Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Building soul.

According to the song, we were not yet even “puppies,” but each morning around 8:15 — just after being dropped off of the school bus at Washington Elementary, and just before Miss Green began our 5th grade class — we sang alongside the turntable with Donny Osmond, “And they called it puppy love
Just because we’re in our teens…”

Of course we weren’t in our teens, but even just having a record player, we felt old enough to experience all the emotions. The closest we actually got to boys was playing four square on the playground. We rotated through the boxes, never touching, hovering somewhere between wanting to beat them and wanting to be liked. I suppose we thought the answers would come in the next song. But none of us actually had the money to buy a new 45 at Carlson’s Music Center, so we sang it again and again, 

Someone, help me, help me, help me please. Is the answer up above? How can I, oh how can I tell them,this is not a puppy love.”We began to lean on Mr. Iverson, our music teacher. Each week he gathered us together to learn a new song — new meaning new to us, but certainly old, perhaps older than our parents. We were desperate for new. “Please please please,” we begged, “let us sing something from the radio.” Our hands shot up straight in the air when he asked for suggestions. “Seasons in the sun” was the overwhelming response. They played it constantly on KDWB, the radio station that intermittantly came in from Minneapolis. Unfamiliar with the lyrics, he said he would play the record and decide. He placed it on the turntable and immediatlely his face turned. None of us had heard the actual verses. We were all just mesmorized by the chorus — “We had joy, we had fun, we had seasons in the sun…” Unfortunately, the majority of the song was about dying. Somehow we had missed that. He scratched the record racing to get the needle out of the groove. I guess we were all in such a hurry to become older, at least puppies, that we missed it.

And that’s the gift, isn’t it? I’m always surprised as summer turns into fall. It happens year after year, and I’m still hovering between the bus ride and when class actually begins. Luxuriating in the 15 minutes of unsupervised freedom. Still ready to believe. To become. To begin again.


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Becoming.

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I used to claim that my feet would never leave the sidewalk. City girl. Through and through. Such pride in that. And it was fun. It was great. I loved that girl. Brisk steps. Heels on cement. Click, click, faster and faster. Starbuck’s in hand. Purse on shoulder. Phone in other hand. Grand.

I baked a cake in my French kitchen. Not just any cake. It was Italian, or maybe Spanish, or both… I don’t know, I’m an American in France now…it was something deliciously different. It was slow and deliberate. My phone doesn’t work in the kitchen, no need for that. No Starbuck’s across the street. Take the time and bake a cake. I do that now. And I love this girl too. 

I separated eggs, and creamed half and beat the others, and crushed the fresh picked almonds, and stirred, and folded and pre-heated, and waited. Patiently, almost. And I won’t claim I am only this girl — patient international cake girl — but I am this girl. And I can be. And I can still love New York, and Chicago, Paris even. And I can be fast. And I can be slow. And I love it all. 

I want to try new things and gather them up with the old and create fresh realities, every day. I don’t have to be one girl. And I won’t judge any other girls, or women, or mothers or workers or friends. Nor men either. We are put here to explore. Explore streets and forests and lives and kitchens and cultures and humanity. 

So I celebrate this girl. (Sometimes with cake!) I celebrate this day. This she. Knowing I am a part of it all. Learning, trying, becoming…forever on my way.


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Dish towels and dancing.

I don’t think it makes me a serial killer just because I like my dishtowel to hang neatly. (They seemed to imply this in the movie Sleeping with the Enemy.)

I suppose I could have gone either way. My grandma’s kitchen was always, well, I’ll say it, a mess. Dishes piled head high. Pots still on the stove. My mother liked a clean sink. The dishrag hung alone over the faucet, testing the humidity level of her apartment. It was a good day for her if she woke to a dry rag in an empty sink.

It’s funny what brings us comfort. An ironed dish towel hanging neatly in the kitchen is enough to start my day off right. And it doesn’t mean I love my grandma any less, I just know what works for me.

There was a tiny plaque by my grandma’s stove. Above the picture of a very pregnant woman it read, “I should have danced all night.” Perhaps my mother took that advice to heart. She never taught me how to cook, but she did teach me how to dance. Her kitchen recipes included “Slow, quick-quick. Slow, quick-quick. 1-2-3, 1-2-3. A heel and a toe and a polka step.” And so we danced in that clean kitchen, never disrupted by a boiling pot.

