Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: apples


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The pace of Jerry’s Jack and Jill.

I recently started a large canvas. The difference between this and a small one?  Patience. There are no quick scrolls to the details. The juicy parts. The larger work must be complete. But isn’t that what I also love? Sure. I have to remind myself, but it is true. I liken it to reading an excellent book. You know the kind. Where the characters are living in your soul. Words that keep you fighting through nightime’s blinking eyes, and doing the dance between the urgency of your brain that wants to see how it ends and your heart that never wants it to…. It is the glorious and deliciously painful anticipation of falling in love with the canvas. Why would I ever want to rush that? So, patience…

Certainly we are given lesson upon lesson. I don’t imagine it was my first, but it was early on. Waiting for my grandma in constant conversation in the aisles of Jerry’s Jack and Jill. Cart by cart, she spoke to everyone. We’d just finish one exchange, and I’d think, hope, that we’d make it around to the next aisle, but then there, by the beef, or the boxed cereal, it would begin, “Oh, Elsie…” and we’d be locked in for another five to ten minutes. I’d like to think I was patient at first. Even accommodating. But I’m not sure it was very long before my shoulders started to droop. Before my head tilted backwards, as if my neck were no longer able to support it. My hand hanging on to the silver chariot, willing me to drag along. 

And I’m embarrassed to admit it, but I can’t say why. Wasn’t the point to just be with her? I see it now. Caught up now in the whirl and twirl and scroll of it all, I simply want to slow it down. To love slowly. With attention and intent. To maneuver the days at the pace of Jerry’s Jack and Jill. 

I don’t always get it right. So I lesson myself again. I stand in front of the large canvas. I pick up my slow paintbrush, and hear the words, “Oh, Elsie…” 

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Another Magpie.

I saw the black and white feathers in the lawn. It’s funny how you can tell the difference between something let go, and something torn apart. While I don’t want anything to hurt our backyard birds, my first thought was, I hope it wasn’t another Magpie. 

It’s ironic I suppose, the closer you are to someone, the less you see it coming. 

But the resilience of the heart and brain. To keep trusting. To keep loving. It’s so beautiful. And isn’t it even more beautiful that I don’t think about it. That I have to be reminded of it, by feathers in the yard. 

I walk through the vacation of our summer yard. Nearly bare of clothes and worry. The birds flutter and sing, and I know we all have it. This youth of spirit. To forgive. To barefoot again upon love’s green, beneath the chatter, the hope of the Magpie. 

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Ever mauve.

She said, “I’ll take that in mauve,” as if I had stock of my mother’s birthday present that hung on the wall, and in different colors. I looked at my mom to see if I actually could sell the poem that I wrote for her birthday, the poem that painted her picture in every word, line and phrase. She clapped her hands in front of her smile, and would have been the first to carry it to the woman’s restaurant had it been ready. 

We never looked back. 

Maybe it was the approval, the validation in the sale. But it seemed more to be the pure joy of stepping into our lives. Finding the doors and walking through. No longer looking for permission, but offering it up to those behind. 

The woman who owned the beautiful new coffee/bagel/restaurant in town, covered her walls in my images, right down to the “lipstick woman” in her bathroom. For years my mom would get the random call, “I’m in the bathroom at Time Square.” The first time was alarming, but it brought years of laughter, and even friendships were formed from that image. 

I saw people reminiscing about the place yesterday online. The tagline read, “for people on the go.” And weren’t we all…on the go…becoming. I think we still are. Still standing in front of doors, wondering, do we take the chance, (still feeling those that have closed), but pushed forward by the joy of the time we were mauve. The time we dared, and kept daring. And believed. And believed again. This is the time, once again. 

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Wayward splatters.


Running feral as I did, from sun up to sun down, on the equally untamed gravel of Van Dyke Road, it’s counterintuitive, (and yet true), to believe that I never wanted to get dirty. Of course dust gathered on my once-only-white gym socks, creating a permanent outline of my bumper tennis shoes. This was unavoidable. But I mean really dirty, purposefully dirty, like when the Norton girl added more water to yesterday’s rain soaked garden and scooped the mud by hand into discarded EasyBake oven tins scattered in their back yard. “The horror!” I exclaimed to my mother, “Mud pies!” She, being ever crisp in her white blouses, understood completely, as she tried to rub out the wayward splatters on my shorts and t-shirt.

I still find a way to run wild, mostly on canvas now. I have specific clothes just for that. Yesterday, in the studio, K.D. Lang was singing along with each stroke. It wasn’t lost on me that I noticed the brown oil on my sleeve as she sang, “Wash, wash me clean. Mend my wounded seams.” And isn’t that what love does? Accepts us. Gathers us, in all of our commonalities, all of our discrepancies, washes us clean.Maybe this is what allows me to dare the palette. To navigate this beautiful mess we’re in. 

She left them in my care. Her most crisp and white. It’s healing for me. Tending, wearing, my mother’s blouses. It mends my wounded seam, and keeps her near, through wayward splatters. 

Hope whispers.
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Set sail.

I’m more of a poet than a sailor, but I can see the romance in both. I have friends and family who love to sail. Passionate about it. And I gravitate to the love of loving. And that’s what I think connects us — not the uniform of stripes — but the vulnerability. Whether you’re exposing yourself to the open sea, or the open word, you are open!  And that’s what allows us to connect. 

I think some may fear that it is a sign of weakness to be vulnerable. I think nothing is stronger. More beautiful. To brave it all with heart wide open is to hero the day. To bare your cracks of heart, your stripes, is the purest form of strength that I know. 

