Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Stumbling toward humanity.

Perhaps I’m more careful now of where I lay my expectations, knowing that often the people who rise up to the occasion aren’t the most expected. Like a gift without pressure of holiday they gloriously appear, and lift you higher than you could have ever imagined. 

When I was a young girl, I found so much help in the school system. Teachers offered aid and solace. Encouragement and discipline. It was a structure that I depended on. Solid. When I first arrived in France, I had to attend a mandatory French school. Around the table, desperations were as vast as the countries we came from. Of course I looked to the teacher as I had always done. It didn’t take long for me to learn of my mistake. She would not save me. Nor any of us. She made fun of each nationality, as if she had an offensive handbook. And when the insults weren’t understood with language, she used gestures that could not be ignored. 

After three months, without common language or permission, we began to stumble into something close to humanity. We found out more about each other. After learning that I paint and write, it was our teacher who asked me to be the teacher. To bring in art, books, and give a demonstration, in French on my final day of school. I agreed. For if she taught me anything, it was where to place all my expectations — within. As I struggled with art and easels from the car to the classroom, it was the newest addition to our class, the man from Cambodia, who spoke neither English nor French, who picked up the heaviest of what I had, and walked beside me. I smiled, knowing that without my knowledge or expectation, I had been lifted. I had been saved. 


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A moment.

Being allowed to use the can opener was almost as freeing as learning to ride my bicycle. I went to great lengths to enjoy my five minute lunch alone in Hugo’s summer field behind our house on VanDyke Road. Perhaps it was the responsibility I displayed with my two-wheeler that gave my mother the assurance I could handle the responsibility of staying home alone. She taught me to tear off the label from the Campbell’s can of chicken noodle soup before I brought it anywhere near the burner. I poured the noodles into the pan. Then turned it on — I was only allowed to use the lowest temperature (You have more time than money she would tell me. No need to burn the house down.) I warmed it to luke, then poured it into the styrofoam thermos I had painted in stripes. I Tupperwared a stack of crackers. Filled another thermos of ice water. Put them all in my corduroy book bag that my mother had sewn for me. Placed that into the wicker basket of my bike. Kissed good-bye my dolls and stuffed animals as if going off to war. Then rode the five minute trail along Hugo’s field. Sat down in the smallest clearing just off the edge. Emptied the book bag. Made it into a tablecloth. Drank my soup. Drank my water. Relished in being my summer self. It was only a moment, but it was beautiful. 

Here in France, I learned to bake the worshiped bread. Normally I do it in the afternoon. Freeze it for our toast each morning. But once in a while, I have the desire to start the day with fresh break. That means making the special recipe before bed. Getting up early. Then finishing the kneed, the roll and the baking. Washing the dishes while it bakes. Our house becomes a boulangerie. My fingers dance on the crust, as I cut the pieces. The butter melts without urging. Even the honey and jam feel special. It is only for this breakfast. There will be additional bread, but only this one moment, eating in the waft of this happy morning. 

Some might say it wouldn’t be worth it. But then they wouldn’t have can-openered their way to magic. I guess that’s for all of us to decide. Me, I hope I will try to make the most of each moment. What else do we have? 

Here comes another, what will you choose?


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Saving Provence.

I always rationed out my Halloween Candy. Counting each day. Indulging in a piece or two. Doing the math. The goal was to make it last until Thanksgiving. I imagined that each piece was a link in the joy chain. Even on the days when I limped along with my least favorite candy, like a circus peanut or a Jolly Rancher, I was keeping the sweetness alive. 

Most of you celebrated your Thanksgiving yesterday. Here in France, of course, it is not a holiday. No days off. So the tradition that I dragged along with me won’t be celebrated until Saturday. As I read the posts of you already walking off your gratitude, I could let it get me down, but I choose to think of it as the luxury of keeping my chain alive. I give thanks again, and check the turkey parts thawing in the refrigerator.

I suppose it’s what I’m doing with everything, trying to keep the chain alive, with a painting of a niece, a grandma, a brother-in-law, a cousin. What if somehow we could all connect? In this most unlikely of scenarios, (and aren’t they all) we could come together and find the joy. 

