Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Getting in.

It’s my fingers that remember the three button sequence to activate the dishwasher. I count on muscle memory daily. Readying myself at the pool for the first time of the season, I knew if I just did the hard part, get in, that my arms and legs would take over. My head would turn to breathe. My brain would tell my chilly, but beating core, “oh you only have to do a few laps,” both knowing that when reaching that number, I would up it again, and again. Each muscle nodding to the one that always won out, the heart. I smile, certain that I will never finish loving you.

Walking by a photo or painting. Hearing the opening notes to a song. Breathing in the scent of flowered hope. The sequence is activated and I think of you. And it’s such a relief to know it. To count on it. To feel it to my beating core. This love.

When the new challenge seems difficult. When I think it perhaps too much to get through, I remind myself, I only have to get in. The heart will see me through. I smile, and go a little deeper. 


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All that she would sing.

Maybe it was to learn how to listen. To see. To love. She knew there would be singing again. The evidence perched ready on her shoulder. She knew that to raise her voice, her fists, would only scare that song away. She knew whatever she said about them would reveal more about her. So the heart gathered, not on sleeve, but on shoulder. Breathing in the words, the melody, the grace of all that she would sing. 


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Being Born.


“America is my country, and Paris is my home town.”
― Gertrude Stein

I started discovering myself long before I moved to France. My mother saw to that.It wasn’t so much that we went on vacation when I was young. But we did travel. With neither plan nor map, we drove. When we stopped for gas, my mother placed one foot out the door. By the time the second foot landed she would say yes or no. This was not a judgement so much as a choice. And not whether she would actually fit in this place, but whether she wanted to. Visiting nearly all of the states, I won’t give you the list of “no”s. There were hard yesses throughout the country, but the easiest of these came in New England. One small, elegant, cultured town after another. Streets lined with freshly painted houses. Groomed lawns. High fashion behind screen door porches. Lobster on paper plates. Accessible luxury that not only agreed with her, but was her. I don’t know why we love what we love. I’m not even sure it really matters. I guess the most important thing is knowing when your are in the middle of love’s embrace. When your feet stop and say, “we’re here!” When your heart beats louder than any reservation your brain can come up with. When you don’t just feel alive, but you feel the fresh warmth of being born, again and again. When the only word is yes.


I have a recipe for bread. I can make it in a cocotte (a cast iron French oven), or I can make baguettes. Same ingredients, but different taste. I can’t tell you why it’s true, but only that we love it. When the scent rises with the morning sun, I am my mother’s daughter, driving on paved streets of the familiar unknown. I am still my country, but I am home. I slice the steaming baguette, add the butter and honey, raise it to my mouth, and say, “yes!” 


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Between bloom and song.

It’s ridiculous I suppose. It’s just a shoelace peeking out of a closet door. But in my head, I hear, “I’m ready whenever you are. We’re going to have a great walk today.”

It’s true, we hear what we want to hear. And by giving things voice, I give myself a voice. So I wake up and answer yes to my shoelaces, along with the day. I talk to the trees and the birds. And somewhere between bloom and song, I wonder if they too are doing the same thing. When they see me opening the morning door, I wonder if they hear, I hope they hear, “I’m ready whenever you are.” 


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Of visitors and helping hands.

I’m continuously reminded while painting, that black is never just black, and white is rarely white at all.

I won’t give away the whole piece just yet, but if you look at her “black” coat, it would be nothing without the shadows, the light, the movement — all arriving in shades of living. It’s the same with her hands, her “white” hands are pinks and purples and grays and more. 

I used to love to roam through the constant assembly of coats in my grandparents’ farmhouse. Of visitors and helping hands, they hung equally. I wouldn’t have seen it, had I not rubbed my face through sleeves. From afar they draped in winter drab, but up close, they were every color — altered by work, by wear, rain, sometimes snow. Through holiday and honor, they offered a palette that said, (no not just “said” but lured), “come in, see the colors of what is being felt, from face to heart.”

I suppose I’m still getting the call. From heart to canvas to word. I have to answer. If not, what was their entry for? 


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Ever mauve.

She said, “I’ll take that in mauve,” as if I had stock of my mother’s birthday present that hung on the wall, and in different colors. I looked at my mom to see if I actually could sell the poem that I wrote for her birthday, the poem that painted her picture in every word, line and phrase. She clapped her hands in front of her smile, and would have been the first to carry it to the woman’s restaurant had it been ready. 

We never looked back. 

Maybe it was the approval, the validation in the sale. But it seemed more to be the pure joy of stepping into our lives. Finding the doors and walking through. No longer looking for permission, but offering it up to those behind. 

