It was Mr. Rolfsrud who taught us about the flashforward at Central Junior High. He stood tall, polyester suited in front of our class, and took us through the technique with great detail. He neglected to mention that it would also happen in our real lives.
Listening to an audiobook during my walk yesterday, the author lept the characters into the future. And seemingly in that same flash, I was in this other country. It was as if this decade, this epic novel I’m writing, was simply paragraphed. Maybe that is the way with all living.
Not at first I suppose. Summer steps in our youth seem eternal. But then, without our knowledge or permission, the pace quickens. Steps become leaps. Leaps turn into bounds. And finally, mere flashes.
The moment of clarity in the book skipped my heart a little. The moment of clarity in my life did the same. But I wasn’t afraid. More grateful. I simply raised my hand, waited for him to call on me, and thanked him for my love of words. I promised him I would use it all. And kept walking.
She packed her delight alongside our Walgreens’ provisions. Just a young girl in a red smock in this Biloxi Walgreens, so eager to learn about the world. “Where are you from?” “France.” Gasping, she asked if we lived by the Eiffel Tower. No, we smiled, south. “But you’ve seen the Eiffel Tower?” “Oh, yes, many times.” She was so excited. She said she wanted to go. So desperately wanted to go, and began to count our change again, apologizing. “No need to apologize, it is exciting, distracting even,” I said. “Do you eat croissants?” She asked, wanting to know everything. “Yes,” I replied, “I even make them.” “Oh my! You have to send the recipe!” I told her I would. And I meant it. She already had me, but then she went all the way. “I’m going to make enough money one day to take my mom. She loves Paris. She has little Eiffel towers in her apartment.” My heart spread across the Walgreens store.
I took her email address that she scratched on the back of our receipt. I sent her pictures of croissants I have made. The Eiffel Tower I have stood next to. Kissed under. Dreamed above.
Sometimes all we need to know is that it’s possible. I hope she believes it. If we can give each other that gift, then we have everything.
I carried her delight through the electronic doors. Hope stayed with her. We are all on our way.
It was a cathedral I had to fill, my first solo show in France. I laughed as I made one canvas larger than the next, because it had been all I had prayed for — space.
I used to paint in my small apartment’s bathroom in Minneapolis. It was the only place that I could spill and clean. The seating was built in. Small canvases were easy. Large ones I could balance on my legs, the towel bar and the edge of the tub. I guess I hadn’t been all that specific in my prayers. I didn’t know the answer would come with a move to another country, but there I was, in the south of France, covered in paint, love, and “well, this is what you asked for…” so I filled the space with my story. Canvas by canvas.
Perhaps it is the most open I have ever been. And maybe that’s what love gives you — space. And I don’t just mean romantic love (which does help a great deal!) but also love for yourself, love for the chances that life offers, love for the answers that come as a complete surprise.
I have it now, in home and country and studio, but I still pray for it daily, for my heart That I will find the space for all those trying to share their stories, their talents, their imperfections, their lives. May I be open to them all.
I fell in love with France again yesterday. I finally received news of my visa. It should be in my hands on Monday. It was all just paperwork. I had done everything correctly. Followed all the rules. Passed the exams. In my head, I suppose, I knew it would come, but my heart… As the delay turned from months to almost a year, I was getting very anxious. Because without this French visa, I was basically held prisoner. Sure, I could leave, but I wouldn’t be allowed back in France. Back home. And it began to change the colors of everything. I walked in the shadows. How can you love the very thing that grips your ankle? Pulls at the back of your shirt?
It was just a few words that Dominique received on his phone, telling us that we could come in on Monday. I was out kicking my daily path when he passed the message on to me. I floated down the hill on tears of joy. The Sainte Victoire mountain winked at me to say, “I love you too.” And it was true, I was in love again.
This morning’s croissant tasted rich in French butter. We spoke of Paris. The Olympics will be coming here soon. The thumb that tipped my scale has been released and I feel, oh, so very light! I am in love.
I guess all love is based in freedom. It can’t be contained or held captive. No one can be forced into the feeling.
The very thing that makes me want to stay is knowing that I’m free to come and go. Love’s shutters are flung wide open! Bonjour!
“Let someone in. Let someone go. After you’ve seen it all, you won’t remember the windows and doors, but who passed through.” Jodi Hills
There is an empty space where the painting hung. It sold yesterday, Lake Agnes. My first thought, of course, was of joy, but my second thought was of Herberger’s. More specifically, the Herberger’s store that used to be in Alexandria, Minnesota.
