Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

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Being Born.


“America is my country, and Paris is my home town.”
― Gertrude Stein

I started discovering myself long before I moved to France. My mother saw to that.It wasn’t so much that we went on vacation when I was young. But we did travel. With neither plan nor map, we drove. When we stopped for gas, my mother placed one foot out the door. By the time the second foot landed she would say yes or no. This was not a judgement so much as a choice. And not whether she would actually fit in this place, but whether she wanted to. Visiting nearly all of the states, I won’t give you the list of “no”s. There were hard yesses throughout the country, but the easiest of these came in New England. One small, elegant, cultured town after another. Streets lined with freshly painted houses. Groomed lawns. High fashion behind screen door porches. Lobster on paper plates. Accessible luxury that not only agreed with her, but was her. I don’t know why we love what we love. I’m not even sure it really matters. I guess the most important thing is knowing when your are in the middle of love’s embrace. When your feet stop and say, “we’re here!” When your heart beats louder than any reservation your brain can come up with. When you don’t just feel alive, but you feel the fresh warmth of being born, again and again. When the only word is yes.


I have a recipe for bread. I can make it in a cocotte (a cast iron French oven), or I can make baguettes. Same ingredients, but different taste. I can’t tell you why it’s true, but only that we love it. When the scent rises with the morning sun, I am my mother’s daughter, driving on paved streets of the familiar unknown. I am still my country, but I am home. I slice the steaming baguette, add the butter and honey, raise it to my mouth, and say, “yes!” 

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Current murk.

It was almost a relief after the first scratch. Oh, the pressure of white tennies from Iverson’s shoes. I tiptoed from bus to class to preserve. And then maybe one day, guard down, laughing over a passed note from the back seat, leaning over a nothing that could be funnier, blocking the aisle of the bus, someone less interested in the joke and more concerned about getting off, stepped through the glee onto my new shoe and marked it with a rub of black urgency. Once the shock wore off, so did the pressure, and the outside rain no longer seemed a challenge. 

When I hopped from the final step onto Van Dyke Road, I could see them — all the puddles that gravel will allow. Grownups complained, why wasn’t it paved already. But in this land of 10,000 lakes, our sweet dirt road added more than a few extra. And didn’t the name itself sound like an invitation — puddle…. And so I did, I puddled my way up the drive. 

Not to be outdone, my socks were as wet as my shoes as I stripped my feet in the garage entry. There was a small line strung from the ceiling to hang the well traveled. I walked from the outlines of my damp bubble toes on the cement, and went victorious into the house. 

I’m reading Gertrude Stein. She writes, “ You are so afraid of losing your moral sense that you are not willing to take it through anything more dangerous than a mud-puddle. ” I know I was brave on Van Dyke Road. I must be braver still. We all must be. This current murk that we find ourselves in, more than a puddle for sure,  we must brave our way through. Daily. The moral compass is strong. It calls to the heart well traveled, “Come.” 

My heart is well traveled.
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Nothing small.

I don’t know which day it was this year that I painted that little pink bird in the corner. I’m guessing it was a challenging day, if I could only bring myself to make these few lines. So you might wonder why I love this bird. It’s not the most detailed. Nor the most realistic. I have painted far more complex birds with extravagant companions. But this little beauty, in its simplicity, all on its own, did something magical. She took away the dull remains of that day, wiped them from memory, and left me in the joy of pink. Her size is so deceiving — nothing small could do all that!  

I hope I can bring the pink today, when asked to do the little things. Before I think, what could it possibly matter… let me offer my smallest of strokes. My tiniest of gifts. They might just turn out to be magical. 

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Storefront.

Not all of her dreams came true, but she was never sorry she had them.

Maybe it was because we didn’t have much money, but mostly I think it was because my mother knew the difference between trends and fashion. She had the patience to put a piece on layaway, investing her time in quality. Be it blouse or heart, she was in it for the long haul.  

I spent my time wisely, simply by watching her. 

Within the last week, I have had two requests for some of my original artwork. One dating back a couple of decades. And it warms my heart, not just to still be “in fashion,” but it takes me back to the Viking Plaza, right beside my mother, storefront, watching, learning that the best of things, the best of us, will always last. 

I want to keep growing. Try new things. Ever. But I always begin from the same place. The long haul of my mother’s heart. 

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They do some.

The French have a saying, “entre chien et loup” — between dog and wolf. Most poetically it describes the transitional light of dusk, the time of day when you’re not certain of what you see. Is it a dog or a wolf? A friend or foe? Safe or threatened? Caught somewhere between comfort and fear.

I suppose within all transitions, a choice has to be made. In this, a big one, our first of the year, I’d like to set the tone and choose dog. Choose that this is going to be a great year! We’re all given the same light. We just have to decide how we see it.

You may say that’s Pollyanna, but I say poetic. And wasn’t it in Our Town, when Emily Asked, “Does anyone ever realize life while they live it…every, every minute?” — she was answered, “No. Saints and poets maybe…they do some.” So I will take that unsure light, that “some”, and try to see it. Minute by minute. How magical this world is. How beautiful. And if I, we see it, really see it, then won’t we be a little more precious with it, with each other, a little less careless? Yes, joyfully, yes, some.

Happy New Year!

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Graveled beginnings.

Just outside my dorm room, I came across a red balloon. Nearly deflated after its apparent celebration, it merely hopped in front of me, seemingly hoping for one last hurrah. Who was I to turn away? I gave it a little tap with my foot. Did it blush deeper red as it popped up to my hand? I waved it on ahead. And we danced. It didn’t occur to me that my normal three minute walk to class had now taken upwards of nine. I took on the same blush of red as I walked in late. The professor looked at me and asked why I was late. “Because I grew up on a gravel road,” I said. Always a proponent of the specific, he smiled and let me sit down. 

