Jodi Hills

So this is who I am – a writer that paints, a painter that writes…


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Gentle gaze.

One of my first times driving in Marseille I experienced the wrath of an individual whose only damage was enduring the audacity of my wanting to make a left turn. It being summer, my window was open. She was near enough, as I waited at the light, that I could feel the spray of certain consonants, like p’s and t’s. And had I chosen to raise the window, it would have hit her nose.  The oncoming traffic continued, so I waited. She, on foot, could have simply kept walking. My route had no contingency to her plans. Yet her fury escalated into a language that I’m not sure was even French, or European, but simply rage. But I learned something quite powerful in this moment. It didn’t hurt me. (It was almost a little comical.) She wasn’t hurting me. Because I didn’t understand the words, I couldn’t give them any meaning. And more importantly, I couldn’t give them any power. I suppose I had heard it a million times before, in a million ways, that people can’t hurt you unless you let them, but here was direct proof coming right through my open window. 

I mention it only because I have to keep learning it. To not give the power away. When the language thrown in my direction is all too familiar — to stop “understanding” so much, when really I, we, understand so little. And control even less. And even more so on the days when my own brain yells at the open window of my heart.. 

To remind myself, I painted her portrait. An embodiment of this feeling. Under the gentle gaze of this woman, I make the morning breakfast. She reflects the look I want to give to heart and mirror. She is the breeze of spring. The grace that lifts. The beat within that keeps driving me. And I am saved. 


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My heart smiles.

Grandma Elsie

When I first understood that my Grandma had a name other than Grandma, I thought it was O’Elsie. Because that’s what I always heard. From my Grandpa’s mouth, the ladies at the kitchen table, or the faceless voices on the party line. What I came to learn was that they were all saying, “Oh, Elsie…” And always as a term of endearment. When she would make them laugh out loud. When she touched them with her kindness. When she surprised them (especially my grandpa) with a rootbeer float or a basement full of chinchillas. And it came to be my measurement for living, this need combine with the heart’s emission of simply – Oh!

I don’t want to live timidly. And I’m not talking about shock. To shock is simple. To wow is devine. Oh, and wasn’t she so! My Grandma Elsie. 

I hear the birds singing from the morning window and I think, “Oh, it’s going to be a lovely day.” And my heart smiles.


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Stumbling toward humanity.

Perhaps I’m more careful now of where I lay my expectations, knowing that often the people who rise up to the occasion aren’t the most expected. Like a gift without pressure of holiday they gloriously appear, and lift you higher than you could have ever imagined. 

When I was a young girl, I found so much help in the school system. Teachers offered aid and solace. Encouragement and discipline. It was a structure that I depended on. Solid. When I first arrived in France, I had to attend a mandatory French school. Around the table, desperations were as vast as the countries we came from. Of course I looked to the teacher as I had always done. It didn’t take long for me to learn of my mistake. She would not save me. Nor any of us. She made fun of each nationality, as if she had an offensive handbook. And when the insults weren’t understood with language, she used gestures that could not be ignored. 

After three months, without common language or permission, we began to stumble into something close to humanity. We found out more about each other. After learning that I paint and write, it was our teacher who asked me to be the teacher. To bring in art, books, and give a demonstration, in French on my final day of school. I agreed. For if she taught me anything, it was where to place all my expectations — within. As I struggled with art and easels from the car to the classroom, it was the newest addition to our class, the man from Cambodia, who spoke neither English nor French, who picked up the heaviest of what I had, and walked beside me. I smiled, knowing that without my knowledge or expectation, I had been lifted. I had been saved. 


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In an ooooooooh!

“We tell ourselves stories in order to live…”. Joan Didion

As humans, I suppose, we are always looking for the narrative, to lessen the blow or to heighten the lift. And didn’t we start at the beginning, in our first class under the name of our first president at Washington Elementary. One by one, we stood alongside Mrs. Strand’s desk and told all of the other 5 and 6 year olds what we did over the summer. These were not tales of trips to Europe, nor even flights across state lines, but rather heads hanging out of station wagons and under lake waters. Feet racing on dirt roads and pedaling bikes. Balls hit. Candy bars frozen. Popsicles melted. And sunsets dared awaiting mothers’ calls. 

With each story, hands raised up with ooohs and aaahs of remembering the same, the similar. The excitement of stories melding connected us all. That’s why I keep writing. I keep painting. The thrill when your memories return to you in an oooooooh, and you share them with me, and then with another, is like no other. We are alive! Living in the word, in the story. 

I flank my sketchbook with boy and girl, facing forward. Ever grateful for what has been. Ever hopeful of what is to come. 


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Keep reading.

When my mother was going through the hardest time of her life, I noticed it was then that she would often skip to the last page of the book she was reading. I suppose I was too young to understand, understand this need to get control over something, anything. Amid all the chaos and uncertainty, she just needed to know an ending. 

