I’ve yet to capture it on film. (But certainly in the shutter of my heart.) Some call it golden hour. And I suppose, as glorious as it is, it’s not that uncommon, but in this house I live, at this one certain time, I have witnessed this light between rooms, not only shine and illuminate, but bend.
It’s just a small window in the sewing room, Grandma Elsie’s sewing room, but when the hour is golden, the light thrusts through every pane. And you may think thrust is too strong, but wouldn’t it have to in order to bounce off of two doors, across the hallway and land beautifully upon the painting of the children at the beach? It’s almost as if it knows the destination, knows how deserving they are of the light.
It doesn’t last long, but spectacular rarely needs a lot of time to make its point. It’s in these tiny, well lit moments that I remember how lucky we are. How we are given everything we need, and more! How even in our struggles of darkness, in our failed attempts to reach all that shines…with obstacles lining the way — magically, joyfully, light bends. Golden.
It was hard to believe that something so delicious could make me ill. But it was evident after only a few tries, I couldn’t eat ice cream. Somehow still, I found it very exciting when the pale yellow blur of the Schwan’s ice cream delivery truck drove toward my grandma’s house. I began running up the gravel, hands waving in air, directing him into the driveway. I knew full well that my grandma’s love of root beer floats would never allow her to miss a delivery. I hopped and skipped and ran with the truck to the house. Uniformed and certain, he jumped the steps and went to the back of the truck. “You’re Elsie’s granddaughter?” “Oh, yes!” I said proudly. I could tell by the smiling way he said her name that he liked her. He unloaded two of the giant tubs as my grandma came out the screen door. Her hands ever floured or wet, or both, she wiped them on her apron before signing for our haul of vanilla.
How wonderful, I thought, to deliver ice cream. Everyone must be so happy to see you. I was, and I didn’t even eat it. The only other delivery person that I knew was my Uncle Mike, who drove a beer truck in the Twin Cities. I asked him if people jumped up and down when he arrived. He looked confused. Like I do with the Schwan’s truck, I explained. Not so much, he said. Maybe you should paint your truck yellow, I said. He smiled.
Surely it has to be taught. There must have been a million things my grandma delighted over with me. Things she had no interest in. How else would I have known, known this joy of feeling good for others. I loved art and clothes and drawing and crayons and “Look, look what I made! It’s flowers glued to a scrap of bark! Look!” And my grandma showed all of her teeth in love. An ear to ear joy. This is the only explanation I have for being happy, truly happy, to celebrate a Schwan’s delivery, not for me, but for her!
Joy is not owned. It is passed and given away freely. It is run along beside. A yellow blur of others. The day is pulling toward the driveway. I raise my hands in the air and skip to whatever joy it may bring.
I have no memory of the apples growing. Each year, they were just there. The branches seemed to go from bare to weighed in just the blink of an eye. And as quickly as the green apples appeared in my grandparents’ trees, we were tripping over them in the grass, loading sack after brown paper sack to give away.
Maybe it’s the way of all living. It goes so quickly. We move from grand point to grand point, missing all the little things along the way. The how we got heres. The growths.
I keep trying to think of her as a young woman — the journey of how Elsie became Grandma Elsie. She wasn’t always in that kitchen. In that yard with an upturned apron full of apples. She once had to have giggled with the girls behind the school. Cursed her parents and dreamed of boys. Imagined a life. A future.
To know the exact details, I suppose, would be like trying to reattach the apples to the tree. But I think it’s enough to know there was more. There is more. So much more to all of us. There are reasons and seasons of how we got here. And maybe we’ll never know all of it, but I think there is empathy in the attempt. Compassion in trying to imagine the whole picture. None of us are just one thing. Maybe in learning that, we come to see some growth after all.
It was the first poem I ever wrote. I was six years old. In Mr. Iverson’s music class.
Houses, houses, houses red.
In it is a pretty bed.
Houses, houses, houses green.
In it is a pretty scene.
And so began my search. My fascination. With home. I would go on to paint images of houses and doors. Windows and shutters. I wrote the stories as if they were maps. Each word opening. Letting in a little more light. A welcome breeze. Until one day, one moment, one heart beat, in the warmth of that sun whisking through cracks, it became so clear that there was no “there,” only “here.”
We have been traveling for several months. I have been asked handfuls of times, “Are you excited to go home?” I always smile, in the slight breeze of my answer.
Sitting at the breakfast table, in a friend’s house, a country away, my husband is drinking coffee from one of my cups that reads, “Come in, you and your heart sit down…” I’m already here. I’m always home.
I had to stop wearing my little pinky ring. I need to have surgery on the finger that has held that ring for decades. It waits for me now, in a tiny little bowl. I know I will wear it again. And it’s not so much that I have faith in my finger (which I do) but I also have faith in my ring. It knows the way home.
Years ago, I was filling large orders for framed art work. It was just after the New York show, so I had product and packing everywhere. My hands were in a constant blur of activity. It wasn’t until after making a haul to UPS that I noticed it was gone, my little ring. I checked my apartment. The garage. My car. Nothing. I had more orders to fill, so I kept working. My thumb often reached to give it a phantom twirl. But my brain said it was gone for good.
Two weeks later I got a misshapen envelope in the mail. I opened it quickly — because mail!!! It was a handwritten address from the east coast. My ring was inside. The note said they found it while unshrinkwrapping my artwork. They took the time to compliment my work, bubble wrap the ring, and send it back to me. The stone of the ring is not precious, but their act of kindness certainly was!
I only mention it because this morning I reached for my permanent necklace (the one I never take off) to move the clasp to the back. Something poked me. Only prongs. The stone was gone. We shook the sheets of the bed. Checked the bathroom. The carpet. It could have been anywhere — even in another state. The possibilities were endless.
