When I think about the countless times I have sung exuberantly into my own fist, (reaching those certainly standing in the back row), it’s not really a stretch that I would put a bird into a French outfit and give him a microphone.
Who is to say what is your Grammy, what is your Louvre? The other day a young woman recognized my painting of her grandpa out of a sea of Tik Tok photos, and I was hung beside the greatest in Paris. These lives we’re creating are limitless.
When I first met our neighbor she asked if I was a singer. Without hesitation I said yes. Don’t I sing all the time? It never occurred to me that she meant professionally. (Whatever that means.) After getting to know each other, it became clear to her that I wasn’t a “singer,” but someone who sang. I shrugged and held up my fisted microphone for her to join in. Now she is a singer too.
When asked what they would like their super power to be, most people will say they would love to fly. The closest I’ve found is to let myself become —become a baker, a poet, a singer, a lover, a painter. While I sit in front of the canvas, fueled by homemade bread and the song that is playing, the bird appears and I am all of these, and I begin to fly.
It’s ridiculous I suppose. It’s just a shoelace peeking out of a closet door. But in my head, I hear, “I’m ready whenever you are. We’re going to have a great walk today.”
It’s true, we hear what we want to hear. And by giving things voice, I give myself a voice. So I wake up and answer yes to my shoelaces, along with the day. I talk to the trees and the birds. And somewhere between bloom and song, I wonder if they too are doing the same thing. When they see me opening the morning door, I wonder if they hear, I hope they hear, “I’m ready whenever you are.”
I had read my way through the Golden Books on the bottom shelf, and was advancing to the next level of Olson’s Super Market book section. No longer crouched on my knees, I immediately felt more grown up as I reached at heart’s height and arm’s length. This selection went beyond the stories of Snow White and leaned into the more complex tales of Rose Red (her less famous sister.) I had to sound out the larger titles. Pan – do – ra’s Box. My mother was filling the cart from the generic sections of the aisles when I tugged at her blouse, trying to get her to explain. She put the book in the safety of the child area of the cart. As I whined for brands like Chef Boyardee, she pointed to the book, and I was more than willing to make the sacrifice.
The man in the store apron carried the bags to the car and placed them in the back seat of our Chevy Impala. My chubby thighs stuck to the seat on the drive home. No seat belt required, I easily grabbed the book from the rear before we reached Van Dyke Road.
“I don’t get it,” I said as my mother came back for the second paper sack in the driveway. “Read it again,” she said. I did, and one more time on the front steps. Still puzzled, I took it in the kitchen. “I thought curiosity was a good thing…” I said. “It is,” she said. What else could she say? Hadn’t we dreamed a life beyond this gravel on countless Sunday afternoons? Hadn’t we continued to dare things like love and hope? I could see her going through the list in her head as she reached opened each cupboard. She could see me outlining my own heart in worry. That box had long been opened. “You go ahead and Pandora all you want,” she said.
Maybe I never did get the meaning. Maybe I jumped too quickly to the second shelf. I still do that. Nothing comes without risk. But the greatest experiences I have ever had have come from taking the chance. Of course problems come along with it, but the rewards… well beyond heart level.
Maya Angelou wrote, “Curiosity wants to behold, to comprehend, maybe even to become.” And isn’t that what I, we, want — to keep becoming. I fling open the morning window and lean into the possibility of maybe even me.
In 1938, Douglas Corrigan earned the nickname “Wrong Way” for mistakenly making a trip across the Atlantic from New York, when he was headed for California. I only know this because in the fifth grade, during an orienteering field trip, my team, after completing the wrong course, and also backwards, was awarded with our “Wrong Way Corrigan” certificates. I’m sure this is not the sole reason, but I have been making my own path ever since.
That’s not to say that I’m completely flockless. I have come to rely, appreciate, value and enjoy a wide array of people. And I know that I belong, but that doesn’t mean I always “fit in.” Fitting in asks you to change yourself so others accept you. Belonging asks you to stay true to yourself no matter what. This is what I encourage you to (forgive me) flock to.
So if you see me in the trees. In the sky. I’m probably the one wearing the beret, playing the violin, as most of the others sing. But isn’t it all music? Beautiful, sweet music teaches us, you don’t have to blend to belong.
Showing them the studio for the first time, I was explaining that the 8’ frame that holds the painting of these people in the water was once holding an Indian motorcycle, horizontally. The Indian sold rapidly. Needing to ship it to another continent, I took it off the frame and rolled the canvas. And while it has been long replaced with these people now bobbing in the deep, I always feel the need to tell them that first there was an Indian.
