Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Dear, Chicago

St. Patrick’s Day will always bring me back to Chicago. A green river flowing. Stumbling Irish of every nationality, fueled with beer of the same color and a hope for Spring, brave the cool March breezes that visitors often mistake for the wind of the “windy city”, kick dirty patches of left over sidewalk snow as if to rush along the promise of the warmth to come. Maybe it was easy to believe in the seasons, in each other, all draped in emerald, as if named from the Wizard of Oz. There was an assurance that we (a we that was all inclusive) would rise up. That the blue and yellow of this almost spring sky made us all one. Green. In the Emerald City.

Somehow the curtain always gets pulled back. The great reveal of the 18th. And everyone goes back to their own colors. But maybe we’re all a bit closer for the moment.

We can choose, you know. To be together. As one. Maybe it’s never been so “windy.” Maybe we’ve never had so much to brave. But couldn’t we? Shouldn’t we? Gather in the green of the day, and just be? Together? 

Dear, Sweet Chicago. I’m all in.


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The gift of the balcony.

I was about her age when I read it for the first time, The Great Gatsby. The green light that I sought was never about the opulence of wealth and fame, but I had one. Pick any one of the 10,000 lakes in Minnesota where I grew up, and I could see it dock dancing. It was my love of words. Paint. Creativity. Expression of any kind, reflecting Gatsby Green in my eyes and heart. I follow it still.

At first glance, looking up at her from the Mediterranean, I’m sure they think she has everything. That she is shining green. And yes, she lives in a beautiful home. The right cars and clothing. Even her hair looks expensive. But I have the privilege of seeing her up close, in home and heart. Her newly teened soul is looking. She paints in those perfect dresses. She bakes and cradles the cat. She takes the summer course of theatre and dares to dream of the stage – that one day it will be her script, loud and clear and glowing green.

When I invite her out on the balcony, (the only gift I have to give really), I don’t need to tell her to assume the pose. She is living it. Looking outward. Onward. Not reveling in what she has, what the others see, but looking for her own light. And what a thing to behold! — all these words from the page coming to life, right there in front of me, shining so possible — Margaux, on the balcony in Marseille.


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A branch of fools.


We used to see it all the time, my favorite tree, when we went to visit Dominique’s mother. I haven’t seen it since she passed. I suppose it would be a long way to drive just to see a tree. But I think of it occasionally. It had struggled with the drought of recent years. I painted it when it was full, hoping somehow it would be the hydration needed to keep it alive. 
Maybe I’m doing the same with all of my painting. Trying to keep the connections. Families branch out. Each limb gets thinner. That’s the nature of it, I suppose. But we can remain strong. 
Some say it takes work, but mostly I think it just takes care. You just have to keep caring. Even when it feels like love’s rain has abandoned us, we keep caring. Is that foolish? Probably. But for me that’s not disparaging. When I wrote of my grandmother and grandfather falling in love —
He said, “I’m such a stubborn man, Elsie. I’m stubborn as a mule.”She said, “I love you just the same.”He said, “Then I hear you love a fool.”And he fell for her as only fools can,and the story of Rueben and Elsie began.
 
No one grew things like my grandfather. This mule. This farmer. I want to be this foolish. So I keep believing. I keep painting. I keep watering the branches. I don’t have to drive by to know it’s there. Love ever remains. Ever green. Ever growing.


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With all those who dare.

I must have thrown myself down the grassy slope of our house on Van Dyke Road a million times. Maybe it was aided by winter’s covering of snow, but our summer grass was always lush. A carpet of green.Safe for toes and hands. Welcoming of backbends let go and fallen cartwheels. I could tuck and roll, and only feel the tickling of blades.

I was living free from context. All was as presented, until it wasn’t. I remember the day perfectly. It was just as the day before.  The sky blue. The sun yellow. The green sprouting between summer-free toes. And I was pushed down that hill. It’s funny how something can happen so fast — your world changing in an instant — and yet, it all seems in slow motion. That same glorious grass felt sharp and so unfriendly. I remember thinking with each unstoppable roll, “you used to love me.” 

