Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Cuts and trimmings.


She waited a long time to be framed. It wasn’t until I removed the existing panel to paint on the opposite side, that she had her opening. I did have to trim her ever so slightly, but she was more than willing. And now it’s her time. She’s not more important to me, I loved her from the first paint stroke, but now others perhaps can see her, for all that she is, ruffled and strong, worthy of framing. 

It’s something to be given first hand sight. To watch the becoming of another. I was given that gift with my mother. Of course I loved her from coddled elbow, to grabbing at ankles. From two stepping in her elongated stride. To catching scattered tears in chubby palms. Dancing under the umbrella of her smile. I never imagined that others couldn’t see it. 

She took her cuts and trimmings with a grace that I knew would one day be framed. And I watched her grow into that knowledge herself. I watched the fragile ruffles grow in strength every day. Simply. Beautiful. 

When she first saw this painting, she said, “Oh, I want that blouse.” And in that statement I could hear the confidence of the wearing. She knew she could hold up every curve, with an earned and glorious grace. It was her time. My heart will ever frame.


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Apron up!

Unlike her delicious pastries, most of my grandma’s ideas outside the kitchen were, as one might say, half-baked.

Even the successes that she served were a little hard to understand. They were given names that I didn’t realize were made up until in later years trying to Google a recipe. And if there were in fact recipes, they were never followed. When asked, she would laugh and puff the flour from hand to aproned belly and say, “Oh, I started in the middle.”

Not really understanding, I still found it unconventionally delightful. As were the chinchillas in the basement. The Publisher’s Clearing house magazines spread across the table. The various plots of land underwater or undeveloped purchased from a roadside gas station. The grab bags from Ben Franklin. The constant thrill of simply playing, neither winning nor losing, just in the game.

In front of my newest sketchbook, I understand. I never start at the first page. I always begin somewhere in the middle — where the pressure is off, only the joy of being in it. I’m trying to allow myself more of that freedom in my day to day. Not worrying about what was or what will be, just allowing, just being… aproning up and dancing in the kitchen.


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The squirming memory.

There was a time when “hold still” meant something unpleasant was going to happen. A shot from the doctor. A peering dentist. The brushing of tangled hair. Even the application of unwanted socks. 

I can’t say the moment it changed. It could have been gradual. But as with most things that turn with time, it felt sudden. And without my knowledge or permission, I often begin sentences with “Wasn’t I just…” 

And as I struggle to hold still the squirming memories of loves passed, I have to laugh and acknowledge, that I was never one to do it. And in the recognition, I think, maybe we are never meant to stop any of it, but simply keep dancing through. All of it. Partnering with the comfort and the uncomfortable — the warmth of sitting in mother’s lap as she wrestles through the nest of your hair.

Time continues to change meaning and tempo, but love remains, not still, but strong. So I keep dancing…


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I see.

I washed the windows in the studio recently, reminding myself that in order to paint the light, you really need to be in it. 

People will always be quick to tell you what to do. Even knee deep in the mud, they will advise you on your path. While all the scattering of their “should-haves” and “supposed-tos” merely block the way. And doubt, not one to miss a dim light, will often seize the opportunity and join in the chatter. And so I turn…

I can’t say I love to wash windows. It is work. And the efforts are never rewarded with longevity. You know it going in, this won’t be the last time. But when it hits you, wraps itself around you, nearly lifting with clarity and grace, as sure as a mother’s embrace, my heart says (with no apology for the pun),  “aaaaah, I see….” 


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To Chickadee


I could tell she was so excited to be surrounded by all the birds. Standing in my studio she said, (in French) “You know what my last name means…” To be honest, I didn’t even know what her last name was. “C’est Mésange.” (As if that helped.) She pointed to one of the birds on canvas, and looked up on her phone. “Chickadee?” I said. She looked at her phone, Yes, yes, yes. She beamed. Her name meant Chickadee.


I never have any idea what will connect us. But I do know this. People will find themselves, and in turn, you will find them. 

It was always the blouse for my mother. Yesterday, the purse in the painting for my friend Sheila. And with each reveal, I learn a little bit more about those around me, just by seeing what they see. 

I suppose we’ve been saying it forever. A mile in someone else’s shoes. But I wonder if we’re still doing it…making the journey from Mésange to Chickadee.

I flutter to hope so.


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The truth about you.

I thought I must be surrounded by the smartest people in the world. Imagine my grandfather, farming, alone. How could he possibly? (And I also had every “W.”) Who tells you what to do? What is that for? Why do you get up so early? When is it finished? To everything he simply answered that he knew. And once I got my arms around the fact that he gathered in all the information, I was still surprised at his discipline. No one told him the hours to keep or to finish that job on that day. I asked him if he let it go until tomorrow, who would know? I would know, he said. I walked in the certainty of his overalls that shadowed a path to an open field.

