Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Note to self.

There is a trend of writing letters to your younger self. And I must admit I’ve given it a little thought, but as I remember back to my first class on perspective  — how the assignment was to draw the hallway in your house — and I thought, how nice, the teacher actually thinks I live in a house… I went home, (because you can have a home that isn’t a house), sat in the apartment kitchen where you couldn’t drink the tap water, looked through the living room and drew the small space between my mother’s bedroom and mine, completely in reverse perspective. I mention it because it occurs to me that this younger self already knew she saw things differently. So it probably won’t come as a surprise that I do the opposite now — it is she writing to me, daily. Each one starts off the same, “Dude…” (she calls me dude, because she was cool like that, and because I know it’s as harsh as she going to get…) “Dude,” she says, “you’ve already learned this…” “But I’m doing it all wrong — backwards,” I tell her. And she replies, a little more gently this time, in my mother’s voice, (because she, my mom, was kind like that) with the same thing my mother said to me when I brought home my incomplete assignment on perspective. I told my mom, “I did the whole thing backwards,” hanging my head. She pulled up my chin and said, “Great!” “Great?????” I questioned. “Sure,” she said, “you’re Ginger Rogers!” I smiled. I was learning perspective after all. 

There will be a mountain of things I have to relearn today, and again tomorrow, but in this moment, l look around, offer up a little kindness, and this dude begins to dance. 


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Paying attention.

She was the first to notice, the waitress in Stillwater, Minnesota. I have worn these earrings every day for a couple of years — the outline of the Sainte Victoire mountain. She brought the check to the table and asked, “What mountain is that?” I beamed, for me of course, but for her as well — being curious, paying attention. “It’s the Sainte Victoire,” I replied, “in Aix en Provence where we live.” And the conversation began, all because she was alive, awake!

These earrings represent home. Heart. Courage. Strength. They are the mountains I have, can, and will continue to climb daily. What made her, of all people, notice? Even in France, no one has asked about them. But she did. Maybe she was climbing her own mountain. Maybe she was asking her legs to carry what her heart just couldn’t bear at the moment. Or maybe she just liked them. And that’s enough too. The thing is, she asked the question. A specific question. 

We get lazy I think. Uninterested. We settle on the “how are you?”s and think we did enough. But is it? Is it enough? Is it enough to just pass through each other’s lives? Without learning? Without caring?  

Two years of climbing were wiped away in just a few brief seconds, and I was happy! It really takes so little. So I tell myself, I tell you, be curious, pay attention, — it’s not too much to ask. 


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To keep our pink ladies dancing.

I used to imagine that the front stoop of my grandma’s house was only there for the family of Hollyhock dolls that grew on either side of the cement steps. I was only allowed to pick a few each season. She showed me how to pluck the flower from the stem, flip it upside down and push an unopened bud through the then top to make a head that rested above the pink flowing dress. And for the rest of the afternoon, this small gathering of elegant ladies danced outside the entrance reserved just for them.

I gave them the voices to compliment each other. “How lovely is your pink dress!” “And yours is beautiful!” I danced them together like my mother once did at the Lakeside Ballroom with her cousin Janet. And the music from the transistor radio scratched in and out as I adjusted the antenna in the summer breeze. The lessons of last summer were forgotten. I had no fear of the wilting dresses. I only played. And played, believing that all beauty on Rueben and Elsie’s farm would ever remain.

I wasn’t wrong. Yes, the flowered dresses lay almost flat by the end of the day, but decades and countries away, the beauty remains. Yesterday, in the French countryside, she showed me the one Hollyhock flower that somehow grew between the century old crack of the house entrance. I wasn’t surprised. I had enough French words to tell her of how I made the pink ladies on my grandma’s stoop. We both smiled and touched the rhythm of her little pink dress.

I wrote in a poem, “This year… let’s love like no lessons have already been learned…” Of course we have to grow and educate and evolve. But some “lessons,” like those that deal with lost love, disappointment, unreached expectations — to keep our pink ladies dancing, we have to let those go. The heart stoops must remain clear and ever hopeful.

Countless things grew on Rueben and Elsie’s farm. Again and again. And the beauty will ever remain. I wake to this morning sun, and keep on dreaming.


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WWED.

