My mother took in ironing. Just being born, of course I didn’t have the words for it, or any words at all, but I think I knew. I could feel it, the warmth. Not the heat from the iron, nor the steam, but the balm of service done with grace.
It wasn’t humility. She wasn’t lowering herself. She loved clothes. She needed the money. She tested the quality of the fabric between thumb and forefinger. She knew how it would behave. How to make the collar and cuffs respond, not with rigidity, but a wantful desire to frame a face, release a hand. When finished, she didn’t just exchange it for cash, she showed them how to wear it — not as a mannequin, but a woman with style unpurchased. And they knew it. That’s why they came back. They could have gone to the local dry cleaner on Broadway, but they returned to my mother, in the white house, near the end of Van Dyke Road.
I watched her years later, doing it for herself, and I could still feel the hands that cupped the back of my head, marveling at the warmth against my resting spine. My mother took in ironing, and ever returned it with grace.
In the arts of love and endurance, gratitude, forgiveness, strength and pure joy, the heart is mighty, for sure! But it’s never been all that good at math.
Of the nine children my grandparents had, only two remain. This two of Rueben and Elsie changed its numbers so many times, and continues still. Only once, with the twins, did it jump by two. The eleven held, and grew even more rapidly, as the nine paired off and tested all of our addition skills. Children turned into grands and then greats, and just as we got used to all of the plus signs, the painful subtractions began.
But the arithmetic of the heart is nothing like we learned at Washington Elementary. Here they taught us that the value changed when subtracting. But they didn’t warn us about the heart. Because for the heart, it never does. The numbers will forever change — it’s a guarantee that life will do that — but the value remains. Love cannot, will not, do the math.
I mention it today because my dear friends lost their beloved dog. She said she was missing her family of three. I, we, struggle to add comfort in times of loss. I don’t know if it helps, I hope it helps, it often does for me…this letting go of the math. Letting the heart decide what remains. True love does. So, I tell her, you ARE still three. Forever three.
It was the most delightful combination of comfort and brand new.
I made a book of photographs for Dominique’s mother. Each visit we would go through the book, again, for the first time. Her short term memory collapsed upon itself within just a few minutes, but the long term — the love of her family — this recognition remained until the end. So we turned, page by page, holding.
Maybe it’s the heart that takes over, when the brain has had enough. The brain that has warned us, urged us. Shot the warning signs again and again. But thankfully the heart seems to win — turning the the brain’s fears of “remember when…” into the heart’s gathering of “aaaah, but remember when…”
They say memory is unreliable. I suppose if you’re using the brain, that’s true. So I write the stories from my heart, where they seem to be holding, strong. Each day turning the page, saying the “I love you’s” again, and for the first time.
I can’t say I ever followed boxing. Of course I had heard of him, Muhammad Ali. But my limited impression was mostly bravado. But then in 1996, when he appeared on the Olympic stage, fragile, all in white, I took notice. Arms trembling, he moved gingerly across the stage. No “floating” or “stinging”…but what I saw, what we all saw, was pure strength. I held my breath as the shaking flame tried to grab hold. Seconds passed. And then it took. The flame shot up to the official grand torch, and the sky lit with the power of vulnerability.
We have a tendency to ooooh and aaaah at the fantastic — at human feats of strength. And we should. But the truth is, they are happening all around us, all the time. I suppose the only real difference is the lighting. Not engulfed under an Olympic size flame, but rather within the subtle glowing of grace. Not emboldened by uniform or flag, but inner strength. Those who dare to brave the challenges of heart and body, and face the day with kindness still.
In a couple of days, the Olympic torch will pass through our French city. A grand event, for sure, but it makes me smile, as I look at the pictures of my mother on the wall…my grandfather, my grandmother…the torch has already been passed.
After my grandfather spoke, no one ever had to say, “Well, what he meant by that was…” He was perhaps the first to teach me the strength of word economy. When he said something, without flower or hesitation, I believed him.
Even with the wide open nature of youth, the vulnerable cracks of the heart and brain are very small. So it was this simplicity that allowed the love in. Word, by compact word.
When my college professors began to emphasize the point, speaking of editing and being precise, I could only smile. That point had long ago been walked in –firm, straight and overalled. My grandfather’s words built a library inside of me. Cataloged by heart. Endlessly referenced.
And I use it still today. In my writing. My painting. My interactions. If you have to tell someone, “I was only kidding…”; “It was only a joke…”; “What I meant was…”; “The point they were trying to make…” — then there is a problem. There’s no room in the heart for all of that. What a glorious filter it can be.
I’m currently reading the book, “What you are looking for is in the Library.” When my friend recommended it, I accepted quickly. She had long ago made it past the filter. And the title itself walked easily in, wearing overalls.
I suppose that’s where all the love is stored. Here. And I pull from it daily. My grandparents’ shelf. My mother’s shelf. Husband. Friends. Family of all covers, all languages. Those whispering still and again, my heart’s truth.
Throughout all of history, hearts have laughed at what the hands try to carry.
I always overpack. It all seems so necessary, so “I can’t live without it,” until I have to drag it from car to hotel to car again.
I write the stories of my hometown daily. I have them with me, even a country, and what some may call a lifetime away. Truth be told, driving into town yesterday, almost none of it is there. The pool were I learned to swim is gone. My high school is an empty lot. What’s left of my middle school is part of the courthouse. Washington Elementary — condos. Even the old public library — empty. So why do I still hear the words? Feel the splashes? Raise my hopeful hand in a class that isn’t there?
