It’s not that I assumed the garage doors had the sense of the birds, but it is made evident whenever the wind blows. (I suppose that’s when the truth of us is revealed.) And, oh, they’re built solid, these blocks of wood and iron, but never a match against the wind. Every time – it’s BANG! BANG! They beat against the garage, thrown from side to side. Always fighting it. Always losing. But then the birds, in that same wind, barely more than air themselves, they seem to dance. Each wing flaps with lessons learned, and risen above.
I’m not proud of it, but I have done my share of banging. Trying to fight off the new storm with all of my wooden might. But I’m learning. And learning again. What used to blow through me, now gives me wings.
My mother never came empty handed. Whether it was for a week’s visit, or a long afternoon, her arms were filled with toilet paper, paper towel, Kleenex, or something frosted from the bakery. It wasn’t that I couldn’t purchase it. It was just another form of connection. And when I poked my finger through the plastic to carry the rolls up the stairs to my apartment, along with her suitcase, I knew that she thought of me, not just here, not just at the events, but on Tuesday afternoons at Cub while picking up some essentials. And I felt loved.
We have a chalkboard in our French kitchen to remind us of those very things. I guess Laetitia saw it when she came for lunch that day. Toilet paper written in white. I walked her out to her car. She opened the trunk. Reached in. Pulled out a multi-pack of toilet paper. I would never refuse a visit from my mother. I held it, her, in my arms at the top of my heart’s stairs. And I am loved.
There’s not a lot of glory in the underpainting, but without it, there really is nothing. Time must be spent to prepare the canvas or panel. Gessoing. Sanding. Long before you get to the “garden.” And oh, how eager I am to jump to the flowers. But I take my time. I paint the shadow of black (one can’t go back later and expect to paint it in). Then the layering of stems and leaves. Creating depth. Perspective (that so often elusive perspective). Once I have put in the time, only then can I delight in the flowers. And having spent the time, oh what a delight they are!!!!! As if they bloom just for me.
It’s hard to remember this in the daily rush of things. The furious speed to get over, get beyond, to get through. But when I’m lucky, (which simply means when I’m paying attention), it’s my hands that remind my heart that tell my brain, “It’s only underpainting…the flowers are yet to come!”
I know the furious speed at which you are trying to get over and around. I have traveled that wind and hung on for dear life. But the dear life I found came only in the quiet slowing down. The letting go. No longer rushing to get past, but easing my way through. And the peace. Smiled. Knowing it had always been there, as I whirled. Peace, sitting quietly next to joy, and hope, and OK now. There, there.
In my sketchbook, all the pages are almost absent of color. Not flesh, nor butter, it welcomes every image, and rests it gently, softly, without judgement. But for the flaps. The flaps are a vibrant red. Already set in tone, they present a different challenge. We call this an “underpainting.” The red cannot help but affect each color applied. And it can be tempting, this coming in hot. There is a vibrancy, a bit of excitement. And so it is with heart and mind.
Sometimes, seemingly without my knowledge or permission, I find myself in the flaps. But this! And that! And they! Should haves and could haves and supposed tos hovering in all that redness. And that’s ok, for a moment. I try not to add to the heat of the color by beating myself up. But rather create a space, where all are welcome. All.
We are living in a time of red. Perhaps an inhuman time. We’re not the first, nor the last, but It is our job to remain human. To love, to create, to inspire, to preserve the goodness. To be the pages that welcome, with all the gentle might of heart and mind.
I don’t suppose one pear imagines another as weak. As being particularly thin skinned, or easily bruised. I think they see the familiar. The comfort. And there is strength in that. Which allows them to lean in, and to lean on.
Couldn’t we do the same for each other? I think we often worry, well I wouldn’t know what to say, or what to do? When all that’s really necessary is just to be ourselves, to be there, beside…pearing…pairing.
I leaned on you today. I’m not sure if you even knew, but I wanted to thank you. I felt you holding my heart. It made me happy. And I was strong. I hope I can do that for you…If so, we can do anything.
