Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Apron Strings.


I’m not saying it’s where “the brave dare not go,” but to take on a sewing project does require a certain amount of will on my part. I suppose it’s why I keep my grandma’s photo beside the sewing machine. For her it came naturally, or had to. It was at the Husqvarna shop next to Jerry’s Jack and Jill where she first showed off her skills to me, using words like serger, bias and basting. We ate toasted marshmallows from the recent grocery store purchase while the sales clerk tried to keep up. I knew I was in the presence of greatness. Nothing tastes sweeter than that. 

My mother could sew just as well. But she didn’t have anything fancy. Her machine was an oversized gray metal that sat inside her closet. She had to wind the bobbins by hand. There was barely room for two of us inside, but I needed to be near. If she used sewing terms, they were in her head. There was no space for flair, but I could feel it. Again, I stood in the presence of greatness. 

I am forever a proponent of using what you have to get what you need. So yesterday, I made an apron for painting in the studio. That’s not the whole truth. It was much more than that. I first rummaged through my old canvas tarp. Found a piece large enough to make a pattern. Cut it out. Took the plastic cover off my machine. (Took out the handbook — it had been a while.) Followed the instructions to wind the bobbin. To thread the machine. Hemmed each side of the apron. Ironed it. I had nothing for apron strings, perhaps the most important part. My husband found old belts from martial arts uniforms worn by the children. Perfection. My needle unthreaded twice while sewing them on, but who was I to quit? — quitting is not the string to which I will always be tied. 

Soon it will be covered in paint. And get more beautiful every day. 

When I say “use what you have,” of course I mean material on shelves and thread in drawers, but mostly, I suppose, it’s using the strength I have been shown, and the love that I’ve been given — nothing greater than that.


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Someone who sang.

When I think about the countless times I have sung exuberantly into my own fist, (reaching those certainly standing in the back row), it’s not really a stretch that I would put a bird into a French outfit and give him a microphone. 

Who is to say what is your Grammy, what is your Louvre? The other day a young woman recognized my painting of her grandpa out of a sea of Tik Tok photos, and I was hung beside the greatest in Paris. These lives we’re creating are limitless.  

When I first met our neighbor she asked if I was a singer. Without hesitation I said yes. Don’t I sing all the time? It never occurred to me that she meant professionally. (Whatever that means.) After getting to know each other, it became clear to her that I wasn’t a “singer,” but someone who sang. I shrugged and held up my fisted microphone for her to join in. Now she is a singer too.

When asked what they would like their super power to be, most people will say they would love to fly. The closest I’ve found is to let myself become —become a baker, a poet, a singer, a lover, a painter. While I sit in front of the canvas, fueled by homemade bread and the song that is playing, the bird appears and I am all of these, and I begin to fly. 


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Letting her know.

I watched her at the kitchen table in complete fascination as she snapped open the yellow containers, L & R. She wet her fingers with the solution and placed the tiny disc between her thumb and middle finger, rubbing them clean perhaps, but more likely, I thought, working up the courage to place it in her eye. I held my breath as she balanced it now, her hand slowly rising. With her left hand she held her eye open, bringing the other closer and closer. Of course they had made her do it at the eye clinic, but this was her first solo flight at home. Would she do it? Could she do it? She blinked furiously, leaving her right hand under her chin in case a catch would be needed. But it stayed. Her blinking slowed. She smiled and I smiled. Holding in our victory lap as she plucked the other from its case and placed it. I blinked along in solidarity and cheered with both arms raised. She was my hero. My astronaut. My ever “I’ll go first, but I’ll never leave you behind.” I always made sure that she knew how I saw her. 

I suppose I’m still doing that. Daily. 

In the blink of an eye, it was all gone. That table. That house. But not the love. That remains. And I will always let her know. 


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Current murk.