It took me years to get it back. I carried that unwanted knowledge for decades. I suppose I still do. I suppose we all do. But it’s ok, because I figured out a way, on the most welcoming still of summer days, to let it go, lay it beside me. Rest it in the supportive grass. The grass who was never to blame. And trust the freedom of greening giggles. Trust myself. Trust the day. Trust those standing beside me with wiggling toes, those, too, laying their knowledge down in order to trust. 

The grass grows thick with all those who dare. Welcome to the garden.


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Bambooed.

I didn’t even notice it when I took the picture – how the bamboo tree photobombed my most recent painting.

I don’t know that I was aware of the speed, strength and resilience of bamboo before moving to France. We have a tiny forest of them in our backyard. It’s not like you can actually see them growing…but almost. For the most part, we have kept them contained to a single area, but this one somehow snuck much closer to the house.

I was never really one to paint landscapes before. I had only lived in the city. But I am surrounded by nature now. I walk through it daily. It seems I permanently have a rock in my shoe, every shoe, and a call to wander. It’s in my heart now. And as with all of my paintings, they have to travel through there first. I paint the landscapes. I live in this new palette. And I can see it. The growth.

Maybe I didn’t notice it while it was happening, but I have bambooed my way into this new palette — this new life. I suppose that’s the way it is with all growth — strong, resilient, and oh, so surprising!

Green and smiling, I begin the day. New.


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Carried within.

For a short time, when I was but a short child, I lived in a green house. It was under a blue sky, lit with the brightest yellow sun. It was a time when blue and yellow did, in fact, make green. And everything made sense. Then we moved to a brown house. On the same road. We broke apart, each of us. Nothing made sense. And I spent years searching for my palette.

I asked the same sky, under the same sun, every day, “Please, can you show me the way?” The sun continued to smile, as if it were already telling me. “What?” I asked the yellow. “Where?” I asked the blue. One day I looked down at my shoes, my travel weary shoes, stained with green. A smiling sigh. The blue got bluer. The sun beamed. I looked back at my shoes. How long had they been carrying the answer? Carrying my palette. My home.

They come out so easily now, the colors of my heart, as I live and paint each canvas. Because I know where they are, these comforting colors of my palette, my love, my home — they are, as they always have been, carried within.


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Sprigs of green.

I received this tiny flower for May Day and I put it in the bathroom. It’s only been 48 hours, but I don’t know how I will ever live without it. I thought I loved this shelf before, but now… I will forever want something green. Something growing. Something alive. 

They say that about love. “When you know, you know…” But the problem with that is, you only know what you are taught. And until someone loves you, shows you what real love is, how can you possibly know? And I’m not just talking about romantic love — I mean all of it – the “thy neighbor”, fellow man, global, empathetic, understanding, forgiving, curious, ever kind, evergreen sort of love. Because that’s what love is. Love doesn’t make mistakes. Humans do. And we fail all the time. I fail all the time. But I have been blessed to see what real love is, maybe only glimpses, and maybe that’s all the human eye and heart can handle of this beauty, but what I’ve seen makes me want to try. Makes me want to do better. Like Maya Angelou said, “When you know better, you do better.” Oh! To be better!  

Today I give thanks for all those who have shown me, taught me about real love — all those sprigs of green that have lit up my heart. I wish it for everyone — a love forever growing, forever green.


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Green apples

I didn’t know apples came in different colors until I visited my grandparents’ farm.  Apples were just red, weren’t they?  The good ones? 
But here they were – so many apples – green apples. Hanging from the trees. Beautiful shades of green. Some with green and pink. Some with green and red. They were so beautiful. Each tree had its own flavor, and each flavor had its own variation. 

We helped my grandmother pick the apples each year. Baskets and baskets of apples from the tree. My grandfather gave the fallen apples to the cows. Because they’re rotten, I thought. I wouldn’t give them something rotten, he assured me. Nothing was wasted. Everything had value. Even me.


George Washinton often referred to his home in Mount Vernon, as his own personal vine and fig.  “May the children…who dwell in this land continue to merit and enjoy the good will of the other inhabitants – while every one shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.”

In the shade of green apples, Rueben and Elsie Hvezda created our “own personal vine and fig.” Because of them, I rest there, even today.  

I believe there comes a responsibility with that, the luxury of being well rested. 

Today, take a breath and enjoy that comfort. And then, invite someone in. All must be welcomed.