It turns out my mother is currently living under the assumed name of “animal prints” on TikTok. I know this to be true, because yesterday when I posted this video, she was the first to respond saying “I love that striped top. I need to be wearing it.” That is so my mother.
We had a shared language. From ruffles to stripes. One developed through years of shopping malls and our own closets. Playing dress up. Fashion show. The joy flowed like well draped fabric. And I understood completely. For her to say she was “scouring the catalogs for that blouse” after seeing a recent painting, was the best compliment she could give to me.
So how could I doubt that heaven has TikTok?
I suppose believers will always believe. And I do. And if you needed any more evidence, there’s this — while typing today’s post, I checked google to make sure I was spelling “scouring” correctly — here’s the sample definition that appeared — “I scoured the mall for a blue and white shirt, but couldn’t find it anywhere.” Feel free to say hello to my mother on TikTok.
I still go to the mall with my mother. I don’t suppose we ever stop living with the ones we love. It’s only a matter of opening my closet door. Passing my hand along the draping of sleeves — each allowed the space to breathe as she taught me. We exchange silent ensemble ideas. I settle on the one where she clutches her imaginary pearls with more than approval. Pure excitement! And I am complete.
When it’s time to paint, I return the clothes to their rightful spaces and put on my splattered hoodie and pants, as if it were Sunday morning after sitting in my six year old’s white dress on a folding chair near the kitchen at Bethesda Lutheran. Smoothing out the drape with gloved hands long before and after Easter. Feeling to my very core the meaning of “good clothes.”
I read recently that memories are the handrail of the stairs we continue to navigate. So it’s no surprise as I made my ascent in yesterday’s sketchbook, that the ruffles appeared on the woman’s portrait. White ruffles. My mother’s favorite. And didn’t they suit her. So. I hear her saying, “Ooh, I need to find that blouse.” And I smile. Heart strong, I grab the rail and climb. Forever making ruffles.
I’m not sure where heaven begins. How high up it actually is… but when I saw the mannequins on the fifth floor of this New York walk up in the fashion district, I thought perhaps, for my mother, it starts right here.
You could say she loved clothes, but that’s not the complete story. She loved fashion. What’s the difference? I would equate it to the comparison of house and home. Fashion is about the design. The putting together. Accessorizing. For her it was not about what she was wearing, but how she wore it.
Certainly no one mistook it for the promised land — the Woolworth’s on Broadway in Alexandria, Minnesota — but when I watched her thumbing through the Butterick patterns, or the McCall’s, on Saturday mornings, when I watched the dream come alive as she swooped her hands from waist to knees, stretched her arms out in the make believe dress, for me I was certain I was in the presence of an angel.
It had always been her dream to be a dress designer. I imagine her now, so easily she bypasses the stairs and floats her way to the upper floor. How joyfully she passes on her heart and knowledge to the young people amid the mannequins awaiting. How she drapes and flows. So elegant. So possible. And they can feel it. Beyond their pin pricked fingers and weary eyes, they are Woolworthed into her sense of magic. And it’s Saturday morning, every day. And they dare to dream because of her. Just like me.
I remember exactly where she bought it — the faux fur jacket. It was at an event at Corazon in downtown Minneapolis. While I was signing books and selling paintings, my mom was trying on the clothes also offered. This was our environment! It was our friend Frederick who gave her the ooh-la-la in his best Minnesota accent. Of course she bought it.
I have that jacket now. For me, it’s not just fashion, but a time capsule of pure joy. A way to embrace the moment of art and books and friends. Where compliments flowed so freely. Swooping through the air like birds hopping on the wind. And didn’t it all feel like flying?! For that was the true fashion of these events. These gatherings of being yourself. These celebrations of creation and kindness.
When I first showed her some of my mom’s things, I didn’t just pass them on hangers. Of course I put them on. I am my mother’s daughter. She exclaimed that my mom was “à la mode” – so fashionable. I didn’t have her words for it — but I’ve always known.
I flutter in it still. The coat. The kindness. The compliment. The joy. The love. Ever in fashion. Ever à la mode!
My mother took in ironing. Just being born, of course I didn’t have the words for it, or any words at all, but I think I knew. I could feel it, the warmth. Not the heat from the iron, nor the steam, but the balm of service done with grace.
