Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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First, the field…


I have been commissioned to paint a field of poppies. Looks pretty green for poppies, you’re thinking. Yes, for now. But first the field… my grandfather taught me that, I suppose, on his farm. Each year he would take the browns and turn them into greens, and eventually into gold. “You can’t glamorize the dirt,” he said. It was work. So much work. Rocks needed to be picked. Dirt turned. Seeds planted. Watered. Care. So much care.


And so I paint the same way. I cut the wood. Stretch the canvas. Gesso. Prepare. Underpaint. Start with the field. My hands dirty. My heart full of promise that the flowers will come. Patient. Care. So much care.


Life is very messy. Terribly messy. My Uncle Nick passed away yesterday. I can’t glamorize that. I know he suffered. But I believe in the golden fields. Those of my grandfather. I believe they are there now. Together. Held with care. So much care.


Today, maybe, the poppies…


4 Comments

Underpainting.

You wouldn’t think it makes a big difference, but it does. When you begin a painting, you need to start with the first layer, called the underpainting. This sets the tone for the painting. The underpainting develops the composition, placement, and value relationships at the outset. It’s the ultimate foundational approach.

And it’s always your choice. Do you want cooler tones? Warmer? Deeper. You choose. Right from the start. How do you want your painting to look to the world?

I guess it’s true with people too. We are who we are, at our core. And it always shows through. We think we are so clever at times, in what we do and what we say. We think people won’t notice what we really mean. But they do. Our hearts always show through. Always. So when you’re making your decisions today, and there will be a lot to make, choose well. How do you want to present yourself? Remember, with each action, every step you take, your underpainting is showing.