Words are nothing until they leave the page. I suppose the same is true for love.
Someone was always jumping from something. The overpass. A bridge. The roof of a barn. While I can’t say that I ever would have followed — (we were often asked that question, “if the neighbor girl jumps off a bridge…” and for the most part we didn’t take it literally) — but still I understood the need. The need to fly from something. This need to take all the ordinary of Alexandria, Minnesota, the similar look of classroom and bus. This need to take all that was certain and sure and fling it into the wind and just see…see if in the letting go, we could simply fly.
People laughed when they read it in the news, or sat next to them in the orthopedic clinic, but there was just a tiny part of me that said, yep, I get it… as I turned to the blank page and poem-ed and painted my way up the side of the barn, dropping words and images like added weight, fluttering with excitement as I handed it over to my mother, vulnerable, and weightless, in that moment, in that glorious moment of trusting love, it was then I could fly.
It’s funny how it calms me. Being inside the risk of canvas. Of showing you. Who I am. It’s not my first barn. Not my first book. Nor canvas. But oh, how I keep climbing, because in this life, this love, I know, one way or another, I am going to fly.
In 1938, Douglas Corrigan earned the nickname “Wrong Way” for mistakenly making a trip across the Atlantic from New York, when he was headed for California. I only know this because in the fifth grade, during an orienteering field trip, my team, after completing the wrong course, and also backwards, was awarded with our “Wrong Way Corrigan” certificates. I’m sure this is not the sole reason, but I have been making my own path ever since.
That’s not to say that I’m completely flockless. I have come to rely, appreciate, value and enjoy a wide array of people. And I know that I belong, but that doesn’t mean I always “fit in.” Fitting in asks you to change yourself so others accept you. Belonging asks you to stay true to yourself no matter what. This is what I encourage you to (forgive me) flock to.
So if you see me in the trees. In the sky. I’m probably the one wearing the beret, playing the violin, as most of the others sing. But isn’t it all music? Beautiful, sweet music teaches us, you don’t have to blend to belong.
I recently learned that when birds sleep in a row, the two on the outer edges keep one eye open to protect and allow those on the inside to fall asleep. It doesn’t surprise me, I have rested within that protective watch.
There is a big scientific name for it, which I’ve already forgotten, this act of being able to keep “one eye open” while being in a half sleep — we’ve always just called that “pulling an Elsie.” She had to have been doing the same thing — birding her way through every card and dice game played on her kitchen table. Able to sleep while we pondered over our next move, then waking at the exact moment to handily beat us with chirping joy! And I saw her do it everywhere. In the funeral home where she phone-sat. At the grocery store check-out line (she did indeed check out). Even once in the car. But I was never worried. The speed at which she could belly-jiggle herself awake allowed all of us to rest, to play, to run in a carefree summer, to sleep soundly under her watch.
I suppose you could just rule it all as nature. But I know not everyone was blessed with a Grandma Elsie. So I give thanks. And make my way to the outer edges.
You can’t tell me that they’re always trying to get somewhere. Most of the time, it looks like they’re playing in the wind. Dancing even. These birds so elegantly bouncing and bounding above. And why wouldn’t they dance, they already have the song.
She never wore a tutu, nor spandex dresses, but oh how my mother could dance. She would teach me on the carpet of the living room floor. It was slower. But when I had mastered the steps, she’d lead me to the kitchen floor, and I barely felt my stockinged feet touch the linoleum. She’d sing along to the boombox, pull me in and spin me out and I knew I was flying. I asked her if she had dance instructors? No, she said. In school? I asked. No. Did grandma teach you. She laughed (sure it was a bit of a dance maneuvering through all those people in the farm kitchen), but no. Then how did you know you could dance? I asked. I could always hear the song, she said, and pulled me in once again.
And wasn’t that belief? Wasn’t that the true art of living? Just listening for the music. Trusting your feet would follow. Believing, one way or another, you were going to fly!
There were rare occasions when I saw adults cry. Gathered snuggly around my grandparent’s kitchen table. Perhaps to confine the news that came in the letter. Or the heartache of a loved one lost. To give it open space was to let it catch up to us in the summers of our youth. But sometimes, with the need for a Sugar Daddy, or a Slowpoke, I would sneak through the screen door and see it, them, dampened eyes and heads down, and my heart would sink. The ground seemed to shake beneath my bumper tennis shoes. I backed out the door.
