So this is who I am – a writer that paints, a painter that writes…
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It’s ironic, I suppose, that I’m always wishing for time to pass more slowly, but I often fight it while gathered within. I must admit I stumbled over the first pages. Perhaps even chapters. The book I’m reading encourages, in fact insists with the beautiful placement of each word, that the text be wandered slowly. To be paced under the heat of a summer sun, conserving the energy that each word consumes, as it makes its way from paper through hands, and head, finally resting in the heart. All the while with the promise, if you do tenderly barefoot each grassblade’s syllable, you will be lifted, winged to another time, another place, and fit directly in. Soaring mid the chaos and heartache with such profound joy, because just as the title says, THIS IS HAPPINESS.
The question that’s always in the holster, “Well, what’s it about?” I could no more answer that than if you asked the same of the day to come. Isn’t it always about living? My only hope is that I can take the same command of the day as I have come to in this book. To navigate with slow appreciation.
Some will say, oh, people don’t read anymore. And I think, I’m people, aren’t I? And it doesn’t feel like I’m alone. I’m comforted in the fact that two of my most popular paintings of this bird series have been, not just with books, placed and stacked, but with people reading. (Over 80,000 likes on Pinterest gives me great hope.) Gives me, well, wings. And I think, I know, even for a few flaps, a few slow flutters, this indeed, is happiness.
Even when I scrub it, there is proof that it is used, loved, every morning. The handle knows my palm. I open and tap out yesterday’s grounds through the kitchen window to fertilize Trini Lopez — the wintering lemon tree. I know how much water to add by the sound. The coffee is sprinkled gently by heart, along with the scrambled reciting of The Love Song of J. Alfred Prufrock, (often forgetting his last name, but always remembering “coffee spoons.”) I twist on the top and place it on the stove. The gas click click clicks in perfect rhythm and my morning’s measure is complete.
It’s never just coffee. Nor the rising sun. It’s the accounting of love’s measure. No matter the night. This morning will be measured beginning with my coffee pot. Life will offer you all kinds of starts. Recalling “what he said,” or “what she did,” or “how I should have,” or “when will I,”…. And I can easily get caught up in them all, until I realize I need an empty hand to pick up the handle that holds the coffee that starts my day, and I let everything else go. And so it begins….
Yesterday I made both bread and cookies, so it’s not surprising that my daily sketch had her hands in the dough. My floured fingers were reminding my heart that it could always be a good day.
I guess that’s how I gauge them. For me they are good days, successful, as long as I do just that — “have my hands in the dough.” If I am in the attempt, covered in paint, or flour, or sweat, trying to make something, learn something, become something, then I’m ok.
And it’s usually the heart that gets most of the credit, and often well deserved. Follow your heart they say. Let your heart lead you. That’s always good advice. But I don’t want to forget the hands. The work. Sometimes the heart needs a little rest from all the heavy lifting. And sometimes, it’s the hands they say I’ve got this. I’ve got you, palms up.
I heard something recently. It was more about the tools you have in the garage, but it seems applicable — “Use what you have to get what you want.” And what I had yesterday, I had my hands. And the day was passed with effort and joy — exactly what I wanted.
And the beauty is, it’s nothing I have to wish for, I just have to do it. Every day. Put my “hands in the dough.”
Grandma Dynda (no actual relation to me) was the first old person that I knew. I mean, that I actually talked to. I was minding my own business, running through their white sheets that hung on the summer clothesline, when she peaked through the screen door asking if I wanted a cookie. It took a minute to get used to the rhythm of her voice. It was slower than a Norton girl. Slower than my mother’s. But I took comfort in the fact that everyone’s was a bit breathless. Some from youth. Some from responsibility. And hers, simply from time passing. Being breathless, too, from all that running, I said sure, and weaved my way to the door.
About the same height, we both struggled to get on the counter stools. Smiling at each other upon summit. She apologized for not baking as she opened the off brand blonde sandwich cookies. I like these I told her. And I did. We each turned them, and ate the frosting from inside. And for the next 15 minutes we were the same age.
Time flies as quickly as the turning pages of my sketchbook. I suppose I could let it flutter in the worry, but it seems better to choose the joy of simply feeling breathless.
I run through the swinging screen door. And hold it open, for you.
The messages were clearly mixed. Every day in school we were reminded not to act the fool, but then were dared to be one, simply by heading to the chalkboard. It seemed to me always a fine line between misbehaving and risking failure. It was harder to see then, but maybe it all came down to intent. Was the goal to shock, or to try? Both got laughs, giggles behind hands. I found out early on, the audience was in their own control. It was about how I felt. How did my behavior affect my heart? For me, I always felt better trying.
“Better to go down swinging.” That’s what I heard on the ball field behind the Dairy Queen on summer afternoons. I took that advice through autumn as I tiptoed to the blackboard (heels were never a place for courage.) Sometimes I would get it right, and return to my desk all smiles. Sometimes, I would be covered in chalk’s dust, as if wiping the mistakes on my pants would erase it all. But I was swinging, wasn’t I?!!! And I was happy.
