Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Pants on.

I suppose in a way she did manage to quell my impatience when she told me to “Keep your pants on.” For it was in that moment that my sense of urgency switched from finding the library book — the one that I had been waiting on for the past two weeks, one that was neither in the return bin, nor on the shelf — and turned to focusing on a possible scenario in which I would think taking my pants off would solve anything. Who did she think I was? Did she know my mother? I stood there frozen, in this glorious sea of imagination and wonder, this beautiful library of Washington Elementary, as her words repeated in my head. Neither fire alarm nor peer pressure of any kind would indeed make me do such a thing. Of course I would keep my pants on, but I still wanted that book.

I suppose I’ve always struggled with patience. Maybe we all do. And the messages we receive can often be confusing. They continue to tell us to live in the “now,” but when we need something done, now, they tell us to be patient. These are the thoughts that race through my head, and it is in fact all I can do to “keep my pants on.” But that’s what saves me usually, this laughter. Being able to see the ridiculous. Visualizing it. It stops me. Gets me thinking about something else. And while this may not be actual patience, it does manage to achieve the same goal, so I’m OK with it. We take our victories where we can.

They say our brains reach 90 percent of our adult sizes by the age of six. What they neglect to tell us is that most of that 90 percent we have to relearn on a daily basis. This too makes me smile. And so I keep on learning. I keep on laughing. And for the most part, I do, indeed, keep my pants on.


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Become.

I find it interesting that some of the most expensive clothing brands, The Row for example, are now selling ensembles that highly resemble the things I chose to wear for Halloween from the basement laundry room. Not closeted, but simply hung from a horizontal pole. It was a selection of work clothing, not unlike what hung in my grandparents’ basement. All basically the same size – big — and almost exclusively damp. I never questioned who wore all these clothes. Who worked them into a state of supple? I just assumed every house had them. And my theory was substantiated by the amount of bums and hobos that walked up and down VanDyke road in the dusk of October 31st each year.

It makes me smile, because we thought ourselves too poor to purchase the pre-packaged costumes that hung from the end caps at Peterson Drug, but as it turns out, we weren’t poor, just simply ahead of our time.

I love how everything changes. Fashion comes and goes. Lines get blurred, nearly obliterating perspective. And we just choose what feels right. From the length of our pants to the hearts on our sleeves, we pick, we find our comfort — not because someone told us, influenced us, or pressured us, but because we became.

I can tell you the different paintings that I was working on, by the color palette left on my pants. My shorts. My shirt. Through the years, I have been asked which designer manufactured my paint-splattered jeans. That would be me, I reply.

Don’t get me wrong, I love fashion. All of it. I want to be a part of it, but not so much to impress you, but to joyfully comfort me.

In the summer’s of my youth, usually at least once, the skies would cover in an almost greenish gray, and the breezes that lilted anything on wind would quiet. Alone in the yard, I would hear the land line ring and run. Wrapping myself in the cord and winding myself into the garage, so happy to hear my mother’s voice. “Grab the transistor radio,” she would say, “and go down into the basement.” She didn’t warn me about the possible tornado. Maybe I knew. Her work voice was calm and directive. The plug of the radio hit each step on my way down. I climbed up on the washer to reach the outlet. Between updates and alerts, I danced to the music, weaving in and out of the work clothes. And I was saved.

I feel beautiful wearing my mother’s blouses today, with my tattered, well worn jeans. Is it the fashion, the sound of her voice, the security of her leading me? Yes.

I hear the phone ring again. I race from the basement to a clearing sky. And I become.


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Life’s couture.

Yesterday I saw a photographer on Youtube manipulating a photo to make it seem old — like it was a memory lived, I suppose. The technique took some skill, certainly. And while the end result was interesting, I thought it lacked what the photographer wanted — the depth of an actual experience.  That feeling is extremely difficult, if not impossible, to manufacture.  And I began to think, would our time be better spent trying to capture real experiences, by, well, living?

Once the thought was in my head, spinning around like a kid on a ferris wheel — my brain urging “go ’round again, go ’round again — I began to see it everywhere, this attempt at manufacturing a life. I saw it in the catalogs. Buy our ripped jeans! What if we did the work in the jeans we owned? Wore them in the yard, the garden? Hung tools from belts? Bent? Stretched? Bounced children on bent knees? Wore them thread bare by living? 

I saw the paint splattered jeans on the next page. Couldn’t we just actually paint? Splatter our own clothes with life experience? These are the colors that I want to live in — the colors flung from my own hand and heart. 

It was everywhere. This manufacturing. Even with so-called friends. This trying to fill the life-size holes within us, with “likes” and “followers.” Certainly it has its place. I use it here, every day. To connect. Keep the strings attached through time and distance. But nothing will ever replace human contact. Sitting outside on a sunny day, laughing so hard with friends that waists become rendered useless, bent over by the weight of joy and memory. Nothing can replace the feeling of hugging someone, just a little longer. A kiss of a hand. An empathetic, no words needed, smile. A wave that can’t be contained in the hand, but must be lifted in the air with feet jumping! 

I sit here typing, with paint on my shirt. It is valuable, not because it will sell in a catalog, but because I lived in it. Life’s couture. And I will again today! My heart, threadbare as my jeans, telling my brain, “let’s go ’round again, ’round again!!!”


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Room by room.

We lived on Jefferson Street. One spring, after our apartment had flooded for the second time, my mom, sitting in the only dry corner of the kitchen, said “If I had a big house, I would use every room. I would wander from place to place. Maybe read a book, or just think…I would use everything. Nothing wasted. It would be luxurious.” We sat in the dry corner and dreamed of that day. We sat in that corner, not poor, but happy, rich in the wonder. I have to believe she magically, and unselfishly gave all of her wishes to me, because I am living that now. And it is – luxurious…not just for the space, but knowing in my heart, what she gave to me – the gift of seeing beyond.

And I go from room to room. Each one holds a dream for all who visit. Pictured is the USA bedroom. I painted the jeans I arrived in. The jeans I painted in. The jeans I took French classes in. The jeans that came completely and joyfully undone in a world beyond.

Today I write to you from the airport in Paris. We are wandering home, every joy gathered in, nothing is wasted.