She was sitting just a table away from the band. Was it a wedding? In between the ceremony and the dance? To see her sitting there at the table, my not-yet mother, early twenties, I know her. One eye on the other woman at the table. One ear on the music. Size tens slightly tapping under the table. Ready for the dance.
It wouldn’t have been “old time” dancing then. Just dancing. Surely there would have been a polka — I see the tuba. But she was good at the in betweens, my mother. Teaching me that what we had, was exactly enough. It was easy as a child to get caught up in the next of it all. Rushing through Halloween. Making a path with the candy to lead to Thanksgiving. Clear the table. Get the dishes done so we can decorate. Wrap the gifts. Shake the gifts. Unwrap them. Happy New Year! But she taught me to enjoy the middle.
We both loved to read, so she compared it all to a book. Those center pages, when you are so immersed in the story, you don’t want to stop reading, but you don’t want it to end. This was the glorious part of living. This is where I want to live. Still.
It’s still easy for me to get caught up in the what ifs and whens of it all, but then I look at the photo. And I sit in the moment just before the dance. Breathe in the music. I will be happy. Right here. Right now.
As paintings sell, our entryway changes. But not the welcome.
When I came back from my first visit to France, it was to let go of my apartment, and a majority of my things. But being my mother’s daughter, I still visited one of my favorite stores – Anthropologie. The first thing that caught my eye, other than the reflection of myself in a new dress, was a box of large letters. It struck me that I was in the process of melding my name with another. Orsolini and Hills. OH! How fitting that these two letters would describe our new life together. OH, what a surprise to have even met! OH, what delight! OH, my goodness I’m moving to another country! OH, how I will miss my mother! OH, I am in love! OH, I’m doing this!
These letters hang proudly on our front door. LIfe continues to surprise and delight. And certainly, from time to time, they symbolize a hanging heart, an empathetic “oh, understand….” And always, I am welcomed in.
We hung the new painting together. And maybe it’s ironic, or just that all is as it should be — either way, the recently sold painting is going back to my old neighborhood in Minnesota — OH!
I would always sit in the front row. I loved my English LIterature courses. I wanted to be a part of it all. My hand shot up before my mouth even knew what was going to come out. “You’ll think of something, ” my fingers encouraged as they waved in the air. It wasn’t about assuming I was right. Not about proving my point. I just wanted to be involved. To be among the words. Part of the discourse.
I sat slunched in my chair. Sweating. Sick. My roommate had told me to stay in bed, but I didn’t want to miss out. Within the hour, my mom was on her way to pick me up from college and bring me back home for an emergency appendectomy. When Dr. Merickel gave the diagnosis of acute appendicitis, I smiled. He asked why I was smiling. “You said it was cute.” We hear what we want to hear.
I went back to school two days later, a little lighter, but no less enthusiastic. All that learning prepared me for what was to come. Not in the way you might think. I didn’t learn any foreign languages. So when I moved to France, arms at my side, I feared the conversation. Even the most simple were acute! Trapped inside an introduction, I heard my brother-in-law introduce me as his belle-sœur, I beamed. I heard the word belle and thought “pretty.” And the word soeur meaning “sister.” It turns out that belle-sœur means sister-in-law. But once again, in this need to belong, to be a part of the conversation, I heard what I needed to hear.
I don’t always get it right. I don’t think it’s always necessary. What we do have to be is brave. Curious. Willing to open our hearts and get involved. Be a part of it all. When I raise my hand today, it’s to wave you in. Welcome to my conversation. I’m glad you’re here.
I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart.
People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.
It’s easy to think it’s beautiful at first glance. The perfection of the unused pastels. Pristine. Untouched. And I will admit I open the box slowly. Remove the padding. And let it sink in, all the possibilities. But for me, this is not the real beauty. No, things have to get messy to become beautiful. The pastels will lose their perfect shape as I stroke them against paper and canvas. The colors will cling to my fingers and get wiped on pants legs and on cheek bones as I bring the painting to life. I’ll be covered in the evidence of creation when I bring the finished product from the studio to the house. Viewing the colors still on my face, my husband will call me a warrior. And I proudly smile, because I am. I joyfully give my all.
I suppose it’s the same with love. With life. Some will never risk getting hurt. Never take a chance on anything. Never using the pastels of their heart. Not me. I want to get in deep. Covered in the evidence of experiencing it all. Even the shattered pastel has the ability to color. To create. To make something beautiful. Your heart is going to feel it, sure…but oh, the colors — the glorious colors of scattered love. It’s not to be missed.
I wake to this sun, labels peeled, middles cracked, rubbed uneven, and joyfully covered in love’s evidence. It looks like an imperfectly beautiful day.
I suppose everything is about context. It’s not like I’d normally be afraid of a pony. (I’ve even painted them.) But yesterday, when I looked up from the path to turn the corner and almost ran into one, I must say it was alarming. And he wasn’t alone. There was a donkey. A llama. Many sheep. Rams. Other ponies. I don’t know who was in charge of this gang by the river. There were no other humans in sight. Neither the sheep, nor the donkey seemed to care that I was there, but what I can only assume as the lead pony, looked at me like I was the suspicious one.
After taking pictures, I kept walking. The whole path seemed different. I felt disoriented. This path, that I could normally navigate in my sleep, suddenly felt completely strange. Had that always been there? What about this? Did I miss my turn?
