Jodi Hills

So this is who I am – a writer that paints, a painter that writes…

Category Archives: guts


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The February of my heart.

I don’t own a set of china. Not anymore. When I was a little girl my mom gave me a doll size set of dishes in March for my birthday. She told me about it in February, because she never could keep a gift-secret. She started slowly, displaying the wrapped box. I was in my bedroom, playing with my dolls when she set the box on the bed. “They’re going to love it,” she squealed. I smiled and kept playing. “You know, when they’re hungry or thirsty…” I may have been young, but this was not an indecipherable clue. She exchanged my Baby Malinda with the box, but told me not to shake it, because “the glass would break.” I smiled again, not because I knew what it was, which I did, but simply delighting in how much she loved giving, so much so that it simply burst at the seam of her mouth.

When I opened the present a month later, they were the most beautiful dishes I had ever seen. White with blue and red flowers. A coffee pot. Cups with saucers. Bowls. And plates. They were meant to be displayed. I wanted my entire doll family to be able to see them at all times. I made a small shelf from an Iverson’s shoe box. But how could I make them stand up? I asked my mom for help. Her eyes darted around the house. Questioning. Searching. I knew that she had the answer when her eyes sparkled. She got out the footstool. She hated heights. It made her dizzy. She must really be certain, I thought, for her to risk the spins. She placed the stool in front of the window. I had no idea what she was doing. She pulled a few drapery hooks, randomly, so you couldn’t even see the slight sag. She brought them to the table and pulled the middle tongs. They looked like small easels. We displayed the plates and the cups in her old shoebox. I was February excited for the rest of the year!

There is a slight sag, knowing that I don’t have them anymore. But it’s not noticeable, not when the memories of footstools and drapery hooks shine over the moment. I had such a mother!! This can never be boxed or shelved, but forever carried in the February of my heart.

Her birthday isn’t until July 6th, but it seems fitting to start a little early.

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Forever three.

In the arts of love and endurance, gratitude, forgiveness, strength and pure joy, the heart is mighty, for sure! But it’s never been all that good at math.

Of the nine children my grandparents had, only two remain. This two of Rueben and Elsie changed its numbers so many times, and continues still. Only once, with the twins, did it jump by two. The eleven held, and grew even more rapidly, as the nine paired off and tested all of our addition skills. Children turned into grands and then greats, and just as we got used to all of the plus signs, the painful subtractions began. 

But the arithmetic of the heart is nothing like we learned at Washington Elementary. Here they taught us that the value changed when subtracting. But they didn’t warn us about the heart. Because for the heart, it never does. The numbers will forever change — it’s a guarantee that life will do that — but the value remains. Love cannot, will not, do the math.

I mention it today because my dear friends lost their beloved dog. She said she was missing her family of three. I, we, struggle to add comfort in times of loss. I don’t know if it helps, I hope it helps, it often does for me…this letting go of the math. Letting the heart decide what remains. True love does. So, I tell her, you ARE still three. Forever three. 


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Sanctuary.

When I went off to college, the first thing that surprised me was the noise. I had always studied in silence. I was alone for the most part. I didn’t turn on the television or stereo. I liked hearing the books I was reading, feeling the words I was writing. So the first few nights in the dorm were alarmingly loud. No one had headphones. Doors seemed to be quite optional. It was overwhelming to say the least. 

I wore a path to the library. And then I found the silent rooms. Doubled glass. No distractions. Glorious. My first sanctuary. It was there I could invent anything, even myself. I surrounded myself in words. Some lay quietly in yellowed pages. Others rearranged themselves and shot through my #2 pencil. It wasn’t the first time I heard my own voice, but it was the first I started to use it. 

I fear that some believe courage is only born out of chaos. That we must rise above all the noise with a clattering of our own. I suppose at times this could be necessary, but maybe the most bold is to listen to your own heart, your own mind. To brave the silence and find yourself.

There is a setting on my iphotos. It is called noise reduction. It takes away all the clutter to get at the real picture. I didn’t have the words for it then, but I have been hitting that button for most of my life. Sometimes I forget. I get caught up in all the clamor — “but he said, and she did, and they are!!!!!” It’s then I have to remove myself. Find my balance. Listen to the quiet. 

I whisper by hand into my sketchbook. And I am found. 

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Before we’re asked to grow.

He was a few years younger than us. Not that many if you counted them now, but  in high school a couple of years made a big difference. And it was those few years that made us call him Pauly, not Paul. Just one little letter, a y, to differentiate.

He was my best friend’s brother. I had already learned that bad things could happen. Not just little things like a poor grade or a sack lunch you didn’t like, but gut-wrenching things, life altering things. But they hadn’t yet. So it was not only the news that shook them, but the surprise of it all. 

And Hemingway had warned us in our English prep class. Told us how we expected to be sad in the fall, but not in summer. I could hear the change in her voice. How this brilliant sun-filled day had broken them, along with Pauly’s spine. He chose to dive and not fall off the shallow dock. And with that one impulse changed the course of everything. Changed the “y” to “why?”…and just like that Pauly became Paul.

We don’t always get to be ready before we’re asked to grow. Rarely, I suppose. But we will be asked. All. And we won’t be given the answers to the questions. But we will be given the chance. The spring.

I saw the blooming trees on my walk yesterday. And I thought of him. How far he had come from the endless days at the hospital. And I smiled because the why had returned to a y, and he was Pauly again. I touched the pink surprise of the bloom, and kept walking.

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Letting it in.

It’s not that I have to, it’s that I get to… Don’t get me wrong, I often have to remind myself of that very thing, but it’s always true.

