Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Tight against my smile.


I never saw my grandma holding a camera. The thought of her turning down the flame beneath the gravy so she could take a photo of the meal to come would have seemed ludicrous. The kitchen stove was in constant rotation, as was the table. If she did have a matching set of dishes, I never saw them. And the thing is, we never wanted to match. We sought out our favorite color from the aluminum juice cups, or one of the coveted A & W Rootbeer bear glasses. And maybe the images that roll through my head are more vivid than any photo could ever be. Heart captured, heart carried. Ever.

Yesterday I made bread and raspberry jam. The scent of bread baking that wafts through walls and stairs is only visible from the back part of my brain, the part with strings that pull at the corners of my mouth. My fingers have grown accustomed to the heat, just like grandma’s, as I lightly grab the bread just out of the oven. I laugh as I place it on the cooling rack because we won’t wait. We never let it cool. I make the too-soon cuts and add the French butter that melts in cracks and nooks. Then the jam. A sweet river of rouge. When the taste hits my tongue and my eyes roll back, it is then I can see the strings that are pulled tight against my smile — a smile that struggles to keep it all in. This is the photo I didn’t take. Nor did I shoot the one where Dominique got up in the middle of the night for one more slice.  But these are the images I share with you, and will carry with me forever, right beside my grandma’s stove, my grandma’s table, my grandma’s hands. 


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As I come clean.

I suppose it was at my grandparent’s house that I first learned to come in clean. Winter snow or summer dirt was wiped from shoes in the entryway before climbing the couple of steps into the kitchen where grandma wiped her floured hands inside of her apron pockets and brought you in for a loving belly hug. After the apron imprinted your cheek, there was nothing to do but come directly with the truth. The truth of what you had been doing outside. What you touched that maybe you were told not to touch, like the electric fence, or a baby bird from a fallen nest. Maybe it felt safe, because it had been proven safe, time and time again, with wiped shoes and warmed cheeks…so we told all, and she loved us still. 

If I come to you with that same truth today, I will tell you that I have battled it throughout the years — love and trust. Maybe we all do. But it has yet to change. The only way any of it seems to work is when I come in clean. When I come clean. When I tell you my truth, and accept the same from you. It’s not as complicated as I, we, often like to make it. 

I grab the straw broom from the corner and smile. It has never needed instructions. Nor does my heart — its screen door swings open, and I dare it all again. Safe. Welcomed in the loving arms of home. 


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After the pétanque.

I can’t go back to when they played there, these sun-kissed French boys just out of ear-shot of their grandmother, (intentionally or unintentionally). Back to when they played with sticks and sometimes fists, like only brothers and cousins can. They wrestled below and within the smells of tobacco and cut grass and stove pots wafting through open shutters.

But when we gather each year on August 15th, Napoleon’s birthday, (and one young cousin Guillaume’s), if the wind is just right, and the wine has settled, the vine that hangs above and beside the old house whispers to me, “Listen…listen to them play.” And I hear the clinking of the Pétanque balls, and the spirited calls of who is closer, with arms pointing to the ground, pleading cases, just this side of youth’s wrestle. And these now men, very grown men, are still pinkened by the sun, and the thrill of a summer that just might not end. 

And for the moment, I belong. Because the language of family is universal. And laughter and hope and joy under summer’s whisper, after the pétanque, rings loud and clear, and needs no translation. 


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A Schwan’s delivery.

It was hard to believe that something so delicious could make me ill. But it was evident after only a few tries, I couldn’t eat ice cream. Somehow still, I found it very exciting when the pale yellow blur of the Schwan’s ice cream delivery truck drove toward my grandma’s house. I began running up the gravel, hands waving in air, directing him into the driveway. I knew full well that my grandma’s love of root beer floats would never allow her to miss a delivery. I hopped and skipped and ran with the truck to the house. Uniformed and certain, he jumped the steps and went to the back of the truck. “You’re Elsie’s granddaughter?” “Oh, yes!” I said proudly. I could tell by the smiling way he said her name that he liked her. He unloaded two of the giant tubs as my grandma came out the screen door. Her hands ever floured or wet, or both, she wiped them on her apron before signing for our haul of vanilla. 

How wonderful, I thought, to deliver ice cream. Everyone must be so happy to see you. I was, and I didn’t even eat it. The only other delivery person that I knew was my Uncle Mike, who drove a beer truck in the Twin Cities. I asked him if people jumped up and down when he arrived. He looked confused. Like I do with the Schwan’s truck, I explained. Not so much, he said. Maybe you should paint your truck yellow, I said. He smiled. 

Surely it has to be taught. There must have been a million things my grandma delighted over with me. Things she had no interest in. How else would I have known, known this joy of feeling good for others. I loved art and clothes and drawing and crayons and “Look, look what I made! It’s flowers glued to a scrap of bark! Look!” And my grandma showed all of her teeth in love. An ear to ear joy. This is the only explanation I have for being happy, truly happy, to celebrate a Schwan’s delivery, not for me, but for her!

