It was the first poem I ever wrote. I was six years old. In Mr. Iverson’s music class.
Houses, houses, houses red.
In it is a pretty bed.
Houses, houses, houses green.
In it is a pretty scene.
And so began my search. My fascination. With home. I would go on to paint images of houses and doors. Windows and shutters. I wrote the stories as if they were maps. Each word opening. Letting in a little more light. A welcome breeze. Until one day, one moment, one heart beat, in the warmth of that sun whisking through cracks, it became so clear that there was no “there,” only “here.”
We have been traveling for several months. I have been asked handfuls of times, “Are you excited to go home?” I always smile, in the slight breeze of my answer.
Sitting at the breakfast table, in a friend’s house, a country away, my husband is drinking coffee from one of my cups that reads, “Come in, you and your heart sit down…” I’m already here. I’m always home.
There was no Sunday afternoon that couldn’t be filled with a dream.
I always finished my homework by Saturday. Never one to be scrambling during the last minutes of Sunday evening. No, Sunday was for dreaming. It was in those precious hours of nothing left to do, and nothing yet to begin, that we would allow ourselves the most luxurious dreams.
Lying in front of the oversized stereo in our undersized apartment, replaying the same small stack of 45s over and over, my mother and I would dream for hours. We had several prompts, but one of our favorites was “what would you do if you lived in a big house?”
“I wouldn’t have a reading nook,” she said. “What? You love to read…” “No, she said, “I would move from room to room, reading a different chapter in every space. I would let the words wander throughout every hallway.” “Oh, yes!” I said, “Me too!” “And every room would have a mirror,” she laughed. “Of course,” I said. “And I would dress for each room. And I wouldn’t leave any space unvisited.” I jumped up from the carpet. “I would say good morning to the beds and the bathroom! Good morning,kitchen! Good morning,library!” She got up now too. “And I would dance in every room,” she said as she twirled me to the point of dizzy — to the point of believing all things possible.
Knowing this, it’s probably no surprise that I once wrote that you should fall in love with your bathroom. Nor a surprise that today I tell you to do the same with your kitchen. I changed the picture on the counter, putting up my newest portrait. The counter I face at our breakfast table. The counter that holds the bread that I make. The bread that we toast and add the jam that I make from the trees in our yard. The breakfast backed by the radio songs of “jazz and soul,” and the fuel that feeds the conversations in which we save the world. How could I not fall in love with a space that provides all of this. A space that welcomes us without regard to mood or weather. Every morning this kitchen says, “Come in, you and your heart sit down.”
Life is not perfect. But one does not love a space less for having lived in it. Glasses will break. Food will burn. Crumbs will fall. Paint will chip. But I will go on loving because I was taught to enjoy “the dreaming,” as much as “the dream come true.”
I wipe the counter and take all the morning love to my office. Hello computer! What story should we tell today?
We couldn’t drink the water in this apartment. The smell was, well…the fact that it smelled should tell you enough. My mother boiled it. Assuring me each time, we wouldn’t be here long. Maybe it was only a year. Possibly less. Time does not pass equally in every address.
But the rules were the same. “Beds must be made,” she said. “No dishes in the sink.” Pictures were hung. Books placed on shelves and nightstands. Music played — 45s purchased for a dollar at Carlson’s music center. And we dressed, not for an occasion, but because we were the occasion. “We’re not vagrants…” she said, “yet…” We could always drink in the laughter.
Each apartment we moved to was an upgrade. But one was not more, nor less, a home. It was always home. Because we were together. We created the space we wanted.
When I moved to France, I brought almost nothing, but was certainly not empty handed, nor empty hearted. Our house is filled with art and books. With the scent of bread baking. Photos of family. Friends. The sounds, the marks, of those who pass through — by foot and by heart. And I’m known to change clothes several times a day, because I am the occasion — still and always — my mother taught me that.
Sometimes I catch myself in the worry of time racing, but then remember, this is the gift — I will make something of it!!!
I was only six when I was walked into the library of Washington Elementary. The door opened and it hit me immediately, the familiar scent. I didn’t have the words for it then. The knowledge. Certainly it could have been explained away with paper, and time. The aging, a slight dampness to it all. But I had smelled this before, this comforting familiar. And I needed no explanation, because I was home.
This welcoming scent – it was the same as the entryway to my grandparents’ home. Coats lined the wall. Dampened with work and story, they welcomed anyone who opened the door. They said, come in, you and your heart sit down. It was there I learned to trust. Trust in those who made the effort. Trust in those who worked hard to create something. Create a life.This library of coats. Of living.
When Mrs. Bergstrom, my first grade teacher, let go of my hand, I wasn’t afraid. She set me free in this open and beautiful world. There was life all around me. Book after book. Page after page. The words brushed against my arm, warm and worn, as the sleeve of my grandfather’s coat.
Some might say it is only nostalgia. But what is nostalgia? For me, it is not wanting to live in the past. No, for me, I see it as proof. A living and palpable proof of how it feels to be open. It is a reminder of how glorious life can be. A documentation of the extraordinary doors — the doors that let you in, the ones that set you free.
I don’t know what today will bring. But I know what it feels like to be open. I need no explanation. I brush against the familiar, and walk into the sun.
The farmsteads in Maine and throughout New England evolved over time as barns and other structures, including farmhouses, were built. Throughout the 1800’s, a unique layout of connected farm buildings developed, based on functional needs including shelter from the winter weather. They were referred to as Big House, LIttle House, Back House, Barn. This connection created greater comfort for the family as the farm grew.
The first time I visited, I fell in love with Maine. The color palette drew me in. A greyish blue sky, that held both the promise of sun, and rain. The guarantee of warmth and growth. The houses and barns, never thick with fancy, but filled with a gentle strength. Such beauty in the simplicity. I wanted that simplicity. That strength. Those connections.
To connect — I suppose that’s everything. Barn. To know the work, the hard, back breaking, “foot in each furrow” labor of living. Back house. To be forever welcomed through back doors, no matter how stained and weathered from the day. Little house. To rest in the comfort and familiarity of the ordinary. Big house. To celebrate the grandeur of the extraordinary!
Big House, LIttle House, Back House, Barn — a world away, I wander through each on a daily basis, giving thanks, knowing that I am home.
