Showing them the studio for the first time, I was explaining that the 8’ frame that holds the painting of these people in the water was once holding an Indian motorcycle, horizontally. The Indian sold rapidly. Needing to ship it to another continent, I took it off the frame and rolled the canvas. And while it has been long replaced with these people now bobbing in the deep, I always feel the need to tell them that first there was an Indian.
I suppose that’s why I share the stories of my grandparents, my mother. Because long before there was an artist, me, there was a farmer, a dreamer, a dancer. And even as I type this on a different continent, I am part of it all, part of them. And to tell my story properly, they need to be recognized.
It’s never just one thing. We are not one thing. As the motorcycle rides a wall somewhere in New England, I can feel the breeze. And with soiled hands, I do the work of the day. With a sparkled vision, I see what’s possible. With a daring heart, I spin around the room. Love comes first, and seems to be all that lasts.
What was it all for, if we didn’t have a little fun?
You can’t tell me that they’re always trying to get somewhere. Most of the time, it looks like they’re playing in the wind. Dancing even. These birds so elegantly bouncing and bounding above. And why wouldn’t they dance, they already have the song.
She never wore a tutu, nor spandex dresses, but oh how my mother could dance. She would teach me on the carpet of the living room floor. It was slower. But when I had mastered the steps, she’d lead me to the kitchen floor, and I barely felt my stockinged feet touch the linoleum. She’d sing along to the boombox, pull me in and spin me out and I knew I was flying. I asked her if she had dance instructors? No, she said. In school? I asked. No. Did grandma teach you. She laughed (sure it was a bit of a dance maneuvering through all those people in the farm kitchen), but no. Then how did you know you could dance? I asked. I could always hear the song, she said, and pulled me in once again.
And wasn’t that belief? Wasn’t that the true art of living? Just listening for the music. Trusting your feet would follow. Believing, one way or another, you were going to fly!
To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.
Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.
What will you do today, to remain in the race of summer?
The Christmas carcass became yesterday’s soup. Aproned and worry-free, I Grandma Elsied my way through the process. Adding everything. Measuring nothing. And it was delicious. Steeped with holiday and attention, it tasted rich and full, but for me, the added pleasure, satisfaction, joy, came with nothing being wasted.
I try to practice it — this making use. A scrap of metal turned into a frame. Discarded wood into panels. Yesterday’s still fresh oil paint into tomorrow’s tableau. And to me it’s all important, but I hope I pay the same attention to living. Using everything I have. Every speck of courage, because we’ll get more tomorrow. Loving with every piece of my heart, knowing it means nothing left inside. And perhaps it’s not as easy as pot to stove, but I was taught to attempt in Elsie’s kitchen. To abandon worry and just create.
She’s smiling over my soup bowls, but more over, my heart. Telling me daily to give it all, and just become.
For years, I thought that the Horton family from Days of our Lives lived exclusively in the large television cabinet in my grandparent’s living room. It was the only place I saw them. Grandma Elsie seemed to know them intimately, calling each by name. Wrapped in the coil cord, talking about them on the party telephone line for hours while cooking in the kitchen. And why wouldn’t it be possible? There were countless people who dropped by that farm house. Sat at the table. I thought we were all related. I didn’t differentiate between blood connections, neighbors and soap opera characters. Often stories of real happenings were more extravagant than those taking place in Horton’s Salem.
When we gathered for Christmas, there were the usual suspects — all the cousins I summered with in golden fields — but I found the additions the most interesting. Ruby, married to Mac who secretly worked in the CIA, (but then how did we know?). Several Loies. Aunt Kay’s newest husband. Did they all live in the television too? And how did they get here? Certainly there was magic in the air. All under the glow of large multi-color bulbs on the Christmas tree. Sure there were packages, ribbons, bows, but so much more was being opened. Arms and stories and magic.
I guess they are still my favorite gifts — love’s surprises that show up and are ever welcomed home. Finding me still, a lifetime and country away. The magic, if we truly believe, never ends.
It was one of the greatest mysteries to me, the perfection of the rows in the fields. I knew nothing about farming, nor even driving, when I asked my grandpa how he did it. “I just see them,” he said. “But how do you not run over it all when you turn the corner? Or get out of line when you take a sip of coffee from the thermos between your feet?” “I know where I am, and I know where I need to be. It makes it very clear.” “That’s a lot to see,” I said, still not certain that I would be able to do it. “Will I be able to do it?” “This, probably not, but you’ll see what you need to see.” “How will I know?” He got on the tractor, and showed me.
I don’t know the exact moment it happened. How I found my row. My place. But I did. It all became so clear on the page and on the canvas. People ask me all the time — How do make them so real? How do you bring them to life? The truth is, I just see them. And it is my hope, that they see what I see, and others too… then they will know they are beautiful. That’s why I paint the portraits.
I can’t tell you how it happens. So I simply hop on my daily tractor, and write and paint, and I know, somehow, we’ll all find our way.
