There wasn’t a hard edge on her. Not fingers, nor elbows, nor knees. She was built to make a lap, cup the small of a back, wipe a tear, widen a smile. She held. She gave. She touched. This was my grandma Elsie.
Sometimes I have to apologize to her, and myself, for carrying my shoulders just a little too high. What am I braced for that couldn’t more easily roll off and on by, if I only relaxed them down. It feels so good when I do. My neck wanders freely, softening my face, releasing my cheeks that smile and say, “what a relief!”
As I work in my sketchbook, I remind myself. The blending of rouge and flesh. Whites, yellows and greens. No hard edges. Wondering to myself, “Does that man appearing know that I am Elsie-ing his face?” I lay the brush down, along with my shoulders, and know, she is gently and ever teaching me. Thank you, Grandma.
I suppose I had it wrong. Maybe we all do. I thought it was such a clever game, jumping in and out of my mother’s shadow. Racing into the length I thought I would never achieve.
It was Proust who wrote, “In the shadow of young girls in flower.” And as that young girl, so blinded by the light of youth’s bloom, I just kept skipping unaware. Not ever noticing that it was my grandma in my mother’s shadow, and both of them in mine.
I can see it now. In Margaux. How all the light bounces off her shiny hair. So much to flower. She reaches out on the balconies of Marseille. And aren’t we all just a little bit warmer, in the shadows of her bloom.
Shopping Michigan Avenue, my mom and I wanted it to never end. We went in every store. Up and down. Miles and miles of Chicago’s “magnificent.”
We weren’t big Nike fans, but the store itself was gorgeous. We feigned affection. Running our fingers against t-shirts and track suits (long before leisure wear, that’s what we called them.) I don’t know who stopped first, but we stood in front of the poster and read. Words could always hold our attention. There was a woman running on a country road with these words, “There are clubs you can’t belong to, neighborhoods you can’t live in, schools you can’t get into, but the roads are always open.” We both smiled, and ran along beside her.
The places we traveled in that truth! I still do.
I’m still sometimes thrown by Mondays in France. Nothing is open. Yesterday morning, I told Dominique that we were out of treats. Before he finished asking, “Where would you like…” we both realized the Mondayness of the situation. By mid afternoon, I was able to travel to Chicago in order to find that my French kitchen was always open. Monday didn’t stand a chance against my molasses. I made the cookies, and may I say, they are magnificent.
I pride myself in finding a way. My mother saw to that. She’s still guiding me through Monday. Tuesday is here. Wide open! Let’s run!
There was a certain freedom to it – being in the girls’ gym. You might think freedom a strange word for this windowless box in the basement of Central Junior High. But certainly there were no pressures to impress.
We cycled through the normal courses. Basketball. Volleyball. A simple change with a new set of balls. But when it came time for the gymnastics week, the whole pink gymnasium was transformed. Beams and mats. Horses and Bars. Certainly we should have been padded on knees and elbows. At the very least helmeted, gauging our limited expertise. Yet, we flung ourselves without knowledge or permission in unwashed gym shorts and t-shirts for the allotted 50 minutes. No guidance. No spotters. No inhibitions.
The floor exercise came with a record player. We were decades ahead of the popular saying, “Dance like no one is watching,” — believe me, no one was. Dropping the needle with a scratch, then racing to the mat, we made “routines” (completely ignoring the definition of routine, because certainly these movements couldn’t be repeated, as we made them up to the music.)
We were never graded. If you could make it up the cement stairs back to the locker room, you passed.
I can feel it sometimes. Hear the turning of the record as the day begins. And I just abandon rule and worry, and move. I get to decide. We get to decide, how to make our freedom. How to fill it. Drop the needle, and simply dance.
Before I met my mother and her cousin, they worked at the phone company. Just out of school, they were best of friends. All giggles and lipstick. Ruffles and elbows. Every ring was filled with possibility.
Lapped and fascinated, I told my mother to tell it again. Having since met her cousin, it just didn’t seem possible. Hadn’t Janet just come from the potato pit? Hadn’t she just saved her husband Joey after being kicked by the cow? I couldn’t imagine her all dressed up under the fluorescent lights of Alexandria’s Telephone Company on Broadway.
“Oh, she was a beauty,” my mother said. “Just like you,” I said. My mother smiled. “I looked up to her,” she continued. I imagined Janet, now 10’ deep in the summer crop chilling for winter and it just seemed so unlikely. My mouth open in wonder, she told me what has remained, “People aren’t just one thing.”
The thing is, we think we know. We think because we see people for ten minutes that we understand their lives. Why they do the things we do. We have to go from potato pit to coffee break. We have to see the full picture. Even then, we can’t be entirely sure. We have to leave room for change. Room for growth. Room for the rings of possibility.
I like to think of them mid-giggle. Nothing lights a person better than joy. I have to allow myself the same grace. We all do. Good morning, my friends! Welcome to the phone company!
It might surprise you to know that the best croissant we’ve ever had, was not in Aix en Provence, nor Paris, but San Francisco. We congratulated them. French butter, they said. It was perfection. Nothing added. No cookies or chocolate stuffed in the middle. No pistachio cream. Just a simple butter croissant. When things are done well, no additions are required.
