Working between two screens, sometimes my cursor gets stuck in the opposite one that I want. (Like my brain doesn’t do that all the time.)
It’s so easy to think, “Well, I always did it this way…” Whether I’m talking about different countries, different languages, loves, relationships, even my hairdresser. And I catch myself swiping madly on the wrong screen.
Change is never easy. Neither growth. But both are so necessary. And it doesn’t mean you have to give up everything in the letting go, the moving on…You keep the lightest of things, like joy and hope and love — none of these will ever weigh you down.
Too often I’m unaware. It’s barely more than air, the little birdie that tells me things. But when I’m paying attention, really paying attention, all the truths that move between who I am and who I want to be, chirp seamlessly between my heart and my brain, and I am saved.
There were rare occasions when I saw adults cry. Gathered snuggly around my grandparent’s kitchen table. Perhaps to confine the news that came in the letter. Or the heartache of a loved one lost. To give it open space was to let it catch up to us in the summers of our youth. But sometimes, with the need for a Sugar Daddy, or a Slowpoke, I would sneak through the screen door and see it, them, dampened eyes and heads down, and my heart would sink. The ground seemed to shake beneath my bumper tennis shoes. I backed out the door.
It was my grandfather who caught up to me. Dazed and darkened under the largest tree near the road. He could see I didn’t want to be dazzled by false comfort. And he was never one to do it. “It’s like the Magpie,” he said. He was never much for small talk. He got right to the point. “What is?” I said. “The color. So black that it’s blue.” “I don’t get it.” He told me to get up. He led me back to the kitchen. Dishes had already begun clanking. There was the scent of coffee in the air. Chairs being pushed aside. Knees unbending. Even a few laughters of relief. Life. He looked down at me. “Blue,” he said. I smiled and nodded.
I have carried it for years. This knowledge, even when things are so black, they are also blue. You have to get up. You have to want to see it. But it’s always there.
I look out the morning window. He’s still right. I smile into the blue.
To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.
Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.
What will you do today, to remain in the race of summer?
I sent my friend the picture of this newest bird. Still fresh from my hands, she traveled across the globe to gather in the best compliment. Her reply was, “She’s a fancy bird. Very Ivy-like.” And my heart is still beaming.
I had promised my grandmother that on my best of days, my very best, they would see her, and they would see her daughter. And I don’t always get it right — even in my “best” attempts, but I keep trying. And when you call it out by name, call them out by name, it is all the love that shines.
And isn’t that the best we can do, wear the pearls that we were given? The pearls of wisdom and strength. Of laughter and joy. Of survival and grace and courage. When we give it all a name, we have a responsibility, to witness and uphold. To generate and pass along. And with that, those very pearls are given wings. And I feel the fancy flutter about and I think, I know, how very Ivy-like indeed.
Certainly they were treasures. And I’m just as certain they weren’t expensive. But back then, (and I pray it’s still true today), I, we, didn’t associate value with money. I recognized beauty when I saw it, and these books were beautiful — these compilations of classics, bound in leather, blue, red and green, on my mother’s bookshelf. Too young yet to even sound out the words, I simply ran my fingers over the titles and somehow they got in. And this love of words has never left me.
The most likely scenario is that she got the books through a fidelity program in the grocery store. Just like we got our set of encyclopedias. And didn’t it make perfect sense, this feeding of body and soul. I devour them to this day. I can’t get enough. My fingers are currently tasting the appetizer of my newest book’s embossed title. My mother taught me that. About value. Beauty. She got in. And I know she will never leave me.
After a very confusing day in the library at Washington Elementary, I went home for some much needed clarification from my mother. Hovering between fiction and non-fiction, I asked her if Grandma Dynda, (who lived two lots down on Van Dyke Road) was real. “She’s a real person, of course, but not your real grandma.” So is she fiction or non-fiction? Eyebrows up, and mouth partly open, the words didn’t come, so she just smiled at me. I think we both know we would spent much of our lives hovering in this magical place.
My brain would come to understand most of the difference, but it’s my heart that’s still bouncing around the in-between.
When we first got our cherry tree, and I was searching for a name, (because that’s what I do, name our trees and plants), something worthy and pure and sweet, I hopped the whitewash fence of Mark Twain and found Little Becky Thatcher. In bloom now in the spring of our front yard, she’s as real to me as any written word. As real as any love given two lots down.
It will be a race between us and the magpies when the cherries come. And I like not knowing. Being mid-page. Hovering daily in the smile of this magical place.
Our kitchen table is noticeably naked this morning. I’ve had tulips on it for the last three weeks. Yesterday the last final stems ended in petal tears, and I let them go. I know it going in. And yet, oh, how I love them! And why not?! I suppose some choose to leave their tables bare. Never wanting to feel the absence. But I would not trade one curve of the stem. Waking to the dancer’s move, as it reaches for the morning sun. Each day a new position. Beauty, not with the promise of ever, but the grace of now. And I will keep choosing it.
I hope I do the same. Keep reaching toward the love. The morning sun. My stem may be clunky, but my heart, let it ever be a tulip.
It’s not like I forget that I’m in France, but sometimes, I’m more reminded than others. Yesterday, sitting in on Dominique’s appointment, for a good five to ten minutes, I listened to him and his doctor talk about their extraordinary love of cheese. It was quite obvious I was no longer in Minnesota.
I suppose it was at that moment that the bird in my brain took flight.
If we’re lucky, we’re told quite often in our younger years that “you could be anything.” But maybe not so much with the “anywhere.” Perhaps that stems from the human fear of “others.” But I’ve never been sure why that’s so frightening. Because it’s only in the labeling of them being other that we in fact become one.
And as my bird fluttered above all things cheese, I thought, I really like butter. I wondered if they could hear the laughter in my head above the flapping.
Looking for a free page in my sketchbook, I came across the bird in flight that I had sketched in pencil. It could have been anyone’s dream, but it was hers. I don’t have to know her story, to celebrate the fact that she has a story. Be it butter or cheese, I just had to see her. See the hope disguised as the glint of light that reflects from the used-to-be tear. See the dream of flight not long perched on her beautiful head, soon to be mid-flap. And know that we belong. We. All.
“And if you did, see not just my face, but all that I have faced, and if I did that for you…”
I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly. The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.
My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color.
Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier.
I keep moving forward, but not without those who got me here.
There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.
One of my first times driving in Marseille I experienced the wrath of an individual whose only damage was enduring the audacity of my wanting to make a left turn. It being summer, my window was open. She was near enough, as I waited at the light, that I could feel the spray of certain consonants, like p’s and t’s. And had I chosen to raise the window, it would have hit her nose. The oncoming traffic continued, so I waited. She, on foot, could have simply kept walking. My route had no contingency to her plans. Yet her fury escalated into a language that I’m not sure was even French, or European, but simply rage. But I learned something quite powerful in this moment. It didn’t hurt me. (It was almost a little comical.) She wasn’t hurting me. Because I didn’t understand the words, I couldn’t give them any meaning. And more importantly, I couldn’t give them any power. I suppose I had heard it a million times before, in a million ways, that people can’t hurt you unless you let them, but here was direct proof coming right through my open window.
I mention it only because I have to keep learning it. To not give the power away. When the language thrown in my direction is all too familiar — to stop “understanding” so much, when really I, we, understand so little. And control even less. And even more so on the days when my own brain yells at the open window of my heart..
To remind myself, I painted her portrait. An embodiment of this feeling. Under the gentle gaze of this woman, I make the morning breakfast. She reflects the look I want to give to heart and mirror. She is the breeze of spring. The grace that lifts. The beat within that keeps driving me. And I am saved.