When I was a little older, when my mother read books completely in order, we were sitting at the table with my grandma. I asked her if it all seemed so fast. She smiled, and we all knew there would be no jumping to the end. We each had to finish this life book on our own. 

I suppose there are moments in all of our lives when we want to skip ahead. But the only way out is through. Step by step. Page by page. I hold it at heart level, this book of mine, and keep reading. What a story!


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Bright as ever.

The light is changing. The cool winter blues are softening into tones of hopeful yellow. Two steps out the back door going down to the studio, I could feel it, see it. Bouncing from the woman at the door who welcomes me onto the back page of my sketchbook. Still a child at heart, I tried to capture it with my phone. Both women smiled gently — the same look Grandma Elsie gave us as we chased summer’s tail around the house.

And why wouldn’t I, we, try to keep in step with all that shines? To keep believing in goodness. Light. To keep understanding that there is no such thing as false hope, only hope. Yellow, gorgeous hope that keeps our legs spinning beneath us, delightfully, nearly off balance, yet always in the race.

I mention it because we don’t all get to see it every day. So I think we have the responsibility to call it out, tell the others of what we’ve seen. Shout it out until it’s their turn to step inside and do the same. I saw it, my friends. The yellow. Still shining. Bright as ever.


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Storefront.

Not all of her dreams came true, but she was never sorry she had them.

Maybe it was because we didn’t have much money, but mostly I think it was because my mother knew the difference between trends and fashion. She had the patience to put a piece on layaway, investing her time in quality. Be it blouse or heart, she was in it for the long haul.  

I spent my time wisely, simply by watching her. 

Within the last week, I have had two requests for some of my original artwork. One dating back a couple of decades. And it warms my heart, not just to still be “in fashion,” but it takes me back to the Viking Plaza, right beside my mother, storefront, watching, learning that the best of things, the best of us, will always last. 

I want to keep growing. Try new things. Ever. But I always begin from the same place. The long haul of my mother’s heart. 


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My heart’s summer.

Before school started, when days were measured in the shaded pink of shoulders, or the sand in shoes, I was friends with the neighbor boy down the road. Armed with only curiosity and imagination, we could spend the length of our day on a dirt pile. He could climb a tree, and more importantly, wanted to. And ever left a leg hanging low for me to climb like a ladder to the nearest branch. (Still my definition of friendship.)

It was only for a few summers before he moved away. But the percentage of that time was nearly the whole of my life. Maybe summers will always seem that way. I hope so. To live in the season of growth, the season of “I wonder if we could fly from there,” is perhaps what carries all of us through the winter. 

Sometimes I feel my age, and then I empty my socks and my shoes of the day’s collective rubble, and I think, I know, my heart’s summer will never end. 


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The morning flutter.

I like to light candles when I get up. This morning’s illumination put up a fight. The first two matches burned themselves out so quickly, I had to abandon them to save my fingers. Next the wick broke off. Then again. By the fourth match I had to laugh, remembering this is exactly why I never volunteered to be an acolyte at Bethesda Lutheran, and was always more than relieved when Gail Kiltie raised her hand. What’s ironic, the very thing I feared and tried to avoid — their judgement — would eventually come to pass anyway the minute my mother got divorced and we were not pushed out the door, but conveniently shown where it was while being held open. 

I don’t know what they expected the lesson to be (that’s the thing, we get to choose that). My take away — people are going to think what they think, do what they do, without your knowledge or permission. And you can decide whether you are going to blow around in all that wind, or simply fly. (I think the birds on the page, tell you what I did. What I do.)

I haven’t thought about them in years. I have no ill will. For didn’t they give me wings? And my faith is strong. My house and heart are well lit. I release myself into the morning flutter. 


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Before you get to the garden.

There’s not a lot of glory in the underpainting, but without it, there really is nothing. Time must be spent to prepare the canvas or panel. Gessoing. Sanding. Long before you get to the “garden.” And oh, how eager I am to jump to the flowers. But I take my time. I paint the shadow of black (one can’t go back later and expect to paint it in). Then the layering of stems and leaves. Creating depth. Perspective (that so often elusive perspective). Once I have put in the time, only then can I delight in the flowers. And having spent the time, oh what a delight they are!!!!!  As if they bloom just for me. 

It’s hard to remember this in the daily rush of things. The furious speed to get over, get beyond, to get through. But when I’m lucky, (which simply means when I’m paying attention), it’s my hands that remind my heart that tell my brain, “It’s only underpainting…the flowers are yet to come!”

I know the furious speed at which you are trying to get over and around. I have traveled that wind and hung on for dear life. But the dear life I found came only in the quiet slowing down. The letting go. No longer rushing to get past, but easing my way through. And the peace. Smiled. Knowing it had always been there, as I whirled. Peace, sitting quietly next to joy, and hope, and OK now. There, there.