Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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The other side of the brush.

I can reach it through the tree line when I’m mowing the lawn, this portal to my childhood years. Pushing up, pulling back and pushing up again, I saw it —  the outline, the invitation, of a small chair. I idled the lawnmower to peek through the leaves. There was a tiny table. Two abandoned plastic cups from the most recent party. One of the attendees, a small stuffed bear, obviously warn out from the festivities, was taking a nap in the shade of the table. Without unhandling the mower, my heart maneuvered through the thistled brush, and I, in my white flowered dress from my sixth birthday, sidled up to the table. Everyone came. All of my dolls and stuffed animals. My mom with her extra-frosting cake sat beside me. We clinked tiny cups of water disguised as tea and we spoke in the language of Alice, and danced behind the looking glass. Fueled by youth and love and the belief in all things possible, I finished cutting the grass.

I bake her cookies, the little neighbor girl. In exchange, I suppose, unknowingly perhaps, she keeps the door open.


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Bending.

Of course I had seen my grandma in a chair before. Witnessed the quick cat naps. But the first time I saw her sitting, really sitting, was in the grief of my grandpa’s passing. It wasn’t in the church. I suppose there, she was still being lifted. It was in the church basement. On a folding chair. Next to an untouched plate and coffee cup. When I approached her, I could see the rising in her eyes, but her legs didn’t offer the Elsie spring. Not today, they said. Something changed in me that day. Roles reversed. All the years of her heart bending down towards mine had taught me well, and I bent down towards her. 

I added it to the list of the gifts she had given me. 

For even grief was a gift of sorts, wasn’t it? Oh, this loving. It changes shape constantly. I we, can anger, be in fear, as love keeps changing, but it may be love’s greatest gift of all. 

Sitting in front of their portraits this morning, I don’t really remember who leaned in…I haven’t the tally of the getting to, I only know that our hearts found a way to level, to come together. This love, sits forever well. 


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Pulling an Elsie.

I recently learned that when birds sleep in a row, the two on the outer edges keep one eye open to protect and allow those on the inside to fall asleep. It doesn’t surprise me, I have rested within that protective watch. 

There is a big scientific name for it, which I’ve already forgotten, this act of being able to keep “one eye open” while being in a half sleep — we’ve always just called that “pulling an Elsie.” She had to have been doing the same thing — birding her way through every card and dice game played on her kitchen table. Able to sleep while we pondered over our next move, then waking at the exact moment to handily beat us with chirping joy! And I saw her do it everywhere. In the funeral home where she phone-sat. At the grocery store check-out line (she did indeed check out). Even once in the car. But I was never worried. The speed at which she could belly-jiggle herself awake allowed all of us to rest, to play, to run in a carefree summer, to sleep soundly under her watch. 

I suppose you could just rule it all as nature. But I know not everyone was blessed with a Grandma Elsie. So I give thanks. And make my way to the outer edges. 


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Nowhere to hide.

Getting my hair cut a few days ago, I saw her. My hair wet and slicked back, there was nothing to disguise my face. She was saying something about my preferred style as she brushed, but all I could hear was the smile of my mother’s reflection. And it washed over me, the same joyful relief and responsibility, as it always had whenever anyone said, “You look just like your mother.” 

Sometimes I catch myself — the brain can so easily throw out words that the heart would never dare. And I imagine those words coming out of my mother’s mouth and I fling them away. Because it’s not just her face, it’s about all that she had faced. And how she did it, with grace and dignity. And she, carrying her father’s, wasn’t I carrying both? And isn’t it my responsibility to do the same, and more? 

Sometimes I fail. My hand slips on the rock where he stands. My heart breaks the ruffle of her dress. And I know they see me. I have nothing to disguise myself from them. But they keep smiling at me. On shoulder and in mirror. I hear them. I see them. And know they see the love in my attempt. And I give them back their smiles, and I am saved. 


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The race of summer. 

To be so filled with life that it has to flush from your very pores. Cheeks ruddy and ever ready. I suppose we all think it will last forever — sure that our feet will keep the deal that youth has made. But maybe it’s the heart that takes over. (Or maybe it led all along.) Maybe it’s the heart that drags us from spring’s mud into summer’s bliss. Maybe it’s the heart that races through grass’s morning dew again and again, and lifts us up from green knees when we fall, ever promising to keep our cheeks flushed through autumn. Through winter.

Every time I paint a face, I feel the colors in my own, flowing through my hands. And the corners of my mouth rise up, smiling, so happy to be a part of youth’s reddening still.

What will you do today, to remain in the race of summer? 


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Sticky notes.

I’ve started a new project. Each time I do, there are always things to be learned. Computer programs change so quickly.  The paths to incorporate my artwork from page to printer are constantly changing course. And armed with my mother’s sense of direction, (she who thought the map at the mall should be on the ground so you could just step into it), I can’t say that I find my way quickly, but joyfully, I always find my way. I suppose it’s because I’m never traveling alone.