It was true what I had said. I had consumed hours kicking a single rock down the gravel of Van Dyke Road. It’s something, I suppose, to kick a rock on the paved streets of town, but it took special attention to traverse your specific rock in a sea of them. It started out simply, just a little tap by Weiss’s house. Then a quick passing of Alf’s. Once between Muzik’s and Dynda’s, I really gathered steam. Passing Norton’s I was ready to make it all the way to the North End, where all gravel went to rest in giant cliffed piles. Simply acquaintances at the edge of my driveway, we had now become friends. So certainly, as with any friend, I was ready to take it back home with me. Back up the hill. Maybe it was a foretaste of the feast to come, but I was unwilling to settle for any abandoning. 

You get over being left, but one has to decide if you are going to be a part of the leaving. I wasn’t. So I kicked that red balloon all the way to my creative writing class, in a story that began on Van Dyke Road. 

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First I was a cowboy.

It’s one of my favorites in Paris, the Musée d’Orsay. Maybe because it feels most like me. 

It didn’t start out as a museum. At one point it was a train station, 

even a parking lot, long before it housed the most beautiful impressionists in the world. I suppose I’ve always known it — that I would have to become, and keep becoming.

When I was a kid, I thought I would just figure stuff out, you know, and be something, and that would be it…that would be my life. Because didn’t they always ask, “What are you going to be?” And especially at this time of year, as we prepared to dress up and go from door to door asking for our treat behind the question, “What are you supposed to be?” 

At first I was a cowboy, (was this my train station?). Then I was a hobo, (my parking lot?) It took a long time to become an artist. This was me. Who I was supposed to be. 

I think that I, we, just have to keep becoming. We change and grow. We are molded by love and trips around the sun. It takes a long time to build a soul. We get older, maybe wiser, (even better, we gain a little grace) but we don’t finish – we don’t have to – we begin, and be, and begin again. I think that’s the gift of living…the joy of being alive!

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Graveling well.

When I look at the people in one of my sketchbooks, they all look like they belong. The paper becomes part of them. I suppose it’s the same in real life.

If you would have put the first grade class of Washington Elementary in a lineup, I think it would have been rather easy to tell who was growing up on a gravel road. Skinned knees and elbows. Dusty shoes, worn on the heels from braking our bicycles. Eyes in half squint. Just a hint of feral. It was only a mile from town, the gravel of Van Dyke road, but it was different on the north side of Big Ole. I imagined we cursed the gravel while rolling up windows. Kicked the ground that so often tripped us. And perhaps I didn’t see it then, how it formed me, formed us. But I do now.  Proudly. And even a country away, I wear it still. 

We are being formed constantly by our surroundings. There are regulars on the path that I walk each morning. I don’t know them by name, but how they walk on the gravel. It’s only recently that I’ve seen two of them out in the “real” world. One at a green grocery. One at an electronics store. And I had the same feeling for both. It was quite strange, but I noticed how they both looked smaller in this new context. And I can only think that on the gravel path, in this untamed world that we inhabit together, we walk a little taller. We stand strong. We stand out. Without words we take pride in our collective journey. And it makes me smile. 

We can be proud of the paths we walk. Each stone that we have traveled over. Each rock pulled from shoe. They are victories. Don’t hide your journey. Shoulders back. Head high. Walk in it. Stand tall. Wear your gravel well.

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Now.

I don’t know how she knew. There were no influencers. No self help books. And even if there were, she wouldn’t have had time to read them. She would have laughed at the thought of someone telling her to stay “in the now.” “Where else would I be?” She would have said. 

It was a Saturday evening. Grandma Elsie’s “now” was filled with some pots brewing, others soaking. She shooed me away from the stove into the wafting of Grandpa’s pipe. I followed it into the living room. I didn’t ask, I simply followed the pinstripe of his overalls onto his lap. He perched the pipe away from the top of my blonde head. “You smell like today, “ I said. He raised his eyebrows. It was a combination of sun, and breeze, and hay and earth, topped with just a hint of tobacco. I squeezed the pouch in his pocket, still wanting to touch the end of his pipe, but remembering the heat from the first and last time I touched it. I pulled at the corners of his pierced lips to form a smile. He was still so new. I wanted to know everything. I didn’t have the words for it then, but he, being already formed, I wondered if I could be a part of it. I sculpted his face and flannel like clay, wanting to be somehow connected. I put a thumb on each of his eyebrows and pulled upward. “That means surprise,” I said. He smiled on his own this time, without my pulling, and I knew that we were connected. 

The pans clanked in the kitchen. The coo-coo of the clock stayed silent. It was only a moment, but it was beautiful. And we were in it. I’m sure he had thoughts of tomorrow’s farm, but he didn’t stray. He tapped his pipe in the tray beside the lounger. And we gathered in the scented remains of the day.

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Still and again.


It was the most delightful combination of comfort and brand new. 

I made a book of photographs for Dominique’s mother. Each visit we would go through the book, again, for the first time. Her short term memory collapsed upon itself within just a few minutes, but the long term — the love of her family — this recognition remained until the end. So we turned, page by page, holding.

Maybe it’s the heart that takes over, when the brain has had enough. The brain that has warned us, urged us. Shot the warning signs again and again. But thankfully the heart seems to win — turning the the brain’s fears of “remember when…” into the heart’s gathering of “aaaah, but remember when…” 

They say memory is unreliable. I suppose if you’re using the brain, that’s true. So I write the stories from my heart, where they seem to be holding, strong. Each day turning the page, saying the “I love you’s” again, and for the first time.

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