It was almost a relief after the first scratch. Oh, the pressure of white tennies from Iverson’s shoes. I tiptoed from bus to class to preserve. And then maybe one day, guard down, laughing over a passed note from the back seat, leaning over a nothing that could be funnier, blocking the aisle of the bus, someone less interested in the joke and more concerned about getting off, stepped through the glee onto my new shoe and marked it with a rub of black urgency. Once the shock wore off, so did the pressure, and the outside rain no longer seemed a challenge. 

When I hopped from the final step onto Van Dyke Road, I could see them — all the puddles that gravel will allow. Grownups complained, why wasn’t it paved already. But in this land of 10,000 lakes, our sweet dirt road added more than a few extra. And didn’t the name itself sound like an invitation — puddle…. And so I did, I puddled my way up the drive. 

Not to be outdone, my socks were as wet as my shoes as I stripped my feet in the garage entry. There was a small line strung from the ceiling to hang the well traveled. I walked from the outlines of my damp bubble toes on the cement, and went victorious into the house. 

I’m reading Gertrude Stein. She writes, “ You are so afraid of losing your moral sense that you are not willing to take it through anything more dangerous than a mud-puddle. ” I know I was brave on Van Dyke Road. I must be braver still. We all must be. This current murk that we find ourselves in, more than a puddle for sure,  we must brave our way through. Daily. The moral compass is strong. It calls to the heart well traveled, “Come.” 

My heart is well traveled.


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Leaving Belarus.



He could see me eyeing the small frame. I already had one on hold behind his desk at the Emmaus location. Emmaus is the equivalent of a Salvation Army or Goodwill. Most of the employees are those that need the aid of these donations the most. Between our two accents, it was hard to figure out what the actual price was. As we wandered through our attempts, a conversation began. He was from Belarus. He seemed delighted that I was from America. The more we learned about each other, the less I hesitated with the purchase. Soon I settled on “pourquoi pas” — why not!? And I went home, not only with an extra frame, but a story to tell.

And isn’t that what art is, an exchange of stories? For that matter, I suppose that’s what life is.

Yesterday, I cut the small piece of panel to fit the frame. I gessoed. Underpainted. Sketched. Then began to paint the tiny bird. As it appeared, I had to smile, because it wasn’t just coming to France, it was leaving Belarus. He was leaving Belarus. 

We are not the same. But we are all connected. And that’s nothing to be feared, but celebrated. I tell this to the tiny bird, who replies, “Yes, chef!” 


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Taking on the light.

I brought her outside to varnish her. The light was spectacular. She took on the warmth of all her surroundings. (Is that what love can do?) Even having given her those colors by my own hand, I felt like I was seeing them for the first time. This morning, when I opened my computer, it was the first photo that came up. As all of technology does now, it gave the location, but not by city or address, it simply said “Home.”

Because that is the truth. It’s never really about the street or city, it is the feeling. This place where my heart can rest and my mind can wander — both in this glorious light, this truth of being who I am. This place that is no longer about getting there, but becoming in… daily. That is a warmth that only home can bring. (And maybe that’s just love by another name.) I don’t need my computer to tell me that, I’ve already taken on the light. 


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Up the side of the barn.

Words are nothing until they leave the page. I suppose the same is true for love.

Someone was always jumping from something. The overpass. A bridge. The roof of a barn. While I can’t say that I ever would have followed — (we were often asked that question, “if the neighbor girl jumps off a bridge…” and for the most part we didn’t take it literally) — but still I understood the need. The need to fly from something. This need to take all the ordinary of Alexandria, Minnesota, the similar look of classroom and bus. This need to take all that was certain and sure and fling it into the wind and just see…see if in the letting go, we could simply fly.

People laughed when they read it in the news, or sat next to them in the orthopedic clinic, but there was just a tiny part of me that said, yep, I get it… as I turned to the blank page and poem-ed and painted my way up the side of the barn, dropping words and images like added weight, fluttering with excitement as I handed it over to my mother, vulnerable, and weightless, in that moment, in that glorious moment of trusting love, it was then I could fly.

It’s funny how it calms me. Being inside the risk of canvas. Of showing you. Who I am. It’s not my first barn. Not my first book. Nor canvas. But oh, how I keep climbing, because in this life, this love, I know, one way or another, I am going to fly.