Joy is not owned. It is passed and given away freely. It is run along beside. A yellow blur of others. The day is pulling toward the driveway. I raise my hands in the air and skip to whatever joy it may bring. 


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Packet to packet.

I have carried the remaining one or two tissues left in the pocket pack for over a year now. That means passing through three allergy seasons, yet I can’t bring myself to use them.

She followed me around for two hours, this woman from Anderson Funeral home. During the visitation before my mother’s funeral, I wept and hugged and bent and wept some more. And she was there, this small, gray haired woman, hired, certainly, but it felt sincere. It felt like she was truly there to follow my trail of tears. And she did her job well. I was never without a tissue. She began handing them one by one, and then switched from packet to packet. 

I could have picked her out of a lineup that first day, but her image is fading. I don’t remember if she had glasses. I think she had glasses. She was wearing a dress. Maybe a blazer. A dress with a blazer? Lipstick for sure. She wasn’t tall. Perhaps at my shoulders. But it felt like she was lifting me. 

As with all grief, supporters move on. They have to. It is natural. It is necessary. We all know it. We all know it, that is, until it’s you that is grieving. And the grief changes shape. It doesn’t require the same kind of attention. I don’t need her to follow my trail, but I need to not forget. As I watch the fading image of the gray haired woman, I bring to life the stories of my mother. And tears of pain turn to tears of tenderness, tears of joy, never to be wiped away. No, these tracks of love and laughter must remain. 

I reach into my purse for my lipstick, or my signature fragrance, and I smile. I touch the tattered plastic and know that I am ok. So grateful for those who walked with me, for those who walk with me still. I mention it in hopes that these words will follow those who need it. That the stories will catch your tears, will lift your smile. And the face that follows will change from mine to yours to theirs, and we will all be there, for each other. Heart to heart. Packet to packet.


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Spine cracking joy.

The leather spine of my mother’s book, “Divine Promises,” is almost worn bare. Each page, I know by the number typed in the corner, is still there, yet very few are attached. It is as fragile as it is beautiful, (perhaps that is the way of all promise), and it fits into the palm of my hand. Touching it, I can feel hers — her hands that searched for the meaning, longing for the promises to come true, daring them to come true, between her folded palms. 

As I run my thumb up the split, I know the pain she endured. I can name every crack. But somehow the heart held — her heart held. Her heart that clung to the promise. Her heart that allowed her to get beyond the wear, and find the joy, the laughter. And that’s what I feel when I hold it now, this exquisite joy. And it is nothing short of divine. 

We have not been promised “joy without sorrow.” I read this, feel this, daily. But joy, nonetheless. Beautiful, worn, spine cracking joy. It is barely more than the air that I breathe, but just as valuable, and I carry it with me. 


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There is motion at your front door.

Maybe it’s because I want to hear it. Maybe it’s because Mr. Iverson told us in the first grade that they could be about anything, the poems that he wanted us to write — the poems that he would inscribe neatly on the black board and our hearts, measured out note by note. And they were special. Lyrical. The ordinary things, our houses and shoes. Our games and basements and cars and trees. They all became magical because we called them poetry. 

We recently got a new doorbell for our gate. It is connected to our phones. It gives us the alert whenever motion is detected, even when it’s us. When I go for my morning walk, just past the gate, she pings in my ear and says, “There is motion at your front door.” And every day it is the poem that starts my journey. There IS motion at my front door – and isn’t it a good reminder! I always smile. Because isn’t it what we’ve been told in movies and books. By philosophers and teachers. “When you stop learning you die.” “It’s over when you stop dreaming.” “Sharks never stop swimming. You gotta keep moving.” The list goes on. It’s all about motivation. And could there be a better place to start than your front door? So I hear it. I feel it. There IS motion! I AM alive! And so I begin with my doorbell’s poem, off in search of another. Because we get to decide. We hold the chalk that turns the cursive words into prayers and sets the path of our journey. 

I have to go now. Begin. Create something. There is motion at my heart’s door. 


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On Walking.

I was in the fifth grade when I did my first Walk for Humanity. I’m not certain I knew what it meant, but I took the pledge sheet and walked around our neighborhood to get signatures and promises. Maybe it was a nickel a mile. Ten cents. A quarter. Maybe this was the most “human” part of it all. This neighborhood knew me. Knew the strength of my legs. Had watched me run the field, ride the bike, and so they said things like, “Of course you’ll make it, I know you’re going to do it.” And if I’m honest, it was the only humanity I was thinking of when I walked the miles that Saturday morning. These were my people. They knew my bedtime. The call of my mother. My wave from the bottom of the hill to the top. How my blonde hair whipped in the wind. And I didn’t want to let them down. 