It was in the first aisle of Jerry’s Jack and Jill that I got a nose bleed. My grandma, hands already full with a sack of toasted marshmallows, told me to reach into her folded sleeve around her right elbow. Sure enough, there was a Kleenex. It wasn’t long before I needed another. “Check the other arm,” she said. I switched to the opposite side of the cart, reached into her folded left sleeve, and pulled out another. In aisle three, even after the bleeding had stopped and the marshmallows were nearly gone, I wanted to see how far this went — if Grandma Elsie was actually some sort of magician. “I think I need another one,” I said. “Check my right bra strap,” she said quite confidently. And just like a rabbit from a hat, I pulled out another Kleenex. 

And it was magic — the ease with which she could fix any situation. How I counted on it! I suppose we all did. But I never saw the weight of it — the things she carried. How lightly she skirted through the aisles. And certainly things had to bother her – she was a woman of this world, and no one escapes, but still she never weighed upon, but lifted up. 

I think about it now. Am I traveling lightly? What is it I’m choosing to carry? The solution, or the burden? I ponder, WWED? (What would Elsie do?) I smile, and I choose the lightness of magic, the lightness of joy, wearing my heart on my sleeve, and sometimes under my bra strap. 


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After the pétanque.

I can’t go back to when they played there, these sun-kissed French boys just out of ear-shot of their grandmother, (intentionally or unintentionally). Back to when they played with sticks and sometimes fists, like only brothers and cousins can. They wrestled below and within the smells of tobacco and cut grass and stove pots wafting through open shutters.

But when we gather each year on August 15th, Napoleon’s birthday, (and one young cousin Guillaume’s), if the wind is just right, and the wine has settled, the vine that hangs above and beside the old house whispers to me, “Listen…listen to them play.” And I hear the clinking of the Pétanque balls, and the spirited calls of who is closer, with arms pointing to the ground, pleading cases, just this side of youth’s wrestle. And these now men, very grown men, are still pinkened by the sun, and the thrill of a summer that just might not end. 

And for the moment, I belong. Because the language of family is universal. And laughter and hope and joy under summer’s whisper, after the pétanque, rings loud and clear, and needs no translation. 


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A Schwan’s delivery.

It was hard to believe that something so delicious could make me ill. But it was evident after only a few tries, I couldn’t eat ice cream. Somehow still, I found it very exciting when the pale yellow blur of the Schwan’s ice cream delivery truck drove toward my grandma’s house. I began running up the gravel, hands waving in air, directing him into the driveway. I knew full well that my grandma’s love of root beer floats would never allow her to miss a delivery. I hopped and skipped and ran with the truck to the house. Uniformed and certain, he jumped the steps and went to the back of the truck. “You’re Elsie’s granddaughter?” “Oh, yes!” I said proudly. I could tell by the smiling way he said her name that he liked her. He unloaded two of the giant tubs as my grandma came out the screen door. Her hands ever floured or wet, or both, she wiped them on her apron before signing for our haul of vanilla. 

How wonderful, I thought, to deliver ice cream. Everyone must be so happy to see you. I was, and I didn’t even eat it. The only other delivery person that I knew was my Uncle Mike, who drove a beer truck in the Twin Cities. I asked him if people jumped up and down when he arrived. He looked confused. Like I do with the Schwan’s truck, I explained. Not so much, he said. Maybe you should paint your truck yellow, I said. He smiled. 

Surely it has to be taught. There must have been a million things my grandma delighted over with me. Things she had no interest in. How else would I have known, known this joy of feeling good for others. I loved art and clothes and drawing and crayons and “Look, look what I made! It’s flowers glued to a scrap of bark! Look!” And my grandma showed all of her teeth in love. An ear to ear joy. This is the only explanation I have for being happy, truly happy, to celebrate a Schwan’s delivery, not for me, but for her!

Joy is not owned. It is passed and given away freely. It is run along beside. A yellow blur of others. The day is pulling toward the driveway. I raise my hands in the air and skip to whatever joy it may bring. 


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There is motion at your front door.

Maybe it’s because I want to hear it. Maybe it’s because Mr. Iverson told us in the first grade that they could be about anything, the poems that he wanted us to write — the poems that he would inscribe neatly on the black board and our hearts, measured out note by note. And they were special. Lyrical. The ordinary things, our houses and shoes. Our games and basements and cars and trees. They all became magical because we called them poetry. 

