Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Between two screens

Working between two screens, sometimes my cursor gets stuck in the opposite one that I want. (Like my brain doesn’t do that all the time.)

It’s so easy to think, “Well, I always did it this way…” Whether I’m talking about different countries, different languages, loves, relationships, even my hairdresser.  And I catch myself swiping madly on the wrong screen.

Change is never easy. Neither growth. But both are so necessary. And it doesn’t mean you have to give up everything in the letting go, the moving on…You keep the lightest of things, like joy and hope and love — none of these will ever weigh you down.

Too often I’m unaware. It’s barely more than air, the little birdie that tells me things. But when I’m paying attention, really paying attention, all the truths that move between who I am and who I want to be, chirp seamlessly between my heart and my brain, and I am saved. 


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So black it’s blue.

There were rare occasions when I saw adults cry. Gathered snuggly around my grandparent’s kitchen table. Perhaps to confine the news that came in the letter. Or the heartache of a loved one lost. To give it open space was to let it catch up to us in the summers of our youth. But sometimes, with the need for a Sugar Daddy, or a Slowpoke, I would sneak through the screen door and see it, them, dampened eyes and heads down, and my heart would sink. The ground seemed to shake beneath my bumper tennis shoes. I backed out the door. 

It was my grandfather who caught up to me. Dazed and darkened under the largest tree near the road. He could see I didn’t want to be dazzled by false comfort. And he was never one to do it. “It’s like the Magpie,” he said. He was never much for small talk. He got right to the point. “What is?” I said. “The color. So black that it’s blue.” “I don’t get it.” He told me to get up. He led me back to the kitchen. Dishes had already begun clanking. There was the scent of coffee in the air. Chairs being pushed aside. Knees unbending. Even a few laughters of relief. Life. He looked down at me. “Blue,” he said. I smiled and nodded.

I have carried it for years. This knowledge, even when things are so black, they are also blue. You have to get up. You have to want to see it. But it’s always there. 

I look out the morning window. He’s still right. I smile into the blue. 


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So many wings.

It’s not lost on me, the irony, that my current most popular painting on Pinterest is of the woman taking flight by reading a book. And I’m as guilty as the next person, searching the internet for all things analog. But I do find comfort in the fact that we still celebrate the sketchbook, the written word, the paper and pencil. The intimacy of heart and hand. 

And maybe it’s the pushback to all of this Artificial Intelligence. Maybe it’s the understanding that’s it’s all about the gathering. The joy of the gathering. 

I’m so happy that I grew up in an age when you had to go to the library. You had to search for a book to reference, sometimes only to get to another book. And then another. Feeling each cover. Smelling each page. Digesting each word. Feather by feather, I suppose, we earned our wings. 

I see it in my sketchbook. How one simple little bird became another. And then became a French bird. Or a bird on a wire, and a purse.A stack of books. On a person’s head. And that person became another. In a different time. A different race. Each with a different story. A different song. Together. So many feathers. So many wings. All that flight from the gathering. 

I wonder if we can do the same, with everything, reaching with heart and hand… 


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The race of summer. 

To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.

Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.

What will you do today, to remain in the race of summer? 


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Sticky notes.

I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly.  The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.

My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color. 

Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier. 

I keep moving forward, but not without those who got me here.

There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.


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Elsie’s kitchen.

The Christmas carcass became yesterday’s soup. Aproned and worry-free, I Grandma Elsied my way through the process. Adding everything. Measuring nothing. And it was delicious. Steeped with holiday and attention, it tasted rich and full, but for me, the added pleasure, satisfaction, joy, came with nothing being wasted. 

I try to practice it — this making use. A scrap of metal turned into a frame. Discarded wood into panels. Yesterday’s still fresh oil paint into tomorrow’s tableau. And to me it’s all important, but I hope I pay the same attention to living. Using everything I have. Every speck of courage, because we’ll get more tomorrow. Loving with every piece of my heart, knowing it means nothing left inside. And perhaps it’s not as easy as pot to stove, but I was taught to attempt in Elsie’s kitchen. To abandon worry and just create. 

She’s smiling over my soup bowls, but more over, my heart. Telling me daily to give it all, and just become. 


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Whispered.

The noise was constant. Children and pans. Even the overalls and coats that hung by the furnace seemed to hum. So it was something to hear it — how the upstairs bedroom closets whispered. I could crawl all the way inside and shut the door. Armed with only admiration, curiosity, and my grandfather’s flashlight, I opened the boxes. It wasn’t forbidden — mostly out of lack of time, I suppose. My grandmother had too many things to do. How could she keep track of every child and all those eager thumbs, thumbing through her past. 

