Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Only the weak are cruel.

I watched her pull it off the shelf in our basement apartment. She’d sit beneath the garden window to get the sliver of light offered, turning the pages of the Leo Buscaglia book, each word a simple prayer for courage. I knew she was always worried that she wasn’t brave enough, strong enough, but even in that tiny sliver, I could see differently. For hadn’t she written it herself on the sticky note, after reading the sentence over and over. Hadn’t she risen from the chair, gone to the drawer under the phone, tested three pens, and finally rewrote the words, “ Only the weak are cruel. Gentleness can only be expected from the strong.”  She went back to reading. I pulled the kitchen chair in front of the cupboard and read the words that hung from the phone’s receiver (that hang in my heart still). Gentleness bounced from room to room on Jefferson Street. 

I’m sure at some point she had learned it from her father. Didn’t he display that same gentle strength in farm light. But it’s good to be reminded. In book, on sticky notes, in the glance of the common good. So I write the words in different forms to remind myself. To maybe remind you, with a gentle bounce of kindness, a never ending prayer for strength. 

Mom.


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Wiggle room.

They say you never forget your first love. I suppose that’s why in Santa Barbara yesterday, I thought of Cocoa Beach.

My ninth grade was full of firsts. My first plane ride. My first time in Florida. My first time seeing the ocean. My grandparents had rented a condo on Cocoa Beach. It is fitting that I experienced it with them — they had given me a sea of golden grain before that —and now an ocean of blue. Perhaps they were, and are still, the horizon to my every view. 

Maybe it’s always about the people. I know it is for us. As we travel the country, the world, the memories we make come down to the people we connect with — some for the first time, some again and again. And maybe it’s because I saw my grandfather’s bare feet for the first time — this midwest farmer who fit so perfectly shoed and working in the dirt — was toe-wiggling in the the open sands of Cocoa Beach — and I thought at that moment, we, I, could go anywhere. 

And if I believe it for myself, allow it for myself, I have to do the same for others. We should all be given that opportunity, that privilege, that chance to be open, to be free, to give a little wiggle. 


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To pastures new.

Grandpa Rueben explained that he had to move the cows or they would keep eating until their stomachs burst. My cousins and I would laugh. What a sight! “The cows bursting in air!” We thought they were so stupid. How could they ever let that happen?And yet, I find myself in the rockets red glare of a dwindling bag of Twizzlers, wondering who will move me to pastures new. 

The thing is, we think we know. So certain that if it happened to us we would do it differently. And then… knee deep in the situation, things become a little more clear. Maybe we didn’t know. Maybe we understand a little better. Maybe we judge a little less. 

I’d like to think we only had to learn that once. This empathy. But no. I suppose the best we can hope for is a faster journey to pastures new — that we can come to the understanding a little quicker each time. And perhaps in this new field, “they” becomes “we”, and kindness is the only thing that fills us. 

To pastures new.


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On white shoulders.

Most people don’t associate seagulls and farmers, but it was the first time I saw one, with my grandfather, in Florida. It was among so many firsts. Not just my first vacation with my mother, but actually my first vacation. My first time on a plane. The first time seeing the ocean. The first time seeing my grandfather in shorts. I had never actually seen his legs — only overalled on the farm. 

They rented a condo on Cocoa Beach, my grandparents. My mom and I went to stay with them for a week, during the winter break of my seventh grade. It was so strange to see my grandfather at the gate of the airport. I had never seen him out of context. He grabbed our luggage and we drove off into the dark warmth of the Florida air. What was that noise, I asked. It’s the ocean, he smiled, as we pulled up to see grandma waving under the porch light. Every sensation was on fire. The next day, my lavender mid-western skin would be as well. 

I raced to the beach in the morning sun. He was right behind me. The seagulls hopped all around. I kept looking back to see if he saw what I was seeing. By his smile, I knew that he did. As the wind blew at his shirt, I could see his tan was still that of a farmer. His shoulders as white as the sea gulls. And even with all these firsts, I felt the comfort of home. 

