I can’t say it’s the table. Nor the cupboards. I do like my kitchen, but it’s more correct to say I like who I am in my kitchen. Be it bread or cookies, I like that I’m creating something that wasn’t there before. I like that my Elsie confidence allows me to add flour without measuring, and grin as if I’ve always known. And certainly that’s not the case. I never baked before coming to France. And now my house shoes have a permanent ring of flour in the cracks.
And isn’t it the way with friends:
“I really like who I am with you… I hope that doesn’t sound bad to say… I mean it more as a compliment to you, more of a “thank you” really. You free me to be this person who laughs and cries and feels and enjoys and loves. What a relief to be myself, without performing, or worrying… just being and becoming who I am… That’s some gift… I hope I’m returning it… because you know what, I really like who you are with me.”*
I only saw it last night. Could it have come sooner, or was it right on time? Awakening in the thick sky of wee hours, I had left the shutter open, and saw how it wasn’t simply dark, but so black it was blue, like a Magpie. And if it were a bird, this absence of light, couldn’t it just as easily gather those night weary worries under wing? Couldn’t it say, this is not for you to carry? Not now. Not in this light. This is the color of letting go. This is the color of release.
Some say a Magpie will steal anything. I don’t know if that’s true, but if they did, if they do, I decide to leave my concerns above cover, and let them take it. And I give thanks for the thief of worry. No longer bruised, but released by the black and blue of it all. And I am saved.
Sometimes, when painting a portrait, you can get stuck. The image isn’t exactly right, but you can’t see why. A trick that many artists use is to simply flip the canvas. It breaks the autopilot of the brain and you can actually see the shapes more clearly. You can get the chin just right, or the angle of that brow. It slows you down and you can see everything in a new light.
How I try to remember that lesson for real life — when the universe kicks my feet from underneath and I tumble topsy turvy. It’s hard to see the benefits immediately, but once I gather myself, I have to think, oh, perhaps it was time for a new perspective. I, we, can get so accustomed to “how things are.” To shake us out of the “well, that’s how we do things…” and the “well, that’s how I feel,” and into a new vision, a better way of seeing, living, sometimes it takes our world turning upside down.
I guess it’s all part of this delightful journey. This jungle gym. So if you see me, feet in the air, don’t worry, I’m just getting a better view.
The French have a saying, “entre chien et loup” — between dog and wolf. Most poetically it describes the transitional light of dusk, the time of day when you’re not certain of what you see. Is it a dog or a wolf? A friend or foe? Safe or threatened? Caught somewhere between comfort and fear.
I suppose within all transitions, a choice has to be made. In this, a big one, our first of the year, I’d like to set the tone and choose dog. Choose that this is going to be a great year! We’re all given the same light. We just have to decide how we see it.
You may say that’s Pollyanna, but I say poetic. And wasn’t it in Our Town, when Emily Asked, “Does anyone ever realize life while they live it…every, every minute?” — she was answered, “No. Saints and poets maybe…they do some.” So I will take that unsure light, that “some”, and try to see it. Minute by minute. How magical this world is. How beautiful. And if I, we see it, really see it, then won’t we be a little more precious with it, with each other, a little less careless? Yes, joyfully, yes, some.
I couldn’t figure it out. “But how do they know where they are?” I couldn’t navigate the whole farm, and my little legs were a thousand times the size of the bees. How did they know to find the flowers on either side of the front steps of my grandparents’ house? And because summer days lent themselves to pondering, I sat in the sun on those cement steps, watermelon seeds by my feet, contemplating the size of the universe.
The soundtrack in my head played, “There’s a hole in the bottom of the sea…” The lyrics crescendoing to – “There’s a flea on the speck on the frog on the bump on the branch on the log in the hole in the bottom of the sea…” And wasn’t it the same with the hummingbirds and bees? Here. Right now. From the planet, to the state, to the city, to the country, to the driveway, and the grass, right here beside me on the steps.
I asked my grandfather, how they found the flowers. “They want to find them,” he said. I shook my head yes. “I do too,” I said, flicked a seed from my bare toe, and ran off to capture sight of my own.
“There are always flowers for those who want to see them.” Henri Matisse
If you dip the cookie in the frosting, pick it up slowly, turn it over, sway it a little side to side and front to back, the frosting will level itself out. I don’t know how it knows, but it does. It’s the gift before the giving.
I think we’re all given the tools. Right from the start. Oh, sure, it takes a little turning. A little swaying. But when you know. You know.
I used to go into my room at five years old and color my emotions. I didn’t have the words for what I was feeling, but I had 24 Crayolas that could relay the message. At six, — as Mrs. Bergstrom gave us the spelling, the words — I began to write poems. Thus began this cookie’s life of self leveling. And the real gift is, I now have something to give.