I don’t suppose the spaces left from loved ones passed can ever be completely filled. But maybe it’s wrong to think they ever were. These relationships weren’t beautiful, memorable, longed for even still, because of their solid perfection. Perhaps they were always stardust, flittering, fluttering, changing shape, with room always left for dancing, beneath the flickering light.
It’s the way I choose to think of it, my mother’s space, not as a hole left behind, but a dance floor. And all that magic that sprinkles from her still, lights up the people around me, and they step in, tap me on the shoulder, and ask me to dance. They are my new daily connections. My new last calls. My shared laughter and secrets. Hopes and challenges. Not replacements, but keepers of the dance.
We’re not all good at the same thing. Some are meant to pull you in, and simply sway. Other’s tap their feet and keep the beat alive. Some dizzy you into laughter. Dance you into breathless. And hold out the ladle of punch. I am grateful for them all. All of you, who keep my dance floor filled, my heart in motion, in sway, in the right tempo, under the stardust.
Van Dyke Road separated the two worlds. It was so magical how far crossing one small stretch of gravel could take me. The back of our house faced a sea of grain — Hugo’s field. And in a way, it was like swimming, running through the stalks at full chubby- legged-speed, arms stretched to each side, creating a golden wave. Across the road though, behind Weiss’s house, was a lake. Not a big one. Nor a clean one, of the 10,000 our state touted. We didn’t swim in it. So what was the allure? It had to be the dock.
Florence and Alvin had a big yard. Bonnie, the daughter, was so much older, that to me, she was just another adult. So there were no arms of youth waving me over to play. I would sneak along the shrub line. Roll down the manicured slope to the lake’s edge. I could hear the dock before I saw it. The wave rocked wood cracking gently. I took off one bumper tennis shoe and placed my lavender-white toes on the sun warmed plank. It was extraordinary. I have no memory of being a shoeless baby, but I imagine at some point some uncle or boisterous neighbor blew their warm breath on my rounded feet, and I knew, standing there, barefoot on Weiss’s dock, this must be exactly how it felt. I giggled like that infant and took off my other shoe.
I braved each crack to the end. My body craved what my feet already had, so I lay down and let it gather in my arms, legs and back. My fingers danced at my side in the tiny puddles of cool water that gathered in the wood’s unevenness. I don’t know if I saw all the beauty of these imperfections, but I’d like to think I did.
Who knows how long I stayed. Summer afternoons felt eternal. I guess in a way, they are. I can still rest in that warmth.
I have written so many times about swimming – in actual lakes. Lake Latoka was only a bike ride away. But just out my door, front and back, oh, how my heart and imagination swam. Daily. And maybe that’s what home is after all…this ability to dream in the comfort of shore.
She was the first to notice, the waitress in Stillwater, Minnesota. I have worn these earrings every day for a couple of years — the outline of the Sainte Victoire mountain. She brought the check to the table and asked, “What mountain is that?” I beamed, for me of course, but for her as well — being curious, paying attention. “It’s the Sainte Victoire,” I replied, “in Aix en Provence where we live.” And the conversation began, all because she was alive, awake!
These earrings represent home. Heart. Courage. Strength. They are the mountains I have, can, and will continue to climb daily. What made her, of all people, notice? Even in France, no one has asked about them. But she did. Maybe she was climbing her own mountain. Maybe she was asking her legs to carry what her heart just couldn’t bear at the moment. Or maybe she just liked them. And that’s enough too. The thing is, she asked the question. A specific question.
We get lazy I think. Uninterested. We settle on the “how are you?”s and think we did enough. But is it? Is it enough? Is it enough to just pass through each other’s lives? Without learning? Without caring?
Two years of climbing were wiped away in just a few brief seconds, and I was happy! It really takes so little. So I tell myself, I tell you, be curious, pay attention, — it’s not too much to ask.
When you’re the last one in line, the hand-me-downs have to go back up.
I bought the black leather vest in New Mexico while traveling with my mother many years ago. I wore it proudly, then passed it up to her. She looked fabulous in it. Black pants. A popped white crisp collared blouse underneath. Scarved for a little color. (Scarf is the new black, she would say.)
I have it back again. That black leather vest. When I get compliments, I always say it was my mother’s. Because that’s the most important part of the story for me. They don’t need to know the whole “Sisterhood of the traveling pants” version. That beats quietly beneath the zipped leather.
I like that we shared the clothes before it was, pardon my pun, in fashion. Long before vintage was cool. Truth be told we didn’t even use the word vintage — we only had hand-me-downs, and hand-me-ups. But we weren’t looking to be on trend, we wanted to be connected. For that same reason, my mom handed down clothes to her sister Karolynn. To be connected.
Just last week my cousin Kalee wore my mother’s coat to our cousin’s funeral. The coat that my mother handed to her sister, that she handed to her daughter. The coat I would wear on winter visits when I didn’t bring one of my own. I like to think that love is sleeved. Each time we slip through, we pass on the hugs, we pass on the love. And it gets handed off, up and down and all around.
I guess what I’m saying is, it doesn’t have to end. We can all stay connected. Once we allow the passing through, it, we, can always be passed along. Held in the arms of love.