I suppose we always take it with us — the things that make us care. 

Sitting in a new hotel. At a new desk. Sometimes I have to look at the keycard, or the pad on the desk to even remember where we are. But then I paint the white shouldered bird, feel the love that I have been given from the start, believe that he stills sees what I am seeing, and know that I am home.


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The language of the Mockingbird.

“…But who tells you what to do?” I asked this of my grandfather every summer before he walked out to the field alone. He smiled and went about doing it. At five years old, I thought he must be just about the smartest man in the world. Because whether he knew what to do or not, somehow he was doing it. Planting. Growing. Fixing tractors. Trucks. Harvesting. Selling. There was no google. No experts. No daily planners. Long before Nike encouraged us, or even thought of it, he “just did it.” 

I suppose it was this knowledge that served for me, almost as permission, to forge my own path. To become an artist. People through the years have looked to me with those same questioning eyes…wondering how to do it. People want answers. Solutions. Guidelines. A reason to get up in the morning. But the thing is, you can’t wait for a reason to get up, you have to get up and go find that reason, that solution, every day. 

And my five year old questioning self can sneak in from time to time. It happens for all of us. Receiving my new sketchbook, I hesitated to begin. The blank pages offer no outlines. No directions. 

I saw the signs everywhere in Mississippi for their state bird — the Mockingbird. We learned about them from Harper Lee.  Mockingbirds don’t do one thing but sing their hearts out for us. They don’t have sheet music. No back-ups. They just sing. I opened my sketchbook to the middle and started my song. 

The sun is coming up today in New Orleans. We don’t have a plan. We smile, and go about doing it, singing, in the language of the Mockingbird.


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When someone shows you their hope, it’s hard to unsee it.


Living in the south of France, I see the Sainte Victoire mountain daily. Each time, I give thanks for my current view, and also for the view Paul Cezanne gave us in his paintings. Would I have seen it without him? Would I have noticed the extraordinary beauty of this mountain without his vision? I’m not sure, so I give thanks with each passing step.

I suppose it has always been this way. My grandfather did the same with his farm. Without him, perhaps these fields would have just been blurs from a car window. But not for me. Not since walking with him. Holding his roughened artist hand that turned those fields from black to green to gold each year. Work. Magic. Love. I slow down the car.

We all have a responsibility to find the beauty. To share it. It’s everywhere. Poets and philosophers have tried to explain it. (Certainly smarter than me.) But maybe it’s all about hope. Maybe that’s what makes everything beautiful. So that’s what I try to create. In the faces. In the paintings. In this life. There is hope. Always, if we choose to see it, and share it with each other.


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The hand given.

The amount of reasons not to do it had to be plentiful. It could be too dry. Too wet. Too hot. Not warm enough. The tractor could fail. His body could fail. Grain prices out of his control. And yet, I never heard my grandfather complain. 

Sitting on his overalled lap at the card table he only spoke of the current hand he was playing. He and the chosen three adults laughed, accused, pointed, shook heads in knowing victory, slapped losing cards on the table, and kept playing. Oh how they loved to play cards after a full day of farming. And when the sun came up the next day, he walked past the card table, pocketed his pipe, and went to the field that was given, worked it accordingly, without complaint. Each year turning it from brown, to green, to gold. 

Yesterday at our family gathering, (a multi-national event), I was speaking with my German niece in English in the French countryside. “I don’t have enough time,” she said. “And I’m sort of afraid,” she continued. “And I could fail…” She offered up reason after reason not to paint, even though she claimed she wanted to. She was looking so far ahead. Beyond canvases painted, sold and shipped. A business created, and what if that failed, all before a brush or tube was even purchased. “You could just paint a picture,” I said. I could hear my grandfather’s voice deep from within.

He never played next year’s hand. He farmed in the day that was given. What a lesson to be learned. I remind myself constantly. Because I, at times, can get way too far ahead of myself as well… with all the what ifs of tomorrow. But really, we only have this day. And I choose to make something of it. 