I asked the same of my grandmother, as she placed the empty bag of toasted marshmallows on the counter to pay at Jerry’s Jack and Jill. Certainly there were no camera’s at Jerry’s. No one even paying attention. Who would know? I asked. I would know, she said. I started to see a pattern.

Without event or occasion, my mother dressed. Put on her make-up. Faced each day with the scrutiny of the unproperly lit bathroom mirror in our basement apartment on Jefferson Street. Even for a driveway toss of the frisbee on a quiet Sunday afternoon. You already know her answer to the question. But no one is going to see us, I said. She smiled behind her lipstick.

It’s an old table. Most would probably say unworthy of the effort. And I just saw the latest influencer praising the inexpensive IKEA table. And it crossed my mind. But it’s the only table I’ve ever had in my studio. So I began filling in the holes. Strengthening the right bottom foot. Sanding. Filling. Resanding. Painting. Sanding. Painting. I love it. Not many will see it. It will be overshadowed by displayed books and paintings. When I move them to do the work, it will be ready. It will feel the weight of wood and canvas. The pinch of clamps and the splattering of unintentional paint. And I will feel special, because I get to know. Not this arrogance of “Oh, I know!” — but it’s what I had been shown, had been living in — the privilege of getting to know, being involved in the truth of the experience. I got to know them… I had the joy, the work, the breathless chasing, the tender tears, the heart in lap resting love of knowing them.

I won’t photograph the table. But I will stand in its certainty.


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Momentary wings.

She stood in front of the original painting. Tracing the movement from the woman’s feet to her hand. “She’s so light,” she said, “it’s like she’s being lifted.” I smiled and replied “That’s actually the name of the piece — Being Lifted.” Her pleasure doubled. It was not only the view, but that she could see it. 

And isn’t it always the way. It’s what we bring to the situation. How we want to see things.

Knowing her, I’m aware of the weight she is wanting to release. And the fact that she can see it, right there in front of her, I know that she will. 

It’s why I painted her in the first place. This release. This letting go. I suppose I’ve always wanted it. Ever since I swam out to the diving board on Lake Latoka, I have yearned to fly. Since I felt the weightlessness of springing from the board. The wind in my feathers. My momentary wings. They carry me still. 

It’s why I stand before her each night, the woman in the painting. Because I see her. And I know, when morning comes, one way or another, I am going to fly. 


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The stoop.

As a child, sometimes more than once a day, I would have to gather and push all of my swirling thoughts out the front door of our house on Van Dyke Road. It was there on that cement stoop that they could breathe. All of my hopes and plans. My dreams and curiosities. They felt free, like summer toes in green, dew-damp grass. They tumbled without spotters. They grew without restriction. Voices were given to dolls and animals. I planted my future in Hugo’s field. Dared my existence in the North End. Outraced my worry over popping gravel behind my banana seat bike. And in all that release, I felt complete. Full. 

I still try to allow the space for the swirling. Letting it loose on canvas and paper. Roaming up the hills of the Montaiguet. Splashing in the pool. I don’t think any of it was meant to be contained. Not imagination. Certainly not love. So I give it space. Room to tumble. And on the stoop of all that feeling, all of that letting go, I am saved. 


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Flutter and weight.

I think I need a new word for it — this mixture of flutter and weight. I’ve often called it melancholy. But it’s not sadness. I suppose it could be tagged with a bit of nostalgia. I get it at the same time each year. This “back to school.” And oh, how I loved school. I can smell the books and hear the chalk against the walls. And it weighs my heart, not with sorrow, but importance. My scapulas twitch with each winged word held and written. I know the learning isn’t finished, and I’m so thankful for that. 

Charles will begin university in 8 days. 7 nights of Christmas Eve. And then the gift will begin. Of course I have all the wishes. That he will have fun. Study hard. Mature. Be curious. Always safe, but never satisfied. That each word will give him wings.

It’s hard to type as I look for the new word. And I suppose that’s it, isn’t? Joyfully, I’m not finished! There’s still so much to learn. 


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Simply falling.

I’m not in a hurry. And it’s not like I’ll forget which book I’m reading. Still, I place it in the “current read” holder a top my desk. (Those wishing to rain on my parade might say that it’s just a letter holder, but in the spirit of keeping my cheeks dry today, I joyfully claim differently.) I pause for a moment enjoying how the colors gather and bounce around my grandfather’s painting, and I fall in love with my life once again. 

Be it dish rag or soap dispenser, a smoothing of bedding, a lighting of a candle, I am someone who needs the romance of daily living. I suppose in youth, I thought someone should supply this. Getting older I made the big step of thinking that while I could do it for myself, you too should marvel at the same thing. I’m only coming to the realization that neither has to be true, I simply can enjoy what I enjoy, and that’s more than enough.

Oh, I’m still going to show you my delight. How could I hide romance?! Look at that book waiting for me!!!  What a time to fall in love.