It was my grandfather who caught up to me. Dazed and darkened under the largest tree near the road. He could see I didn’t want to be dazzled by false comfort. And he was never one to do it. “It’s like the Magpie,” he said. He was never much for small talk. He got right to the point. “What is?” I said. “The color. So black that it’s blue.” “I don’t get it.” He told me to get up. He led me back to the kitchen. Dishes had already begun clanking. There was the scent of coffee in the air. Chairs being pushed aside. Knees unbending. Even a few laughters of relief. Life. He looked down at me. “Blue,” he said. I smiled and nodded.
I have carried it for years. This knowledge, even when things are so black, they are also blue. You have to get up. You have to want to see it. But it’s always there.
I look out the morning window. He’s still right. I smile into the blue.
A robin is never just a robin. Nor a wren a wren. I can sit in front of my sketchbook for hours daily, and never paint the same thing twice. It’s always a different flight. A different branch. An old man with a new bird. A woman making another choice.
Heraclitus said, “No one ever steps into the same river twice.” For the river is not the same river and the person is not the same person. Isn’t it the same with love and friendship and simply living. And it shouldn’t be frightening. What a thing! — to be given a new river daily. A new chance to do the right thing. It’s what the poets hope for, the singers wish for, and what all of us waking to this new day simply get, joyfully receive, by opening our eyes. But will we see it? — how extraordinary it is to be given another chance. To come to the river, with fresh eyes and hearts and hands, and make a difference.Knee deep I tell myself, I tell you, this is not yesterday’s river. Nor yesterday’s wren. We can do better. We must do better. Good morning.
I only saw it last night. Could it have come sooner, or was it right on time? Awakening in the thick sky of wee hours, I had left the shutter open, and saw how it wasn’t simply dark, but so black it was blue, like a Magpie. And if it were a bird, this absence of light, couldn’t it just as easily gather those night weary worries under wing? Couldn’t it say, this is not for you to carry? Not now. Not in this light. This is the color of letting go. This is the color of release.
Some say a Magpie will steal anything. I don’t know if that’s true, but if they did, if they do, I decide to leave my concerns above cover, and let them take it. And I give thanks for the thief of worry. No longer bruised, but released by the black and blue of it all. And I am saved.
“Women in pain become birds.” I just read that. I often find myself looking around for the cameras that are surely filming me in this episode. And as I flutter through the inexplicable planned randomness of the page, I think, yes, but not in the way the author meant — small. No, I think women do become birds, but there is beautiful strength in that. A grandness of sky. Adapting in mid flight. Hovering. Not avoiding the breeze, but feeling it. Using it. All while dressed and feathered.
I say this, not in praise of my own wings, but marveling at those before me. I have been nested and pushed by the best. Elsied and Ivyed into the blue. Words like small were replaced with capable, and I learned to fly.
It’s not to say that days won’t be fragile. That we won’t be fragile. But we have been given everything we need. Mostly love.
I wrote it long ago. The truth of it still lifts me. “She believed in the pure randomness of it all. It could happen to anyone at any time, pain, happiness, confusion, even love.”
It’s not lost on me that the words are so similar. So often when painting the birds, I feel the smiling, winged “wink” from above.
He didn’t really know me, when he commissioned the painting for his wife. (Didn’t know that I have a “bird by bird” daily regime.) When I finished, he asked if I could add a little something special on the back. “Could you paint a bird in flight?” I looked around the open sky to see who was watching, “Yes,” I smiled, “I could paint a bird…”
I painted for her a yellow bird to match the yellow house on the front. And I wasn’t sure if they were led to me, or I was chosen, or if we all simply met mid flight. And I suppose it’s that idea that I like the most, thinking we’re all just trying to make this journey a little lighter, a little more joyful… and wouldn’t it be something if we did our best to lift each other, even with just a wink and a smile.
Anyway, it’s always a good reason to keep looking up.
There’s probably a path worn from my daily trek to the hills of the Montaiguet. But I can tell you, I have never walked the same way twice. (Sure, if you’re going to count by tread marks, but my travels are led (or whisked away) by imagination, and are more like the darting of the birds to the stories just behind the trees.
I suppose I started on Van Dyke Road, dragging a wagon full of fellow wanderers — more than willing participants in the sunlit adventure of the afternoon. No rules or fences, only wonder. “I wonder if my hand could fit in there?… or if my doll could reach that highest limb? If the elephant I won tossing rings at the Douglas County fair missed its friends, and were they waiting in the North End? Could we all survive on one can of Chicken Noodle soup? Could the wagon actually take flight if pushed fast enough down the hill? How do you get grass stains out of a baby blanket? Is there a secret land in Hugo’s field? Could my mother always find me?”
My feet may not be as quick, by my mind is still as wistful as the wondering wren. The sun comes up, and I flutter.