Waking up in the Best Western, I certainly can’t call this home, can I? My bursting suitcases try to make the case, with things that I brought from France. Things I picked up in Minneapolis. Duluth. Brainerd. Vintage shirts purchased from the Alex thrift store reminding me of when I was a Cardinal. I suppose we’re all trying to gather in the proof that being here matters. (Wherever that here may be.) And we struggle to drag that proof beside us. And the funny thing is, I know the answer. I have written it. Painted it. Lived it. What remains may only be in the heart.
Sitting with friends yesterday in memory’s laughter of burned pizzas, and chances taken, tears shared and future plans, everything is still alive. Pools and teachers and libraries and mothers. Everything remains. Brushing against arms. Leaning into hugs. I know my heart is the only suitcase I need. And it fills, even when full. It’s all that matters.
One of the best lessons I learned as an artist was not in the creation, but in the white space. Whether it is on the canvas, or the wall around it, there has to be space for the eye to rest. The white space. To see the art, to really be able to feel it, there must be space around it, so it can breathe, it can live. When it all becomes too cluttered, then nothing can really be seen. Not even the best of art.
I suppose it’s the same with living.
There are a million books written about it. Grief. It only recently occurred to me — looking at my grandfather’s portrait. I’m living in that white space. Missing my mother. (My grandpa and grandma too.) But it made me feel better, seeing it this way. It’s all part of the big picture. This white space — this emptiness — it shows us the real beauty of life. And it’s not separate from the art of living, it’s a necessity. So I feel it. And I know that I’m lucky. What a privilege to be a part of these glorious lives. To rest in the space beside them. Knowing that we are all a part of the same work. We are together. Always.
I only mention it because maybe you are missing someone. Maybe you are resting in this space. And maybe, for a moment, you too can see the beauty of it all — the endless art of this living…
I suppose it all takes time. To see the ordinary. And to appreciate it. Those of you that follow me here, have come, I hope, to know my grandparents, my mother, my schoolmates, and teachers. Some might say “just plain folks.” And that’s probably true. But maybe that’s the real beauty of it all. To find the spectacular in farmers, housewives and receptionists. To see the extraordinary in the daily living.
And in seeing them, it helps me see myself. Helps me find the gratitude of the day given. Of the toast for breakfast. The smell of coffee. The hand that reaches out for mine.
I am reading the book, “Love, Kurt (The Vonnegut Love Letters). I have this book, only because I have a special friend. Last year, together with our husbands, we went to Stillwater, MN. My friend and I stood in the bookstore as if before the Christmas morning tree. So many gifts in front of us, we had a hard time deciding. We each settled on our present. I loved her choice as much as mine. This year, she gave her book to me. Those simple words don’t seem to give it enough meaning, but I will tell you that it fills my heart. It brings me back to a laughter filled day on brisk streets and slow choices. It, for me too, is a love letter.
In the book, Kurt Vonnegut writes with his young pen, to his young wife, “Angel, will you stick by me if it goes backwards and downwards? Holy smokes, Angel: what if I turn out to be just plain folks?” Tears fill my eyes. I imagine we’ve all had the worries. Will I be special enough to be loved?
It’s these memories, of course, that give me that comfort. That give me the yes. My heart is packed full of the love from these glorious and plain folks. And I have loved them. Love them still. And I am one. Proud to be living with these extraordinary people. It is plain to see, they, we, are more than enough to be loved.
The first set of paper dolls I received was for my 7th birthday from Wendy Schoeneck. My mother had always taught me to smile when receiving a gift. I didn’t know why she had made such a point of it. I suppose up until then, I had always been thrilled with my presents. Wendy was smiling so intently, watching me tear the wrapping paper. So pleased with what was about to be revealed. I scraped the yellowed Scotch tape from the last reluctant piece, only to reveal, to my horror, Buffy and Jody paper dolls. Not only had they spelled my name wrong, but Jody was the boy. I glanced up at my mother. I knew she knew. I guess her constant reminders paid off, because I forced a smile in Wendy’s direction. She couldn’t seem to tell that it was more pain than gratitude.
We played music. Pinned the tail on the donkey. Dropped the clothespins in the bottle. Passed around the presents. Laughed and held sweaty hands in circles. All had been forgotten and forgiven.
One of my presents was a Winnie the Pooh giant story book. We all started to sing the Pooh song, when one of the girls noticed that Winne the Pooh could quickly and easily be translated to Wendy the Pooh. Others joined in. Some giggled. But not Wendy. I knew she felt bad. I opened the box of paper dolls and my mom got out the scissors. We cut out the clothes and quickly forgot about both Poohs. It was a good gift after all. Wendy was smiling. My mom was smiling. And so was I, for real this time.
Sometimes it’s hard to see life’s gifts. They often come ill-wrapped at unwelcomed times. But even the hardest day is kind enough to pass. Find the good. It’s out there.
It’s easy to think it’s beautiful at first glance. The perfection of the unused pastels. Pristine. Untouched. And I will admit I open the box slowly. Remove the padding. And let it sink in, all the possibilities. But for me, this is not the real beauty. No, things have to get messy to become beautiful. The pastels will lose their perfect shape as I stroke them against paper and canvas. The colors will cling to my fingers and get wiped on pants legs and on cheek bones as I bring the painting to life. I’ll be covered in the evidence of creation when I bring the finished product from the studio to the house. Viewing the colors still on my face, my husband will call me a warrior. And I proudly smile, because I am. I joyfully give my all.
I suppose it’s the same with love. With life. Some will never risk getting hurt. Never take a chance on anything. Never using the pastels of their heart. Not me. I want to get in deep. Covered in the evidence of experiencing it all. Even the shattered pastel has the ability to color. To create. To make something beautiful. Your heart is going to feel it, sure…but oh, the colors — the glorious colors of scattered love. It’s not to be missed.
I wake to this sun, labels peeled, middles cracked, rubbed uneven, and joyfully covered in love’s evidence. It looks like an imperfectly beautiful day.
