He could see me eyeing the small frame. I already had one on hold behind his desk at the Emmaus location. Emmaus is the equivalent of a Salvation Army or Goodwill. Most of the employees are those that need the aid of these donations the most. Between our two accents, it was hard to figure out what the actual price was. As we wandered through our attempts, a conversation began. He was from Belarus. He seemed delighted that I was from America. The more we learned about each other, the less I hesitated with the purchase. Soon I settled on “pourquoi pas” — why not!? And I went home, not only with an extra frame, but a story to tell.
And isn’t that what art is, an exchange of stories? For that matter, I suppose that’s what life is.
Yesterday, I cut the small piece of panel to fit the frame. I gessoed. Underpainted. Sketched. Then began to paint the tiny bird. As it appeared, I had to smile, because it wasn’t just coming to France, it was leaving Belarus. He was leaving Belarus.
We are not the same. But we are all connected. And that’s nothing to be feared, but celebrated. I tell this to the tiny bird, who replies, “Yes, chef!”
My cousins had a wood burning stove. Each weekend their family would, as they called it, “make wood” — which meant cutting down trees, then into usable pieces, then bringing to their house. When the teacher asked him what he did over the weekend, as was standard each Monday morning in school, my cousin said they “made wood.” The teacher corrected him and said they probably cut some, loaded some, put it in their trucks, but certainty they did not “make” wood. The next week when the question came around to him, “What did you do over the weekend?”, he answered, “We certainly didn’t make any wood.”
I thought about it yesterday as I began to finish the panel for painting. I cut the piece first in half. Sanded it. Measured to make the frame. Sanded those pieces. Glued them to the back of the panel. Clamped. Sanded again. Then Gessoed. For me, there is a real satisfaction as I rub my hand across the smooth surface, the smell of forest still lingering, traces collected on the tops of my shoes. Soon it will enjoy a new life. Become a painting. And while I know with all humble certainty that I didn’t make the wood, I do know that I am a part of it all — the nature of things. And that feels good.
It’s easy to get caught up in wanting to feel masterful, powerful, useful. I know I have caught myself thinking – I made that out of nothing. Certainly I didn’t. It began, as all things do, I suppose, as a gift. And the best thing, I think, is not to squander. Not to look away. But aid in the becoming. To be a part of it all, to humbly, joyfully, creatively, lovingly participate — that might be, well, everything.
I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains.
Maybe everything is just a choice. Right down to how the day is going to be.
Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful.
Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!
Grandma Dynda (no actual relation to me) was the first old person that I knew. I mean, that I actually talked to. I was minding my own business, running through their white sheets that hung on the summer clothesline, when she peaked through the screen door asking if I wanted a cookie. It took a minute to get used to the rhythm of her voice. It was slower than a Norton girl. Slower than my mother’s. But I took comfort in the fact that everyone’s was a bit breathless. Some from youth. Some from responsibility. And hers, simply from time passing. Being breathless, too, from all that running, I said sure, and weaved my way to the door.
About the same height, we both struggled to get on the counter stools. Smiling at each other upon summit. She apologized for not baking as she opened the off brand blonde sandwich cookies. I like these I told her. And I did. We each turned them, and ate the frosting from inside. And for the next 15 minutes we were the same age.
Time flies as quickly as the turning pages of my sketchbook. I suppose I could let it flutter in the worry, but it seems better to choose the joy of simply feeling breathless.
I run through the swinging screen door. And hold it open, for you.
When I first understood that my Grandma had a name other than Grandma, I thought it was O’Elsie. Because that’s what I always heard. From my Grandpa’s mouth, the ladies at the kitchen table, or the faceless voices on the party line. What I came to learn was that they were all saying, “Oh, Elsie…” And always as a term of endearment. When she would make them laugh out loud. When she touched them with her kindness. When she surprised them (especially my grandpa) with a rootbeer float or a basement full of chinchillas. And it came to be my measurement for living, this need combine with the heart’s emission of simply – Oh!