I suppose there’s a little of both of them in my French kitchen. I know my grandma is watching as I boil the fruit from our trees to make jam. And it is my mother’s hand that gives me the slight nudge to change direction as she dances me through my clean kitchen.

When my son-in-law washes his hands and leaves the towels in a heap, I don’t really want to kill him. But I would like to tell him a story. Of a chubby woman laughing, a tall woman dancing, both leading me in love.

It’s a crazy world. We all have to find our own joyful way. Do what works for you. (And don’t forget to wash your hands.)


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Beside her.

My grandparents had apple trees. All variations of sweet, but for one. That tree produced sour apples. My mother loved them. During peak season, my grandma would pick sacks of apples. Ready for any visitor that came by. Reused brown paper sacks from Jerry’s Jack and Jill grocery store filled with green. Only one was labeled. She wrote Ivy in bold, black magic marker. The sack with the sour.

I had only begun to put letters together to form words. I knew my name, of course, and I knew my mother’s name. I ran to it in delight. In this sea of ordinary brown paper, there was her name. “Are you famous?” I asked her. “Yes,” she nodded and smiled. My heart beamed. I knew it!

During my husband’s first visit to Alexandria, Minnesota, my mom took us to Herberger’s. We walked in the back door by shoes. Jessica looked up from her customer’s feet, “Oh, hi Ivy!” Sue from the bra department waved, “Hi, Ivy!” Dominique smiled. Claudia from the Clinque counter asked her how the new moisturizer was working. A man stopped, put his hand on my mother’s shoulder and said “It’s good to see you, Ivy.” “He’s the manager,” my mom offered. Dominique looked confused. “Is your mother the mayor?” he asked me. I smiled. “Of Herberger’s… yes.”

I suppose we all want to be seen…noticed for the bold markings of our own magic. But just as important, and rewarding, is to see others. What a privilege it is to be let in. To be trusted in someone’s truth. My mother gave me that gift. Let me walk beside her. I give thanks for this, every day.


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The teachers.

It’s not lost on me that the math problem Mr. Lee was trying to explain on the overhead projector, was indeed, over my head. I suppose it was this focus on words and other such artistic attractions on my three ring binder that kept me from understanding the equation. We were all told to secretly write down the answer and walk it up to him. One by one I saw my classmates make the trip. Some racing with delight. Others tripping back to their desks in defeat. My hair, still wet from swimming class the period before, dripped on my blank paper. The bell rang and with a giant sigh of relief we all got up to head toward the door. No, he said, raising his one arm. Even with one sleeve folded and pinned to his shirt in that arm’s absence, he was the most intimidating teacher we had at Central Junior High School. He said we couldn’t leave without the answer. The few that had gotten it, laughed and raced into the filling hallway. Had I spent less time calculating my route to Mr. Temple’s Social Studies class, and more time on the problem, perhaps I would have gotten the answer. Mr. Lee made a few marks on the plastic with his red pen. This apparently was enough to get a few more students out the door, but the rest of us remained. He winced at the phantom pain of his empty sleeve. We did the same for our answerless sheets of paper.

He shut the projector off. Looked at me. Directly at me. I smiled — not because I was acting “smart.” (That ship had sailed.) No, I smiled to tell him it was ok. We’d do better tomorrow. I smiled because we were neighbors after all. He couldn’t keep us here forever. People knew my schedule. I rode the bus with his children. My mom had Saturday coffee with his wife Yvonne. He wrote the answer down on the hall passes that he gave us to get to our next class.

The answers weren’t always clear. But we were always learning. You couldn’t help it. The examples were everywhere. In every room. The courage, patience, and strength displayed each day from those who stood in front of us. Willing us to a better understanding.

Later that evening. When my hair was dry. And my thoughts were clear. I looked at the problem again. It made sense. “Showing my work,” I penciled my way to the answer that he had given. After dinner, I walked the gravel of Van Dyke road to his house. I could see the lights on in their dining room. Lincoln, Tracy and Tony were still eating. I printed my name in the upper right hand corner of the paper and placed it on their front porch.

My mother was standing in the well lit doorway as I walked up the drive. She smiled. There was so much to learn.


