. Clung to. Some hope. Because that’s what I imagined beneath the scar. This was the landscape I knew lived within him. A field that had turned from brown to green to gold. A yearly harvest to be counted on — this, I knew for certain, was inside my grandfather. A landscape I carry still today.
We went to visit Dominique’s mother at the cemetery. She rests between two vineyards. We stopped at each one. Tasting the white. The rosé. The red. Delicious. What a fitting landscape for her. The vine that doesn’t end. From the work of the fields. To the joy of the table. The French landscape I will carry too, within.
We’re not always given the answers. But we’re always shown a way. If you look for me today, be patient. My heart is wandering landscapes.
Until yesterday, I had only ever heard my grandfather use the term “…and stuff.” I was listening to a podcast and this man was explaining how he got his job distributing vacation brochures at the rest stop. “Well,” he said, “the guy who had the job before me got sick and stuff…” He continued, “He got the diabetes and stuff… and then he passed away and stuff…”
As I mentioned, my grandfather used the term quite frequently, but certainly not for the important things. He would have never “and stuff”-ed someone’s death.
He was a man of few words. He didn’t suffer fools. He said the things that needed to be said, and that was it. I think he used the term “and stuff,” not to be rude, but just to end the conversation already and get back to the things he deemed truly important.
I stood by the kitchen window, looking out at the barn. I couldn’t hear the exact words my mother was telling my grandfather. I was breathing so heavily, the wind that traveled from heart to nose to ears made a deafening sound. Of course I knew. We were going to be alone, my mother and I. She was scared. Hurt. Embarrassed even. So many feelings. So many words. He listened. Patiently. He was still overalled from the field, but I could see that he had washed his hands (and I could smell Grandma’s perfumed soap). His nails were scrubbed. I suppose he already knew. Knew that he would be holding my mother’s hand. Telling her, without words, that he would be there. For her.
He pulled me away from the window. Bent down. Looked me in the eyes. “You can turn in, or you can turn out…it’s all up to you.” There was no “and stuff.” No walking away from the conversation. He would be there. That was the promise we sat in. Silently.
I learned early on that you can walk away from the unnecessary, but not the uncomfortable. The real trick, I guess, is in knowing the difference. I’m still learning, but as I look out my kitchen window at the morning, I know days can be difficult, times even, but I am secure in the gift that of all things important, I am one.
The amount of reasons not to do it had to be plentiful. It could be too dry. Too wet. Too hot. Not warm enough. The tractor could fail. His body could fail. Grain prices out of his control. And yet, I never heard my grandfather complain.
Sitting on his overalled lap at the card table he only spoke of the current hand he was playing. He and the chosen three adults laughed, accused, pointed, shook heads in knowing victory, slapped losing cards on the table, and kept playing. Oh how they loved to play cards after a full day of farming. And when the sun came up the next day, he walked past the card table, pocketed his pipe, and went to the field that was given, worked it accordingly, without complaint. Each year turning it from brown, to green, to gold.
Yesterday at our family gathering, (a multi-national event), I was speaking with my German niece in English in the French countryside. “I don’t have enough time,” she said. “And I’m sort of afraid,” she continued. “And I could fail…” She offered up reason after reason not to paint, even though she claimed she wanted to. She was looking so far ahead. Beyond canvases painted, sold and shipped. A business created, and what if that failed, all before a brush or tube was even purchased. “You could just paint a picture,” I said. I could hear my grandfather’s voice deep from within.
He never played next year’s hand. He farmed in the day that was given. What a lesson to be learned. I remind myself constantly. Because I, at times, can get way too far ahead of myself as well… with all the what ifs of tomorrow. But really, we only have this day. And I choose to make something of it.
It occurs to me as I’m typing this, the answer to one of her questions. I told her I was working in my favorite palette. Stroke by stroke in these moody, earthly colors. She asked why I loved it. It’s so clear to me today, it’s the hand I was given.
“When the barn catches fire, I am wearing the wrong negligee…” Maxine Kumin (from her poem The Longing to be saved.)
My mother’s first fire was not on the farm where she was growing up, but the dorm of her school. She didn’t want to go away to this school, but her parents were sending her older brother Ron because it was an Ag School (meaning it finished the courses early in the year so the students could go back to work on their family farms.) It was less than an hour away by car, but with no phones, no form of communication whatsoever, the distance felt unbearable.
