Working between two screens, sometimes my cursor gets stuck in the opposite one that I want. (Like my brain doesn’t do that all the time.)
It’s so easy to think, “Well, I always did it this way…” Whether I’m talking about different countries, different languages, loves, relationships, even my hairdresser. And I catch myself swiping madly on the wrong screen.
Change is never easy. Neither growth. But both are so necessary. And it doesn’t mean you have to give up everything in the letting go, the moving on…You keep the lightest of things, like joy and hope and love — none of these will ever weigh you down.
Too often I’m unaware. It’s barely more than air, the little birdie that tells me things. But when I’m paying attention, really paying attention, all the truths that move between who I am and who I want to be, chirp seamlessly between my heart and my brain, and I am saved.
I can’t tell you how or why I started painting French birds. No more, I suppose, than I can remember the first time my mother said, “Let’s go shopping.” Some things just take on a life of their own. And now I joyfully find myself wing deep in berets and stripes.
Maybe it’s the unlikeliness of it all. We had no money, and not much of a mall. No history passed down from my grandmother. No gps in our car. No google – no computer even. Just the pure desire to dress our way into lives we knew our hearts were already living. So we gassed up the used Malibu and wore a path on I-94. Passing fields and billboards as if winged ourselves. And we found ourselves at the Dales. Ridgedale, Southdale, Brookdale even, when something just needed to be found.
I see it now more clearly. How we fit striped tops over our wings and found our way. Found ourselves.
Here in France, because my mother dared the freeway, I find myself in front of my sketchbook, and I am not lost, but ever wing deep in joy.
It turns out my mother is currently living under the assumed name of “animal prints” on TikTok. I know this to be true, because yesterday when I posted this video, she was the first to respond saying “I love that striped top. I need to be wearing it.” That is so my mother.
We had a shared language. From ruffles to stripes. One developed through years of shopping malls and our own closets. Playing dress up. Fashion show. The joy flowed like well draped fabric. And I understood completely. For her to say she was “scouring the catalogs for that blouse” after seeing a recent painting, was the best compliment she could give to me.
So how could I doubt that heaven has TikTok?
I suppose believers will always believe. And I do. And if you needed any more evidence, there’s this — while typing today’s post, I checked google to make sure I was spelling “scouring” correctly — here’s the sample definition that appeared — “I scoured the mall for a blue and white shirt, but couldn’t find it anywhere.” Feel free to say hello to my mother on TikTok.
When painting a nest, you have to create the base first. All the blacks and browns must cover, then the lighter twigs can be added. It would be impossible to add the structure afterwards. To put in the dark shadows after the tans and whites.
I guess it’s the same in real life. You have to do the work. Put in the time. Do people still do it? The hard things? It’s easy to want to skip ahead. We’re all guilty of that. But I have the reminders. Of all those who nested me. The dirty steps my grandfather took to the field each day. The heeled steps my mother took to the office. Without glory or praise, they built the nest that comforts me still.
Maybe it’s silly, but I put them out for my mother. Jelly beans or a chocolate egg. A small thank you for keeping me safe until I could fly. And still in mid air. The base to my ever changing nest.
So I craft the words each morning. Each a twig. A thank you and a hope. That we all will be saved.
Being blonde and from Minnesota, it was exotic to braid one’s hair. And even more so when it was wet. To sleep in the kinks to come upon morning’s release. Probably the most daring of all, was to do it before fourth grade picture day at Washington Elementary.
I was horrified when I saw myself in the mirror. Flat on top, and then a sea of crinkled mane, then straight once again at the ends. It wasn’t a hairstyle so much as a triangle. I brushed and brushed. As if the faster strokes would release me from this nightmare. There was no time to shower. The bus had already made one pass on its way to Norton’s and would soon be coming back up the hill.