On our way to hotel breakfast, I stepped into the fitness room. Looked at the floor between the elliptical machine and the treadmill. There it was. Preciously waiting. It was a tiny miracle really, but not my first.
I was only 5 or 6 when I went out into the field with my grandpa. Maybe the sky was bigger then, but it seemed endless. Nothing but blue above and black dirt below. I couldn’t see the house from where we were. I began to panic. I wanted to go back. I didn’t want to be here. How would my mom find me when she came from town to pick me up? She would drive up the gravel and we wouldn’t be there. She would swing open the screen door and call my name, and I wouldn’t hear. She would be sad and scared. And she might cry, I gasped between my own tears. And I felt terrible because I had begged to come with. I had been warned that we would be out a long time, most of the day even, and yet I pleaded. Now the tears that tracked black down my dirty face wiped with dirty hands wanted nothing else but to see the way home. He didn’t argue. Didn’t make fun of me. Didn’t “I told you so,” or “I warned you,” he just took me home. Gently. Easily. “We all find our way home,” he said, dropping me off in full sight of the farm house, in full knowledge that my mom, too, would find her way.
I put the gemstone into my husband’s pill case. Safe. Sound. Another pocketed miracle.
Living in the south of France, I see the Sainte Victoire mountain daily. Each time, I give thanks for my current view, and also for the view Paul Cezanne gave us in his paintings. Would I have seen it without him? Would I have noticed the extraordinary beauty of this mountain without his vision? I’m not sure, so I give thanks with each passing step.
I suppose it has always been this way. My grandfather did the same with his farm. Without him, perhaps these fields would have just been blurs from a car window. But not for me. Not since walking with him. Holding his roughened artist hand that turned those fields from black to green to gold each year. Work. Magic. Love. I slow down the car.
We all have a responsibility to find the beauty. To share it. It’s everywhere. Poets and philosophers have tried to explain it. (Certainly smarter than me.) But maybe it’s all about hope. Maybe that’s what makes everything beautiful. So that’s what I try to create. In the faces. In the paintings. In this life. There is hope. Always, if we choose to see it, and share it with each other.
From the age of five we began looking to see if things fit.
We got our feet measured at Iverson’s shoes, checking for the length and width in the silver contraption. After wiggling our toes inside the bumper tennies, the man on the triangle seat pinched the ends in search of our toes. If he gave the all clear we raced to the glass windows and back. And we were shoed.
In Herberger’s basement, when it was still on Main Street, we tried on pants. The clerk pulled at our waistbands to check for room. Tugged at the length and estimated the time before they would be too short. Up the stairs, past the billing department, were the dresses. Beautiful dresses that were measured to our knees. Zipped up our backs. Smoothed down the fronts.
Dr. Blanchard checked for space in our mouths. Dr. Perkins took our heights and weights. We stood in lines in the school gymnasium to check our eyes and our hearing. All, I supposed, to see if we actually fit.
I had my own checks and balances. Accompanying my mother to Olson’s Supermarket. I waited for her in front of the book section, right by the check out lines. I would pick out the words I understood. Look at the pictures. Then clutch it to my heart. Somehow my heart always knew. The woman in the red smock asked what I was doing. “Just seeing if it fits,” I said. My mother never had to ask. She knew me.
I suppose I’m still doing that. With everything. People. Places. Time. The only way I have ever been able to tell if something really fits is by clutching it to my heart. Sometimes it still stumbles over the bigger words. The tighter spots. The growing pains. But pulled in close, beat by beat, it always leads me home.
If Herberger’s was ever low on pantyhose, there was a distinct possibility that my mom just restocked her drawers.
She was always prepared. Had she been a scout, and they offered a fashion badge, her sash would have been decorated immediately. Eagle status. Not only did she have the right pair for every outfit, and any future outfit, she kept them in pristine condition. After wearing and washing, she folded them back into their original packaging and filed them neatly, easily visible by color, into her pantyhose drawer. On days when the world just didn’t make sense, I, we, could look to that drawer and find hope.
Sure, it may sound silly. And it probably was. But so what. It brought her joy. It brings me joy. Still. When I see the advertisements to “Shop Small,” this holiday season, I think of her drawer. I think of all the little things she gave to me.
I think we can all get caught up in the “it has to be bigger, grander, more expensive,” to mean something. But, I suppose, it’s always the little things. With gifts. In life. In love. It’s the small things that we will carry. That will fill us for our entire lives.
I bought a pair of green pantyhose two days ago. They match perfectly with my green dress. I wore them yesterday, with all of my mother’s pride. And I saved the packaging. My heart is filled with small mercies.
I can feel her eye roll all the way from heaven as I sit in the hotel breakfast lounge. Not for me, of course. She would never have allowed me to go out into a public area dressed like that. She led by example. Hair, make-up, clothes — even when at their most casual — impeccable. And I wanted to be just like her.
When I was old enough, she got me my own starter kit for make-up. Most likely they were the free gifts from her purchases. She wanted me to learn with my own products. And not to mess up hers. This was clear from my earliest of memories. If I wanted to dunk my cookie, she gave me my own cup of coffee. And so it was with make-up. With clothes. I could admire her shoes, but never walk around in them. Because these things were special. They meant something. She took pride in herself. To be tall in stature was good, to be tall in self-worth was priceless.
And so we dressed for the occasion. Each day was just that. Whether we were toasting, or just going to the lobby for toast. I finished my morning coffee, not in judgement, but in thanks. I stand tall. Every day. My mother still sees to that.
I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart.
People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.