It was a springtime funeral. I remember it because I was wearing my birthday dress in the back of the Chevy Impala. I know it was the first grade because Gerald Reed complimented me on that dress. (It’s funny, but I recall my childhood more in grades than in years. Perhaps that’s the power of learning.) It must have been a distant family member or friend because we stopped to pick up my grandparents. I scooted over on the maroon interior to make room for my grandpa. Springtime was the busiest for him. All the preparing. It set the stage for the entire year. Keeping the farm was based on the work put in each spring. My mother, knowing this, said as he slid in the back, “It’s nice to have you here, but you didn’t have to come…” “I don’t have to,” he said, “I get to.” He patted my knee. I don’t remember the funeral. But I remember this.

We will be asked to do the most impossible things. To bear the unbearable. To live the unlivable. Love guarantees this. But all that we get from it — for me — makes it worth every second. We get to love each other. Be there for each other.

Do the words come easier some days than others? Sure. Does the love come easier at times? Of course. But I get to do this. We get to do this. Feel this. Live this. And I will choose my life, scoot over to let it all in, every day.

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Pulled in close.

From the age of five we began looking to see if things fit.

We got our feet measured at Iverson’s shoes, checking for the length and width in the silver contraption. After wiggling our toes inside the bumper tennies, the man on the triangle seat pinched the ends in search of our toes. If he gave the all clear we raced to the glass windows and back. And we were shoed.

In Herberger’s basement, when it was still on Main Street, we tried on pants. The clerk pulled at our waistbands to check for room. Tugged at the length and estimated the time before they would be too short. Up the stairs, past the billing department, were the dresses. Beautiful dresses that were measured to our knees. Zipped up our backs. Smoothed down the fronts.

Dr. Blanchard checked for space in our mouths. Dr. Perkins took our heights and weights. We stood in lines in the school gymnasium to check our eyes and our hearing. All, I supposed, to see if we actually fit.

I had my own checks and balances. Accompanying my mother to Olson’s Supermarket. I waited for her in front of the book section, right by the check out lines. I would pick out the words I understood. Look at the pictures. Then clutch it to my heart. Somehow my heart always knew. The woman in the red smock asked what I was doing. “Just seeing if it fits,” I said. My mother never had to ask. She knew me.

I suppose I’m still doing that. With everything. People. Places. Time. The only way I have ever been able to tell if something really fits is by clutching it to my heart. Sometimes it still stumbles over the bigger words. The tighter spots. The growing pains. But pulled in close, beat by beat, it always leads me home.

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Warm and wild hopes.

I suppose it’s always in the delivery. I can see it falling gently outside the window. The lightest snow. And I’m not sure if it’s the “good kind,” – the right kind for building. I never was sure. As a child I would thrust myself in boots and hat and mittens and stumble outside to see if it would stick. That was the true test. Grabbing a handful and cupping woolen mittens about. Pressing forming. Would it hold? Take shape? And if did, hold that is, in a tiny ball, well then, I knew my future was set. I would be making a snow man, a snow village even! The possibilities were endless.

I suppose it’s the same with living. With loving. We can’t know for sure. Will it last? Will it hold?

It never stopped me as child, this not knowing. I won’t let it stop me now. Because we can’t know everything. We can only try. We can only race with warm and wild hopes. We can only reach out our hands and hearts and try to build something. Something that with all certainty will be impermanent, but still so very beautiful.

May our hearts forever waken in woolen red, prepared to grab a handful! To build! To try! Let it snow, let it snow, let it snow!

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What remains.

Throughout all of history, hearts have laughed at what the hands try to carry.

I always overpack. It all seems so necessary, so “I can’t live without it,” until I have to drag it from car to hotel to car again.

I write the stories of my hometown daily. I have them with me, even a country, and what some may call a lifetime away. Truth be told, driving into town yesterday, almost none of it is there. The pool were I learned to swim is gone. My high school is an empty lot. What’s left of my middle school is part of the courthouse. Washington Elementary — condos. Even the old public library — empty. So why do I still hear the words? Feel the splashes? Raise my hopeful hand in a class that isn’t there?

Waking up in the Best Western, I certainly can’t call this home, can I? My bursting suitcases try to make the case, with things that I brought from France. Things I picked up in Minneapolis. Duluth. Brainerd. Vintage shirts purchased from the Alex thrift store reminding me of when I was a Cardinal. I suppose we’re all trying to gather in the proof that being here matters. (Wherever that here may be.) And we struggle to drag that proof beside us. And the funny thing is, I know the answer. I have written it. Painted it. Lived it. What remains may only be in the heart.

Sitting with friends yesterday in memory’s laughter of burned pizzas, and chances taken, tears shared and future plans, everything is still alive. Pools and teachers and libraries and mothers. Everything remains. Brushing against arms. Leaning into hugs. I know my heart is the only suitcase I need. And it fills, even when full. It’s all that matters.

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In the white space.


One of the best lessons I learned as an artist was not in the creation, but in the white space. Whether it is on the canvas, or the wall around it, there has to be space for the eye to rest. The white space. To see the art, to really be able to feel it, there must be space around it, so it can breathe, it can live. When it all becomes too cluttered, then nothing can really be seen. Not even the best of art.

I suppose it’s the same with living.

There are a million books written about it. Grief. It only recently occurred to me — looking at my grandfather’s portrait. I’m living in that white space. Missing my mother. (My grandpa and grandma too.) But it made me feel better, seeing it this way. It’s all part of the big picture. This white space — this emptiness — it shows us the real beauty of life. And it’s not separate from the art of living, it’s a necessity. So I feel it. And I know that I’m lucky. What a privilege to be a part of these glorious lives. To rest in the space beside them. Knowing that we are all a part of the same work. We are together. Always.

I only mention it because maybe you are missing someone. Maybe you are resting in this space. And maybe, for a moment, you too can see the beauty of it all — the endless art of this living…

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The gallery given.

I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart. 

People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.

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