My mom, served as the unofficial ambassador. She knew every clerk. Every shopper. For her, and a majority of the town, Herberger’s was not just retail, but social.
Carol worked in the shipping department, right next to the office. My mom would see her when she went to pay her bill. They became friends. It was only after a few conversations that my mom was retrieving empty cardboard boxes to bring to me to use for shipping artwork. I was shipping daily to stores and galleries, so my box bill would have been a fortune. They had a need to recycle — it worked out well for everyone. My mom would fill the back of her hatchbacked Ford Focus and drive them to me in Minneapolis. We then took the time for coffee, wine and shopping. By Sunday evening her car was filled with bags from Anthropologie or Sundance or Macy’s, and the joyful cycle continued.
Of course nothing was the exact size. I became an expert at creating boxes. I could score and trim and shrink wrap and tape with the best of them. It might sound odd to say, but I was proud of it. Still am.
Yesterday I went to the garage and found two scraps (I use the term with affection) of cardboard, and a large amount of bubble wrap. The cardboard was from some garden tool that Dominique ordered, and the bubble wrap from a guitar that was given as a gift to the kids. They weren’t dirty, but still I vacuumed and wiped each piece sparkling clean. I wrapped it with precision. The box is square and strong. The painting is, and will be safe.
I smile as it sits beside me. Knowingly part of my story. Even as I live a country away, and Herberger’s is long closed, I know what, who, helped get me here.
The world is changing. Artificial intelligence is nipping at our heels. People are contemplating if it will take over the arts. I don’t think so. I certainly hope not. Sure, I suppose it’s possible to create the painting. But what you can’t manufacture is the story. The lives involved in one piece of art. Carol folding boxes. The Herberger’s store manager helping my mom load the car. My mom. Her love and support. Telling all who would listen. It fills me still.
This painting that I sell today is of Lake Agnes. One of the first lakes I knew in my hometown. It will ship from France and travel to Arkansas, carrying the stories of those who first lifted me.
I suppose it’s only natural to get used to things. Even the things we dreamed about for years can become ordinary while living them. And we all want to be comfortable. There’s nothing wrong with that. But the shine, I don’t want to lose that. So I make the small changes. Daily.
It might sound silly, but for me, it’s the little things. I change the painting in my direct view from the breakfast table. And this brand new, this shiny comfort, reflects my smile, and the day begins.
After lunch is my usual reading time. I switch up the place. Moving daily from chair, to bed, to outdoor hammock. Yesterday’s sun jumped off the pages as I swayed above the grass.
Being my mother’s daughter, it is not only my joy, but my responsibility, to change my clothes frequently throughout the day. The more challenging the day, the more changes. I will hold the conversation in my head. Clutching my pearls, sometimes real, sometimes imaginary. Humbly offering my thanks. Accepting the worked-for shine that only a mirror and a mother’s memory can reflect.
Now some might say, well it’s easy for you, you live in a beautiful country. You have inspiration all around. Yes, that’s true. But I don’t eat breakfast under the Eiffel Tower each morning. I, like everyone else, am not given a reason to get out of bed…I (we) have to get out of bed and go find that reason every day.
I don’t know what today will bring. I’m not even sure what I’ll wear, or how long I’ll wear it. The clouds overhead say, “you’re on your own today.” I smile. “I’ve got this,” I say. And set out to find my shine.
She yelled, “Sur la table!” We all sat down for the evening meal. The conversation began immediately. It was when I first arrived in France. When they still took the time to translate. Dominique’s cousin said they were talking about food. I smiled and looked at the full table. “Oh, not just this food,” she explained. “You see in France, while we’re eating the meal, we talk about the last meal we had, the one in front of us, and the next meal we’re going to make.” Food is life here.
I was never really a fast-food American. Some of my favorite memories with my mom included the slow intake of small portions over a long evening in my apartment. I would buy the best of what I could afford. The tiniest cut of cheese. Bread from the Great Harvest. A bottle of red. We gathered in the memories of the day that moved between laughter and tears, back to laughter again, all tender. Then decaf coffee with a morsel of chocolate. There were no left-overs to settle, but for the occasional giggle. From my bedroom, I could hear her rustle in the living room. She could hear a giggle burst down the hall. This continued until I squeezed her air mattress next to my bed, and we finally went to sleep.