It occurs to me as I’m typing this, the answer to one of her questions. I told her I was working in my favorite palette. Stroke by stroke in these moody, earthly colors. She asked why I loved it. It’s so clear to me today, it’s the hand I was given. 

Thank you, Grandpa.


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Pocketful.

I suppose one of the reasons I loved her the most was because she never tried to explain away the magic.

The first time I descended the stairs to my grandparents’ basement, I’ll admit I was a bit nervous. It was dark — even with the light on. Each step had a voice. My 5 year old imagination ran wild. But about halfway down, it started to smell familiar. Books, I thought. It smells just like the library. I raced the remaining steps. Wet, overworked overalls hung by the furnace.This was the army, I thought, that helped my grandfather in the fields. This one sized army, that was just his size alone. This pinstriped gathering of strength. These dampened blues and browns hung thick with the words that told his story. I ran my fingers across each page.

I wasn’t surprised to see my mother waiting at the top of the stairs. She was always the first to gather me in. Listen to me. To take whatever I had experienced and make it real. “It smells just like the library,” I said. “Pockets and pockets and pockets of stories! That’s where he keeps them, isn’t it?” “Yes,” she smiled. She always smiled, and I was home. 

She could have explained that the smell was merely the dampness of the paper, the material, perhaps even mold under the collective weight of age and use. But she didn’t. She never would. Some of my older cousins would try — LaWanna said I was a baby, with baby thoughts. But not my mom. She never took the magic away. Maybe that’s why I still have it. Still believe in it. Still carry it. By the pocketful!


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Another rock on the trailer.

I have told the story before — picking rocks in the field with my grandfather on his farm, but sometimes, I, maybe we, need to hear it again, and again. The following is an excerpt from “Something will grow from all this”:

“Each rock seemed to give birth to another. I was so tired. But Grandpa didn’t seem to be. He just kept picking those rocks, one after the other. He seemed to get stronger. There was precision in each movement. I watched carefully. It was like an oil pump that didn’t have a beginning or an end to its motion, but just kept going. I had been throwing the rocks with anger, but he moved them with purpose…and that was the difference. That’s how he could take such a mess and later make something grow out of it. The black that surrounded us would turn to green and gold. It amazed me and I wanted to be a part of it. It was hard, but that was ok. I did want to stay. My lip stopped quivering and I placed another rock on the trailer.”

There are so many challenges. It’s easy to get angry. And that’s ok if it thrusts us into doing the work, but that’s where we always need to get to – the place of doing the work. I have thrown my share of rocks with anger, but I want to move them now – move them with purpose. Make a difference. Make something grow. Just like my grandfather. 

The sun is coming up. It is not the beginning, it is not the end, it is the time to do the glorious and sometimes unglamorous work. I give thanks for the opportunity, smile, and place another rock on the trailer.



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Family farm.

I don’t remember which pronoun we used. I have to choose one now to write this story, so I will say he, and respectfully hope that that’s correct.

My mother’s cousin was born a female, but lived as a man. Now, see, I’m not even certain that’s the right way to put it, because I’m sure to him, he was born a man, and lived as a man. I want to move beyond my clunky way of describing him and get on to the heart of the story.

This was long before support groups. Long before anyone thought of being politically correct. Long before people spoke of gender. Certainly no one ever heard of fluidity. These were farmers. They spoke of farming.

And he was an excellent farmer. The hardest worker in the family. My mom spoke of how he saved the family farm. I only have one image of him, and that is leaning against the barn. Overalled. Tired — I pray from working.

I was too young to judge, to be unkind. I hope we all were.

I bring it up because it occurs to me, at some point in our lives, we have all found ourselves, leaning against the family farm, tired, wanting only to be accepted for who we are, the work we have done, praying for the kindness of fresh eyes and open hearts.

Tanned and weathered by the heat of so many summer suns, I stop, under today’s and think, what a glorious time to grow.