My first step was to get photos of all the new images. I was stumbling about. Turning pages. Checking lighting. It all felt so clunky. And then I got the tap on my brain’s shoulder that said, “get the sticky notes.” It was my friend Deb who gave me the little notebook of multi-colored tabs. We first used them to mark our favorite outfits in the Sundance catalog, sipping lattes, and reading the cover letter from Robert Redford, as if he had addressed it to us personally. We had colors to mark “maybe,” “yes,” and “why am I not wearing it right now.” Hours of entertainment with just a stick of a color. 

Smiling, I used those notes to mark the pages of my artwork. It all began to make sense. I found my direction. Even using the new programs on my computer became easier. 

I keep moving forward, but not without those who got me here.

There’s an expression that people use when someone dies that I’ve never liked — “She’s no longer with us.” It couldn’t be further from the truth. While the Sundance store has closed, my friend Deb sits right beside me. And I am saved.


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The rows.

It was one of the greatest mysteries to me, the perfection of the rows in the fields. I knew nothing about farming, nor even driving, when I asked my grandpa how he did it. “I just see them,” he said. “But how do you not run over it all when you turn the corner? Or get out of line when you take a sip of coffee from the thermos between your feet?” “I know where I am, and I know where I need to be. It makes it very clear.” “That’s a lot to see,” I said, still not certain that I would be able to do it. “Will I be able to do it?” “This, probably not, but you’ll see what you need to see.” “How will I know?” He got on the tractor, and showed me.

I don’t know the exact moment it happened. How I found my row. My place. But I did. It all became so clear on the page and on the canvas. People ask me all the time — How do make them so real? How do you bring them to life? The truth is, I just see them. And it is my hope, that they see what I see, and others too… then they will know they are beautiful. That’s why I paint the portraits. 

I can’t tell you how it happens. So I simply hop on my daily tractor, and write and paint, and I know, somehow, we’ll all find our way.


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Love’s bright spot.

It always comes as a surprise — the morning dark. It is delightful though, that I still believe summer will never end. That the morning light will sprinkle me awake and pull me into the promise of ever. And I make those same promises back. I always have.

From the moment I stepped off the last school bus ride of the year. I’d drop what was left of the documentation of another year at Washington Elementary, and I’d pull off my bumper tennis shoes without taking the time to untie, and I’d wiggle my feet in the yet unmown grass, and to each blade of green that snuck through the spaces of winter toes, I would promise to enjoy every moment of sun lit wonder.

And oh, how I filled my pockets with light. Wagons pulled. Balls hit. Bikes ridden. Each one a bright spot to carry me through the winter I would never see coming.

I suppose it’s the same with love. All that light and promise. Even in the darkness, it never goes away. It wiggles through toes and dances in hearts, and keeps its promises. Ever.

I smile at the morning dark. I am not afraid. Everything is still possible. And I am surely loved.


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Showering in the Louvre.

It was one of the best compliments ever. They were visiting us from the US. After getting ready for the day, he said of my bathroom, “It was like showering in the Louvre.” I’m still beaming. 

Sunday afternoons were always ripe for the dreaming when I was a young girl. Saturdays, my mother did laundry and catch-up work. We often snuck in a trip to the mall if my homework was done. And it always was, by Friday night.  Which left the sweet spot of Sunday afternoon, hovering between the rush of Saturday and Monday’s panic that arrived late Sunday evening. 

In our small apartment, it wasn’t unusual to wish for space. “And if I had a big house,” she said, “I would travel from room to room, each one an adventure.” “Oh yes!” I agreed. And donned in our Saturday clothes, sale tags still hanging, we decorated the imaginary rooms with all of our very real hearts!

I think of it still. Each room an experience. Books and paintings and photos and music. Walls with feeling. A welcome. A gathering. Decorated with the sweet dreams of Sunday afternoons. 

So when he said, it, it wasn’t about the bathroom itself. It was bringing my mother here. To France. It was a gathering of all sweet dreams come true. 

For the same reason I offer the scent of fresh baked cookies to the kitchen painting on a Sunday afternoon. It wafts throughout the house, past Sunday night, into the fresh week’s beginning. The dream continues. Monday promises to carry. 


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An early promise.

Joie de vivre

I was always aware of time when it came to the things I loved. I thought I could outrun all of it. Pumping my thighs just ahead of aging. If I got up early enough, made a pact with the summer sun not to waste a moment, ran beside Hugo’s golden fields, ate my self-packed lunch in the green of the yard, read books in lakes, rode bike on gravel, hit balls on fields…then summer, (even though deep in the back of my mind I knew it would end), somehow it would always last. The promise still holds.

My mother was that summer. Maybe that’s why I still get up early, to meet her in the promise. To gather in all that I love — the “Joie de vivre” (the joy of life).

Walking on the path yesterday morning here in France, I heard the slow pop of the gravel beneath the approaching car, and I was immediately on Van Dyke Road. I wondered if my new French friend recognized my chubby hand in the gathering heat. Her “Phyllis Norton-like” wave out her rolled-down window told me yes. We both smiled as the years disappeared with each pop under her wheel. We bounced our smiles into the blue of ever and spoke the language, the hope, of youth.

Love and summer make the same promise. So I keep my end and wake up early to gather it in, gather myself in…knowing with each gravelly step, I am home.