He, being 12, had a different perspective, and was not overly enthusiastic about the lawn that was freshly mowed, nor my table setting, nor the food that I had been cooking for four hours. I thought for sure that the fire I started with pine cones for the bbq would spark some interest, with its big flames and smoke puffing out of the pool house — but no. It wasn’t until we finished that beautiful meal, (the ribs and sausages, the asparagus on a bed of peppers and pasta, the shrimp skewers and potatoes, and desserts from the award winning baker) when I began throwing him the winter dusty frisbee across that same lawn that I had worked so hard to mow, that he began to beam. With each throw that spun directly into his reach, he marveled and said, “you’re really good.” This is what impressed him — that I could throw a frisbee.
It’s true that most people see not what you love, but what they love. And the thing is, we never really know exactly how we will connect. But we can, we can connect. It may not be in the way we think, or even hoped for, but in the end, it’s only about if we did.
It wasn’t long before the frisbee ended up in the pool — the pool with last year’s dirty water, not yet ready for summer’s swim. But still, we had a moment. And this is what we build on.
I never know which story you will respond to. It’s always different. And different for everyone, on different days. So I fling the words, like a dusty frisbee across the lawn, and say, in this moment, I’m happy you’re here.
The world is pretty big. It’s an amazing place. Mostly I enjoy it. Marvel at it really. So much to see. To feel. But it can get overwhelming. And then I take a moment. A moment to focus on a spot, the spot. Where? It changes. All the time. It is where I need it to be. I look at that flower – so delicate, so beautiful, even after the rain, or maybe especially. A rock. So strong. So steady. Yet, it can be moved, shaped even, by just a drop of water. I look at a blade of grass. Really look at it. It doesn’t seem to be worrying. It doesn’t seem to disappear, even in this field of green. It’s here. All here. It becomes unclear if they are here for me, or I am here for them. But I’m happy they’re here. I’m happy I’m here. I just breathe. And watch. And I think. What if I’m that spot, you know, for someone. And I still myself, to take my turn. To be the flower. To be the rock. The blade. The shoulder for the bird to land. The spot in the garden. And it’s then I know. Everything is going to be ok. Amazing even. And I marvel in it again.
I don’t know if it was a conscious decision, or just the body’s way of coping. I didn’t have the words for it then, nor the thought to question it. But within a week of moving her family from Minnesota to Texas, my Aunt Sandy adopted the southern accent. And just as easily I suppose, I changed the northern pronunciation of aunt to “ant”. And that’s how she remains.
Maybe everything is just a choice. Right down to how the day is going to be.
Each surface that I paint on accepts the substance so differently. How it holds, smooths. I can say, well, that’s not how you did it yesterday in the sketchbook. And it doesn’t care. This is how it is, it says. And so I make the adjustments. And I don’t fight the rough surface of the hand crafted paper, but it embrace it. Doesn’t it add to the character? Not imperfections, but details. And they are beautiful.
Singing along to the Spotify station in the car yesterday on a French highway, how easily I Tanya Tuckered into Delta Dawn, and I thought of her, my Aunt (Ant) Sandy. We’re all characters, rough and hand crafted, and isn’t it beautiful?!
People from miles around envied the swings on our playground at Washington Elementary. And by people, I mostly mean the other grade-schoolers up the street at St. Mary’s. Those at LIncoln School had their own, but I imagine they were still impressed. The chains were so long. And the straps of the seats didn’t cut into your thighs. They were perfection. And placed as they were, after pumping for several minutes, and perhaps aided with a slight push from behind from your best friend who dared the thrust of your return, if you stretched your legs at the height of your swing, it appeared as if you were climbing atop the roof of the school. What a thrill to reach that height. And it was that thrill of being lifted that made my stomach jump to my throat, and gave me the courage to face anything the school would offer after the ringing of the recess bell.
Imagine my delight, the first time it happened without the aid of chain links and gravity. I had just cut my finger on the very razor blade in the kitchen bureau that my grandma told me not to touch. It was my heart that sank first. Not because it hurt that badly, but because I was sure she would no longer love me. Still operating under the rudimentary conditions of the playground, where friends were lost and gained in one recess, I started to cry. She wiped her ever dish soaped hands on her apron and knelt before me. Walked me to the bathroom sink and cleaned my minor wound on my finger, but the one on my heart remained. I was still small enough to be shattered, but too big to be carried, so she walked me to grandpa’s recliner. She sat down first, making that happy sound of a cushion expanding. She told me to stand in front. She grabbed the wooden lever on the side, and with that one swoop, she launched the recliner’s leg, and lifted me off of mine into her lap. My belly jumped, along with my heart, and I could only laugh. I knew I could face anything, as long as she loved me.
Even typing this, my belly races to my heart, and I am saved.
It’s easy to misread anyone I suppose. Up until the fifth grade, I was extraordinarily quiet. I wouldn’t have put it that way, but that’s what they wrote on my report cards. My mother, not seeing anything to defend, replied, “When she has something to say, she’ll say it.” I sat beside her, cheeks flushed and smiling, I nodded. The teacher, once again misreading the room, looked at my face and said, “There’s nothing to be embarrassed about.” My mother knew what the pink in my cheeks meant. “She’s not embarrassed, she’s hopeful.”
