Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Trying it on.

In the “Age of Innocence,” (if there were ever a time), they used to say, “I didn’t think they’d try it on,” meaning, I didn’t think they’d have the guts to do it. Some may have said that about my mother, but not me.

I’m not sure she ever really knew how brave she was. I know she wanted to be. I guess I knew first, because my grandfather told me. Standing in the kitchen, opposite the sink – grandma in elbow deep – in front of the window that framed the stripped and hanging cow from the tree, he told me I could turn in, or turn out. That I could armored like my Aunt Kay, or be open like my mother. He didn’t mark either as good or bad, both would be difficult, it was just a choice. My mother returned from the other room. Broken, she had the guts to still be ruffled in white. I had already made my choice. To be wounded, but still believe in love, I would ever be “trying it on.”

It was years later, I relayed his message to her. She hadn’t known that he saw her. It wasn’t the way. I suppose it was thought, “Well, it goes without saying…” but mostly I think that means it simply goes unsaid. I can’t let it be one of those times. Ever ruffled in ruffles, I come to the page, to the canvas, to you, wide open, daily. And on those days when you think you don’t have the strength, the courage, the will, you will think of these words, these images, see my mother’s face and heart, and you will find yourself “trying it on.” 


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This becoming.

They didn’t make it clear when they bent over to get face to face and asked the question, “What do you want to become when you grow up?” They made it seem like it was a one time thing. I never dreamed it would be daily.

The easiest thing would be to just let them all fall to the ground, the wild plums from our garden tree. But that’s not who I am. So I stand bucketed beneath the limbs and pluck and shake and fill. Wild plums do not give it away easily. Skin and pit are prepared to put up quite a fight. I could just smash them all together, and it would be easier, but again I answer, possibly with less conviction, but still, that’s not really who I am. So I peel each tiny fruit. One by one. Put them in the colander to let the juices flow. Smash them by hand, struggling to release the pit that hangs on, and on…but I can’t blame a pit for being a pit. The juice and sweet pulp that remains gets sugared and boiled into the most beautiful rouge — prune rouge. 

We had it on our homemade bread for breakfast. The day becomes, and I begin.

Maybe there’s no way to be warned. And maybe it’s better that we aren’t. It would be a little overwhelming to hear that you are going to have to become, and become and become. Every day you will be asked to become the person you want to be. For me, it’s from canvas, to paper, to table. From person to person, customers online, strangers en route, family in house…who am I to each of them, to myself? Of course I fail, but therein lies the beauty of it all, I get to become again. We all do. 

That’s not to say it’s easy. Tears and sweat will need to be wiped away constantly, but when you get there, to the sweet prune rouge of it all, it is beautiful, this becoming, so I face the mirror and ask myself, still and again, to become.


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Sweet passing.

The small wicker and wood chair that we sit at to open the pool broke under Dominique the very day I was feeling close to doing the same. (Oh the world and its pressures.) For a moment I actually hated that chair. Instead, I decided to take the wood and make something with it. It was surprising, with only one cut on each side, the wooden frame turned out perfectly square. That almost never happens. And after stretching the canvas over it. Stapling it. I measured again. Still square. I could hardly believe how cooperative this wood was being, when just moments before, beside the pool, it was so unforgiving. 

I don’t think it’s a coincidence that my hurt feelings disappeared as the woman came to life on the canvas. Nothing changed in the situation that for a moment I found so desperate. But I had something new to focus on. Somewhere to put my attention in the most positive way. And I suppose that’s what forgiveness really is. It took me years to learn it. And clearly I’m still learning it. It really isn’t about the other person at all. You’re not “letting them off the hook.” I think it’s about releasing yourself from the situation. I guess if there are any “hooks” at all, it’s the ones you release from yourself. And what a glorious feeling.

Today my heart is light and I have a new painting. (The bruise on Dominique’s backside is also fading.) Oh the world and its gifts! 

If you’ve ever stood in front of a painting and felt “moved,” perhaps it’s the sweet passing of forgiveness. Let it flow through you. And lightly begin again.