I only saw it last night. Could it have come sooner, or was it right on time? Awakening in the thick sky of wee hours, I had left the shutter open, and saw how it wasn’t simply dark, but so black it was blue, like a Magpie. And if it were a bird, this absence of light, couldn’t it just as easily gather those night weary worries under wing? Couldn’t it say, this is not for you to carry? Not now. Not in this light. This is the color of letting go. This is the color of release.
Some say a Magpie will steal anything. I don’t know if that’s true, but if they did, if they do, I decide to leave my concerns above cover, and let them take it. And I give thanks for the thief of worry. No longer bruised, but released by the black and blue of it all. And I am saved.
Sometimes, when painting a portrait, you can get stuck. The image isn’t exactly right, but you can’t see why. A trick that many artists use is to simply flip the canvas. It breaks the autopilot of the brain and you can actually see the shapes more clearly. You can get the chin just right, or the angle of that brow. It slows you down and you can see everything in a new light.
How I try to remember that lesson for real life — when the universe kicks my feet from underneath and I tumble topsy turvy. It’s hard to see the benefits immediately, but once I gather myself, I have to think, oh, perhaps it was time for a new perspective. I, we, can get so accustomed to “how things are.” To shake us out of the “well, that’s how we do things…” and the “well, that’s how I feel,” and into a new vision, a better way of seeing, living, sometimes it takes our world turning upside down.
I guess it’s all part of this delightful journey. This jungle gym. So if you see me, feet in the air, don’t worry, I’m just getting a better view.
The French have a saying, “entre chien et loup” — between dog and wolf. Most poetically it describes the transitional light of dusk, the time of day when you’re not certain of what you see. Is it a dog or a wolf? A friend or foe? Safe or threatened? Caught somewhere between comfort and fear.
I suppose within all transitions, a choice has to be made. In this, a big one, our first of the year, I’d like to set the tone and choose dog. Choose that this is going to be a great year! We’re all given the same light. We just have to decide how we see it.
You may say that’s Pollyanna, but I say poetic. And wasn’t it in Our Town, when Emily Asked, “Does anyone ever realize life while they live it…every, every minute?” — she was answered, “No. Saints and poets maybe…they do some.” So I will take that unsure light, that “some”, and try to see it. Minute by minute. How magical this world is. How beautiful. And if I, we see it, really see it, then won’t we be a little more precious with it, with each other, a little less careless? Yes, joyfully, yes, some.
“Women in pain become birds.” I just read that. I often find myself looking around for the cameras that are surely filming me in this episode. And as I flutter through the inexplicable planned randomness of the page, I think, yes, but not in the way the author meant — small. No, I think women do become birds, but there is beautiful strength in that. A grandness of sky. Adapting in mid flight. Hovering. Not avoiding the breeze, but feeling it. Using it. All while dressed and feathered.
I say this, not in praise of my own wings, but marveling at those before me. I have been nested and pushed by the best. Elsied and Ivyed into the blue. Words like small were replaced with capable, and I learned to fly.
It’s not to say that days won’t be fragile. That we won’t be fragile. But we have been given everything we need. Mostly love.
I wrote it long ago. The truth of it still lifts me. “She believed in the pure randomness of it all. It could happen to anyone at any time, pain, happiness, confusion, even love.”
It was my mother who listened to me with the patience of paper. I could tell her anything. No dream was too big. No concern too frivolous. No wonder dismissed. I could cursive my feelings throughout the house, and she would gather them in softly, gently, filling heart reams daily.
I didn’t read Anne Frank until junior high. I had already been writing for years. On scraps of paper. Wood-burning notes into panels. Poems on birthday cards. Hopes onto sticky pads. But I didn’t have a diary. And it wasn’t until reading Anne Frank’s that I knew why. It was because I had my mother. Anne wrote in her diary, thinking she had “no such real friend” to confide in. My mother was that “friend.”
Through the years, as I made my living selling the words and images, I was constantly approached by my sales reps and store owners with “What’s new?” A feverish flurry to get to the next thing. An urgency to keep the writing short – “no one will take the time to read all that.” I would smile and think that Anne Frank was right, “Paper is more patient than people.”
I’ve tried to stay true to my slow and looping cursive heart. Giving it the space and time it needs. Giving it the care my mother showed me it was worth.
I hope you have that friend. That confidante. If not, let it be me. Take your time. I’m in no hurry.