We ripen at different stages. I found my voice. I still get nervous. I get angry. I get tired. Sometimes sad. Sometimes so much joy that it’s overwhelming. And it all blushes out my heart and through my face, because through it all I am hopeful. I am hopeful that I will understand. That I will be happy. That I will pass on all that joy for others to carry.
Sometimes he looks at me and says, “Nice colors.” And I know he sees me. Just as she did.
In a large gathering, I couldn’t really tell the difference between a Hvezda and a farming neighbor. Looking up from the height of their waist, I could see that we were all pretty much the same as I weaved through pant-legs and nylon stockings.
I can’t tell you the moment it changed. Maybe it was in small spurts, like my growth. One day though, I remember thinking nobody could possibly understand. Because surely I was the only one to feel this way. And the irony, I suppose, was that in all those differences, everyone else seemed to be having that very same thought.
It’s funny that it takes so long to see them, the thoughts nesting atop our heads, but once we start talking, sharing our experiences, we find that we’re really not that different after all. “Family” or not, we are all related.
On runways and red carpets, they like to play, “Who wore it best?” — pointing out how the same dress curves around the different women. And unfortunately, we seem to do the same with feelings. Judging who grieves better. Who recovers more quickly. Who wins (or loses) with the most grace. And I’m guilty of it too, and then I feel it, the flutter of those nesting thoughts…and I think maybe, just maybe, we’re not that different after all.
I didn’t correct her when she thought it was a hat — the bird atop the woman’s head. While it wasn’t a fascinator, it was fascinating, so when she said she would wear it too, I smiled and agreed.
For what was to be gained if I said, “But it’s a real bird…” While in my imagination it was, it was still just a painting. There for all to imagine. And in her mind, it was a hat. So I let it be a hat.
My cousin Dawn used to make up songs in the bathroom when she was a little girl. Neither self conscious of her singing, nor… well, her bathroom routine. One went, “And pony, and pony…” Only those two words, but over and over. It’s surprising how easily they stuck in my head. Annoyed, I told her to stop. Again and Again. It was my grandfather who told me, not her, to stop. “But it’s not even a real song,” I pleaded. “It is to her,” he said. And the argument was finished, but not the song. I suppose that’s why I still sing it today.
We have a real need to be right all the time. I’m just as guilty as the next person. I’m trying to get better. We can all enjoy things in our own way. Sometimes, you just have to let it be a hat.
Working between two screens, sometimes my cursor gets stuck in the opposite one that I want. (Like my brain doesn’t do that all the time.)
It’s so easy to think, “Well, I always did it this way…” Whether I’m talking about different countries, different languages, loves, relationships, even my hairdresser. And I catch myself swiping madly on the wrong screen.
Change is never easy. Neither growth. But both are so necessary. And it doesn’t mean you have to give up everything in the letting go, the moving on…You keep the lightest of things, like joy and hope and love — none of these will ever weigh you down.
Too often I’m unaware. It’s barely more than air, the little birdie that tells me things. But when I’m paying attention, really paying attention, all the truths that move between who I am and who I want to be, chirp seamlessly between my heart and my brain, and I am saved.
It was just a line. A handful (but heart full) of words. I wrote it yesterday morning on the back of my sketchbook. I could hear it, her, what she was saying so clearly. And with that one line, the words came pouring out. I wrote for hours.
It’s been said, and I believe that it’s true, that a painting is never finished. Each time you look at it, it takes on your story. You are painting as you listen. I suppose that’s why we are asked to be quiet in museums, so everyone can hear.
If you lean in, she’s telling you something. Her shoulders relaxed into the truth. Her heart unobstructed. Her head lifted to hope’s promise. What is it you need to hear? You already know what it is. Let it come. Let her whisper to you. She’s handing you your story, by the heart full.
Leave it to music, the universal language, to teach us how to live better. Long before technology, it was pretty clear that people sounded good when they sang together. There are many explanations — strength in numbers, an averaging of tones, bad singers influenced by the good ones (a raising of the bar), the pleasing sound of imperfection. They probably all can be true at the same time. So much so, that they invented a way on instruments to create this same tonal pleasure. It’s called the chorus effect.
Hammond introduced the Model B-C in 1936 to lock in true organ tone once and for all. A Hammond Model B-C organ. Using a second tonewheel system with slightly detuned notes, the B-C’s onboard chorus generator fulfilled Hammond’s vision of providing a richer, harmonized sound. Thus, chorus as an effect was born.
I can feel it in my sketchbook. One bird is nice. But a page. A flock! I can feel the chorus of the birdsong. And therein lies the wow! Even with the inevitable smudge, the handprint, the slight splatter, I think it adds to the beauty. This coming together. This gathering. I hope we can do it in our daily lives. Oh, how we need to gather. To find ourselves in the universal song. With all of our imperfections, we are still capable of “a richer” more “harmonized sound.” I want to be a part of that greater song. Can you hear it?