And isn’t it the same with living? The best that we can offer is often without flare or fanfare. An open door. A seat at the table. An understanding that doesn’t require explanation, only a place, a presence.
We all know people who are struggling. Sometimes I think we imagine that we have to offer an answer. A solution. Most people really only want to know that you care — they want to taste the richness of your simple French butter — to step into the warmth of your heart’s kitchen, and simply sit down.
Knowing that the number one rule in improv (perhaps the only) is to always continue the conversation with “yes, and…” — and thinking that life is really one big improvisation — I try to do the same in my daily practices.
I got up early this morning to make the baguettes. The sticky dough questions my every move, and yes, I continue. My tiny spatula is barely a match for the fluidity. It’s like trying to herd cats or gather water in the palm of your hand. But the scent of bread baking is priceless. The impossible cut straight from the oven melts the butter, and beds the lavender honey, and there really is no better way to begin the day.
It feels good to begin in all that agreement. I will ride it to my sketchbook — the current sketchbook whose only rule is “Bird, and…” Every page must contain a bird. It started from the need to lighten the moment. To feel barely more than air. To fly. Thus, the birds, and… whatever I wanted to paint with them. Be it ukulele, purse, or human, it always continues with the bird, and…
The two most recent humans in the book, although pages apart, seem to belong together. And how telling of our world, I suppose. This “pages apart.” But I’m encouraged by the ease of paper turning…the smell of fresh bread, the taste of lavender honey… So as the sun questions, “Will we rise to the moment?” — I can only answer, YES!
It wasn’t long after I realized that everyone didn’t have them, these Tech-ers in the basement, that they were gone. It’s clear now that we needed the money more than the space. We went through at least three cycles of young men from the law enforcement class. I only remember one’s name – Terry Eilers. Maybe because he was also our bus driver, but mostly I think because he was nice to me. And wasn’t that everything? —when there was just one unlocked door at the bottom of the stairs that separated them from our laundry.
Before lessons were learned, I race from upstairs to downstairs without a glance. It was one of the men from the first group of three. (Everyone over 17 seems like a man when you are six.) He was building a canoe in the driveway to our basement. Fascinated by anything being built, I was probably annoying. Watchful. Eager to know the bend of wood. And what was that green stuff? What was he putting on the shell? Certainly he must have my best interests at heart, I thought, he lived with us after all. He was going to enforce the law. He told me to touch the canoe. I poked one hesitant finger out of my sleeve and touched it as if it were a hot pan on the stove. No, really get in there, he said. Rub your arm across it. I don’t why I did. Just like the heat from a hot pan, it took a minute for the tiny shards of glass, the insulation, to reach my brain. And it took longer, I suppose, wondering not why the pain, but more, why did he want to inflict it?
I wasn’t going to let him see me cry. I ran up the browning hill of fall grass. Through the garage door. Down the stairs to the laundry room in the basement. Took off the painful sweater and placed it in a basket. It was the first time I noticed there was no lock on that door. It was the first time I needed one.
I stayed upstairs for the rest of their time. The next group came. They called one “Buzz” I think because of his hair, but I remained at a distance.
When Terry Eilers came the next year, slightly overweight in his tan shirt and brown pants, the new uniform of the students, he smiled at me from behind the big bus wheel. I don’t know how many rides it took before I trusted him, but I did.
It’s no longer a technical school, but a college. They have their own housing now, I guess. Call it whatever you want, I hope we’ve all learned along the way. Kindness is memorable.
Some will try to take it away. Innocence. Curiosity. Joy. Others still will pick you up when you need it most. It only takes one Terry.
It’s one of my favorites in Paris, the Musée d’Orsay. Maybe because it feels most like me.
It didn’t start out as a museum. At one point it was a train station,
even a parking lot, long before it housed the most beautiful impressionists in the world. I suppose I’ve always known it — that I would have to become, and keep becoming.
When I was a kid, I thought I would just figure stuff out, you know, and be something, and that would be it…that would be my life. Because didn’t they always ask, “What are you going to be?” And especially at this time of year, as we prepared to dress up and go from door to door asking for our treat behind the question, “What are you supposed to be?”
At first I was a cowboy, (was this my train station?). Then I was a hobo, (my parking lot?) It took a long time to become an artist. This was me. Who I was supposed to be.
I think that I, we, just have to keep becoming. We change and grow. We are molded by love and trips around the sun. It takes a long time to build a soul. We get older, maybe wiser, (even better, we gain a little grace) but we don’t finish – we don’t have to – we begin, and be, and begin again. I think that’s the gift of living…the joy of being alive!
Before Google, my mother had recipe cards with chocolate stains and bits of dough. A Betty Crocker cookbook so tattered, pages dogeared more with hope than actual meals made. She had a Bible with verses underlined in tears and yellow highlighter. Quotes from books stuck to the phone to remind her of what was actually funny now. Cassette tapes cued to the kitchen dance. And a phone book nearly rewritten with vital numbers like the Clinque counter at Macy’s.
And it was tangible, this chain of life. How it moved from heart to page to note to smile. I suppose it is what I’m still trying to do. To create the images. Meld them with thought. (Neither artificial.) So you can touch and feel, and pass them on, with your own notes and heart and smiles. And amid all the tatters and laughter, what we will have is real. So very real.
