I can’t say it was the most comfortable lap, my grandfather’s. If you wanted something soft, you went to my grandma. Her lap was pillowed with sugary treats, and as soft as the toasted marshmallows she loved to eat from Jerry’s Jack and Jill grocery store. You could easily get lost in her folds of love. So what was it that my grandfather had? First of all, I rarely saw him seated. He was skinny. The farm saw to that. He smelled of earth and pipe tobacco. And just where my head would reach, between his chest and shoulders, were the hooks and buttons of his overall straps. The real comfort came, I suppose, straight from the heart. To be let in, this was the magic. To be offered these rare moments of respite. Between the field and the plate wiped clean with a sheet of bread. To be given the time, when time was currency. This was pure love. Perhaps it’s not visible to the naked eye, but I know the button imprint remains on my cheek, and somewhere deep in my heart. 

People often ask me, “Do you come from a long line of artists?” My first thought is the quote from Vincent Van Gogh — “There is nothing more artistic than to love people.” My grandmother’s quilts still keep me warm across the sea. The portraits I painted of my grandfather keep me safe. Protected. My mother’s blouses wrap me in a love that will never die. I was loved. I am loved. Still. I walk daily within this gallery given. So, YES! The answer is always yes! I come from a long line of artists. Today, in my most humble of ways, on canvas and paper, I attempt to pass on the line. To pass on the love.