We recently got a new doorbell for our gate. It is connected to our phones. It gives us the alert whenever motion is detected, even when it’s us. When I go for my morning walk, just past the gate, she pings in my ear and says, “There is motion at your front door.” And every day it is the poem that starts my journey. There IS motion at my front door – and isn’t it a good reminder! I always smile. Because isn’t it what we’ve been told in movies and books. By philosophers and teachers. “When you stop learning you die.” “It’s over when you stop dreaming.” “Sharks never stop swimming. You gotta keep moving.” The list goes on. It’s all about motivation. And could there be a better place to start than your front door? So I hear it. I feel it. There IS motion! I AM alive! And so I begin with my doorbell’s poem, off in search of another. Because we get to decide. We hold the chalk that turns the cursive words into prayers and sets the path of our journey. 

I have to go now. Begin. Create something. There is motion at my heart’s door. 


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In my best Malinda.


My first sleepover was in a hospital in Saint Cloud, Minnesota. I was only six years old. They wouldn’t let my mom stay in the room with me that night. I was terrified. I was armed only with my Golden Book — The Little China Pig, and my first baby baby doll, so brand new she was yet to be named.  The nurse in white cap, white dress, white nylons and shoes entered the room. She wiped the tears of my mom’s goodbye and said, “I’m Malinda, what’s your baby’s name?” Still stunned from the thought of being alone, I repeated the name Malinda. “Just like me!” She beamed. It was as if she placed her smile onto my face, and connected us, brought me to safety. That’s why I remember my first doll’s name, because of kindness.

The scrubs in the French hospital were flowered pink and blue. The language buzzed around me as I lay on the gurney.  It’s not lost on my that my grasp of this language is not a lot more than I had in St. Cloud. And my comfort level was about the same. They wheeled her in next to me, this elderly woman — who was not much bigger than I was then. She was scared, and cried out a little when the man who had just blocked my arm was doing the same to her. In my best Malinda I turned and sent my smile to her. I saw it travel across the sterile room and land on her lips.  She smiled back. And we both were saved.

I don’t know her name, but I remember her face. I look at my braced hand and feel myself smiling, in my best Malinda. 

It takes so little to give each other the “everything is going to be ok.” I, who have been given so much, hope to pass it on to you. Take my “Malinda,” and pass it on.


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Dress up.

I asked my grandpa, “Where do they keep their coats?” He looked confused. “The cows,” I said. 

On the way to my grandpa’s place, we passed many other farms. Some of the cows were black. Some black and white. Some brown. Maybe it was because I watched my mother in a constant state of wardrobe change. Maybe because we played dress up. And fashion show. I assumed the cows were putting on their outfit of choice before they went to the field. Wasn’t that what the barn was for? The stalls? To hang their coats at night?

I’m not sure how long I believed it. But I remember he didn’t correct me the first time. Some magic should remain for as long as possible. I think he knew that. 

I love that I have no recollection of the truth being revealed. Not for this. Nor Santa Claus. Or the Easter Bunny. None of that magic was jerked from my heart. It was allowed to wander at a cow’s pace in the changing fields of color. 

It was my mother who always wanted to be a fashion designer. Some might say that never happened. I disagree. She taught me well. And just ask any Herberger’s shopper. She was always more than willing to lend her hand in design. She taught me that dreams don’t necessarily have to “come true,” to be valuable. The mere act of dreaming — believing in the sometimes unbelievable — saved us repeatedly.  It still does. 


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Reattaching apples.

I have no memory of the apples growing. Each year, they were just there. The branches seemed to go from bare to weighed in just the blink of an eye. And as quickly as the green apples appeared in my grandparents’ trees, we were tripping over them in the grass, loading sack after brown paper sack to give away. 

Maybe it’s the way of all living. It goes so quickly. We move from grand point to grand point, missing all the little things along the way. The how we got heres. The growths. 

I keep trying to think of her as a young woman — the journey of how Elsie became Grandma Elsie. She wasn’t always in that kitchen. In that yard with an upturned apron full of apples. She once had to have giggled with the girls behind the school. Cursed her parents and dreamed of boys. Imagined a life. A future. 

To know the exact details, I suppose, would be like trying to reattach the apples to the tree. But I think it’s enough to know there was more. There is more. So much more to all of us. There are reasons and seasons of how we got here. And maybe we’ll never know all of it, but I think there is empathy in the attempt. Compassion in trying to imagine the whole picture. None of us are just one thing. Maybe in learning that, we come to see some growth after all.