It wasn’t humility. She wasn’t lowering herself. She loved clothes. She needed the money. She tested the quality of the fabric between thumb and forefinger. She knew how it would behave. How to make the collar and cuffs respond, not with rigidity, but a wantful desire to frame a face, release a hand. When finished, she didn’t just exchange it for cash, she showed them how to wear it — not as a mannequin, but a woman with style unpurchased. And they knew it. That’s why they came back. They could have gone to the local dry cleaner on Broadway, but they returned to my mother, in the white house, near the end of Van Dyke Road.
I watched her years later, doing it for herself, and I could still feel the hands that cupped the back of my head, marveling at the warmth against my resting spine. My mother took in ironing, and ever returned it with grace.
I find it interesting that some of the most expensive clothing brands, The Row for example, are now selling ensembles that highly resemble the things I chose to wear for Halloween from the basement laundry room. Not closeted, but simply hung from a horizontal pole. It was a selection of work clothing, not unlike what hung in my grandparents’ basement. All basically the same size – big — and almost exclusively damp. I never questioned who wore all these clothes. Who worked them into a state of supple? I just assumed every house had them. And my theory was substantiated by the amount of bums and hobos that walked up and down VanDyke road in the dusk of October 31st each year.
It makes me smile, because we thought ourselves too poor to purchase the pre-packaged costumes that hung from the end caps at Peterson Drug, but as it turns out, we weren’t poor, just simply ahead of our time.
I love how everything changes. Fashion comes and goes. Lines get blurred, nearly obliterating perspective. And we just choose what feels right. From the length of our pants to the hearts on our sleeves, we pick, we find our comfort — not because someone told us, influenced us, or pressured us, but because we became.
I can tell you the different paintings that I was working on, by the color palette left on my pants. My shorts. My shirt. Through the years, I have been asked which designer manufactured my paint-splattered jeans. That would be me, I reply.
Don’t get me wrong, I love fashion. All of it. I want to be a part of it, but not so much to impress you, but to joyfully comfort me.
In the summer’s of my youth, usually at least once, the skies would cover in an almost greenish gray, and the breezes that lilted anything on wind would quiet. Alone in the yard, I would hear the land line ring and run. Wrapping myself in the cord and winding myself into the garage, so happy to hear my mother’s voice. “Grab the transistor radio,” she would say, “and go down into the basement.” She didn’t warn me about the possible tornado. Maybe I knew. Her work voice was calm and directive. The plug of the radio hit each step on my way down. I climbed up on the washer to reach the outlet. Between updates and alerts, I danced to the music, weaving in and out of the work clothes. And I was saved.
I feel beautiful wearing my mother’s blouses today, with my tattered, well worn jeans. Is it the fashion, the sound of her voice, the security of her leading me? Yes.
I hear the phone ring again. I race from the basement to a clearing sky. And I become.
At first glance, this sketchbook probably doesn’t seem like a surprise. But when I tell you that I bought it in Iowa, suddenly it takes on a whole new meaning, and we’re all smiling.
And that’s the thing isn’t it? Context. I learned it pretty early on. But I have to keep learning it. I suppose we all do.
It was something, the way my mother looked. Shopping with her, I could see the other women wondering what they were missing. It was the same Herberger’s. The same racks. How was she doing it? And didn’t they stand behind her in the same line for the Clinique promotion? But it was even more than all that. What they didn’t see, is for years she did it on no sleep. No money. Eating only Heath ice cream bars to keep the weight on, the weight that slipped with worry. As surprising as a French girl in Iowa. And just as beautiful.
And in watching her story change, evolve, get moisturized and dressed to the nines, it, she, taught me to look for all the stories. All the joyful surprises. To capture them in words and paintings, so everyone could see the beauty in what was far and near, and maybe most importantly, even in themselves. So if you want to give thanks for this, do it by taking a look, in every face, in every mirror. May you ever be joyfully surprised.
I began mothering a set of lifelike plastic dolls from Ben Franklin at around the same time Florence Henderson familied her six on Friday night’s Brady Bunch. It was clear to me, as I lined up each baby in front of the tv set, smelled their heads, tucked in their blankets, that the only thing I was missing was a polyester pants suit like Mrs. Brady. Thus began my first lesson in patience.
I hope I asked, but most likely I demanded a trip to Herberger’s basement. “I’m not sure they make them for little girls,” my mom said. I swept my arm across my plastic family to say that surely I was no longer a little girl. “Maybe Agnes could sew something for you,” she replied. Agnes was a seamstress — and by that I mean she was my grandma’s friend who sewed things periodically in her kitchen/workstation, for women who couldn’t afford luxury, but still had a taste for it.