I don’t want to live timidly. And I’m not talking about shock. To shock is simple. To wow is devine. Oh, and wasn’t she so! My Grandma Elsie.
I hear the birds singing from the morning window and I think, “Oh, it’s going to be a lovely day.” And my heart smiles.
It’s not that I assumed the garage doors had the sense of the birds, but it is made evident whenever the wind blows. (I suppose that’s when the truth of us is revealed.) And, oh, they’re built solid, these blocks of wood and iron, but never a match against the wind. Every time – it’s BANG! BANG! They beat against the garage, thrown from side to side. Always fighting it. Always losing. But then the birds, in that same wind, barely more than air themselves, they seem to dance. Each wing flaps with lessons learned, and risen above.
I’m not proud of it, but I have done my share of banging. Trying to fight off the new storm with all of my wooden might. But I’m learning. And learning again. What used to blow through me, now gives me wings.
I don’t suppose one pear imagines another as weak. As being particularly thin skinned, or easily bruised. I think they see the familiar. The comfort. And there is strength in that. Which allows them to lean in, and to lean on.
Couldn’t we do the same for each other? I think we often worry, well I wouldn’t know what to say, or what to do? When all that’s really necessary is just to be ourselves, to be there, beside…pearing…pairing.
I leaned on you today. I’m not sure if you even knew, but I wanted to thank you. I felt you holding my heart. It made me happy. And I was strong. I hope I can do that for you…If so, we can do anything.
I can’t say it’s the table. Nor the cupboards. I do like my kitchen, but it’s more correct to say I like who I am in my kitchen. Be it bread or cookies, I like that I’m creating something that wasn’t there before. I like that my Elsie confidence allows me to add flour without measuring, and grin as if I’ve always known. And certainly that’s not the case. I never baked before coming to France. And now my house shoes have a permanent ring of flour in the cracks.
And isn’t it the way with friends:
“I really like who I am with you… I hope that doesn’t sound bad to say… I mean it more as a compliment to you, more of a “thank you” really. You free me to be this person who laughs and cries and feels and enjoys and loves. What a relief to be myself, without performing, or worrying… just being and becoming who I am… That’s some gift… I hope I’m returning it… because you know what, I really like who you are with me.”*
Sometimes, when painting a portrait, you can get stuck. The image isn’t exactly right, but you can’t see why. A trick that many artists use is to simply flip the canvas. It breaks the autopilot of the brain and you can actually see the shapes more clearly. You can get the chin just right, or the angle of that brow. It slows you down and you can see everything in a new light.
How I try to remember that lesson for real life — when the universe kicks my feet from underneath and I tumble topsy turvy. It’s hard to see the benefits immediately, but once I gather myself, I have to think, oh, perhaps it was time for a new perspective. I, we, can get so accustomed to “how things are.” To shake us out of the “well, that’s how we do things…” and the “well, that’s how I feel,” and into a new vision, a better way of seeing, living, sometimes it takes our world turning upside down.
I guess it’s all part of this delightful journey. This jungle gym. So if you see me, feet in the air, don’t worry, I’m just getting a better view.
The French have a saying, “entre chien et loup” — between dog and wolf. Most poetically it describes the transitional light of dusk, the time of day when you’re not certain of what you see. Is it a dog or a wolf? A friend or foe? Safe or threatened? Caught somewhere between comfort and fear.
I suppose within all transitions, a choice has to be made. In this, a big one, our first of the year, I’d like to set the tone and choose dog. Choose that this is going to be a great year! We’re all given the same light. We just have to decide how we see it.
You may say that’s Pollyanna, but I say poetic. And wasn’t it in Our Town, when Emily Asked, “Does anyone ever realize life while they live it…every, every minute?” — she was answered, “No. Saints and poets maybe…they do some.” So I will take that unsure light, that “some”, and try to see it. Minute by minute. How magical this world is. How beautiful. And if I, we see it, really see it, then won’t we be a little more precious with it, with each other, a little less careless? Yes, joyfully, yes, some.