I’m not special. We’re all given the tools. Maybe you garden. Maybe you bake. Or build. Or teach.
Yesterday, after painting in the studio, feeling the magic of this new portrait beginning, I wanted to call my mom. Oh, how she loved magic!! And perhaps frosting even more. So I returned to the kitchen, dipped the cookies that I had made earlier that day, and turned and swayed and leveled myself in all that love, and somehow I knew she knew.
There wasn’t a hard edge on her. Not fingers, nor elbows, nor knees. She was built to make a lap, cup the small of a back, wipe a tear, widen a smile. She held. She gave. She touched. This was my grandma Elsie.
Sometimes I have to apologize to her, and myself, for carrying my shoulders just a little too high. What am I braced for that couldn’t more easily roll off and on by, if I only relaxed them down. It feels so good when I do. My neck wanders freely, softening my face, releasing my cheeks that smile and say, “what a relief!”
As I work in my sketchbook, I remind myself. The blending of rouge and flesh. Whites, yellows and greens. No hard edges. Wondering to myself, “Does that man appearing know that I am Elsie-ing his face?” I lay the brush down, along with my shoulders, and know, she is gently and ever teaching me. Thank you, Grandma.
Shopping Michigan Avenue, my mom and I wanted it to never end. We went in every store. Up and down. Miles and miles of Chicago’s “magnificent.”
We weren’t big Nike fans, but the store itself was gorgeous. We feigned affection. Running our fingers against t-shirts and track suits (long before leisure wear, that’s what we called them.) I don’t know who stopped first, but we stood in front of the poster and read. Words could always hold our attention. There was a woman running on a country road with these words, “There are clubs you can’t belong to, neighborhoods you can’t live in, schools you can’t get into, but the roads are always open.” We both smiled, and ran along beside her.
The places we traveled in that truth! I still do.
I’m still sometimes thrown by Mondays in France. Nothing is open. Yesterday morning, I told Dominique that we were out of treats. Before he finished asking, “Where would you like…” we both realized the Mondayness of the situation. By mid afternoon, I was able to travel to Chicago in order to find that my French kitchen was always open. Monday didn’t stand a chance against my molasses. I made the cookies, and may I say, they are magnificent.
I pride myself in finding a way. My mother saw to that. She’s still guiding me through Monday. Tuesday is here. Wide open! Let’s run!
There was a certain freedom to it – being in the girls’ gym. You might think freedom a strange word for this windowless box in the basement of Central Junior High. But certainly there were no pressures to impress.
We cycled through the normal courses. Basketball. Volleyball. A simple change with a new set of balls. But when it came time for the gymnastics week, the whole pink gymnasium was transformed. Beams and mats. Horses and Bars. Certainly we should have been padded on knees and elbows. At the very least helmeted, gauging our limited expertise. Yet, we flung ourselves without knowledge or permission in unwashed gym shorts and t-shirts for the allotted 50 minutes. No guidance. No spotters. No inhibitions.
The floor exercise came with a record player. We were decades ahead of the popular saying, “Dance like no one is watching,” — believe me, no one was. Dropping the needle with a scratch, then racing to the mat, we made “routines” (completely ignoring the definition of routine, because certainly these movements couldn’t be repeated, as we made them up to the music.)
We were never graded. If you could make it up the cement stairs back to the locker room, you passed.
I can feel it sometimes. Hear the turning of the record as the day begins. And I just abandon rule and worry, and move. I get to decide. We get to decide, how to make our freedom. How to fill it. Drop the needle, and simply dance.
Before I met my mother and her cousin, they worked at the phone company. Just out of school, they were best of friends. All giggles and lipstick. Ruffles and elbows. Every ring was filled with possibility.
Lapped and fascinated, I told my mother to tell it again. Having since met her cousin, it just didn’t seem possible. Hadn’t Janet just come from the potato pit? Hadn’t she just saved her husband Joey after being kicked by the cow? I couldn’t imagine her all dressed up under the fluorescent lights of Alexandria’s Telephone Company on Broadway.
“Oh, she was a beauty,” my mother said. “Just like you,” I said. My mother smiled. “I looked up to her,” she continued. I imagined Janet, now 10’ deep in the summer crop chilling for winter and it just seemed so unlikely. My mouth open in wonder, she told me what has remained, “People aren’t just one thing.”
The thing is, we think we know. We think because we see people for ten minutes that we understand their lives. Why they do the things we do. We have to go from potato pit to coffee break. We have to see the full picture. Even then, we can’t be entirely sure. We have to leave room for change. Room for growth. Room for the rings of possibility.
I like to think of them mid-giggle. Nothing lights a person better than joy. I have to allow myself the same grace. We all do. Good morning, my friends! Welcome to the phone company!