My enthusiasm was quickly quelled by our first visit to Woolworth’s in search of a pattern. My arms hung at my side. My head tilted back. Tongue out, grasping for air. Grasping for a choice to be made among the Butterick. She only had to give me a look. It was enough to say, “You wanted this. Straighten up.” So I did, but not without a few impatient floor kicks of my bumper tennis shoes.
I had no real sense of time. I could only mark it, episode by episode. The series of painstaking events made me wonder if I would even have a pants suit by the end of the Brady Bunch season. We moved from pattern to bolt. Bolt after bolt. Searching for fabric. Then I got measured. And measured again. Each trip out to Agnes’s farm seemed to take up another week. But then the day magically arrived. In front of the kitchen-stained mirror that leaned up against the wall, she smoothed out the navy fabric across my chubby waist, and I was more Carol Brady than Florence Henderson had ever been.
I don’t know what it cost. I couldn’t tear my eyes away from the mirror as my mother pulled out the dollar bills from her purse. Surely it was more than we had, but what I was taught, what my mother always showed me, was that it was not more than I was worth. What a gift. She’s still giving it to me.
I think of now, and it had never been Florence. On the days I need a little lift, I still play fashion show. And standing in front of the mirror, I smooth out the fabric on my waist, standing tall, straight, hoping, praying, not to outdo, but by some chance come close to Ivy-ing as best I can.
I loved Mrs. Erickson, my third grade teacher at Washington Elementary, but it was clear she didn’t have all the answers. I can see, looking back, what she was probably trying to do, but still… She wanted us, as young girls, to get interested in the sciences, so she grouped us together and told us about exciting careers in medicine, geology, chemistry, why “we could even be astronauts”, she cheered. My hand shot up in the air — so eager to speak, I crossed my left arm over my chest, trying to keep my right arm from, well, shooting into space. She pointed her stick at me, letting all the words out of my mouth. “We’ve been playing it for years!” I said. “What’s that?” She asked. “Fashion astronaut. My mom and I play fashion astronaut almost every day!” She tightened her lips and closed her eyes, shaking her head in dismissal. “That’s not a thing,” she said, staring back at the blackboard.
“Well of course it’s a thing! I know what I’ve done and hadn’t done,” I thought to myself, head hrrrumphing in my hands. My mother had never lied to me. We WERE fashion astronauts. I got ready with her each morning. As she accessorized she explained how this scarf or this necklace would put this certain outfit right over the top! Launching it above all others. We were indeed astronauts! No one could tell me otherwise.
I took the bus home, rolling the assurance of my scarf between my fingers. I stomped down the gravel driveway and waited for my mom to come home from work. I told her everything — it all came out faster and higher than I hoped, but she had become very efficient at deciphering my “we’ve been wronged” vernacular. She smiled. “That’s the thing about being an astronaut,” she said, “we don’t really need anyone’s approval.” I smiled too. And knowing this, didn’t we just go a little bit higher!
I told myself it was because of the stripes — that’s why it would be too hard to do this portrait of my mother. My heart tapped my brain each time I was looking for a new project. But I wasn’t ready. And it had nothing to do with the endless blue lines. Of course they would be a challenge, but the real reason, I just wasn’t prepared to spend that much time in this dance. In this joy.
Sometimes even joy can be too much for a weary heart to lift. But the thing about joy —love, I suppose — is its patience. It sat waiting for me. Music cued up. Hand on the lights. Runway set. Whenever you’re ready, it said.
And one day, “can’t” dares to take a tiny twirl, dropping off the apostrophe, letting go the t, and suddenly you’re stepping into the “can.” And once you reach “can,” the music begins to play, the lights shine, and you’re dancing in the “are.”
It was something spectacular to see my mother’s confidence grow. It was my first real job after college. I was in charge of the style show. Of course I leaned on the most stylish person I knew. She picked out the dress she wanted to wear — the ‘ol show stopper – the one with the twirl. I wasn’t surprised. Those in the style show were offered a discount on the clothing. She didn’t have the money at the time to purchase it, but don’t think for one second she didn’t own that dress!
My heart heaves still with a beaming of pride. I had witnessed her dance in the kitchen. Even at the Lakeside Ballroom in Glenwood. But here she was, in front of strangers, never feeling more herself, in the glow of the runway. I never saw her in the same light after that. For me, she’s still glowing.
I won’t say that there weren’t a few tears of tenderness, as I painted each blue stripe of her dress. But pain, had somehow found its way to love. Love, that ‘ol show stopper,” once again twirled its way into my heart.
I’ve heard it said before that love can build a bridge. I smile and think, sometimes a runway.