Even with this, the transition to the art (and it is an art) of French cooking and eating took some time. As much as you will find paint on my everyday clothes, you will find handprints of flour. Traces of sugar, or jam. I am a part of it now. The meal before. And the ones to come.
It was 105 degrees yesterday. Yet, I knew I needed to bake cookies. French cookies. I mixed the dough. Rolled it on the table. Cut out the circles. Used my fork to make the criss-crossed lines. Brushed with egg yolk for the golden color. The test cookie came out perfectly the first time. My mother-in-law lay passing just a short-drive away. The last meal was over. But our house is filled with the scent of butter, sugar and sweet memory.
Dabbing the crumbs with fingertips, not to miss a taste, we speak of what’s to come. The next meal. This is life. And it is delicious!
Nature has it right. Never is it more beautiful than when it is about to grow. Full blossom. And proud! “Look! Things are changing,” the trees say joyfully in pink and yellow and white. If they are afraid, they don’t show it. And the transition can’t be easy. They are awakening from winter. Changing shape. Having to rely on sun. On rain. Fully exposed.
The obvious teacher of this would have been my grandfather. A farmer. Riding, guiding, nature’s wheel. And he did — teach me. Never shying away from the difficulty. “I can’t glamorize the dirt,” he told me. It was real. Rocks needed to be picked. Hands would be recognizably changed. But each year he too changed the fields from black to green to gold. Fully exposed. Fully beautiful.
But maybe the best teacher was my mother. When her seasons changed abruptly from married to single. From sure to uncertain. Fully exposed, each morning, she willed herself into the light. Smoothing the lines on her face. The seams of her skirt. Allowing the painful blossom. Allowing the beauty of growth.
The petals slowly falling on the trees remind me, it is once again my turn. It’s time to grow. Fully exposed, but never alone. Each petal a sign of those who have gone before me. In perfect harmony I hear them. My mother, my grandfather. “Look,” they say, “things are changing!” My smile blossoms. I am not afraid.
Cluttered with nightmares and nonsense, I don’t normally put that much stock into my dreams. But all last night, I was trying to sign up for another year of university. Hour after hour I searched for the registration. Went through the pamphlets. Made appointments with my advisor. Even after waking up twice, I went right back to it. Would I rent the apartment near campus? Would I get an advanced degree? Academia all night long. I’m not complaining – it was far from the normal hauntings. So was it a sign?
Signs are funny things. They are probably all around us – all the time. Some meant for us. Some maybe not. Some gathered in. Some trampled over. I guess it is what we choose to see. And maybe when we miss it, it repeats itself. Over and over again. Until we pay attention.
I guess it’s time for me to keep learning. Or maybe, it’s a sign to tell myself that I AM still learning. I will forever be learning. And that is not a nightmare, but a gift. And that’s a hard one for me to, well, learn. I can get myself trapped in a worry. Stuck in a pattern of fearing the unknown. But it will always be there — through all the nightmares and nonsense — there will be growth. There will be challenges. There will be learning. Beauty in it all.
The sun rises brand new, telling me, “If I’m not happy in this time, in this place, I’m not paying attention.”
You could see a cow from almost every window in my grandparent’s home. Maybe it was just too many reminders for my grandma on this particular day. I never thought of her having a middle name. I barely thought of her first name. She told me while sitting at the kitchen table – it was Gladys. Her middle name. She said she liked it. I could see a bit of a twinkle in the eye that rested above her curled lip. She was thinking about something… And I suppose it was the first time I saw her not just as a grandma, but a woman. A woman of this world. And she looked beautiful. “But Elsie is nice,” I said. “Ah, it’s a bit too much like a cow…You can call me Gladys if you like,” she said. And her apron started to disappear. I smiled, knowing I had witnessed something so very special. She slapped her hands on her thighs. The apron reappeared and she went back to the sink. I grabbed her from behind, and I hugged, again, and for the first time.
At our kitchen table here in France, I sit at the chair that faces my little cow. I painted it years ago. It rests just over Dominique’s shoulder. All of my worlds, open, with each morning croissant. The radio was playing Cabaret this morning. Liza sang “I used to have this girlfriend known as Elsie.” My heart grins. For, I too, for just a brief moment had, not just a grandma, but a girlfriend…who let me in, well beyond the kitchen, inside her private twinkle.