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Of visitors and helping hands.

I’m continuously reminded while painting, that black is never just black, and white is rarely white at all.

I won’t give away the whole piece just yet, but if you look at her “black” coat, it would be nothing without the shadows, the light, the movement — all arriving in shades of living. It’s the same with her hands, her “white” hands are pinks and purples and grays and more. 

I used to love to roam through the constant assembly of coats in my grandparents’ farmhouse. Of visitors and helping hands, they hung equally. I wouldn’t have seen it, had I not rubbed my face through sleeves. From afar they draped in winter drab, but up close, they were every color — altered by work, by wear, rain, sometimes snow. Through holiday and honor, they offered a palette that said, (no not just “said” but lured), “come in, see the colors of what is being felt, from face to heart.”

I suppose I’m still getting the call. From heart to canvas to word. I have to answer. If not, what was their entry for? 


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Ever mauve.

She said, “I’ll take that in mauve,” as if I had stock of my mother’s birthday present that hung on the wall, and in different colors. I looked at my mom to see if I actually could sell the poem that I wrote for her birthday, the poem that painted her picture in every word, line and phrase. She clapped her hands in front of her smile, and would have been the first to carry it to the woman’s restaurant had it been ready. 

We never looked back. 

Maybe it was the approval, the validation in the sale. But it seemed more to be the pure joy of stepping into our lives. Finding the doors and walking through. No longer looking for permission, but offering it up to those behind. 

The woman who owned the beautiful new coffee/bagel/restaurant in town, covered her walls in my images, right down to the “lipstick woman” in her bathroom. For years my mom would get the random call, “I’m in the bathroom at Time Square.” The first time was alarming, but it brought years of laughter, and even friendships were formed from that image. 

I saw people reminiscing about the place yesterday online. The tagline read, “for people on the go.” And weren’t we all…on the go…becoming. I think we still are. Still standing in front of doors, wondering, do we take the chance, (still feeling those that have closed), but pushed forward by the joy of the time we were mauve. The time we dared, and kept daring. And believed. And believed again. This is the time, once again. 


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Maybe even to become.

I had read my way through the Golden Books on the bottom shelf, and was advancing to the next level of Olson’s Super Market book section. No longer crouched on my knees, I immediately felt more grown up as I reached at heart’s height and arm’s length. This selection went beyond the stories of Snow White and leaned into the more complex tales of Rose Red (her less famous sister.) I had to sound out the larger titles. Pan – do – ra’s Box. My mother was filling the cart from the generic sections of the aisles when I tugged at her blouse, trying to get her to explain. She put the book in the safety of the child area of the cart. As I whined for brands like Chef Boyardee, she pointed to the book, and I was more than willing to make the sacrifice. 

The man in the store apron carried the bags to the car and placed them in the back seat of our Chevy Impala. My chubby thighs stuck to the seat on the drive home. No seat belt required, I easily grabbed the book from the rear before we reached Van Dyke Road. 

“I don’t get it,” I said as my mother came back for the second paper sack in the driveway. “Read it again,” she said. I did, and one more time on the front steps. Still puzzled, I took it in the kitchen. “I thought curiosity was a good thing…” I said. “It is,” she said. What else could she say? Hadn’t we dreamed a life beyond this gravel on countless Sunday afternoons? Hadn’t we continued to dare things like love and hope? I could see her going through the list in her head as she reached opened each cupboard. She could see me outlining my own heart in worry. That box had long been opened. “You go ahead and Pandora all you want,” she said. 

Maybe I never did get the meaning. Maybe I jumped too quickly to the second shelf. I still do that. Nothing comes without risk. But the greatest experiences I have ever had have come from taking the chance. Of course problems come along with it, but the rewards… well beyond heart level. 

Maya Angelou wrote, “Curiosity wants to behold, to comprehend, maybe even to become.”  And isn’t that what I, we, want — to keep becoming. I fling open the morning window and lean into the possibility of maybe even me.