I suppose that’s why I share the stories of my grandparents, my mother. Because long before there was an artist, me, there was a farmer, a dreamer, a dancer. And even as I type this on a different continent, I am part of it all, part of them. And to tell my story properly, they need to be recognized.
It’s never just one thing. We are not one thing. As the motorcycle rides a wall somewhere in New England, I can feel the breeze. And with soiled hands, I do the work of the day. With a sparkled vision, I see what’s possible. With a daring heart, I spin around the room. Love comes first, and seems to be all that lasts.
What was it all for, if we didn’t have a little fun?
The world is pretty big. It’s an amazing place. Mostly I enjoy it. Marvel at it really. So much to see. To feel. But it can get overwhelming. And then I take a moment. A moment to focus on a spot, the spot. Where? It changes. All the time. It is where I need it to be. I look at that flower – so delicate, so beautiful, even after the rain, or maybe especially. A rock. So strong. So steady. Yet, it can be moved, shaped even, by just a drop of water. I look at a blade of grass. Really look at it. It doesn’t seem to be worrying. It doesn’t seem to disappear, even in this field of green. It’s here. All here. It becomes unclear if they are here for me, or I am here for them. But I’m happy they’re here. I’m happy I’m here. I just breathe. And watch. And I think. What if I’m that spot, you know, for someone. And I still myself, to take my turn. To be the flower. To be the rock. The blade. The shoulder for the bird to land. The spot in the garden. And it’s then I know. Everything is going to be ok. Amazing even. And I marvel in it again.
I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains.
Maybe everything is just a choice. Right down to how the day is going to be.
Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful.
Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!
Working between two screens, sometimes my cursor gets stuck in the opposite one that I want. (Like my brain doesn’t do that all the time.)
It’s so easy to think, “Well, I always did it this way…” Whether I’m talking about different countries, different languages, loves, relationships, even my hairdresser. And I catch myself swiping madly on the wrong screen.
Change is never easy. Neither growth. But both are so necessary. And it doesn’t mean you have to give up everything in the letting go, the moving on…You keep the lightest of things, like joy and hope and love — none of these will ever weigh you down.
Too often I’m unaware. It’s barely more than air, the little birdie that tells me things. But when I’m paying attention, really paying attention, all the truths that move between who I am and who I want to be, chirp seamlessly between my heart and my brain, and I am saved.
It’s not like I forget that I’m in France, but sometimes, I’m more reminded than others. Yesterday, sitting in on Dominique’s appointment, for a good five to ten minutes, I listened to him and his doctor talk about their extraordinary love of cheese. It was quite obvious I was no longer in Minnesota.
I suppose it was at that moment that the bird in my brain took flight.
If we’re lucky, we’re told quite often in our younger years that “you could be anything.” But maybe not so much with the “anywhere.” Perhaps that stems from the human fear of “others.” But I’ve never been sure why that’s so frightening. Because it’s only in the labeling of them being other that we in fact become one.
And as my bird fluttered above all things cheese, I thought, I really like butter. I wondered if they could hear the laughter in my head above the flapping.
Looking for a free page in my sketchbook, I came across the bird in flight that I had sketched in pencil. It could have been anyone’s dream, but it was hers. I don’t have to know her story, to celebrate the fact that she has a story. Be it butter or cheese, I just had to see her. See the hope disguised as the glint of light that reflects from the used-to-be tear. See the dream of flight not long perched on her beautiful head, soon to be mid-flap. And know that we belong. We. All.
“And if you did, see not just my face, but all that I have faced, and if I did that for you…”
I still go to the mall with my mother. I don’t suppose we ever stop living with the ones we love. It’s only a matter of opening my closet door. Passing my hand along the draping of sleeves — each allowed the space to breathe as she taught me. We exchange silent ensemble ideas. I settle on the one where she clutches her imaginary pearls with more than approval. Pure excitement! And I am complete.
When it’s time to paint, I return the clothes to their rightful spaces and put on my splattered hoodie and pants, as if it were Sunday morning after sitting in my six year old’s white dress on a folding chair near the kitchen at Bethesda Lutheran. Smoothing out the drape with gloved hands long before and after Easter. Feeling to my very core the meaning of “good clothes.”
I read recently that memories are the handrail of the stairs we continue to navigate. So it’s no surprise as I made my ascent in yesterday’s sketchbook, that the ruffles appeared on the woman’s portrait. White ruffles. My mother’s favorite. And didn’t they suit her. So. I hear her saying, “Ooh, I need to find that blouse.” And I smile. Heart strong, I grab the rail and climb. Forever making ruffles.
