I’m not saying it’s where “the brave dare not go,” but to take on a sewing project does require a certain amount of will on my part. I suppose it’s why I keep my grandma’s photo beside the sewing machine. For her it came naturally, or had to. It was at the Husqvarna shop next to Jerry’s Jack and Jill where she first showed off her skills to me, using words like serger, bias and basting. We ate toasted marshmallows from the recent grocery store purchase while the sales clerk tried to keep up. I knew I was in the presence of greatness. Nothing tastes sweeter than that. 

My mother could sew just as well. But she didn’t have anything fancy. Her machine was an oversized gray metal that sat inside her closet. She had to wind the bobbins by hand. There was barely room for two of us inside, but I needed to be near. If she used sewing terms, they were in her head. There was no space for flair, but I could feel it. Again, I stood in the presence of greatness. 

I am forever a proponent of using what you have to get what you need. So yesterday, I made an apron for painting in the studio. That’s not the whole truth. It was much more than that. I first rummaged through my old canvas tarp. Found a piece large enough to make a pattern. Cut it out. Took the plastic cover off my machine. (Took out the handbook — it had been a while.) Followed the instructions to wind the bobbin. To thread the machine. Hemmed each side of the apron. Ironed it. I had nothing for apron strings, perhaps the most important part. My husband found old belts from martial arts uniforms worn by the children. Perfection. My needle unthreaded twice while sewing them on, but who was I to quit? — quitting is not the string to which I will always be tied. 

Soon it will be covered in paint. And get more beautiful every day. 

When I say “use what you have,” of course I mean material on shelves and thread in drawers, but mostly, I suppose, it’s using the strength I have been shown, and the love that I’ve been given — nothing greater than that.