It was a rainy morning. I was fueled with Captain Crunch, and no knowledge of how far ten miles actually was. I had flat bumper tennis shoes and jeans purchased from Herberger’s basement. I was soaked from rain, puddles, and possibly a few tears at about mile eight. I had no idea where we were, but for the marked signs and groups of teenagers that I followed. I had to go to the bathroom so badly, but I was too shy to enter any house that offered those services for the day. I didn’t know them. This wasn’t Van Dyke Road. I had no idea how to even get back to Van Dyke Road. All I wanted was an open screen door that I recognized — like our resident neighborhood Grandma Dynda — a grandma that no one was related to, but who’s door was always open to kitchen and bathroom. What would she think of me if I quit? I couldn’t quit. I kept walking. Even Mrs. Muzik pledged for me. We couldn’t walk on her lawn, but she was paying me to walk across this new humanity. I kept walking. 

I wet my pants around mile nine. But no one noticed because I was already soaked. I never told anyone. People were so proud of me when I went to collect the money on Sunday that I forgot about it. They tousled my hair and filled my pockets with change and a few dollar bills. I don’t know if the tiny bit of money I raised made any difference at all to the cause, but for me, it was a fortune. I was rich in my neighborhood. This sea of humanity. 

My pledges are different now. Along with my neighborhood. But I keep walking. Hopes remaining ever high. 


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Knock, Knock, Jodi at the door.

It wasn’t just the jumping rope that I enjoyed, it was also the singing. On the playground of Washington Elementary each day before class we took turns twirling and jumping. The two twirlers would go around a few times. Set the pace, while the other girls stood in line behind the rope, matching the turns with hands raised like conductors. And the song would begin…”Vote vote vote for (insert name here)…” and she would jump in. “Knock knock (next girl in line) at the door…” and she would jump in. “She’s a better woman, she can do the wibble wobble, so we don’t need (first girl) anymore.” The first girl would jump out and the song began again. Whenever someone tripped or stopped the rope they had to become a twirler. I’m not going to say it was great theatre, but we thought it was quite a production!  So we sang! We laughed! We jumped! Together!

Of course I had jump ropes at home. Singles as I called them. The length for one person. And it was fun to jump solo. The smooth garage floor added speed. I timed myself. Jumps per minute. Lengths of the stall. But one Saturday, walking through Ben Franklin to get to our car parked in back by the library, I saw them. Full length playground jump ropes. “Oh, please! I need one!” I begged my mom. “You have jump ropes,” she said. “Not the long one. I promise I’ll use it. I promise.” They were only a dollar, so it wasn’t a big fight. 

My mom was about to pull in the garage. “No, wait!” I said, knowing I would need the full floor. She shrugged her shoulders and walked inside. I took off the tags. Tied one end to the garage door handle and walked it back. Making sure to clear the ceiling with each turn. I set the pace. The door complied. I began to sing. I “voted” myself in and kept jumping. Raced around when I, myself, “knocked at the door,” and became the better woman, never missing a beat. 

The dust flew up from the cement floor — the floor that went unswept because I could always find something more important to do, like the wibble wobble for instance. 

Of course I could have just jumped using the solo rope, but it felt good to be connected, even when I was alone. I feel like these words that I type each morning do the same thing. Sending out little songs. Little invites. For us to be connected. Even with those who have long stopped turning, but with whom we continue to sing and to jump and to laugh! Together!


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Maybe just give it a shake.

I was so excited when I got the news in my morning email. It started with “congratulations.” A piece of my art has been accepted for a large mural in Pennsylvania. I would tell you more, but as I reached the end of the email, it specifically said, please don’t share this news before the reveal in June. They have no idea what they are doing to me.

Don’t get me wrong, I can keep a secret, if it means someone’s security. If it’s about your truest feelings. Your heart-felt desires — sure. But when it comes to a surprise — a joyful surprise — like a present or great news, this is a definite struggle. In my defense, let me take you back to Ben Franklin in my summer youth, most specifically, Crazy Days with my Grandma Elsie. Ben Franklin, along with so many of the other stores on Main Street, offered what they call grab bags. They were just as you might think — unlabeled brown paper sacks with mystery items inside. They might be priced at a quarter, fifty cents, and usually worth that much or often less. But this game of chance to my Grandma was irresistible. Every year we bought many, but not before feeling each one thoroughly. “Really get your hands around it,” she’d tell me. And sometimes, if the staple was placed right in the middle, my five to six year old chubby fingers could sneak in without ripping the sides and give a full reveal. And so began my life-long journey of racing secrets.

My mother was no better. She couldn’t give me a gift without telling me what it was. Once in a while, we’d make it to the unwrapping, but not often. “Do you want a hint?” she’d ask, weeks before my birthday. “No,” I’d say, knowing it didn’t matter. “How about if you hold it?” “No.” “Maybe just give it a shake…” “No.” “What if I just told you where I bought it?” And this would continue until I was actually wearing the item two weeks before my birthday.

It was all joy. They couldn’t get to it fast enough. And who could blame them? The giggling! I can still hear it! It wriggles inside of me, along with the image of my secret art piece. I’m looking at it now, knowing they’ve already begun their heavenly whispers (very loudly of course — neither mastered the skill of the whisper either).

I won’t post the winning image…yet…but in my heart, oh, the happiness rumbles! I don’t know what the day will bring, but I promise I’m going to really get my chubby hands around it and find the joy! Won’t you join me?