Of course the fire started at the beginning of the week, not long after she was dropped off. There would be no contact with her parents until the end of the week when they came to pick her up. Forced to run from the burning dormitory, to save herself, she had to leave everything behind. She stood outside in her pajamas as the flames lit the northern sky. The neighboring dorm was saved. She was able to borrow clothes during the week from another reluctant farm girl. Returning them to her lender Friday afternoon, she stood at the school’s entrance in her pajamas, waiting for her mother.
Not many words were exchanged in that long car ride home. But she was allowed to go back to her high school in town the next year.
It wasn’t her last fire. Literally or figuratively. Through the years she would be asked to run from life’s flames and save herself. To save me. And she did it, never out of fashion.
She loved poetry. She would have loved this poem. I wish I could have found it sooner. We would have read it together. Word by word. Over and over. Laughing. Crying. Saving each other. Again and again.
I miss her. So much. Some days the embers feel too close as I stand “barefoot and pajamaed.” But then a sweet memory appears, of joy, of laughter, of love, and I feel her car pull up into heart’s view. And I am saved.
I had to go back and reread it — the lesson I had “learned.” The lesson I re-learned and wrote down on paper. The lesson on paper that I typed onto the computer. The lesson I shared with you, more than once.
“Each rock seemed to give birth to another. I was so tired. But Grandpa didn’t seem to be. He just kept picking those rocks, one after the other. He seemed to get stronger. There was precision in each movement. I watched carefully. It was like an oil pump that didn’t have a beginning or an end to its motion, but just kept going. I had been throwing the rocks with anger, but he moved them with purpose…and that was the difference.“
I was pulling weeds yesterday in our backyard. Powerful weeds that I struggle with every year. At first I just pulled them. Strong, I thought, but nothing I can’t handle. Then slowly I started to give them the weight of my anger. Stupid weeds. The weight of my bent back. You’re killing me! The weight of forever, like I was never going to win this battle. The weight of I’m going to have to do this every year again and again, and…. OH MY! I could barely lift them at this point. I started to cry. Oh, good! I thought. Now I’m watering them!
It all sounds so ridiculous after a good night’s sleep. I read the words, again, and I know, again, there is no need to give more weight to the rocks in our life.
I smile and tag myself with the familiar words — “Something will grow from all of this, and it will be me.” Thank you, Grandpa.
If you’ve been a follower, it probably won’t alarm you to hear that we moved Uncle Wally into the back yard. (Uncle Wally is our baby Walnut tree who is not such a baby any more.) It’s not surprising how easily and quickly he outgrew his space by the front door. But we were more than a little amazed at the strength and depth of his roots.
On hands and knees we dug for three days. The impressive tangles crept deeper and deeper. Impossible to just pull. So this is how he did it. Does it. Stands against the Mistral (the winds of provence).
There are times in life when we are asked to do the same. Forced to dig to the very depths of our soul and hang on. And it’s hard and it’s messy, but when you find it, when you get to the roots of your very heart and soul, and see how strong they really are…it’s then you stand a little taller. A little stronger. It’s then you have the strength to not only withstand the wind, but provide a stable force for someone else. Someone still fresh in the dig.
We can do this for ourselves. For each other. I think we’re meant to. Grab hold. Dig deep. It’s nature at its finest.
Nature has it right. Never is it more beautiful than when it is about to grow. Full blossom. And proud! “Look! Things are changing,” the trees say joyfully in pink and yellow and white. If they are afraid, they don’t show it. And the transition can’t be easy. They are awakening from winter. Changing shape. Having to rely on sun. On rain. Fully exposed.
The obvious teacher of this would have been my grandfather. A farmer. Riding, guiding, nature’s wheel. And he did — teach me. Never shying away from the difficulty. “I can’t glamorize the dirt,” he told me. It was real. Rocks needed to be picked. Hands would be recognizably changed. But each year he too changed the fields from black to green to gold. Fully exposed. Fully beautiful.
But maybe the best teacher was my mother. When her seasons changed abruptly from married to single. From sure to uncertain. Fully exposed, each morning, she willed herself into the light. Smoothing the lines on her face. The seams of her skirt. Allowing the painful blossom. Allowing the beauty of growth.