I was tall for my age. Always in the back row. My only hope was that the inexperienced photographer had no light training and I could hide in the shadows. In my stocking cap I apologized to Mrs. Paulson, who’s skirt was ironed and blouse was bowed. I pulled it off of my head. She wasn’t an expressive teacher. Not overtly emotional. She touched my shoulder that day, for the first and only time. Her fingers pressing in with “an everything will be ok.” I’ve never seen that photo again. But her kindness remains.
I never braided my hair again. Never really thought about it, until I painted this girl yesterday. But I have written about Mrs. Paulson so many times since then. Because she made a difference in my life.
To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.
Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.
What will you do today, to remain in the race of summer?
I sent my friend the picture of this newest bird. Still fresh from my hands, she traveled across the globe to gather in the best compliment. Her reply was, “She’s a fancy bird. Very Ivy-like.” And my heart is still beaming.
I had promised my grandmother that on my best of days, my very best, they would see her, and they would see her daughter. And I don’t always get it right — even in my “best” attempts, but I keep trying. And when you call it out by name, call them out by name, it is all the love that shines.
And isn’t that the best we can do, wear the pearls that we were given? The pearls of wisdom and strength. Of laughter and joy. Of survival and grace and courage. When we give it all a name, we have a responsibility, to witness and uphold. To generate and pass along. And with that, those very pearls are given wings. And I feel the fancy flutter about and I think, I know, how very Ivy-like indeed.
Certainly they were treasures. And I’m just as certain they weren’t expensive. But back then, (and I pray it’s still true today), I, we, didn’t associate value with money. I recognized beauty when I saw it, and these books were beautiful — these compilations of classics, bound in leather, blue, red and green, on my mother’s bookshelf. Too young yet to even sound out the words, I simply ran my fingers over the titles and somehow they got in. And this love of words has never left me.
The most likely scenario is that she got the books through a fidelity program in the grocery store. Just like we got our set of encyclopedias. And didn’t it make perfect sense, this feeding of body and soul. I devour them to this day. I can’t get enough. My fingers are currently tasting the appetizer of my newest book’s embossed title. My mother taught me that. About value. Beauty. She got in. And I know she will never leave me.
After a very confusing day in the library at Washington Elementary, I went home for some much needed clarification from my mother. Hovering between fiction and non-fiction, I asked her if Grandma Dynda, (who lived two lots down on Van Dyke Road) was real. “She’s a real person, of course, but not your real grandma.” So is she fiction or non-fiction? Eyebrows up, and mouth partly open, the words didn’t come, so she just smiled at me. I think we both know we would spent much of our lives hovering in this magical place.
My brain would come to understand most of the difference, but it’s my heart that’s still bouncing around the in-between.
When we first got our cherry tree, and I was searching for a name, (because that’s what I do, name our trees and plants), something worthy and pure and sweet, I hopped the whitewash fence of Mark Twain and found Little Becky Thatcher. In bloom now in the spring of our front yard, she’s as real to me as any written word. As real as any love given two lots down.
It will be a race between us and the magpies when the cherries come. And I like not knowing. Being mid-page. Hovering daily in the smile of this magical place.
There’s a tradition within the working kitchen — “Yes, Chef!” It acknowledges the task at hand and signifies the willingness to follow through. It’s what I say to the fluttering of my white-hatted heart, daily.
I wasn’t feeling that well yesterday afternoon. But I was mid-paint, (a bird in the hand) and hadn’t I promised the page? Hadn’t I said to the other birds, today we welcome another? Yes. But most importantly, hadn’t I told myself that I could do it?
I have no contract with my daily blog, nor my sketchbook. But I do have a commitment to my very core, to be who I am. To make something of the gift of the day. To wing myself above the obstacle and keep becoming.
So when I say yes to the morning and the song in the trees and the keyboard and the brush, I am saying yes to myself. Yes to the chef, the boss of my being, that I am willing. I am able.
The sun feathers day’s light through the window. My fingers wiggle, wings too, already hearing my heart’s yes.