I heard it on the transistor radio in my grandma’s kitchen — “Only fools fall in love.” Is grandpa a fool? I asked her. The biggest, she said. I smiled. I was too. I loved them both.
I guess I’m still swinging. Every time I open my mouth in France, I am covered in the mistakes of dust, but look at me, I’m here! If you want to be at the front of the class, you have to risk the chalkboard. So I risk, daily. Do I look the tourist? Maybe. But who cares? It’s Paris! You should put a baguette under wing and marvel at the Eiffel Tower. I have, and will continue to risk it all for love, for the joy of living! My pants I can change. This is the only heart I get — I’m going to use it!
I suppose we set ourselves up for it, the scrutiny, wearing berets and earth shoes in the high school band in Minnesota. I mean, I’m sure we would have heard the snickers just for being in the band alone, but somehow, we found ourselves immune to the mockery. Maybe we were off balance in those backwards leaning shoes, but we embraced it. Even the complicated unmemorized sheet music was no match for our confidence. When all else failed, clarinet in hand, I would simply trill (the rapid alteration between two notes). The music sang from my feet through my beret. And I guess it came from our leader, Christy, (no mister needed). After all, he said, it was music, it was supposed to be fun!
I never dreamed then, in the stale smell of gymnasium sweat, feet sticking to bleacher floor, that I would one day find myself living in France. And, just like then, I suppose, I set myself up daily for the scrutiny, simply by opening my mouth. Some days are harder than others, but I lean back into my shoes and feel the music. You can make fun of my accent, or my height, or my country of origin, but I won’t hear you over the trill!
I never know when they’ll show up, the people within the words, the art, like someone peeking through a door ajar, friendly enough to show their face, gentle enough to not barge through — knowing, surely, they will be waved into the heart.
It was my mother who showed up the most (in real life and my work). Her face and thoughts on cards and prints and books. And the joy was as much mine as hers, standing there, watching and listening to the customer say, “Oh, this is so me,” and my mother replying knowingly, coyly, joyfully, “Well, actually…”
And through the years, I have been blessed with a constant flow of those who have visited my heart and traveled through my hands. Each one a gift. So it wasn’t a huge surprise when she arrived yesterday. Even in her new French attire, I knew exactly who she was. I could feel it. And on this rainy afternoon, a country away, she arrived right on time.
What a privilege it is to know people. To be vulnerable enough to open the door. To go beyond face value and let them inside. The worthy ones will show up, again and again. And your heart and hands will never be empty.
I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly. The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.
My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color.
Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier.
I keep moving forward, but not without those who got me here.
There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.
I suppose the closest thing we had to an “influencer” when I was in college was the purchasing of a used book highlighted in bright yellow. Being on a tight budget, I was often subjected to what the previous student deemed important. Perhaps it was defiance, or simply making my own path, but armed with my own highlighter, pink, orange, anything other than yellow, I colored over and in my deepest connections to the word. By the time the next student, spending their last dime to earn an education, opened the textbook, it would have been completely highlighted. Just as it should be, I thought, because wasn’t it all important! Every word a path lit fluorescent.
And I think that’s our real responsibility, not to push or “influence,” but offer a light.
I’m reading a new book, This is Happiness, by Niall Williams. I’ve only just begun, but I am deep in the journey. This author demands that each word be walked carefully, like Hugo’s precious field behind our house on Van Dyke Road. No trampling through. Respectful of all that the ground had to yield, before and yet to come. With each paragraph, the golden crop brushes against my chubby thighs, leaving the safety of house toward the excitement of town. Tiptoeing out of youth, with its remains gathering in my shoes.
I suppose I am a highlighter of word, and memory, and heart. Because isn’t it all important? Isn’t it all important!! I walk the new morning. The gravel in my shoes answers a bright and glorious YES!
She wrote her first order in Chicago. My mom was always there for moral support. Cheering me on as I sold my goods. But she was yet to pick up the pad and pen. She looked beautiful standing beside me — as if she just stepped off Michigan Avenue. She visited with the customers. Told the various stories behind the art. (Most of them included her.) She made them laugh with their hearts. As they say, nothing attracts a crowd like a crowd, and soon my booth was overflowing. I looked up at her (as I always did). I think she knew I wanted her to grab an order form. I saw the “oh, no” rising in her face. But just as she had done with me since birth, I could see her capabilities first. I nodded my belief in her and she picked up the clipboard. I more than loved her. I was so proud of her. And she of herself. I could see the “oh, yes” fluttering!
Our roles are always changing. Sometimes you’re the little girl. Sometimes the bird. If you’re lucky you will be surrounded with those who welcome both. And if you’re wise, you’ll allow them the same.