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Each song has wings.

The worse we sang, the balder he got. Each wrong note hit in our seventh grade choir raised Mr. Dehlin’s hand to the top of his head, rubbing in desperation. How could he direct us to the right note? He seemed to be willing the answer inside his brain with the hand that carried the baton.

I don’t remember the note, nor the song, but no one in the alto section seemed to be hitting it. He directed David Alstead to hit the note on the piano. Again. And again. The note rang through the choir room. The problem was that that one poor note had to compete with all of the noise in our teenage heads. The noise of the upcoming exams in English and Math. Who was dating whom. Who was about to break up. Why was she wearing that? Would we be invited to the dance? Would there be time to get to get to the locker room to grab the forgotten book? Who would we sit next to on the bus. Again! — he pointed the baton at David. Again! He played the note and we sang something close to it as a section, but not close enough. Mr. Dehlin went down the line of altos, pointing the baton at each person. One by one. Note by note. Each missing by a hair – a hair that seemingly fell from his head to the floor. Twice through the line. Getting closer each time. He had our attention now. And we sang. We sang that glorious note. He raised both hands in the air, then collapsed them to his knees. We all cheered (in the right key!). It was only a note. But he got us there. There was still a whole song to learn. But he gave us our victory. Our moment. He stood tall again. Tapped the baton on the music stand. Gave a look to David. One quick flick of the baton, and we were off – in song!

Through our junior high years we held countless concerts. Parents gave us standing ovations for the mere fact of being born. But it was that impossible note reached that I remember the most. And what it took to get us there.

My love for music has never faltered. It has layed beside me during the darkest times. Danced with me through the highest. Pushed my lawn mowing legs. Moved my paintings, stroke by stroke. Brightened breakfasts. Made sacred each holiday, each friendship. Gave me the soundtrack for hellos and goodbyes. Note by note.

I suppose we never forget those who walk with us, battle with us, just to get us through — see us through — to become our best selves… those who give us not only the note, but also a reason to sing!


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More.



It’s not just that she resembled the woman on the magnet I was making — wearing a face from the past, but a smile looking toward the future. And it’s not just that she was the one who first told me, “Slap on a little lipstick, you’ll be fine,” surgery after surgery. It’s not just the fact that she helped cut those magnets – on a paper cutter from Independent School District 206. And it’s not just that she sat on the sofa next to me, sleeving those magnets in plastic, with a glass of wine, mixed with so much laughter that leaked into tears of tenderness. And it’s not just that she stood beside me on concrete floors in Minneapolis and Chicago and New York, selling those created, cut, lived, sleeved magnets. It’s not just that within each of these moments, on couches and concrete, more moments were created that would end up on more magnets, on more paintings, in books, and here – in stories, spread across the internet, moving from country to country, reminding someone somewhere of their mother, their grandma, their friend, who helped them laugh, who helped them cry, and gave them a story to pass on. It’s not just this, but all of this, and more…

I suppose that’s the problem with artificial intelligence. There is no more. Words can be manufactured. Paintings can be painted. Music generated. But then it stops. I want more.

We have a nephew in Kansas City. He is a fantastic musician. And it’s not just that he is creating music that he hears in his heart, in his soul, music that comes from a time when men wore brightly colored tailored suits, topped with matching hats, when fingers were snapped, and jazz wasn’t just played, but spoken. And it’s not just that he is creating that music in a house that his father transformed to make room for him, and well, all that jazz… And it’s not just that they are transforming a new house to create more music, with more creators, in this creative city. It is more. This is the sound of more.

The world is changing. Some want to create it all, with just the push of a button. I want more. May we forever, all want more. These are the better days. WE are the better days.


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Soundtrack.

The first few notes played on the radio this morning. So iconic. We both put down our toast and jam. “Start spreading the news…” we sang. New York. New York. Perhaps one of only a handful of songs about a city that is known internationally. “I can name that tune in five notes,” I said. “What?” I explained to him the game show Name that Tune. 

It was my mother’s favorite. And she was good at it. She loved music. She knew the notes. The words. As easily as my grandma could beat me at cards, my mother could beat me at Name that Tune. But as we sang together, laughed together, sometimes even danced, it felt like we were both winning. 