The woman who owned the beautiful new coffee/bagel/restaurant in town, covered her walls in my images, right down to the “lipstick woman” in her bathroom. For years my mom would get the random call, “I’m in the bathroom at Time Square.” The first time was alarming, but it brought years of laughter, and even friendships were formed from that image. 

I saw people reminiscing about the place yesterday online. The tagline read, “for people on the go.” And weren’t we all…on the go…becoming. I think we still are. Still standing in front of doors, wondering, do we take the chance, (still feeling those that have closed), but pushed forward by the joy of the time we were mauve. The time we dared, and kept daring. And believed. And believed again. This is the time, once again. 


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A better view.

I finished the book Pachinko yesterday. When I went for my walk in the afternoon, I started listening to a podcast about the World Creative Director of Disney. He began the interview by saying that if you have read the book Pachinko, you would understand his history. (Sometimes the universe is quite obvious in letting you know you’re on the right path.) There was no one else around, so I smiled to the birds in the sky, thinking surely they, too, must feel a part of it all.

I don’t know that I really believe in coincidence. I think the more we put ourselves out there, the more vulnerable we are, the more we connect. All of this knowledge, this exposure to others, to books, and art, and music and science and creation — perhaps these are the feathers that lift us. The wings that give us a better view. 

It was a joyful walk. It seemed to pass more quickly than usual. I remember smiling, but I don’t recall the ground beneath my feet. 


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Renewing.

It won’t make international news, but it was the most hopeful thing I saw online yesterday — A 105 year old woman renews her library card. 

I wasn’t sure what I wanted to paint. Or even if I wanted to. But I primed the panel. Put on the underpainting. Just sketch it out, I thought. Maybe paint a little bit. A little more. An hour went by. Then two. Wash the brushes. Maybe just a little more. And the time that was promised from youth — the time that said fill me with love and I will not pass — it disappeared within the paint, holding strong, and I couldn’t stop. Unsure of what I loved more, the woman, the bird, the time, my life itself, I knew one thing for certain, I would keep renewing, again and again, and I would be alive!


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Surprise.

The things I worried about on a random Wednesday night seem rather ridiculous now, but to my Elementary self, they felt nearly insurmountable. I suppose it’s ironic that the very library feeding my imagination could bring about so much anxiety. Rereading the books that I had checked out for the week, I interrupted myself with a lot of “but what ifs…” I’d ask my mother — But what if they don’t give us enough time to search the shelves? What if the book I want is already checked out? What if they didn’t get in anything new?  She always answered the same — “Give them a chance to surprise you.”

I’ve tried to keep that answer close at hand, tucked inside a heart pocket. It’s easy to assume outcomes. To imagine how people are going to act, to respond. To live out the conversations before they even happen. I’m as guilty as the next person. But some of the most joyous moments have come when I have allowed people to surprise me.

She was known in town, almost feared, as a hard person. My mom had worked with her. At an event, when she began thumbing through my cards and books, I held my breath. Braced. Ready to defend the heart on my sleeve. But she began to smile. She laughed in the right places. Teared up in the raw moments. Clutching her imaginary pearls in both. What a welcome surprise!

I hadn’t changed her. Only given her a chance. And I was given a gift that’s still with me today. 

The thing is, we think we know. We think we know how everything is going to turn out. With others, even our own life. But how many doors (hearts) close down in all that certainty. I’m trying to get better. To let it all unfold without a manufactured outcome. Because I don’t know. And that’s ok. It’s good even. I open myself up. Hand in heart pocket, I give this life a chance to surprise me!


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Knee high.


For years I thought you had to “find” your home. I began with a summer red wagon. Knees not even wagon high, I filled the rusted container with baby dolls and stuffed animals, along with an unopenable can of chicken noodle soup, a glass jar of water, my hardcover copy of Little House in the Big Woods, a blanket (said to be for their comfort, but mostly for mine), Bazooka Joe bubble gum, and the plastic camera that no longer worked that I ordered with those same gum wrappers. I didn’t have a watch, so I can’t tell you how long I was gone. But I’m certain the sun didn’t change positions. I was not allowed beyond the “north end,” and it was too difficult to drag my wagon alongside Hugo’s field, so most likely it took me longer to pack than journey. I returned to the green grass in front of our green house, took everything out of the wagon and placed it neatly back in my bedroom. Grabbed my Big Chief Notebook from under my pillow, palmed my number 2 pencil and wrote of the voyage I imagined I just took. And I was home.

Maybe I’m more of a maker than a seeker. The answers aren’t waiting to be found, but created. I’ve said for years that you have to fall in love with your bathroom. Learn how your oven works. Curate, not decorate. Become and become and become. To be the life in your living room. In every room. I suppose the same is for love. 

It’s true I love to travel, but in search of an experience, not the answers. The things I know for sure are nestled in the heart, the little red wagon that I keep filled with all that I love.