Of course I have my days, my moments, limping through the “circus peanuts” of life. But even the worst days connect me to a chance of something better. So I give thanks. And wait. Today is going to be delicious.

Saving Provence.


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Green of plenty

I remember the look. I never wanted to see it again. I picked one green apple from my grandmother’s tree, took a bite, through it to the cows, then picked another. It could have stopped time, that gaze. I looked around. Apples everywhere. On the trees. On the ground. In her basket. I shrugged my shoulders. She raised her eyebrows. With no words, I knew, simply having did not give me permission to waste it. 

With some things it’s easy to remember. Like my paint. Using a glass palette, I can see what I’m using. Less gets abandoned in the clutter. It’s not as easy with everything. And I often have to remind myself. Like with the days for example. With the minutes of each hour. When I think of the time I’ve wasted in worry, or complaint, I can see myself standing in a sea of green, and I race to bushel all the wasted moments. What a gift it is to have another day. Promises of youth remain. I am filled with possibilities. 


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Forever three.

In the arts of love and endurance, gratitude, forgiveness, strength and pure joy, the heart is mighty, for sure! But it’s never been all that good at math.

Of the nine children my grandparents had, only two remain. This two of Rueben and Elsie changed its numbers so many times, and continues still. Only once, with the twins, did it jump by two. The eleven held, and grew even more rapidly, as the nine paired off and tested all of our addition skills. Children turned into grands and then greats, and just as we got used to all of the plus signs, the painful subtractions began. 

But the arithmetic of the heart is nothing like we learned at Washington Elementary. Here they taught us that the value changed when subtracting. But they didn’t warn us about the heart. Because for the heart, it never does. The numbers will forever change — it’s a guarantee that life will do that — but the value remains. Love cannot, will not, do the math.

I mention it today because my dear friends lost their beloved dog. She said she was missing her family of three. I, we, struggle to add comfort in times of loss. I don’t know if it helps, I hope it helps, it often does for me…this letting go of the math. Letting the heart decide what remains. True love does. So, I tell her, you ARE still three. Forever three. 


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Fill your heart. Feed your soul. Taste this life.

Only in the painting can it remain this way. In real life, left with only a bite, it will begin to brown, decay. So the only choice is to enjoy all of it. 

I suppose it’s the same with so many things. Especially from the heart. We think we’re safe or something if we use just a little. Just a bite. But it’s just not true. We’re meant to taste it all. To give it all. And trust that there will be more. And if you’re reading this, there has been, there is, and there will be…more. 

And sure, it may seem frightening. This never changing apple on the paper, you might find security in that. Nothing will change. But say it again slowly, “Nothing will change.” 

Love is always changing, and moving, visiting places I’ve never seen, and waiting…resting with patience, feeding with forgiveness, and holding, with an ever evolving shape. Sometimes my heart aches with missing someone, something, but I tell myself again, it’s only love, it’s only love. I am not stuck on the page. I am feeling and growing and changing and all the while love comes with me. So I smile at the anger — this anger that I can feel while love keeps changing shape. Because really, that may be love’s greatest gift of all. Ever changing. Ever more. 


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Ever green.

They all looked the same to me — these green apples. But for some reason, my grandma would pick them and put them in brown paper sacks and write their names in bold magic marker. “So these are named Ivy? Just like my mother?” She smiled back at me. “They’re for your mother. She likes the sour ones.” “How do you know which ones are sour?” I asked. “I go to the tree.” I shook my head yes and folded the paper sack three times, just like my mother would do with my sack lunch when I started school. She started making them for me after the first day of first grade. The school lunch lady tried to make me eat a pickle. I never ate a school lunch again. My mother knew me. I carried my sack. 

We’re all so different. At first glance, you don’t see it. Most unfortunately, don’t even bother to look. And I get it. It can be exhausting. We are bombarded daily with face after face of the so-called-truth. But standing in this sea of green, I hear her, so easily, so simply, “go to the tree.” The source. The truth is always there. Some will try to disguise it with repetition, but it’s there. 

