I didn’t have the words for it then, stability, but from teachers, to neighbors, to the toy aisle at Ben Franklin, I was certainly seeking it out. Placed strategically on the center shelf by the back door, just in reach of my chubby hand, the family of Weebles resided. I stood, mesmerized by the cartoon colors. I kept a close watch on my mother’s head that rose above the rack as she looked for material. My heart dared my finger to test it. (My heart was always doing that. With my grandma — would she bandage this? With my grandpa — would he pick me up? With my mother — would she always stay?) One quick glance up for her head, then back down to the Weebles, I poked my finger in the middle. It rocked. But it didn’t fall down. I smiled. I tested the whole family. Only rocking. Sweet rocking.
Of course like any child, I did my share of Ben Franklin begging. But for reasons I know now, that I couldn’t explain then, I didn’t need the Weebles at home. I was fine to leave them on the shelf. Wobbling. I suppose it was only the proof I was seeking. I made my way across the store. Past the penny candy. Into the material section. My mother was still there. She always would be.
I love to paint pears. Their strength is not obvious at first glance. Their fragility, one might say, is perhaps even obvious. But when paired together (pardon the pun) they may wobble, but they don’t fall down. Sweet and glorious stability. It may not always be in arm’s reach, but look around, it is there, perhaps just across the aisle. Not only do I lean on it, daily, I am a part of that sometimes wobbly, fragile, joyful strength.
If I worried about anything, it certainly wasn’t the raw egg in the yellow cake batter my mother occasionally mixed up, along with the aid of boxed Betty Crocker, or Duncan Hines. Begging for the beater in mid-whirr. I sandwiched myself between apron and cupboard, inching my fingers toward the spinning bowl, my mother trying to push me out of danger with one thigh. She spun the dial back to stop, and cranked the neck, lifting the dripping attachments just out of my reach. She unplugged the mixer, because she thought of things like that — ways to protect me. Perhaps she had been bitten or pinched before. Or maybe it was other dangers lived through that told her to beware. With the power off, I felt like it had all been given to me. I cupped both hands as the elixir dripped into my palms. We had spoons, even a spatula, but I couldn’t be bothered with either. She then pulled the beaters out of the neck and handed me the first. Licking one rung left two pale yellow lines above and below my mouth. I was a warrior — a “battered” warrior.
Of course we never used those words, because they would have been too close. Too close to the actual battles ahead. And if there were warnings, would we have even heard them? Over the mixer’s motor? (I’m not sure anyone can, or does.) The laughter rang as she wiped a line of batter from my face and tasted it? Sweet was the taste of no real fear.
I don’t know if he left that day, my father. Did the cake get baked? Did we eat it? Did it get thrown away? This yellow cake of innocence? I don’t remember hearing the mixer again. Did we sell it at the garage sale? Probably. It was big. Too big to fit in our future small apartment. Too loud for those above us, or beside us. She would have thought of things like that. Not disturbing the neighbors in the duplex. The fourplex. The eventual apartment.
We never really baked again. But she filled my palms. First with security. Her hand in mine. And when the hunger returned, for something sweet, when the baked-in trust awakened and said it was ok to enjoy things, the laughter came as well, by the handful, by the heart full. Sweet laughter. It rang over rumor. It rang over fear. And it WAS sweet. Not like at first — when I didn’t know about the “eggs” — when I didn’t know that bad things could happen. (Once you know about them, it’s hard to forget.) But sweet nonetheless. Even baking now, I don’t give it worry — it’s just a part of it. And life is still so very sweet.
It’s happened once or twice before — just as it did this morning. Walking on the path, it nearly stopped me in my tracks. This sweet taste in my mouth. So clear. So delicious. So transportive. Yellow cake batter. The taste tickled my tongue. Inside my cheeks. I put my finger to my lip. Surely it was there. It was so real. My finger came back dry. But the smile remained.
The certainty of gravel remains beneath my feet. I stand unafraid. She is still finding a way to protect me — she still thinks of things like that. Reminding me. Pointing me to all things good. And the laughter rings above the birds, singing “Fill your heart. Feed your soul. Taste this life.”
I see her most mornings now at the top of the hill. I don’t know how else to say it, but I’m joyfully aware that the same sun bouncing off of my shoulders is warming hers, as she steps gingerly behind her gated yard. And I’m happy for her that she seems more secure in this new season — secure enough to go from house to garage without looking down at her cane. Is it a flower bed she’s tending? I can’t really see. The house door creaks as it opens and I notice that she looks back. I’m happy she’s not alone. The moment passes as I descend the slope.
The song rings in my ear with each step. Nina Simone sings “The folks who live on the hill.” I wonder if their lives felt as fast as the lyrics, as they “added a thing or two, a wing or two.” Verse jumping into verse.
Just as it was a jazz standard, it was also, I suppose, a life standard — these folks who lived on the hill. A less complicated, more romantic version of Instagram. But the songs that imagined these lives weren’t intrusive or invasive. I like that. This warmth of not really needing to know the exact details, just imagining the best for them — hoping for it.
I can tell you that I carried that warmth all day. I could feel it especially walking to my studio — that same romance of my own life. What a glorious and rare thing to see.
As we jump to the next verse in our own songs, it’s so easy to miss the magic, the beauty. But I don’t want to do that. So I hum along, and climb. I hope for it. For all. Because I am, we are, the folks who live on the hill.
It was only out of complete desperation that I ate the semi-sweet chocolate chips in the upper cupboard of our kitchen. We didn’t have a continuous stock of candy in our house like my grandma. I stockpiled from each holiday and saved a bit from the Ben Franklin run before the Saturday matinee, so I was able to keep a small stash for afterschool snacks. On the rare occasion that I ran out, I frantically searched the house. Checking first the milk glass candy dish in the living room, but it only contained what my friends called “grandma candy” – usually mints. (Which I never understood, because no one had better candy than my grandma.) Only one other option remained. I pulled the wooden dining chair in front of the corner cupboards. Climbed up. Standing on the orange formica, I spun the lazy susan to the baking goods. Found the chocolate chips. Prayed for the off chance that we also had butterscotch chips to mix with the semisweet. We rarely did. Sitting on the counter’s edge, I poured a handful of the dark chocolate, still hoping for something sweet.
I mention it only because I marvel at my youthful expectation. After countless climbs, it was always the same result — bittersweet — yet I remained ever hopeful. I suppose believers always believe.
I don’t know what today will bring, but there’s a part of me that wakes, ready to push the chair, make the climb, hoist my feet and heart, in search of something sweet. I still believe.