The petals slowly falling on the trees remind me, it is once again my turn. It’s time to grow. Fully exposed, but never alone. Each petal a sign of those who have gone before me. In perfect harmony I hear them. My mother, my grandfather. “Look,” they say, “things are changing!” My smile blossoms. I am not afraid.
There was a weight to everything my grandfather said. And everything my grandmother made. Upon entering the farmhouse, you were gathered in the scent of baking sugar and pipe tobacco. The furniture was thick and sturdy. Each bed ballasted by my grandmother’s quilts. It all felt so certain.
When I was young, I couldn’t stay overnight at anyone’s house. I would get too lonesome. But I could stay here. Grandpa Reuben would say “Good night,” and I believed him. Grandma Elsie would kiss my forehead. Tuck the quilts around me. And I was safe. I was loved. Certain.
The house still stands, I am told. A variation of it. I haven’t been there in years. I don’t really need to. I carry it all with me. I have paintings of the barn. Of my grandfather. Quilts that my grandmother made. Even in this country far away, I am saved. We returned from vacation yesterday. Running on no sleep and wobbled by jet-lag, we stumbled through the afternoon (Everything always seems a little off at first.) And the house was cold. No sun had entered. No heat had been on for three weeks. We opened the shutters and gave light to the familiar.
And I saw it — this beautiful life we have created. This home. I felt steady. I put two of my grandma’s quilts on the bed, (a double Elsie), and I sleptin the certainty that I, we, are home.
To have walked a place is to possess it. I knew this before I even knew what the word meant.
From my first visit I tried to memorize my grandparent’s farm. The house. The barns. Fences and trees. Knowing that I would need it one day. Not the things inside the rooms. Not the furniture or figurines. Not the rusting tools. Nor the worn clothing. But the security. I suppose that’s all a home is — this feeling that if you went there, they would have to take you in. And if in fact I carried it with me, this feeling, this home, then I could go anywhere. I could have everything, or nothing else at all, and I would have this. And I would be OK. So I memorized the steps. The pictures hanging on the walls. The variety packs of cereals in the cupboard. The smell of damp work from overalls hanging on the wall. Tables and rugs and boots. Desks and doors. Closets.
My suspicions were confirmed when I saw the For Sale sign in the front lawn of our home on Van Dyke Road. My mother was trying to say the words. I tried to listen as I went through the steps. “We’d find an apartment,” she said. I walked up the gravel driveway to the house. “And we’d be OK.” I opened the front door and clung to the overalls hanging in the entry. “Just the two of us,” she said. I walked up the three steps to the kitchen. Tears fell from her eyes as she tried to convince me. “It wasn’t my fault…” I went up the stairs to the first bedroom, the second, the sewing room. I walked the barn. Even the empty chicken coop. And I returned to her face. My mother’s face. Seeing her. Loving her. Trusting her. It didn’t matter where we were going. If we had everything, or nothing else at all, we had each other.
And I memorized each laugh. Each day. Each struggle. Each adventure. Every trip to every mall. Every pretty dress. Every conversation mixed with coffee and wine. Each moment with my mom. Knowing I would need it one day. And that day has come.
I walk the streets, the gravel paths of Aix en provence. I have filled out the forms. Followed the rules. Applied. Tested. And carry the card that says I belong. But I know the only way for that to be true is to walk it. This place. Gather it all in, step by step, and carry it with me. Scattering along the way, everything that I have collected through the years. Each story. Every pebble on the path that I walk daily is now mixed with my treasures. My memories. Dampened overalls and sparkling dresses. Laughs and loves. I am a part of it all. And I am home.
My mother was in grade school when she hit Arnie Zavadil in the head with her metal lunch box. He was making fun of her younger brother Tom. She was the eldest daughter of Rueben and Elsie. And she took it seriously. She would later drop “eldest” and trade it in for “prettiest,” when describing her familial role, but she never lost her protective spirit.
I counted on that protective swing my whole life as we navigated through the world, often filled with “taunting Arnies.” Even when she traded in her lunch box for white ruffles, dangling earrings and Red Door perfume. I always felt safe. I felt protected. What a gift she gave us all.
Never underestimate the strength of a Hvezda girl armed with love — she is grace beyond fear.