My mother didn’t look at all like Grandma Elsie, no she was full-on Grandpa Rueben. My mother was like the purple irises that grow along the road of my morning walk. So straight and tall. Such purpose in the long stem, and green fitted leaves. Just up the hill, there are few chubby little yellow ones, still with a bit of dirt from where they struggled through the earth, that’s my Grandma Elsie. Equally lovely. I smile as I pass because I saw the truth about them. And it was beautiful. It is beautiful.

Paperclipped to one of my books, my mom left for me the poem that begins…”Do not stand by my grave, and weep. I am not there…” Oh, how I know this to be true. She walks with me daily. They both do. Appearing on canvas and page. Coloring the side of the road. Fluttering by the blooms of spring. Ruffled around my neck. Beating in my heart. Growing in the trees. I know them. Still. 


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The care of the varnish.

I had to google the expression, because it didn’t seem right to me. It still doesn’t. To “varnish over the truth,” is said to be a way to hide or deceive; while in painting, it’s just the opposite. After the paint is dry, applying a varnish not only protects the integrity of the painting, it actually brings all the colors together. The image is more vibrant. More clear. The colors are no longer individual. The painting becomes whole. Revealed.

The other day I applied the varnish to two paintings while working on a commissioned piece.  Just as they had months ago by my heart and hand, they came to life again. I can’t say that I remembered each stroke. Each movement, but the experience became alive again. So very real. 

When I tell you of my childhood — memories of family, of school days and summer suns — it feels like a varnishing. Not one of deception, but revelation. Making whole these images — these moments. Even the most simple of times (the tiniest of strokes) — a cow, a book, a walk, a promise, a bike, a hand — they become part of the picture. The story becomes whole. Even in the parts where it felt like a “taking away,” something was given. Maybe it takes time. Maybe it takes the care of the varnish…but the story is always revealed. And when I take the time to really look, I can see the beauty of it all.

I sit today in the comfort of the stories that live around and beside and within, knowing a bit will gather in this new creation, this new painting. Each moment is so precious and deserving of our care, even and long before the meaning is revealed, the beauty is there. 


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Verbing.


A few years ago we were traveling in New Mexico and stopped late at the Georgia O’Keeffe Museum. We didn’t notice that it was almost closing time. Prepared to buy our tickets, the woman at the front desk told us to just go through. Maybe it seems like a small gift, but we were thrilled. The museum was almost empty of people and we saw all of her glorious works that we love. Easily, and free!

Now, when visiting any museum or paid entry building, it’s always in the back of my mind, “Maybe we can just O’Keeffe it.”

Maybe we really only know someone when they become verbs.

If someone falls asleep in a chair, that’s pulling a Grandma Elsie. If I guess at the measuring for a recipe – a Grandma Elsie. If I take the time to write a letter, addressing it in a careful cursive – this too is a Grandma Elsie.

Maybe if we paid a little more attention to the verbs instead of the pronouns, we would all know each other a little better, treat each other a little more kindly. Maybe that’s just me being hopeful, looking for the best — pulling an Ivy.

The verbs of my grandmother and mother live on.




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…and then I see it from your side.

The assignment was on perspective. Maybe it was because it was my first time away from home at university. Maybe it was because my eyes were always filtered through my heart. Because I needed my world to get bigger, broader, more open, I saw the perspective in reverse and drew it. Instead of everything narrowing to a point, looking down the long hallway of the campus dorm, I was the point. Everything at the end of the hall got bigger. The other 18 year olds in class laughed as they displayed their drawings, one replicating the other. The teacher smiled. She gave me an “A.”

We were watching videos with friends last night, showing them tours of Aix en Provence. They were so excited. Ooohing and aaaahing over our ordinary. This is the street, next to the statue of the king, where I buy paint. The church where we laid Dominique’s mother to rest. Cezanne’s house. The place for the best pastries. Where I bought earrings. The fish market. The view of the Sainte Victoire. As their excitement grew, our ordinary felt spectacular again. Perspective.

It’s so easy to get stuck. To lose sight of the glorious things all around you. Trying to force everything to make sense — bring it all to a point. I learn the lesson again and again. To open my eyes. Open my heart. Change my view.

I guess that’s what real friends do — Oooh and aaah you into falling in love with your own life again. They are the point that opens all perspective.