So I match the wind with pen and paper. With brush and paint. And wear my stripes proudly. Waving to all the heroes ready to set sail.

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Rough and hand crafted.

I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains. 

Maybe everything is just a choice. Right down to how the day is going to be. 

Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful. 

Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!

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Stumbling toward humanity.

Perhaps I’m more careful now of where I lay my expectations, knowing that often the people who rise up to the occasion aren’t the most expected. Like a gift without pressure of holiday they gloriously appear, and lift you higher than you could have ever imagined. 

When I was a young girl, I found so much help in the school system. Teachers offered aid and solace. Encouragement and discipline. It was a structure that I depended on. Solid. When I first arrived in France, I had to attend a mandatory French school. Around the table, desperations were as vast as the countries we came from. Of course I looked to the teacher as I had always done. It didn’t take long for me to learn of my mistake. She would not save me. Nor any of us. She made fun of each nationality, as if she had an offensive handbook. And when the insults weren’t understood with language, she used gestures that could not be ignored. 

After three months, without common language or permission, we began to stumble into something close to humanity. We found out more about each other. After learning that I paint and write, it was our teacher who asked me to be the teacher. To bring in art, books, and give a demonstration, in French on my final day of school. I agreed. For if she taught me anything, it was where to place all my expectations — within. As I struggled with art and easels from the car to the classroom, it was the newest addition to our class, the man from Cambodia, who spoke neither English nor French, who picked up the heaviest of what I had, and walked beside me. I smiled, knowing that without my knowledge or expectation, I had been lifted. I had been saved. 

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A moment.

Being allowed to use the can opener was almost as freeing as learning to ride my bicycle. I went to great lengths to enjoy my five minute lunch alone in Hugo’s summer field behind our house on VanDyke Road. Perhaps it was the responsibility I displayed with my two-wheeler that gave my mother the assurance I could handle the responsibility of staying home alone. She taught me to tear off the label from the Campbell’s can of chicken noodle soup before I brought it anywhere near the burner. I poured the noodles into the pan. Then turned it on — I was only allowed to use the lowest temperature (You have more time than money she would tell me. No need to burn the house down.) I warmed it to luke, then poured it into the styrofoam thermos I had painted in stripes. I Tupperwared a stack of crackers. Filled another thermos of ice water. Put them all in my corduroy book bag that my mother had sewn for me. Placed that into the wicker basket of my bike. Kissed good-bye my dolls and stuffed animals as if going off to war. Then rode the five minute trail along Hugo’s field. Sat down in the smallest clearing just off the edge. Emptied the book bag. Made it into a tablecloth. Drank my soup. Drank my water. Relished in being my summer self. It was only a moment, but it was beautiful. 

Here in France, I learned to bake the worshiped bread. Normally I do it in the afternoon. Freeze it for our toast each morning. But once in a while, I have the desire to start the day with fresh break. That means making the special recipe before bed. Getting up early. Then finishing the kneed, the roll and the baking. Washing the dishes while it bakes. Our house becomes a boulangerie. My fingers dance on the crust, as I cut the pieces. The butter melts without urging. Even the honey and jam feel special. It is only for this breakfast. There will be additional bread, but only this one moment, eating in the waft of this happy morning. 

Some might say it wouldn’t be worth it. But then they wouldn’t have can-openered their way to magic. I guess that’s for all of us to decide. Me, I hope I will try to make the most of each moment. What else do we have? 

Here comes another, what will you choose?

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Saving Provence.

I always rationed out my Halloween Candy. Counting each day. Indulging in a piece or two. Doing the math. The goal was to make it last until Thanksgiving. I imagined that each piece was a link in the joy chain. Even on the days when I limped along with my least favorite candy, like a circus peanut or a Jolly Rancher, I was keeping the sweetness alive. 

Most of you celebrated your Thanksgiving yesterday. Here in France, of course, it is not a holiday. No days off. So the tradition that I dragged along with me won’t be celebrated until Saturday. As I read the posts of you already walking off your gratitude, I could let it get me down, but I choose to think of it as the luxury of keeping my chain alive. I give thanks again, and check the turkey parts thawing in the refrigerator.

I suppose it’s what I’m doing with everything, trying to keep the chain alive, with a painting of a niece, a grandma, a brother-in-law, a cousin. What if somehow we could all connect? In this most unlikely of scenarios, (and aren’t they all) we could come together and find the joy. 

Of course I have my days, my moments, limping through the “circus peanuts” of life. But even the worst days connect me to a chance of something better. So I give thanks. And wait. Today is going to be delicious.

Saving Provence.
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Green of plenty

I remember the look. I never wanted to see it again. I picked one green apple from my grandmother’s tree, took a bite, through it to the cows, then picked another. It could have stopped time, that gaze. I looked around. Apples everywhere. On the trees. On the ground. In her basket. I shrugged my shoulders. She raised her eyebrows. With no words, I knew, simply having did not give me permission to waste it. 

With some things it’s easy to remember. Like my paint. Using a glass palette, I can see what I’m using. Less gets abandoned in the clutter. It’s not as easy with everything. And I often have to remind myself. Like with the days for example. With the minutes of each hour. When I think of the time I’ve wasted in worry, or complaint, I can see myself standing in a sea of green, and I race to bushel all the wasted moments. What a gift it is to have another day. Promises of youth remain. I am filled with possibilities. 

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