I don’t think the show was on the air that long, but we kept it alive in the car. It was difficult at first, with cassette tapes. Trying to cue up the song to the right position. We kept a pencil nearby to wind up the ribbons that we abused. The game was significantly improved when we graduated to cds. It was so easy to cue up the song. To start and stop. To Name that Tune.

We didn’t really keep score. We knew the music we owned. And of course we always created a playlist for the city we were driving towards. A trip to Chicago always included Frank Sinatra singing “My kind of town…Chicago is!” 

It seems funny to even mention it – because we never really gave it a thought – but neither of us were particularly good singers. That was never the point. What we were really good at was being friends. I suppose nothing else really matters. When you know someone, really love someone, above all the flaws and the shortcomings, you only hear the music.

I had the privilege of taking my mother to New York three times. I can’t hear the song without descending in the plane over the Statue of Liberty. Sitting beside her on Broadway. Looking up in Times Square. Drinking the wine. Trying the clothes. Singing on the sidewalk. There’s a reason your heart “beats”  – to keep time with the ones you love. 

Ask me anything about my mother. I can name that tune. The music never ends.


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Body and Soul.

It was the only sheet music I remember seeing on my grandparent’s organ – “Body and Soul.” It didn’t seem strange then, this large instrument. When I think of it now, they were probably the only farmers in the area to have an organ in their living room. 

They bought it for my Aunt Sandy. She was the youngest of nine, this Dairy Princess, and when she asked for something, she usually got it. So there was an organ in their living room. I never heard her play it. Nor anyone else – not seriously. Most of us thought of it like a big toy. One cousin would crawl underneath the bench and play the foot pedals by hand, while another cousin or two pressed the keys with as much flare as previously seen on the Lawrence Welk Show — something that also seemed to be on continuously in my grandparent’s living room. 

My Aunt Sandy has passed. I don’t know where the organ ended up. But the song lives on. I heard it this morning, on the radio, in France. Body and Soul. 

We are scattered — those of us that began on this farm — scattered by jobs, and hopes and dreams, scattered by loves and heartbreaks and loves again. Bit by bit, we puzzle together the pieces of our own lives, string together the notes of our own songs. And it takes a long time — a long time to build a soul. 

I thought, when I was young, with fingers glued against the keys, that we would be given all the answers. And that would be that. But we, like everyone I suppose, were not given the answers, but options. And somewhere between field and keyboard, I suppose, we made our way. 

The song fills my heart this morning. Along with the coffee. The conversation above the tune. Joyfully, not complete, but beginning. Again. What a pleasure it is to begin. The sun comes through the window, and another piece of my soul fits together.

The music never ends.

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From both sides now.

I’m not sure that it was the heart of the lesson, but what I learned with the math “times tables” in first grade (this times this equals this) was that if you memorized something, it came with the security of always having it. I suppose this was the security I was searching for.

It was just my mom and I. Everyone else had left. I could hear my mother cry at night. I wrote poems and drew pictures, hoping to give the tears a soft place to land. But in the dark of night, I, we, could see none of them. So I began to sing, in my head. I found an old album cover that my sister used to play. It was Joni Mitchell’s, Court and Spark. I memorized the songs. Each lyric. Each note. I knew them all. Each took around three minutes to sing. And magically, time would pass. “This times this” — words times music equaled safety.

When days and nights became easier. Time became filled with activities and eventually, somehow, joy. I heard my mother’s laugh. And my own. Life became more full. And the rotations of songs in my head, became less frequent. And then almost not at all. But I knew they were there. They still are. And now, if I sing one, maybe while mowing the lawn, it is somehow, nothing but joy.

I painted her on one of my jean jackets. Maybe it’s too simple to say that she had my back. It may be simple, but it is true.

I saw a video of her on Youtube yesterday. 78, having survived a near death experience not that long ago. The words came out like honey. Pure and sweet. Tears flowed out of the eyes of those around her. Cheers flowed out of the audience. It was beautiful! Magical. Nothing but joy. And at the end of the song, she laughed. Giggled really. Like the little girl that still lived within her. Like all the little girls, the women, she carried. And in that moment, (with the words and music that we will always have,) she, I, we, were saved.

https://youtu.be/4aqGjaFDTxQ