It wasn’t a lot, when you think of the years that had passed. A few coats and hats. A fox stole. I had to imagine her once this small — before her belly had grandma-ed behind the aprons. To rub the fur was to awaken the genie, and I could see her, clutching her imaginary pearls, blushing at a boy behind the Alexandria hotel. 

And I thought how she must have loved us, the pure thought of us, to trade in all those whispers for the never ending noise. I closed up everything with the admiration it deserved and creaked my way down the steps to the kitchen. I got face deep in her softened belly and hugged her. “What’s that now?” She asked. I curled my pointer finger in motion, asking her to bend her ear to my mouth. It seemed too pedestrian to shout it over the din. She wiped her hands on her thighs and bent down. I whispered in her ear, “Thanks for loving me.” She smiled. Kissed the top of my head. And the spoons clanked on. 


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N-E-R-V-Y 

If you look it up in the dictionary, it has two meanings. Opposite really. Nervy. It can mean bold, or nervous. Both are probably true. And for me, usually at the same time. 

Months ago, in the middle of a situation in Marseille, feeling both, I decided to Wordle for distraction. I know there are certain starter words, almost mathematical, to give yourself the best chance, but I don’t play that way. I usually insert a word that says something about my current state of affairs, a way to insert myself in the game. It’s just more fun for me that way. So I chose the word with two meanings. Bold and nervous, because wouldn’t you have to be, I mean, are you really being bold if you’re not nervous? Is there any bravery without being afraid? I typed it in. N-E-R-V-Y. The letters turned over green. One by one. I beat Wordle. I chose the word in a single guess. It was about me. 

I three and four my way through most days. Sometimes two. Not playing the odds, but always playing myself. 

Last night, reading a new book, Apples Never Fall, there it was on the page, twice. Nervy. Had I not taken the big chance, the big swing, with my Wordle word, I would have just passed this page without great meaning. But I had taken the chance. I had bolded and nerved my way in, and found myself again, here in the words. 

I don’t want to live timidly. I want to be bold in the attempt. When I love, when I live. So when my reflection is offered back to me, I can say proudly, I was nervy. 

APPLES NEVER FALL


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In the right tempo.

She was the first person I knew to wear a beret. She sang songs about Paris. When I say I knew her, well, we never actually met, but she, Joni Mitchell, was my babysitter. Alone (I suppose you could say “unfettered”) with a turntable my brother left behind, I played the Court and Spark album again and again. I had memorized the words to each song, long before I knew what a free man in Paris would look like, or where Paris even was on a map. 

She was always there, the two hours between my hop off the yellow school bus and my mom’s return from work. Music never lets you be alone. Nor poetry, or any of the arts. Maybe that’s why I love them all so. For me, all a form of grace — it sits with you, until you can walk in it again. 

Maybe you’ll think it strange, but one of the first things I purchased at the Galleria in Edina was a green beret, made in France. But I think it’s perfect. This spinning of my worlds together, round and round, like the very music of my soul. 

We outgrow our babysitters, but not our need for care. I try to give it to myself, still. I hope you can do the same. Find your grace. In the right tempo. Walk in it. And then one day, “unfettered and alive” you find yourself in the dance. 


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Showering in the Louvre.

It was one of the best compliments ever. They were visiting us from the US. After getting ready for the day, he said of my bathroom, “It was like showering in the Louvre.” I’m still beaming. 

Sunday afternoons were always ripe for the dreaming when I was a young girl. Saturdays, my mother did laundry and catch-up work. We often snuck in a trip to the mall if my homework was done. And it always was, by Friday night.  Which left the sweet spot of Sunday afternoon, hovering between the rush of Saturday and Monday’s panic that arrived late Sunday evening. 

In our small apartment, it wasn’t unusual to wish for space. “And if I had a big house,” she said, “I would travel from room to room, each one an adventure.” “Oh yes!” I agreed. And donned in our Saturday clothes, sale tags still hanging, we decorated the imaginary rooms with all of our very real hearts!

I think of it still. Each room an experience. Books and paintings and photos and music. Walls with feeling. A welcome. A gathering. Decorated with the sweet dreams of Sunday afternoons. 

So when he said, it, it wasn’t about the bathroom itself. It was bringing my mother here. To France. It was a gathering of all sweet dreams come true. 

For the same reason I offer the scent of fresh baked cookies to the kitchen painting on a Sunday afternoon. It wafts throughout the house, past Sunday night, into the fresh week’s beginning. The dream continues. Monday promises to carry.