I started to take inventory. I knew this rock. This tiny bridge. To walk up the slope on the left side. The smell of these trees. The purple flowers growing out of the concrete fence. I knew this path.
Life can throw you the strangest curves. And you can’t prepare for everything. And sometimes each step can become unfamiliar. When it happens, it may sound silly, but I always take my own inventory. Am I safe? Yes. Am I loved? Yes. Do I have to be afraid? No. I step aside from the wayward pony, smile, and keep walking.
I guess they could be in almost anything — these signs of hope — if that’s what we want to see. And I do.
I pass by this particular house on my twice daily walks, a total of four times. Coming and going, I see the clothes hanging on the line. And it’s not like they forget them, or abandoned them. No, they are different each day. Even as our weather begins to change to the cool humidity of autumn, the clothes are pinned to the line. Ever hopeful. On the days that the wind blows against my face and I tuck my chin to heart, I think, well, their clothes should dry today. When the sun hides behind the mountain and the clouds, I see her arms raised to the line and think, just as she must, the sun could come out today.
I have never met her, or them. But it’s not essential to our connection. I’d like to think the hope that bounces back and forth is our daily conversation, and we are united. I also humbly hope the same is true, when someone up the hill, from their unshuttered window, sees me passing by daily, in summer’s heat, or autumn’s damp, that perhaps they smile and think, “maybe I could do the same.”
We never really know what connects us. But make no mistake, I believe we all are connected. If you could see the hope in me, my daily actions, and I could see that in you… Maybe with our hearts on the line, we could do anything.
It was my mother who taught me to be a come-with gal. Both by being one, and by asking the same of me.
When I started having surgeries in my teens, on every joint available, my mother was there. She made appointments during her lunch hours. She used vacation time for hospital stays. She overnighted in questionable parts of strange cities to be there when I woke the next morning. She was the driver. The nurse. The companion. The entertainment. Each and every step of the way, she came with.
Returning home, still releasing anesthesia through tears and hanging limbs, she would say, “Well, I’m going to the mall.” I didn’t want to miss out. She knew that. She also knew this would get me off the couch. On crutches, or slinged, sometimes both, I slapped on the lipstick that she already had raised from the tube, and I limped along beside her. She tried on every outfit that Herberger’s had to offer. Some to stun. Some just to make me laugh. And I did. I got over, because I came with.
Just the other day I sold a painting that turned out to be a two-fer. Sometimes when I run out of canvas, or panel, I paint on the opposite side. As I was wrapping up the painting of Lake Agnes for shipping, I smiled, because there she was, the woman on the other side of the painting — the come-with gal. How appropriate, I thought. On one side, the image of where I came to life, Lake Agnes of Alexandria, Minnesota. And on the reverse, the symbol of how I came alive, just by coming with.
No days wasted. My mother saw to that. The sun is calling, and I must go.
It would be hard to see at first glance, I suppose, but the chairs I recovered when first moving to France, remind me of my grandfather.
He didn’t say a lot. My grandma was the talker. So to know him, you had to watch him. It was his actions that told the story. And the truth that I saw was that he could fix anything. His tools were simple. Most, it appeared to me, could fit into a small handled, rusted box that he could carry in one hand from the shed to the field, where the tractor waited patiently.
This was business. He took it seriously. But one time he let me walk with him. Two steps to his one, I bit my lips to mute the million questions in my head. Just watch, my brain kept telling my curious heart. The music of the tools rattling seemed to lead the dance. With great precision he flipped and turned. Jolted and eased. Mumbled under breath. And the tractor started again. I sat on his overalled lap and he drove me back to the house. I told him I would return the toolbox to the shed. It wasn’t just to be helpful, I actually wanted to feel the weight of magic. It was surprisingly easy to carry.
When I first moved to France, I needed to find a way to fix the time. The real “difference,” was not just seven hours ahead, but how it could be filled. I didn’t understand the television. My phone didn’t work. Stores were often closed. People spoke in an unfamiliar rhythm. I had my painting. My writing. But there was still time to fill. I went to my heart’s shed and grabbed my toolbox. I decided to recover two chairs. I had never done it before. Never even knew that I wanted to, but here they were, these two chair frames, so I began to work. With Dominique’s help, I found the fabric, the stuffing, the upholstery nails, the sandpaper, the paint. And began. The sanding and the painting went well. The stretching of fabric over the cushions took some trial and error, but I figured it out. Then the nailing — the endless nailing — hour after hour of nailing. But I did it! I did it, I said again to the heavens. And as I placed one in the entry and one in our library, I could hear the engine roll over, feel the puff of smoke, and the tractor wheels turn. It was magic.
Without saying it, he taught me to find a way. Each day has its challenges, but I’m carrying a box of magic.
I suppose it’s impossible to find out right away. We make our friends, from the start, in the most joyous of times. We gravitate to the laughter on summer vacation beaches. Buoyed by the play. And between the giggles and the hands held in the sand that we skip upon, we shout to all the blue above, “This is my friend!!!!” And we can’t, for one second, imagine that the moment is not eternal. Until it isn’t.
Perhaps it is here where real friends are made. When the skies darken and the path can no longer be skipped, but only trudged. When the only sound that can break the noise of wind and wave is the close whisper of “I’m still here…and it’s still beautiful.” Maybe the skies can’t hear it then, and maybe they don’t need to, but my heart shouts with eternal joy, “This is my friend!”
